Bad Girls from History: Wicked or Misunderstood?
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You wont be familiar with every one of the huge array of women featured in these pages, but all,...
Heather Cranmer (2721 KP) created a post
Oct 31, 2020
The House on Vesper Sands
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London, 1893: high up in a house on a dark, snowy night, a lone seamstress stands by a window. So...
Circus of Wonders
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1866. In a coastal village in southern England, Nell picks violets for a living. Set apart by her...
Death Dines in
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Food, wine and good mysteries make for an unbeatable combination as shown in this anthology of 16...
Ordinary People
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'Diana Evans is a lyrical and glorious writer; a precise poet of the human heart' Naomi Alderman ...
Contemporary Fiction Fiction London
A Parfait Crime
8.0
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Set in a quaint Chesapeake Bay town, the latest novel in Maya Corrigan’s Five-Ingredient Mysteries...
Murder on Devil’s Pond
10.0
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A quaint Vermont inn offers idyllic peace–until a body is found on the property–in this charming...
I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.
Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.
My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.
Alice in the Mirrors of Albion
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Meet Alice in the Mirrors of Albion, a captivating new Lewis Carroll–inspired game! Mirrors of...