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Shaun Collins (3 KP) rated Doctor Who: Twelve Doctors of Christmas in Books
Jan 12, 2018
A fun and whimsical collection of short stories featuring each of the Doctors and set at Christmas time. Of course, some of the stories by the various artists are better than others, but there was only one that I felt was not up to the same quality as the others (the second Doctor story) and yet it was still enjoyable. A great, read for the holidays. Full review coming at www.travelingthevortex.com
Saul Sailing Snapper (211 KP) rated This is Going to Hurt: Secret Diaries of a Junior Doctor in Books
Nov 13, 2019
Funny and heartbreaking at the same time (1 more)
Quick easy read
Aches and pains with laughter
Full disclosure this is not a book I would normally have read however I had heard good things about it and saw it as a smashbomb giveaway so thought I would enter and I was lucky enough to be selected thank you.
The premise of the book is simple. It is a trainee Doctors diary with various entries of the course of their many years of long hours having to deal with anything that came through the doors during their hospital postings. The chapters are split with each progression through the training ladder and even explaining the process quite well for those who are not aware how crazy the system appears.
I found myself laughing out loud for some of the entries, especially those concerning the removing of alien objects from the body. Aghast at others over what Doctors have to go through on a daily basis and with a lump in my throat over moments of heartbreak mere lines later.
I enjoyed the book immensely and found myself re-reading paragraphs and even the odd few pages to let it all sink in. The plaudits from various celebrities in the cover do not really do it justice but are well deserved. It is a very easy to read book and you would be hard pressed not to come away with a greater admiration for the NHS and its staff have to go through.
The premise of the book is simple. It is a trainee Doctors diary with various entries of the course of their many years of long hours having to deal with anything that came through the doors during their hospital postings. The chapters are split with each progression through the training ladder and even explaining the process quite well for those who are not aware how crazy the system appears.
I found myself laughing out loud for some of the entries, especially those concerning the removing of alien objects from the body. Aghast at others over what Doctors have to go through on a daily basis and with a lump in my throat over moments of heartbreak mere lines later.
I enjoyed the book immensely and found myself re-reading paragraphs and even the odd few pages to let it all sink in. The plaudits from various celebrities in the cover do not really do it justice but are well deserved. It is a very easy to read book and you would be hard pressed not to come away with a greater admiration for the NHS and its staff have to go through.
Ross (3284 KP) rated The Way of All Flesh in Books
May 31, 2018
Excellent gripping period thriller set in Edinburgh's medical revolution
This tale of murder takes place in mid 19th century Edinburgh, where the city is at the forefront of the world's advances in medicine - both medical practices and procedures and also drugs and anaesthetics. Many nights are spent with some of the city's top surgeons sitting round the dinner table in the post-prandial slumber sampling various substances looking to find the perfect anaesthetic.
Will Raven, a recently qualified doctor, starts a new job as apprentice to Edinburgh's pre-eminent midwifery expert, Dr James Young Simpson. But he has recently found the dead body of a female friend and starts to investigate the mysterious circumstances of her demise.
The book takes several strands: we have the true history of Edinburgh's medical revolution where doctors like Simpson vied to get the job done but also find better ways to do it for their patients, we have the murder mystery angle, we have the capable and frustrated women who are refused to even attempt to do jobs they are clearly able to do, and we have the class system in full evidence and while many go along with it, some people like Simpson try to get past this and make their households more inclusive for all.
The threads are all interwoven brilliantly and combine to give a story that is both thrilling and interesting.
Having read a lot of Chris Brookmyre, I had high expectations for his storytelling and these were more than met with a brilliantly paced and enjoyable page-turner. I believe writing with his wife has helped tone down the language a little and the tone of the dialogue is very different to his previous work.
My one gripe would be that the climax of the story was a little laboured, with every single event, decision and twist explained numerous times from different perspectives. Given I had spotted a number of hints quite early on and knew who the perpetrator was, and was happy to assume certain things had happened, I didn't feel the need to have this confirmed at length in great detail.
