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Mark @ Carstairs Considers (2379 KP) rated No Hallowed Ground in Books
Jun 25, 2025
More Action in the Old … Mid-West
The team of Diehl, Hoop, and Eskaminzim are back on the trail. This time, they are heading a bit further east than normal when they are sent to Missouri. According to their client, some thieves have just made off with the cash for a local bank, and if it isn’t returned quickly and quietly, it would cause the bank to close. Not that our heroes believe that. But when they learn the truth, the realize that the stakes would impact the entire country. And they realized just how outnumbered they truly are. Can they win against overwhelming odds?
If you are looking for an action book, you’ll be glad you picked this one up. There are some entertaining twists to the story, and the plot is strong enough to hold the action scenes together. The characters are good, but they could be a little stronger. Still, they are developed enough to make you care about the outcome. I appreciated how the changing points of view were used to increase the suspense. I also appreciate how the politics of March 1894 was brought into the book. It informed the action without ever being preachy. While we got some language, I was more bothered by some of the violence, so know that before you pick up the book. But if you want a historical action story, do pick up this book.
If you are looking for an action book, you’ll be glad you picked this one up. There are some entertaining twists to the story, and the plot is strong enough to hold the action scenes together. The characters are good, but they could be a little stronger. Still, they are developed enough to make you care about the outcome. I appreciated how the changing points of view were used to increase the suspense. I also appreciate how the politics of March 1894 was brought into the book. It informed the action without ever being preachy. While we got some language, I was more bothered by some of the violence, so know that before you pick up the book. But if you want a historical action story, do pick up this book.
The Family That Finds Us
Book
Phee hides her secrets well, until they become too much to bear. Her biggest secret is one she's...
LGBTQ+ Coming of Age
Mark @ Carstairs Considers (2379 KP) rated Til Death in Books
Oct 17, 2024 (Updated Oct 17, 2024)
Will Death Keep Zoe and Pete from Their Wedding?
With two weeks until their wedding, Zoe Chambers and Pete Adams are trying to juggle final prep with some puzzling cases. In Zoe’s case, it’s a friend from high school who died under mysterious circumstances with no clues after the autopsy. Meanwhile, Pete is reopening a case he solved nine years ago. A man was convicted of killing his wife, but the conviction has been overturned. Pete got it right the first time, didn’t he?
If you are new to the series, I don’t recommend you start here. Aside from the spoilers for the previous book (and they can’t be avoided), you also get some conclusions for several ongoing story arcs. However, fans will be hooked from the beginning. Zoe, Pete, and the gang are as fantastic as always, and I appreciated the growth we got. There is a lot going on here, so I never wanted to put the book down, but the mystery is always front and center and comes to a logical conclusion. Since these are police procedural, there’s a little more language and violence than in a cozy, but they are kept to a minimum. A couple of threads are left for the next book, so I can’t wait to see where things go for our characters next. Fans will delight with this book. If that isn’t you yet, fix that today.
If you are new to the series, I don’t recommend you start here. Aside from the spoilers for the previous book (and they can’t be avoided), you also get some conclusions for several ongoing story arcs. However, fans will be hooked from the beginning. Zoe, Pete, and the gang are as fantastic as always, and I appreciated the growth we got. There is a lot going on here, so I never wanted to put the book down, but the mystery is always front and center and comes to a logical conclusion. Since these are police procedural, there’s a little more language and violence than in a cozy, but they are kept to a minimum. A couple of threads are left for the next book, so I can’t wait to see where things go for our characters next. Fans will delight with this book. If that isn’t you yet, fix that today.
Debbiereadsbook (1478 KP) rated Dragon's Mate Volume Three: Books 8-11 in Books
Feb 26, 2025
I needed previous books
Independent reviewer for GRR, I was gifted my copy of thi box set, 3 books and a novella.
These are books 8-11 in the Dragon's Mate series, and I think, that I SHOULD have read the other books first. It came with a prior reading not required, so I jumped in. And I'm fairly certain I missed something along the way by not reading the previous 7 books.
These 3 main books kinda of overlap each other. Almost layer upon layer, there were the same scenes repeated in multiple books, granted from other points of view, but still. It got a bit...tedious, and I wasn't really enjoying those bits.
I LIKED that all 6 of the couples had a say. I liked the pairings were mismatched and very different. I liked each couples quirks. I liked that everyone came together in the end in the short novella to tie up ends.
It's steamy, but I didn't find it ever so explicit. A little bit of violence in some places, but not too much.
I *DID* like this, I really did, I just think I should have read the previous books first. I think I would have had a better picture of what was going on with those dragon who had been banished/left in the previous books, and seen the BIGGER picture, is all.
3 very good stars
*same worded review will appear elsewhere
These are books 8-11 in the Dragon's Mate series, and I think, that I SHOULD have read the other books first. It came with a prior reading not required, so I jumped in. And I'm fairly certain I missed something along the way by not reading the previous 7 books.
These 3 main books kinda of overlap each other. Almost layer upon layer, there were the same scenes repeated in multiple books, granted from other points of view, but still. It got a bit...tedious, and I wasn't really enjoying those bits.
I LIKED that all 6 of the couples had a say. I liked the pairings were mismatched and very different. I liked each couples quirks. I liked that everyone came together in the end in the short novella to tie up ends.
It's steamy, but I didn't find it ever so explicit. A little bit of violence in some places, but not too much.
I *DID* like this, I really did, I just think I should have read the previous books first. I think I would have had a better picture of what was going on with those dragon who had been banished/left in the previous books, and seen the BIGGER picture, is all.
