Search
Search results
Darren (1599 KP) rated Blood Father (2016) in Movies
Sep 2, 2019
Story: Blood Father starts as John Link (Gibson) who has recovered from his own substance abuse problems to be a tattooist while being parole. He has been searching for his daughter for years but when Lydia (Moriarty) calls him in need of help he races to her aid.
Link finds out that Lydia is in over her head which leads him into going on the run breaking his parole to protect her and locate the people who are trying to kill his daughter, using old connections along the way.
Thoughts on Blood Father
Characters – John Link is a former alcoholic convict, he has cleaned himself up but when his daughter finds herself in trouble he must go back into the routes that left him in prison, he must go after the men trying to kill his daughter, while stopping himself going off the bandwagon. Lydia is the teenager daughter runaway, she finds herself in too deep with the drug cartels but now she needs to trust her father to keep her safe. Jonah is the boyfriend of Lydia that she believes she killed cause the effects of the film. Preacher is one of the people Link turns to for help while Kirby is his support while trying to stay off the drinks.
Performances – Mel Gibson might have had troubled times recently but he shows us here the talent he holds to lead a movie in the action genre. Erin Moriarty is good in this film too because she shows us a street wise character beyond her years. Diego Luna is solid as the villain but we just don’t get enough from his character. This is a problem through the film, we don’t give the support characters enough time.
Story – The story is good, as it follows a distant father daughter relationship needing to rebuild after she finds herself in trouble with the law. This works for the story because we know how the aging hero is the new thing now, as an actor that can easily be the new one that saves his child and this gives us everything we want, we have moments of comedy as the two come from difference backgrounds but overall this is everything you would expect it to be
Action/Crime – The action is fire fights between Link and anyone that gets in his way, this does work well as the crime side of the story takes us into.
Settings – The settings show us the underworld that works for the hiding from potential trouble using no iconic landmarks which makes this fully believable.
Scene of the Movie – Showdown
That Moment That Annoyed Me – We don’t learn enough about the villains.
Final Thoughts – This is a good action film that is enjoyable, short sweet and gives you everything you want.
Overall: Action film 101.
Link finds out that Lydia is in over her head which leads him into going on the run breaking his parole to protect her and locate the people who are trying to kill his daughter, using old connections along the way.
Thoughts on Blood Father
Characters – John Link is a former alcoholic convict, he has cleaned himself up but when his daughter finds herself in trouble he must go back into the routes that left him in prison, he must go after the men trying to kill his daughter, while stopping himself going off the bandwagon. Lydia is the teenager daughter runaway, she finds herself in too deep with the drug cartels but now she needs to trust her father to keep her safe. Jonah is the boyfriend of Lydia that she believes she killed cause the effects of the film. Preacher is one of the people Link turns to for help while Kirby is his support while trying to stay off the drinks.
Performances – Mel Gibson might have had troubled times recently but he shows us here the talent he holds to lead a movie in the action genre. Erin Moriarty is good in this film too because she shows us a street wise character beyond her years. Diego Luna is solid as the villain but we just don’t get enough from his character. This is a problem through the film, we don’t give the support characters enough time.
Story – The story is good, as it follows a distant father daughter relationship needing to rebuild after she finds herself in trouble with the law. This works for the story because we know how the aging hero is the new thing now, as an actor that can easily be the new one that saves his child and this gives us everything we want, we have moments of comedy as the two come from difference backgrounds but overall this is everything you would expect it to be
Action/Crime – The action is fire fights between Link and anyone that gets in his way, this does work well as the crime side of the story takes us into.
Settings – The settings show us the underworld that works for the hiding from potential trouble using no iconic landmarks which makes this fully believable.
Scene of the Movie – Showdown
That Moment That Annoyed Me – We don’t learn enough about the villains.
Final Thoughts – This is a good action film that is enjoyable, short sweet and gives you everything you want.
Overall: Action film 101.
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
Emma @ The Movies (1786 KP) rated Sky Sharks (2020) in Movies
Aug 29, 2020
Fright Fest kicked off with a film that I absolutely had to see... Nazi zombies and flying sharks? No brainer.