Otherwise an excellent book and the start of a new series that I will be avidly waiting for the next instalment of.
Will Raven, a recently qualified doctor, starts a new job as apprentice to Edinburgh's pre-eminent midwifery expert, Dr James Young Simpson. But he has recently found the dead body of a female friend and starts to investigate the mysterious circumstances of her demise.
The book takes several strands: we have the true history of Edinburgh's medical revolution where doctors like Simpson vied to get the job done but also find better ways to do it for their patients, we have the murder mystery angle, we have the capable and frustrated women who are refused to even attempt to do jobs they are clearly able to do, and we have the class system in full evidence and while many go along with it, some people like Simpson try to get past this and make their households more inclusive for all.
The threads are all interwoven brilliantly and combine to give a story that is both thrilling and interesting.
Having read a lot of Chris Brookmyre, I had high expectations for his storytelling and these were more than met with a brilliantly paced and enjoyable page-turner. I believe writing with his wife has helped tone down the language a little and the tone of the dialogue is very different to his previous work.
My one gripe would be that the climax of the story was a little laboured, with every single event, decision and twist explained numerous times from different perspectives. Given I had spotted a number of hints quite early on and knew who the perpetrator was, and was happy to assume certain things had happened, I didn't feel the need to have this confirmed at length in great detail.
Otherwise an excellent book and the start of a new series that I will be avidly waiting for the next instalment of.
Purple Phoenix Games (2266 KP) rated Trust Me, I'm a Doctor in Tabletop Games
Oct 13, 2020
Did you know that in olden days doctors and traveling alchemist frauds would prescribe cocaine for various illnesses and maladies? It’s true. Also were you aware that fecal transfusions could cure a multitude of sicknesses? You know, taking feces from one person and injecting it into the intestines of another can cure LOTS of bad stuff. Like excessively odorous gas expelations. Well, that one may or may not be true, but if you think you can sell that cure to your friends, you are ready to play Trust Me, I’m a Doctor.
In Trust Me, I’m a Doctor (which I guess I will just call Trust Me from here on out) players will be taking the mantles of traveling salespeople hawking their wares or old timey doctors prescribing ridiculous cures for what ails their patients. Players will be using the tried and true model of Apples to Apples with a twist to throw out their cure to the patient and hope their solution earns the vote from the patient as the best of the lot. The player with the most earned Ailments cards at the end of the game will be the winning shyster or quack this side of the Mississippi!
To setup, each player will receive a hand of Cure cards. A first patient is decided, who will flip the top card of the Ailments deck. The game can now begin in earnest. Or Earnest, if that’s the persona the patient wishes to take.
On the Ailment card will be the particular malady and one or more icons pertaining to the cures that can be played upon it. The non-patients now must choose a Cure card containing a matching icon to the Ailment and begin preparing their pitch. Once all players have submitted their Cures face-down, each quack will then explain to the patient why they must choose their particular Cure by convincing them of its success rate and process. The patient then chooses the best Cure, and the winning player will collect the Ailment card as a VP. Once the game is over the player with the most VP Ailment cards is the winner!
Components. This game is a bunch of cards. That’s it. Even the rules are printed on the backs of two cards (so really it’s one card if the rules had been printed on front and back). The cards are good quality, and I appreciate the thematic art on each card. The one issue I have with the components is the choice of font for the title of each card. I get that the game is trying to convey that old timey feeling, but the font makes each card a little different and sometimes too scrunched up for my tastes. Other than that, I dig everything else. Oh, the inside of the box is even printed, much like the Tiny Epic games. Cool decision there.
So do I enjoy this one? You know, I do. I don’t have Snake Oil, but this is similar in that you’re trying to sell your opponents on choosing your card. So, if you’re a good salesperson then you will do super well here. Unfortunately for me my father-in-law is a retired car salesman so he mops the floor with us. But I mean, check out the example in the photo above. To cure Cannibalism an appropriately played card is POWERFUL LAXATIVES. Seriously? Poop out your desire to eat other people? I mean, if you have the sales skills to pull that one off, well I applaud you. Obviously the best answer goes something like this, “The power of prayer heals all. Even your taste for others.”
