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Letters to Juliet (2010)
Letters to Juliet (2010)
2010 | Comedy, Drama, Romance
9
8.0 (4 Ratings)
Movie Rating
Sophie’s life is heading in a good direction. She is the best fact checker at the New Yorker, engaged to an up-and-coming chef and is headed on a romantic trip to Verona, the setting of Shakespeare’s most famous play, Romeo and Juliet. But when Sophie discovers a multi-decade old letter written to Juliet she finds herself on a new and exciting adventure in the spirit of true love.

The film hitches its wagon on rising star Amanda Seyfried as the leading lady, playing romantically-inclined heroine Sophie. Amanda plays opposite Christopher Egan as Charlie, a pessimistic and overly protective grandson of Claire, a romantic adventurer and ideal parental-figure, played by the ever-enchanting Vanessa Redgrave.

It was easy to expect that this would be the same old American twenty-something in love tale, but I was unexpectedly surprised by the depth and honesty in “Letters to Juliet”. While it is much more a love story than a comedy, the film tackles a number of the usual subjects –love, loss, and destiny– in new ways. Throughout the film are touching scenes that blend laughter and keen, realistic emotion, without the all too familiar awkward result.

And it is hard not to smile while watching “Letters to Juliet”. The infusion of a love story mixes well with the films other themes: the importance of family and the value of cross-cultural perspectives. These complex themes support the romantic story so well that the experience is less like a fantasy and more akin to a well-layered tale told by a close friend. Mix in the stunning landscape of Italy and “Letters to Juliet” becomes a magically honest story about the quest for true love.

Filled with quality acting, romance, and many kinds of love while speaking across generations and cultural viewpoints, “Letters to Juliet” manages to pull at the heartstrings and share an inspiring and uplifting tale.
  
Mrs Lowry & Son (2019)
Mrs Lowry & Son (2019)
2019 | Drama
I seriously considered not reviewing this film, I knew that it probably wouldn't be something I'd ever watch again but I was hoping that with Timothy Spall and Vanessa Redgrave at the helm it would be a pleasant thing to watch.

Lowry's life revolves around his mother, he cooks for her and keeps her company, but nothing he does seems to be good enough. Her life isn't what she'd like at all, her husband left them with debts and they're living in a neighbourhood that's beneath her and she's clinging to the things that are "better" in the world. He son's hobby of painting isn't to her liking especially after a critic pans a piece he submits. Lowry has one thing to cling to in life but his mother is a fickle person and it may be that nothing is ever enough to her.

The majority of the film is made up of scenes around Lowry and his mother, even at only 1 hour 31 minutes that's a lot of time with limited cast. Both leads are impressive actors and there's no denying that you can see it in this movie but there's something lacking. The story wasn't going to be an overly exciting one and was going to rely on its dramatic performances to keep your interest, everything was "nearly but not quite". You expect some moving moments and at several points you think "oh it's coming now" but it always seems to peter off before the pay-off.

That's not to say that the acting isn't good, it is, but all the scenes were just moments short of something special. Spall does get a few opportunities that get you choked up for him, but as I say, there was opportunity for much more.

It's an intriguing story of the way love for family can dictate the way your life goes. The dynamic between the two is toxic and Lowry's battle between getting his mother's approval and doing what he wants is a powerful one... that this film doesn't quite manage to capture.

What this film does do beautifully is the portrayal of Lowry's paintings. I'm not an expert on his work but it was easy to spot where the scenes had been framed to reflect a piece, you get a chance to see the comparisons briefly at the end of the film. The colours throughout are also spot on for his pieces and the whole film has a very effective range in that respect.

The picturesque doesn't make up for the way the rest of the film cuts off moment in their prime, while I knew it probably wasn't going to hit the high star ratings I had hoped for something above average considering the cast. It sadly didn't deliver and to add even more disappointment it was ended with what I can only describe as a BBC ending to a partially dramatised biography and well, that just put the final nail in the coffin for me.

Originally posted on: https://emmaatthemovies.blogspot.com/2019/09/mrs-lowry-son-movie-review.html
  
Foxcatcher (2014)
Foxcatcher (2014)
2014 | Drama
‘Foxcatcher’ stars Channing Tatum, Mark Ruffalo, Steve Carell, Sienna Miller, and Vanessa Redgrave with an appearance by Anthony Michael Hall and tells an account of Olympic Gold Medal Wrestling Champions, brothers Mark and Dave Schultz and their dealings with their millionaire coach, paranoid-schizophrenic John du Pont who eventually murdered Dave Schultz in 1996.

 

The film has already been received extremely well by critics and has been praised for the performances of Ruffalo, Tatum, and Carell as the three underwent complete character transformations. The film premiered in May at the Cannes Film Festival and director Bennett Miller took home the award for best director. As someone who has seen the film I can tell you that at first I didn’t recognize any of the three lead actors when their characters first appeared on screen in the movie. I would bet money on this film being nominated for Oscars, Emmys, and any other movie awards that I cannot imagine right now based on their performances alone. Channing Tatum has even been quoted as say that this was the hardest acting challenge he has had to date in his career.

 

In the course of the film, we see a unique look inside the mind of an Olympic athlete via Canning Tatum’s performance as Mark Schultz and how they start out as ‘pure’ and patriotic and how those athletes can be corrupted with the promise of big money for sponsorship or with the purpose of restoring and repeating the ‘glory and standing’ they experienced previously and how it reaches into their lives and the lives of the athlete’s families. Example, in the film when at coach John du Pont’s (Carell) insistence, Mark tries to convince his brother Dave (Ruffalo) to join him in putting together team ‘Foxcatcher’ to train wrestlers for the 1988 Seoul Olympics. At first, Dave declines for the reason of not wanting to uproot his family from their home. Later on though, when its of du Pont’s opinion that Mark’s efforts are unsatisfactory du Pont takes matters into his own hands and convinces Dave himself of signing on thereby alienating Mark from and then from his brother. Eventually, the brothers reconcile but this appears to enrage du Pont who’se already starting to display the symptoms associated with paranoid-schizophrenia. Which some say is the true culprit behind du Pont’s mixer of Dave Schultz.

 

I would personally give this film 4 out of 5 stars. Bennett Miller couldn’t have done a better job directing this film and once again, the performances by Tatum, Ruffalo, and Carell were amazing and I have no doubt that they will become major millstones in their careers. However, there is the obvious downside of knowing the outcome in this particular instance. Although I did indeed enjoy the film it was also for all intents and purposes, the film was basically a two hour march to death for the character of Dave Schultz which was a major bummer. But hey, that’s not the fault of anyone involved in the film. That’s just what happens when you watch a true crime story. That’s my only gripe in regards to the film though. I say go see it. It is a two hour film though so be sure you grab a meal and a few beverages before you hit the theater.

 

This is your friendly neighborhood freelance photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ , thanks for reading … and we’ll see you at the movies!