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Matthew Krueger (10051 KP) rated We Were Soldiers (2002) in Movies
Jul 22, 2020 (Updated Jul 22, 2020)
The Hearts of Brave Soldiers
We Were Soilders- is a little long and some what slow but wants it comes to the war/action it does a excellent job and does a excellent job depicting the true story of the first major battle between the United States and North Vietnamese forces and the brave soilders who went out and fought for our country.
The plot: Based upon the best-selling book "We Were Soldiers Once ... and Young" by Lt. Gen. Harold G. Moore (Ret.) and journalist Joseph L. Galloway, this compelling war drama depicts the true story of the first major battle between the United States and North Vietnamese forces. It is a film about uncommon valor and nobility under fire, loyalty among soldiers, and the heroism and sacrifice of men and women both home and abroad.
Its a excellent history war drama and if you havent seen it. It is a must.
The plot: Based upon the best-selling book "We Were Soldiers Once ... and Young" by Lt. Gen. Harold G. Moore (Ret.) and journalist Joseph L. Galloway, this compelling war drama depicts the true story of the first major battle between the United States and North Vietnamese forces. It is a film about uncommon valor and nobility under fire, loyalty among soldiers, and the heroism and sacrifice of men and women both home and abroad.
Its a excellent history war drama and if you havent seen it. It is a must.
Suswatibasu (1701 KP) rated The Refugees in Books
Jul 24, 2017
Enjoyable but the stories are disparate
Viet Thanh Nguyen is a wonderful storyteller, bringing together both the hardships and opportunities faced by the refugee Vietnamese community. The stories are a complex mix of perspectives highlighting the difficulties of trying to balance identities. Only the theme seems to tie the stories together, which makes it slightly disjointed at times. And while I have read more emotive experiences, it still makes for an enjoyable read.
ClareR (5561 KP) rated Build Your Home Around My Body in Books
Jul 28, 2021
I loved this enchanting, horrific, beautiful story. Build Your House Around My Body is a difficult book to describe. There are at least three timelines, all relevant to what is happening in the present day to the main character, Winnie née Ngoan.
Winnie is a lost soul - she has gone to Vietnam to stay with family while she teaches English to Vietnamese students, hoping to find herself, but she seems to become more and more lost as the story progresses. She struggles with her dual identity as her mother is American, and her father is Vietnamese. The fact that she seems to deliberately sabotage her own life is the most tragic thing about her.
The time does jump around a bit, but this didn’t confuse me at all - the chapter headings made sure of that - in fact they gave some interesting history lessons (e.g. French colonialism, Japanese occupation).
It’s a weird and wonderful one (my favourite kind!), sometimes bordering on the grotesque (ditto). Bodily functions and food that I wasn’t sure about, galore! (I’d still try the food though, although I draw the line at dog…).
The supernatural elements showed that these things are still very much a part of Vietnamese culture (spirits and demons both feature).
Some parts are achingly sad, some made me feel a bit ill, and others were actually quite amusing. I couldn’t put this book down. The joy of it was that I didn’t know, couldn’t predict, what was going to happen next!
I’m really interested to see what Kupersmith writes next if this is her debut - what an imagination!
Many thanks to Jellybooks for giving me the chance to read this wonderful book.
Winnie is a lost soul - she has gone to Vietnam to stay with family while she teaches English to Vietnamese students, hoping to find herself, but she seems to become more and more lost as the story progresses. She struggles with her dual identity as her mother is American, and her father is Vietnamese. The fact that she seems to deliberately sabotage her own life is the most tragic thing about her.
The time does jump around a bit, but this didn’t confuse me at all - the chapter headings made sure of that - in fact they gave some interesting history lessons (e.g. French colonialism, Japanese occupation).
It’s a weird and wonderful one (my favourite kind!), sometimes bordering on the grotesque (ditto). Bodily functions and food that I wasn’t sure about, galore! (I’d still try the food though, although I draw the line at dog…).
The supernatural elements showed that these things are still very much a part of Vietnamese culture (spirits and demons both feature).
Some parts are achingly sad, some made me feel a bit ill, and others were actually quite amusing. I couldn’t put this book down. The joy of it was that I didn’t know, couldn’t predict, what was going to happen next!
I’m really interested to see what Kupersmith writes next if this is her debut - what an imagination!
Many thanks to Jellybooks for giving me the chance to read this wonderful book.