Now, I just gave you a pretty PG-rated response to something that could go VERY R-rated VERY quickly. Please note: this game is NSFW and I wouldn’t play it with anyone under 18 even though the box says 12+. There are some touchy cards in there that I wouldn’t want to upset little Bobby with at family game night. All in all this is a good little game to get the party started or to break in new gamers. The Apples to Apples mechanics work well and there is enough ridiculousness to make everyone laugh, or even chortle. So check this one out if you need a little card game that will get people in the mood to game, with hints of adult-ness and impossibility thrown in for good measure. And don’t forget to suggest leeches for your game-mates that don’t enjoy this. They suck the grumpiness right outta you.
In Trust Me, I’m a Doctor (which I guess I will just call Trust Me from here on out) players will be taking the mantles of traveling salespeople hawking their wares or old timey doctors prescribing ridiculous cures for what ails their patients. Players will be using the tried and true model of Apples to Apples with a twist to throw out their cure to the patient and hope their solution earns the vote from the patient as the best of the lot. The player with the most earned Ailments cards at the end of the game will be the winning shyster or quack this side of the Mississippi!
To setup, each player will receive a hand of Cure cards. A first patient is decided, who will flip the top card of the Ailments deck. The game can now begin in earnest. Or Earnest, if that’s the persona the patient wishes to take.
On the Ailment card will be the particular malady and one or more icons pertaining to the cures that can be played upon it. The non-patients now must choose a Cure card containing a matching icon to the Ailment and begin preparing their pitch. Once all players have submitted their Cures face-down, each quack will then explain to the patient why they must choose their particular Cure by convincing them of its success rate and process. The patient then chooses the best Cure, and the winning player will collect the Ailment card as a VP. Once the game is over the player with the most VP Ailment cards is the winner!
Components. This game is a bunch of cards. That’s it. Even the rules are printed on the backs of two cards (so really it’s one card if the rules had been printed on front and back). The cards are good quality, and I appreciate the thematic art on each card. The one issue I have with the components is the choice of font for the title of each card. I get that the game is trying to convey that old timey feeling, but the font makes each card a little different and sometimes too scrunched up for my tastes. Other than that, I dig everything else. Oh, the inside of the box is even printed, much like the Tiny Epic games. Cool decision there.
So do I enjoy this one? You know, I do. I don’t have Snake Oil, but this is similar in that you’re trying to sell your opponents on choosing your card. So, if you’re a good salesperson then you will do super well here. Unfortunately for me my father-in-law is a retired car salesman so he mops the floor with us. But I mean, check out the example in the photo above. To cure Cannibalism an appropriately played card is POWERFUL LAXATIVES. Seriously? Poop out your desire to eat other people? I mean, if you have the sales skills to pull that one off, well I applaud you. Obviously the best answer goes something like this, “The power of prayer heals all. Even your taste for others.”
Now, I just gave you a pretty PG-rated response to something that could go VERY R-rated VERY quickly. Please note: this game is NSFW and I wouldn’t play it with anyone under 18 even though the box says 12+. There are some touchy cards in there that I wouldn’t want to upset little Bobby with at family game night. All in all this is a good little game to get the party started or to break in new gamers. The Apples to Apples mechanics work well and there is enough ridiculousness to make everyone laugh, or even chortle. So check this one out if you need a little card game that will get people in the mood to game, with hints of adult-ness and impossibility thrown in for good measure. And don’t forget to suggest leeches for your game-mates that don’t enjoy this. They suck the grumpiness right outta you.