3 very good stars
*same worded review will appear elsewhere
Fighting Fate (Monsters of London #3.5)
9.0
Rate It
Book
One night. That’s all I do. I won’t change that for a werewolf, no matter how adorable he might...
MM Paranormal Romance
Out For Blood (Monsters of London #3)
10.0
Rate It
Book
A century ago, I shattered the bond between me and my mate. Now our paths are colliding once again. ...
MM Paranormal Romance
Mattia Gagliardi (14 KP) rated Love, Death & Robots in TV
Jun 4, 2019
Outstanding animation (2 more)
Some of the shorts are amazing
I wish there would be more products like this
Other shorts where very dull and boring (3 more)
Sometimes it's style over substance
Too edgy in some parts
Some of the shorts look like commercial for videogame
Uff this is gonna be though to review
"Love Death & Robot" is an anthology of adult animated shorts. It features 18 shorts of different lenght with the common theme being the sci-fi.
The problem of reviewing a product like this is that the episodes are all so different to each other and the quality is too vary.
On a technical point of view, every shorts are amazing. The animation feels great in every style it is portrayed, either 2D or 3D. The quality of the shots, the models and basically every visual elements are simply gorgeous.
However that doesn't mean that the short themselves are by default good. The ones that are super realistic, like "Beyond the Aquila Rift" and "Lucky 13", just make you wonder why they didn't used real actors instead. This two in particular doesn't really benefit for being animated. For comparison, "Ice Age" uses real actors and the CG is contained in the special effects and it works perfectly. Oh and "Lucky 13" is just plain bad on top of that.
Then there are the shorts with amazing visual styles but with quite dull story. "The Witness" is the one that comes to mind using clever use of compositing (the implementation of CG elements in a realistic environment) and having a nice character design with excellent animation. However it feels pretentious because it doesn't say anything really interesting and it focus more on sexual visual rather than a story, with a nonsensical twist nevertheless. Style over substance.
Other shorts instead feels like watching a cinematic for a videogame, pilot for different series or University students showreel. This doesn't mean they are bad but it just feels a bit underwhelming.
However when a short is good, it's really good! The one that are always left me with a smile on my face and with an overall excitement, eager to see what was coming next or more works from these studios. "Three Robots" is definitely one of my favourite short thanks to the amazing visuals, clever dialogues and an interesting lore.
My main criticism that involves mostly all the shorts is the supposed maturity, especially in the use of sex and violence.. I am not against the use of them by any means. However using them just for the sake of it doesn't make your product automatically mature. It just felt edgy, the equivalent of a goth teenagers that watch gory movies just because "uuhhh so taboo".
I know that animation is still perceived as a product for children and I am always happy to see new ones that wants to focus on a more mature audience. I don't think though that you can do it with just the use of swear words, sex and violence without any substance in it.
I want to see more actually mature animations, with compelling stories and amazing styles, using animation as a media and not as a genre.
The problem of reviewing a product like this is that the episodes are all so different to each other and the quality is too vary.
On a technical point of view, every shorts are amazing. The animation feels great in every style it is portrayed, either 2D or 3D. The quality of the shots, the models and basically every visual elements are simply gorgeous.
However that doesn't mean that the short themselves are by default good. The ones that are super realistic, like "Beyond the Aquila Rift" and "Lucky 13", just make you wonder why they didn't used real actors instead. This two in particular doesn't really benefit for being animated. For comparison, "Ice Age" uses real actors and the CG is contained in the special effects and it works perfectly. Oh and "Lucky 13" is just plain bad on top of that.
Then there are the shorts with amazing visual styles but with quite dull story. "The Witness" is the one that comes to mind using clever use of compositing (the implementation of CG elements in a realistic environment) and having a nice character design with excellent animation. However it feels pretentious because it doesn't say anything really interesting and it focus more on sexual visual rather than a story, with a nonsensical twist nevertheless. Style over substance.
Other shorts instead feels like watching a cinematic for a videogame, pilot for different series or University students showreel. This doesn't mean they are bad but it just feels a bit underwhelming.
However when a short is good, it's really good! The one that are always left me with a smile on my face and with an overall excitement, eager to see what was coming next or more works from these studios. "Three Robots" is definitely one of my favourite short thanks to the amazing visuals, clever dialogues and an interesting lore.
My main criticism that involves mostly all the shorts is the supposed maturity, especially in the use of sex and violence.. I am not against the use of them by any means. However using them just for the sake of it doesn't make your product automatically mature. It just felt edgy, the equivalent of a goth teenagers that watch gory movies just because "uuhhh so taboo".
I know that animation is still perceived as a product for children and I am always happy to see new ones that wants to focus on a more mature audience. I don't think though that you can do it with just the use of swear words, sex and violence without any substance in it.
I want to see more actually mature animations, with compelling stories and amazing styles, using animation as a media and not as a genre.
Phil Leader (619 KP) rated A Clockwork Orange in Books
Nov 11, 2019
Grab a moloko or hot chai and peet it with your rot while you viddy my malenky review with your glazzies, real horrorshow.
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Phil Leader (619 KP) rated Perfect Genesis: Adolescence in Books
Nov 21, 2019
This is a book of many levels and many emotions. Superficially it is a far-future science fiction book where societies have been engineered by some planet-spanning intelligence to create stable and sustainable places for humans to live. Under this runs a strong current of philosophy and meta physics about exactly what this means for the individuals involved - and the news isn't good.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.