Christiane Amanpour recommended The Sorrow of War: A Novel of North Vietnam in Books (curated)
Christiane Amanpour recommended We Were Soldiers Once... and Young: The Battle That Changed the War in Vietnam in Books (curated)
Lindsay (1693 KP) rated Our Moon Festival: Celebrating the Moon Festival in Asian Communities in Books
Sep 4, 2021
Are you looking for a book about different Asian cultures and other traditions? I found one that talks about their Moon Festival. It is good to learn about different cultures and not change that culture because we do not like it. We should try and understand it.
“Our Moon Festival” by Yobe Qui is a beautiful picture book about three different families and how they celebrate the Moon and their traditions. The first one is about a Chinese festival and talks about Singapore. The second story talks about the Vietnamese and their lovely traditions. The last story is about the Japanese and how they celebrate the holiday with their traditions.
This book shows and illustrates the holiday; it talks about what is similar and how they are different. The illustrations in the book are displayed well and beautifully. The images are bright and colorful. Great for children and parents to learn about Asian communities and a bit of Asian culture.
Children will want to learn more about these three Asian countries, Japan, Singapore, Chinese, and the culture. Children want to learn about the Moon Festivals. I think they are different but similar. I enjoyed learning about other holidays and the traditions of different cultures. I enjoy learning about the Our Moon Festival.
“Our Moon Festival” by Yobe Qui is a beautiful picture book about three different families and how they celebrate the Moon and their traditions. The first one is about a Chinese festival and talks about Singapore. The second story talks about the Vietnamese and their lovely traditions. The last story is about the Japanese and how they celebrate the holiday with their traditions.
This book shows and illustrates the holiday; it talks about what is similar and how they are different. The illustrations in the book are displayed well and beautifully. The images are bright and colorful. Great for children and parents to learn about Asian communities and a bit of Asian culture.
Children will want to learn more about these three Asian countries, Japan, Singapore, Chinese, and the culture. Children want to learn about the Moon Festivals. I think they are different but similar. I enjoyed learning about other holidays and the traditions of different cultures. I enjoy learning about the Our Moon Festival.
ClareR (5561 KP) rated Wandering Souls in Books
Mar 25, 2023
Since reading Wandering Souls on The Pigeonhole, it has made it on to the Women’s Prize long list. And well-deserved it is too.
This is the story of a family who make it by boat to Hong Kong from Vietnam. At least Anh and her two brothers do. Their parents and younger siblings come after them and drown.
This is Anh’s story, and how she copes on their journey from Vietnam to Hong Kong, and then on to London where they settle permanently. It’s a story of loss, life-long trauma and the struggle to find security and happiness. It brought home the continuing issues of refugees - particularly those who take the dangerous route of the sea. It always makes me think of these lines from Warsan Shire’s “Home”:
“You have to understand that no one puts children in a boat
Unless the water is safer than the land”
Anh and her family want a better life than that of poverty, war and political oppression.
This is a dark story and the experiences have such a huge effect on every aspect of Anh and her brothers lives, and you can still see this in the interactions that Anh has with her own children.
It’s a wonderful book, and well worth reading. I’ve learnt so much about the Vietnamese people who resettled in the UK and their journeys here.
I wouldn’t be at all disappointed to see this make the short list.
This is the story of a family who make it by boat to Hong Kong from Vietnam. At least Anh and her two brothers do. Their parents and younger siblings come after them and drown.
This is Anh’s story, and how she copes on their journey from Vietnam to Hong Kong, and then on to London where they settle permanently. It’s a story of loss, life-long trauma and the struggle to find security and happiness. It brought home the continuing issues of refugees - particularly those who take the dangerous route of the sea. It always makes me think of these lines from Warsan Shire’s “Home”:
“You have to understand that no one puts children in a boat
Unless the water is safer than the land”
Anh and her family want a better life than that of poverty, war and political oppression.
This is a dark story and the experiences have such a huge effect on every aspect of Anh and her brothers lives, and you can still see this in the interactions that Anh has with her own children.
It’s a wonderful book, and well worth reading. I’ve learnt so much about the Vietnamese people who resettled in the UK and their journeys here.
I wouldn’t be at all disappointed to see this make the short list.
Goddess in the Stacks (553 KP) rated Forest of a Thousand Lanterns in Books
Jan 11, 2018
A fun blend of Fairy Tales and Asian mythology.