Kristy H (1252 KP) rated Tear Me Apart in Books
Mar 11, 2019
Quick, engaging read
Mindy Wright--an up and coming competitive teenage skier-- breaks her leg in competition. During surgery, doctors discover that Mindy is sick: she has an aggressive form of leukemia and needs a stem cell transplant. But when her family is tested, it is discovered that Mindy's parents are not her biological parents. What does this mean? Was she switched at birth, or did something more dark and dramatic happen? At the core, Mindy needs to live. But beyond that, what are the ramifications for the Wright family? What secrets will be revealed and uncovered while trying to save their precious daughter?
This was a dramatic and interesting story that grabbed me from the beginning. The first portion is told from the perspective of three women: Mindy, age 17; her mother, Lauren; and Lauren's sister, Juliet, who actually works as a scientist in a DNA crime lab. This gives Juliet early and easy access to DNA samples relating to Mindy and the "case" as it progresses on. We also get excerpts of letters that appear to be from or relating to a psychiatric hospital in the early 1990s. All of this makes for an interesting and compelling format to our story, with a slow and steady reveal of strange information that you know does not add up: a twisted web of secrets and lies. We are immediately left wondering what happened with Mindy--how is she not Lauren's daughter? What is going on?
I do not want to go into too much detail and ruin much of the plot, but I found this one very intriguing, as I was wondering where the story would go. I might have been a little slow on the uptake as to who was Mindy's real mother, but I did find it exciting to put all the pieces together. I really liked the characters of Mindy and Juliet and a few others who were introduced later on (the story is told in various parts, so you get some different narrators, too).
In true Ellison fashion, there's some great drama and a few good "whoa" moments, as well. When I first started the book, I hadn't refreshed myself on the description, and I was a little worried that this would be more of a family drama than a mystery, but have no fear--while this family has more than their share of drama, there's a great mystery/thriller aspect as well. In fact, the novel can get downright creepy at times, with a villain who can give you the chills.
Overall, I thought this was another winner from Ms. Ellison. It's a quick, engaging read with interesting characters and a plot that encourages you to put the pieces together. She's quickly becoming a go-to author of mine. I'm actually chasing down her Taylor Jackson series on Paperbackswap, because I want to read more of her books! If you enjoy a dramatic, quick-moving thriller, I highly recommend this one!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was a dramatic and interesting story that grabbed me from the beginning. The first portion is told from the perspective of three women: Mindy, age 17; her mother, Lauren; and Lauren's sister, Juliet, who actually works as a scientist in a DNA crime lab. This gives Juliet early and easy access to DNA samples relating to Mindy and the "case" as it progresses on. We also get excerpts of letters that appear to be from or relating to a psychiatric hospital in the early 1990s. All of this makes for an interesting and compelling format to our story, with a slow and steady reveal of strange information that you know does not add up: a twisted web of secrets and lies. We are immediately left wondering what happened with Mindy--how is she not Lauren's daughter? What is going on?
I do not want to go into too much detail and ruin much of the plot, but I found this one very intriguing, as I was wondering where the story would go. I might have been a little slow on the uptake as to who was Mindy's real mother, but I did find it exciting to put all the pieces together. I really liked the characters of Mindy and Juliet and a few others who were introduced later on (the story is told in various parts, so you get some different narrators, too).
In true Ellison fashion, there's some great drama and a few good "whoa" moments, as well. When I first started the book, I hadn't refreshed myself on the description, and I was a little worried that this would be more of a family drama than a mystery, but have no fear--while this family has more than their share of drama, there's a great mystery/thriller aspect as well. In fact, the novel can get downright creepy at times, with a villain who can give you the chills.
Overall, I thought this was another winner from Ms. Ellison. It's a quick, engaging read with interesting characters and a plot that encourages you to put the pieces together. She's quickly becoming a go-to author of mine. I'm actually chasing down her Taylor Jackson series on Paperbackswap, because I want to read more of her books! If you enjoy a dramatic, quick-moving thriller, I highly recommend this one!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Gareth von Kallenbach (980 KP) rated Unrest (2006) in Movies
Aug 14, 2019
For many medical school students the most daunting class they face early in their studies is that of Gross Anatomy. The class which introduces aspiring doctors to their first bodies, as well as the reality and complexity of the human anatomy is often seen as a make or break moment for the challenging studies that lay ahead.