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
Sonic Dash
Games
App
How fast can the world’s fastest hedgehog run? Play as Sonic the Hedgehog as you dash, jump and...
Ben 10 Ultimate Alien: Xenodrome Plus
Games and Entertainment
App
It’s Hero Time! Test your skills and reflexes in this action-packed turn-based fighting game with...
BankofMarquis (1832 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 7, 2021
Suffers from Sequel-itis
If you ever heard of the term “Sequel-itis” and wondered what a good example of film suffering from this malady would be, look no further than VENOM: LET THERE BE CARNAGE.
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
All the King's Men: The Beginning (All The King's Men #6)
8.0
Rate It
Book
NOTE: This book is a prequel. Reading the first five books of the series will greatly enhance your...
Paranormal Romance Vampires
Uptown Oracle (24 KP) rated Moroda in Books
Jun 30, 2017
A Great Debut Fantasy Novel!
As we traipse the countries and cities of Linaria following a band of unlikely comrades, we're introduced to magic, dragons, and a foe leading a trail of destruction in his wake. Moroda and her allies must find a way to save Linaria before the war destroys them and everything around them.
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!
Daniel Boyd (1066 KP) rated Marvel's Daredevil - Season 2 in TV
Jul 21, 2017
Brilliant writing (1 more)
Fantastic performances
Down and Dirty Crimefighting
These shows are fantastic. The Netflix/Marvel TV universe that has been built off of the back of these shows is awesome. If you are a fan of the Marvel Max comic books, then these shows have been made for you. Marvel reintroduces Daredevil (and Punisher in Daredevil Season 2,) in epic fashion. This is a world where the events of the Avengers movies have taken place, but these are gritty, street level stories that tell tales of a more personal, visceral kind of battle. If you like your Marvel superheroes, but find the Avengers too tame, then wade right in. These heroes are foul mouthed, real people who happen to have some amazing abilities. Charlie Cox is a fantastic Matt Murdock and Krysten Ritter is a brilliant Jessica Jones, the supporting characters are also well implemented, such as Elektra, Stick, Foggy Nelson, Karen Paige, Night Nurse, Nuke, Luke Cage and Trish. The villains in each show are also some of the best the Marvel have had so far, Vincent D’Onofrio plays a tragic, but still scheming and suitably evil version of Kingpin, which gives the character a depth that hasn’t yet been explored. I really hope that they use the character in the solo Spiderman movie. David Tennant plays Killgrave or The Purple Man in Jessica Jones and he also kills it, you can tell he really had fun with the role too, which makes him even more entertaining whenever he is onscreen. Season 2 of Daredevil just recently finished up and during it we were introduced to the new Punisher, played by Jon Bernthal, who again gives us the chance to explore the character and his psyche to a level that we haven’t seen before. He is still the hardcore badass that you would expect, but his mentality in this universe goes deeper than that and that is something that is very cool to see. Overall I have loved every episode of these shows to date and as long as they carry on the tone and the overall production standard that they have set themselves so far, I can’t wait to see what else this universe has to offer. There is also exciting rumours stating that they could appear in the Avengers Infinity War films. I can’t wait to see all of this and I really feel that all of these characters show great potential. Keep doing what you are doing Marvel, because it is truly awesome. Doing these character’s origin stories in an R rated TV show setting was a great idea and the writing and performances on Netflix stand up to any show on HBO or AMC. If you haven’t seen the entirety of these shows yet, stop what you are doing and go marathon them right now, you will not regret it.
Ryan Hill (152 KP) rated Doctor Strange (2016) in Movies
May 11, 2019
"Try me Beyoncé"
The 14th instalment in the Marvel Cinematic Universe marks the arrival of yet another avenger into the already crowded Marvel family while also bringing mystic arts & alternate dimensions into its ever-expanding universe. But even though it offers a kaleidoscopic journey through astral realms, infinite realities & spacetime contortions, it isn't entirely different from the norm.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.