You know I love my Fairy Tales! Especially re-imagining the villains. Forest of a Thousand Lanterns is an Asian take on the evil queen from Snow White. The author is a Vietnamese American, and this is her debut novel. She has quite skillfully woven a new origin story for the wicked stepmother in a fantasy land heavily influenced by East Asian mythology and culture. I don't know enough about the individual countries' mythologies to tell you if the influences come specifically from Vietnam, or more generically from the area. I know that their beliefs can vary pretty wildly by locale.
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Gareth von Kallenbach (965 KP) rated Rising Storm 2: Vietnam Deluxe Edition in Video Games
Jun 19, 2019
The trend in war based shooters of late is to literally take a blast from the past. Battlefield 1 looked at WW1 and Call of Duty returned to its WWII roots for the most recent game in the series. As such when Rising Storm 2: Vietnam was announced, it seemed like a good progression and one that holds a lot of potential for gamers. The previous game in the series focused on the Pacific Rim conflicts and focused on the conflict with Japan.
This time out the focus is Vietnam and players can opt to fight for either the Vietnamese or U.S. forces and they will also be able to select a class and loadout unique to each side before entering the fray.
The matches I took part in showed off the large and detailed maps which provided plenty of options to flank and enemy or attack from cover. Fields, towns, temples, and more were all an option and I had intense battles in a multi-level building, trenches, fields, and in a town. The weapons were varied but I opted mainly for an M-16 or AK-47 depending on which side I was assigned to. I did have a great opportunity early in the match to ride on a Helicopter and took my position manning one of the machine guns, which allowed us to strafe enemy targets as we traveled.
Our focus was a mix of taking and securing an objective and of course eliminating as many enemies as I could. Using a mix of grenades and rifle shots I was able to dispatch a few enemies but you could tell that there were some seasoned players online who used to the map to their advantage and were masters at striking without being seen.
I also experienced some people who were more than happy to call in a Napalm strike without any concern to the number of friendly troops in the target area. Naturally as you progress you will rank up and have more options for your character and loadouts.
The graphics of the game were solid but did seem a bit dated compared to other shooters. But this does a great job of giving a rough and battle-worn look to the game and not trying to make a blasted and remote area looked like an over-polished presentation.
If you are a fan of team-based online shooters and want some great action in the Vietnam setting; then Rising Storm 2: Vietnam just might be the game for you.
http://sknr.net/2018/05/01/rising-storm-2-vietnam/
This time out the focus is Vietnam and players can opt to fight for either the Vietnamese or U.S. forces and they will also be able to select a class and loadout unique to each side before entering the fray.
The matches I took part in showed off the large and detailed maps which provided plenty of options to flank and enemy or attack from cover. Fields, towns, temples, and more were all an option and I had intense battles in a multi-level building, trenches, fields, and in a town. The weapons were varied but I opted mainly for an M-16 or AK-47 depending on which side I was assigned to. I did have a great opportunity early in the match to ride on a Helicopter and took my position manning one of the machine guns, which allowed us to strafe enemy targets as we traveled.
Our focus was a mix of taking and securing an objective and of course eliminating as many enemies as I could. Using a mix of grenades and rifle shots I was able to dispatch a few enemies but you could tell that there were some seasoned players online who used to the map to their advantage and were masters at striking without being seen.
I also experienced some people who were more than happy to call in a Napalm strike without any concern to the number of friendly troops in the target area. Naturally as you progress you will rank up and have more options for your character and loadouts.
The graphics of the game were solid but did seem a bit dated compared to other shooters. But this does a great job of giving a rough and battle-worn look to the game and not trying to make a blasted and remote area looked like an over-polished presentation.
If you are a fan of team-based online shooters and want some great action in the Vietnam setting; then Rising Storm 2: Vietnam just might be the game for you.
http://sknr.net/2018/05/01/rising-storm-2-vietnam/
Matt Geiger (15 KP) rated Da 5 Bloods (2020) in Movies
Jun 27, 2020
Da 5 Bloods: Spike Lee Asks Us "What's Going On?"
Spike Lee could not have possibly known that current events and major progresses made in the Black Lives Matter movement would more than likely affect the way audiences perceive Da 5 Bloods, but it’s these developments that, for all of the film’s flaws, imbue it with a sense of urgency befitting of Lee’s filmmaking talents and the beliefs that his filmography has been expounding for decades. In the process of expressing such powerful statements, Lee, in turn, provides a long-overdue voice for the African American experience in the Vietnam War, a conflict that has been portrayed in popular film for about as long as it has been over, and yet strangely, has not been properly balanced in its representation of those who made up the largest percentage of those who served in it.