In the film Unrest Writer/Director/Producer Jason Todd Ipson follows a group of new students in a Gross Anatomy class. At first the students are shocked by the disfigured cadaver in front of them, but soon begin the dissection they are required to do.
The appearance of the corpse they are working on becomes a source of fixation for one of the students named Allison (Corri English), who becomes convinced that something is not right with the body they are working on, as something tells her that things are not as they seem.
Allison’s concerns are dismissed as her being overwhelmed by her first encounter with a body, and she is told that her concerns will soon pass. Soon after, one of the dissection group is affected by a freak accident, and Allison becomes convinced that there are evil forces at work, and that nobody will be safe until the mystery behind the corpse is settled.
As the body count rises, Allison and her friend Brian (Scot Davis), face a race against the clock and the supernatural to find the cause of the unrest and make things right, before they end up the next victims of a vengeful specter.
Unrest is a very impressive debut for Ipson, who himself was a promising surgeon before turning his talents to directing. The film is well paced and has plenty of tension and suspense without resorting to the clichéd horror staples that have become all too common.
The plot is refreshingly original and deeper than most films in this genre attempt to achieve, as its complexity is deceiving simply. The film can be taken as a simple scare fest, but for those willing to look beneath the surface, there are deeper layers to the film that tackle areas such as the afterlife, intuition, possession, second sight, and the supernatural. While all of those have been covered before in various films, few have ever combined them in such an intelligent fashion that allows the audience to reach their own conclusions on the topics the film introduces.
The cast is solid especially Davis and English who take what could easily be stock characters and infuse a sense of purpose which helps the audience relate to them and their situation.
While the film might have what appears to some to be plot holes, the film is actually a clever examination of the spirit and afterlife, and delivers the goods. While much has been made about the alleged use of real body parts in the film, Ipson is careful not to let his film become a gratuitous gore fest and uses blood and carnage only in the amounts necessary to propel the story.
Unrest is a very solid effort that marks the emergence of a talent to be watched and will delight fans of the genre who want some intelligence with their horror.
In the film Unrest Writer/Director/Producer Jason Todd Ipson follows a group of new students in a Gross Anatomy class. At first the students are shocked by the disfigured cadaver in front of them, but soon begin the dissection they are required to do.
The appearance of the corpse they are working on becomes a source of fixation for one of the students named Allison (Corri English), who becomes convinced that something is not right with the body they are working on, as something tells her that things are not as they seem.
Allison’s concerns are dismissed as her being overwhelmed by her first encounter with a body, and she is told that her concerns will soon pass. Soon after, one of the dissection group is affected by a freak accident, and Allison becomes convinced that there are evil forces at work, and that nobody will be safe until the mystery behind the corpse is settled.
As the body count rises, Allison and her friend Brian (Scot Davis), face a race against the clock and the supernatural to find the cause of the unrest and make things right, before they end up the next victims of a vengeful specter.
Unrest is a very impressive debut for Ipson, who himself was a promising surgeon before turning his talents to directing. The film is well paced and has plenty of tension and suspense without resorting to the clichéd horror staples that have become all too common.
The plot is refreshingly original and deeper than most films in this genre attempt to achieve, as its complexity is deceiving simply. The film can be taken as a simple scare fest, but for those willing to look beneath the surface, there are deeper layers to the film that tackle areas such as the afterlife, intuition, possession, second sight, and the supernatural. While all of those have been covered before in various films, few have ever combined them in such an intelligent fashion that allows the audience to reach their own conclusions on the topics the film introduces.
The cast is solid especially Davis and English who take what could easily be stock characters and infuse a sense of purpose which helps the audience relate to them and their situation.
While the film might have what appears to some to be plot holes, the film is actually a clever examination of the spirit and afterlife, and delivers the goods. While much has been made about the alleged use of real body parts in the film, Ipson is careful not to let his film become a gratuitous gore fest and uses blood and carnage only in the amounts necessary to propel the story.
