"Atomic Blonde, 2016. I’ve seen it three times. It’s directed by David Leitch, of John Wick fame. But this is my idea of the ultimate feminist action movie. Wonder Woman, I’m sorry, just didn’t do it for me, but Charlize Theron is definitely my idea of a female superhero somehow. She balances femininity, vulnerability, and total badass strength. So she is truly great in this film. And I would say, she usually is very strong. I love the way that Charlize Theron is rarely, if ever, like overplaying anything. And the film is ingenious; it takes place in Berlin, just 24 hours before the wall falls. It’s full of betrayal, violence, intrigue, and the idea of life and death become completely irrelevant when the wall comes down. It’s a really brilliant plot. And also James McAvoy, John Goodman, and Toby Jones deliver really engagingly creepy, supporting performances. The action sequences are all amazing, the visual effects, and hats off to Charlize Theron. I really love, Atomic Blonde."

"A Clockwork Orange. I was absolutely stunned by the entire thing. That’s a Warner Bros movie too, so they’re smiling right now. That’s an amazing movie. Everything about the execution is flawless. I saw that at a revival house when I was about 19 years old. There was a theater on 99th and Broadway called The Metro and all they did was show old movies, so in 1982 I went and I saw something from 1971 and it was 11 whole years old, and it was considered an old movie. Can you imagine seeing something from 2003 and having it being considered an old movie? That movie just blew me away. I couldn’t believe the level of violence at the beginning, then I couldn’t believe the social satire and everything, the execution, the slow motion, the way it was composed. And Malcolm McDowell’s performance? I was just riveted by the whole thing. It blew me away."

"In the book Mr Evans lays out practical ways to avoid genocide and the slaughter of innocents. Military intervention is only the very last resort and only if the benefits outweigh the likely negative effects of such an intervention. Rather, he focuses on the ‘toolboxes’ respected emissaries might bring to the table in dialogue with warring parties. A brilliant example is Kenya. When the church and homes were burnt in the Rift Valley and Kenya appeared to be moving towards uncontrollable violence, Kofi Annan and other respected leaders went to Kenya and were able to bring about the fragile peace that has held thus far. The ‘toolbox’ or sticks and carrots a dignitary might be authorised to bring to the table would depend on the country and its needs, whether it be loans or trade agreements or whatever. It is an excellent, practical and scholarly book which should be essential reading for all world leaders."

"Raging Bull. I defy anybody to point out one thing that’s wrong with it. It’s just perfect. There’s nothing in that movie that could be cut out that would make it better. It just feels so lean and perfect. Every moment doesn’t lose sight of what it’s about, you know? Every shot is animal. It’s amazing. Although I think it’s really hard to do jealousy, because jealousy’s a bit like seasickness in that it’s awful if it’s happening to you but f—ing funny to watch. You know, somebody puking off the side of a boat or somebody being jealous, you look like such a moron, but if it’s happening to you, and you’re jealous, it’s f—ing appalling. Somehow, in that movie, what it pulls off is, it’s never funny. It’s just f—ing awful, he’s just an animal, and it’s the threat of violence the whole time. It’s amazing and beautiful."

"A thriller wrapped inside an enigma, this is my desert island disc, the one I’ve watched
 more than any other on this list. The psychology of the characters is revealed
 slowly and ambiguously. Each time I see the wheelchair (the husband’s fantasy) and hear the sound of the horse-and-carriage bells (the wife’s), and the way
 the two achieve harmony in the final scene, I’m reminded of Luis Buñuel’s ability to
 fuse reality and illusion in his characters and for the viewer. He performs this
 magic in plain view, like the best magicians. This is the film that illustrates that
 Catherine Deneuve is not only one of the world’s most beautiful women but a
 fine actress. Belle de jour is truly subversive in its satiric depiction of middle-
class society, the church, and our social mores. If a ratings board ever understood
 this film, it would receive an NC-17, though there is no sex and little violence."