Continuing Lee’s trend of fusing the past and present together to show that things are definitely still yet to change, Da 5 Bloods finds four African American veterans returning to Vietnam to search for the remains of their commanding officer, “Stormin’” Norman (Chadwick Boseman), and the stash of gold that they found and collectively buried, gold that was initially offered to the indigenous Southern Vietnamese by the CIA as payment for their support of US troops, but taken by the “Bloods” as compensation for their needless sacrifices for a country that has never given them the treatment they deserve despite the fact that they played a pivotal role in helping to make it what it is today. The ultimate goal is nothing that hasn’t been depicted before, but the controversy of the Vietnam War and the experience of combat and violence spills over into today; some of the film’s most striking messages are effectively relayed through a handful of very committed performances from the well-casted ensemble, with Delroy Lindo serving as the beating emotional heart of the film. It’s a career-defining showcase for Lindo, who, as the PTSD-stricken Trump supporter Paul, carries the most weight on his shoulders. He wrestles with personal demons and survivor’s guilt for more than half of his life because of the choices he made during his time in the service, time he and the other Bloods couldn’t avoid because, unlike the privileged white men of America, they were not given the same opportunities to dodge the draft. The disenfranchisement and aimlessness that Lindo merely alludes to through his heart-wrenching performance provides the foundation for the complicated relationship Paul shares with his estranged son, David (Jonathan Majors in the film’s other award-worthy performance), who tags along for the ride in an effort to heal old wounds and bury a deeply-lodged hatchet.
The natural chemistry Lindo shares with the other Bloods (Clarke Peters, Norm Lewis, and Isiah Whitlock, Jr.) is palpable in both the past and present, which blend into one as the screen slides from one aspect ratio to another, shifting from flashbacks of one wartorn world to the present day, in which we find ourselves fighting a different, yet altogether similar kind of war. That these changes in aspect ratios never appear as visually perceived cuts is simply another one of the ways in which Spike Lee seamlessly reminds us that then and now are cut from the same cloth, complete with the same heart-wrenching tragedies that give way to the camaraderie that is necessary to ensure that the proper names get written back into history where they belong. How the four vets are visually represented in their recollections of their commander, which are stripped of the psychedelic imagery associated with previous Vietnam War films in order to cut deeper into understanding what the Bloods’ place in Vietnam is supposed to mean (if it means anything at all), further adds to Lee’s ability to find the haunting parallels between the two time periods that comprise the film.
Spike Lee gets at so many unique and timely concepts that seem perfectly applicable to what’s going on in the world, but where he stumbles is how he goes about explicating these ideas. As a storyteller, Lee is at his best when his narratives gradually develop at a reasonably decisive pace until the tension is fully amplified by the story’s climactic boiling point, at which point there’s no turning back. Such was the nature of Do the Right Thing and, more recently, BlacKkKlansman. The same cannot entirely be said for Da 5 Bloods, which struggles to find a consistent pace and tone during its first act, in which it tries to introduce all of the central ideas at once, along with some unnecessary side stories that carry little to no weight in comparison to the central task and are ultimately resolved in schmaltzy, unsatisfying ways. Moreover, while investment in the film can be maintained throughout, too often is this investment reinforced by the unnecessary moments that serve as detriments to the sequences of dramatic consequence and just might take you out of the story, causing you to restart your investment. Every act has at least one of these moments, with the final result unfortunately falling short of the expectations of some of the genres that are molded into the Bloods’ journey through the Vietnamese jungle. The overtly patriotic and quite distracting score from Terence Blanchard (regardless of whether or not its inclusion was intended as irony) does not help the matter, with many of the best scenes occurring either in silence or alongside the soulful tracks of Marvin Gaye’s What’s Going On album.
Even when Spike Lee stumbles in the execution of his argument, what ultimately matters is the argument itself; while the film begins and ends rather heavy-handedly, telling the viewer things they are bound to already know and incorporating footage that doesn’t need to be there for the point to get across, the sacrifices that Lee chooses to detail and their ramifications for the state of our country to today give the film a degree of value at a time like this, and he is the only director who could bring these issues to the forefront in such an entertaining way. It may not be as good or accessible as his best work, but the calls to action that he has long been affiliated with echo through jungles and cities in equal measure.