Unrest is a very solid effort that marks the emergence of a talent to be watched and will delight fans of the genre who want some intelligence with their horror.
Kristy H (1252 KP) rated After the End in Books
Jun 25, 2019
Max and Pip have a deep, untenable bond and a strong marriage that they feel is sealed by fate. But when their nearly three-year-old son, Dylan, gets sick, everything they know changes. Dylan has a brain tumor, and now Pip spends her days in the PICU, while Max tries to juggle work and being strong for his wife and child. Then, the couple receives the worst of all news: the chemo isn't helping Dylan's tumor, and the doctors feel Dylan's condition is terminal. Suddenly, Max and Pip find themselves on opposite sides--each wanting different medical treatment for their beloved boy.
Clare Mackintosh offers us a beautiful, poignant, and heartbreaking book based on her life experiences, having lost her own son. Knowing this makes the book even more tender and real, as each word is based on a kernel of truth. Reading this book isn't always easy--as a parent, my heart digested these words and put myself in the shoes of Max and Pip. This book makes you think, and it makes you so incredibly grateful for your own life, wanting to snuggle your own children and hold them dear.
"How can my son be a breath away from death, when evidence of his life is all around me? When I feel him in my heart, as surely as when I carried him in my womb?"
The story is one of loss, yes, but it's also a love story: Max and Pip, Dylan and his family, and more. We are introduced to Dylan's family and also to Dylan's doctor, Leila, whom I really liked. Leila has her own struggles. Her mom, Habibeh, is visiting, but won't leave the house, preferring to watch QVC and cook endlessly for her daughter. (Habibeh is a trip; she's awesome.) The decision of Dylan's fate falls on Leila's shoulders first: a lot for a young doctor to bear. We get the story through her eyes and then each of Dylan's parents. As a mom, I felt drawn to Pip, but I liked how we got both Pip and Max's perspectives. Each only wants what is best for their son--and, at first, each feels they are doing the right thing.
"However long you spend with someone, however well you think you know them, they can still be a stranger to you."
Mackintosh is best known for her thrillers, and, this book is just as well-written as those. And, interestingly enough, she throws in a bit of a twist here, too. I won't spoil it, per se, but will tell you that this book is a fascinating exploration of choices, allowing you to think about life and the various paths that everyone can take. It's a sad book, yes, but lovely too--a tribute to parents, medical professionals, and to the children we love so much. It's a reminder to cherish those we hold dear and that life can be short but beautiful, no matter which way it may turn out.
Overall, even though I found this difficult to read at times, I'm really glad I did. I was reminded, yet again, what a good writer Clare Mackintosh is. I'm so incredibly sorry she lost her son, and I'm in such awe that she could turn that loss into such a lovely book. I highly recommend this--it's a beautiful exploration of life's different paths and what fate can bring us.
Clare Mackintosh offers us a beautiful, poignant, and heartbreaking book based on her life experiences, having lost her own son. Knowing this makes the book even more tender and real, as each word is based on a kernel of truth. Reading this book isn't always easy--as a parent, my heart digested these words and put myself in the shoes of Max and Pip. This book makes you think, and it makes you so incredibly grateful for your own life, wanting to snuggle your own children and hold them dear.
"How can my son be a breath away from death, when evidence of his life is all around me? When I feel him in my heart, as surely as when I carried him in my womb?"
The story is one of loss, yes, but it's also a love story: Max and Pip, Dylan and his family, and more. We are introduced to Dylan's family and also to Dylan's doctor, Leila, whom I really liked. Leila has her own struggles. Her mom, Habibeh, is visiting, but won't leave the house, preferring to watch QVC and cook endlessly for her daughter. (Habibeh is a trip; she's awesome.) The decision of Dylan's fate falls on Leila's shoulders first: a lot for a young doctor to bear. We get the story through her eyes and then each of Dylan's parents. As a mom, I felt drawn to Pip, but I liked how we got both Pip and Max's perspectives. Each only wants what is best for their son--and, at first, each feels they are doing the right thing.
"However long you spend with someone, however well you think you know them, they can still be a stranger to you."
Mackintosh is best known for her thrillers, and, this book is just as well-written as those. And, interestingly enough, she throws in a bit of a twist here, too. I won't spoil it, per se, but will tell you that this book is a fascinating exploration of choices, allowing you to think about life and the various paths that everyone can take. It's a sad book, yes, but lovely too--a tribute to parents, medical professionals, and to the children we love so much. It's a reminder to cherish those we hold dear and that life can be short but beautiful, no matter which way it may turn out.
Overall, even though I found this difficult to read at times, I'm really glad I did. I was reminded, yet again, what a good writer Clare Mackintosh is. I'm so incredibly sorry she lost her son, and I'm in such awe that she could turn that loss into such a lovely book. I highly recommend this--it's a beautiful exploration of life's different paths and what fate can bring us.
Neon's Nerd Nexus (360 KP) rated The Exorcist (1973) in Movies
Oct 17, 2019
Its a scream
This is a guest review for the stage show of The Exorcist not for the movie written by my good friend jappyscraps (on instagram) which I'm very thankful for.
The Exorcist on stage – Alexandra Theatre, Birmingham, 16/10/19
It’s my number one film of all-time so naturally I approached this production with some caution. Any stage adaptations of films have to be stripped down for obvious reasons and with The Exorcist having some key technical moments I was eager to see how they achieved them or even included them at all.
There’s a very clever build-up to the show with a steady drone of religious chanting and indecipherable voices, whispers and moans which stay with you before a massive crack rips through the sound system and the theatre is plunged into total darkness. It’s quite unsettling and there were a lot of nervous giggles and squeaks in the audience. A light appears at the top of the stage set and Father Merrin (played by Paul Nicholas, yes him of 80’s sitcom ‘Just Good Friends’ fame and one-time pop star) appears, speaks a few lines which we couldn’t hear at all and then promptly disappears and the stage lights reveal the MacNeil household below where Chris MacNeil and her daughter Regan. They obviously have a close bond and the next few minutes is spent establishing this and introducing the character of Burke, a film director and friend of actress Chris, who provides some occasional comedy touches. There are scenes of Regan playing with a Ouija board which she discovers in the attic. This is the first introduction of the demon that Regan refers to as Captain Howdy. Unlike the film, we hear the demon speaking in the early stages of Regan’s possession. The demon’s voice is provided by (a pre-recorded) Sir Ian McKellen and his performance is brilliant despite it sounding nothing like Mercedes McCambridge in the original.
At this stage we have lost one of the key characters and if you know the story well you will know who this is. As Reagan’s behaviour deteriorates, we are introduced to various doctors and psychiatrists before a priest friend of Chris suggests she talks to Father Karras, a key character in The Exorcist. When Karras first meets Regan she is in her bed, restrained by straps and speaking in the demon’s voice. Susannah Edgeley as Regan does a magnificent job lip-synching to McKellen’s voice, she does not miss a beat and her performance overall steals the show.
Father Karras is not convinced that an exorcism is the answer but, as we know, events take a turn for the worse and a frail Father Merrin is summoned for a showdown with the demon, which is the show’s dramatic (and loud) finale.
If you are wondering if all of The Exorcist’s key moments are included in the stage show I can confirm that most of them are, even if they don’t appear in the same scenes in the film. So, the crucifix scene is present and correct, though not so bloody and graphic. Regan’s head spin is there, achieved by what you might describe as a Penn & Teller trick but it is surprisingly effective. Regan does vomit during the exorcism but the classic scene of her projectile vomiting over Karras isn’t there, probably a step too far for a stage show. There is no levitation in the exorcism but there is a clever effect where Regan is catapulted forward on the bed, as if pushed forward by the demon. It’s all very impressive stuff.