What did you guys think of Da 5 Bloods? Agree? Disagree?
Continuing Lee’s trend of fusing the past and present together to show that things are definitely still yet to change, Da 5 Bloods finds four African American veterans returning to Vietnam to search for the remains of their commanding officer, “Stormin’” Norman (Chadwick Boseman), and the stash of gold that they found and collectively buried, gold that was initially offered to the indigenous Southern Vietnamese by the CIA as payment for their support of US troops, but taken by the “Bloods” as compensation for their needless sacrifices for a country that has never given them the treatment they deserve despite the fact that they played a pivotal role in helping to make it what it is today. The ultimate goal is nothing that hasn’t been depicted before, but the controversy of the Vietnam War and the experience of combat and violence spills over into today; some of the film’s most striking messages are effectively relayed through a handful of very committed performances from the well-casted ensemble, with Delroy Lindo serving as the beating emotional heart of the film. It’s a career-defining showcase for Lindo, who, as the PTSD-stricken Trump supporter Paul, carries the most weight on his shoulders. He wrestles with personal demons and survivor’s guilt for more than half of his life because of the choices he made during his time in the service, time he and the other Bloods couldn’t avoid because, unlike the privileged white men of America, they were not given the same opportunities to dodge the draft. The disenfranchisement and aimlessness that Lindo merely alludes to through his heart-wrenching performance provides the foundation for the complicated relationship Paul shares with his estranged son, David (Jonathan Majors in the film’s other award-worthy performance), who tags along for the ride in an effort to heal old wounds and bury a deeply-lodged hatchet.
The natural chemistry Lindo shares with the other Bloods (Clarke Peters, Norm Lewis, and Isiah Whitlock, Jr.) is palpable in both the past and present, which blend into one as the screen slides from one aspect ratio to another, shifting from flashbacks of one wartorn world to the present day, in which we find ourselves fighting a different, yet altogether similar kind of war. That these changes in aspect ratios never appear as visually perceived cuts is simply another one of the ways in which Spike Lee seamlessly reminds us that then and now are cut from the same cloth, complete with the same heart-wrenching tragedies that give way to the camaraderie that is necessary to ensure that the proper names get written back into history where they belong. How the four vets are visually represented in their recollections of their commander, which are stripped of the psychedelic imagery associated with previous Vietnam War films in order to cut deeper into understanding what the Bloods’ place in Vietnam is supposed to mean (if it means anything at all), further adds to Lee’s ability to find the haunting parallels between the two time periods that comprise the film.
Spike Lee gets at so many unique and timely concepts that seem perfectly applicable to what’s going on in the world, but where he stumbles is how he goes about explicating these ideas. As a storyteller, Lee is at his best when his narratives gradually develop at a reasonably decisive pace until the tension is fully amplified by the story’s climactic boiling point, at which point there’s no turning back. Such was the nature of Do the Right Thing and, more recently, BlacKkKlansman. The same cannot entirely be said for Da 5 Bloods, which struggles to find a consistent pace and tone during its first act, in which it tries to introduce all of the central ideas at once, along with some unnecessary side stories that carry little to no weight in comparison to the central task and are ultimately resolved in schmaltzy, unsatisfying ways. Moreover, while investment in the film can be maintained throughout, too often is this investment reinforced by the unnecessary moments that serve as detriments to the sequences of dramatic consequence and just might take you out of the story, causing you to restart your investment. Every act has at least one of these moments, with the final result unfortunately falling short of the expectations of some of the genres that are molded into the Bloods’ journey through the Vietnamese jungle. The overtly patriotic and quite distracting score from Terence Blanchard (regardless of whether or not its inclusion was intended as irony) does not help the matter, with many of the best scenes occurring either in silence or alongside the soulful tracks of Marvin Gaye’s What’s Going On album.
Even when Spike Lee stumbles in the execution of his argument, what ultimately matters is the argument itself; while the film begins and ends rather heavy-handedly, telling the viewer things they are bound to already know and incorporating footage that doesn’t need to be there for the point to get across, the sacrifices that Lee chooses to detail and their ramifications for the state of our country to today give the film a degree of value at a time like this, and he is the only director who could bring these issues to the forefront in such an entertaining way. It may not be as good or accessible as his best work, but the calls to action that he has long been affiliated with echo through jungles and cities in equal measure.
What did you guys think of Da 5 Bloods? Agree? Disagree?