The Exorcist on stage is very good, fans of the film will enjoy picking up on the original dialogue and dissecting the new lines and plotline. Some characters from the film don’t appear at all, the key one being Lieutenant Kinderman (played by Lee J. Cobb in the film) which I was a little disappointed about. My main issues were with the sound on occasions, particularly not hearing the actors deliver their lines clearly but it was a minor niggle. The character of Burke Dennings is renamed Burke Dennis in the stage show and I have no idea why – I was frankly irritated by it. The performances of Susannah Edgeley and McKellen’s demon more than make up for it though. The stage set is excellent and the lights and sound effects were top notch. I’d recommend it without hesitation, just don’t expect a scene for scene reboot of the film or you will be very disappointed.
The Exorcist on stage – Alexandra Theatre, Birmingham, 16/10/19
It’s my number one film of all-time so naturally I approached this production with some caution. Any stage adaptations of films have to be stripped down for obvious reasons and with The Exorcist having some key technical moments I was eager to see how they achieved them or even included them at all.
There’s a very clever build-up to the show with a steady drone of religious chanting and indecipherable voices, whispers and moans which stay with you before a massive crack rips through the sound system and the theatre is plunged into total darkness. It’s quite unsettling and there were a lot of nervous giggles and squeaks in the audience. A light appears at the top of the stage set and Father Merrin (played by Paul Nicholas, yes him of 80’s sitcom ‘Just Good Friends’ fame and one-time pop star) appears, speaks a few lines which we couldn’t hear at all and then promptly disappears and the stage lights reveal the MacNeil household below where Chris MacNeil and her daughter Regan. They obviously have a close bond and the next few minutes is spent establishing this and introducing the character of Burke, a film director and friend of actress Chris, who provides some occasional comedy touches. There are scenes of Regan playing with a Ouija board which she discovers in the attic. This is the first introduction of the demon that Regan refers to as Captain Howdy. Unlike the film, we hear the demon speaking in the early stages of Regan’s possession. The demon’s voice is provided by (a pre-recorded) Sir Ian McKellen and his performance is brilliant despite it sounding nothing like Mercedes McCambridge in the original.
At this stage we have lost one of the key characters and if you know the story well you will know who this is. As Reagan’s behaviour deteriorates, we are introduced to various doctors and psychiatrists before a priest friend of Chris suggests she talks to Father Karras, a key character in The Exorcist. When Karras first meets Regan she is in her bed, restrained by straps and speaking in the demon’s voice. Susannah Edgeley as Regan does a magnificent job lip-synching to McKellen’s voice, she does not miss a beat and her performance overall steals the show.
Father Karras is not convinced that an exorcism is the answer but, as we know, events take a turn for the worse and a frail Father Merrin is summoned for a showdown with the demon, which is the show’s dramatic (and loud) finale.
If you are wondering if all of The Exorcist’s key moments are included in the stage show I can confirm that most of them are, even if they don’t appear in the same scenes in the film. So, the crucifix scene is present and correct, though not so bloody and graphic. Regan’s head spin is there, achieved by what you might describe as a Penn & Teller trick but it is surprisingly effective. Regan does vomit during the exorcism but the classic scene of her projectile vomiting over Karras isn’t there, probably a step too far for a stage show. There is no levitation in the exorcism but there is a clever effect where Regan is catapulted forward on the bed, as if pushed forward by the demon. It’s all very impressive stuff.
The Exorcist on stage is very good, fans of the film will enjoy picking up on the original dialogue and dissecting the new lines and plotline. Some characters from the film don’t appear at all, the key one being Lieutenant Kinderman (played by Lee J. Cobb in the film) which I was a little disappointed about. My main issues were with the sound on occasions, particularly not hearing the actors deliver their lines clearly but it was a minor niggle. The character of Burke Dennings is renamed Burke Dennis in the stage show and I have no idea why – I was frankly irritated by it. The performances of Susannah Edgeley and McKellen’s demon more than make up for it though. The stage set is excellent and the lights and sound effects were top notch. I’d recommend it without hesitation, just don’t expect a scene for scene reboot of the film or you will be very disappointed.
