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Steve Fearon (84 KP) rated Hellraiser (1987) in Movies
Sep 14, 2018
A wonderfully imaginative and creepy Mythos (1 more)
Doug Bradley becomes a horror icon
The Special Effects are a little dated (1 more)
Sometimes seems confused about what sort of film it is...
We have such Cenobites to show you...
Hellraiser is arguably the finest in the series, creating horror icons in Pinhead, Kirsty, Frank and Julia, whilst giving the viewer some of the most extreme horror scenes ever seen.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
Felicia (44 KP) rated People Kill People in Books
Sep 23, 2018
Contains spoilers, click to show
This book first interested me when I read it was a book written about guns and gun control by a person who grew up in a household that supported guns. This is a voice that I had not really heard from in YA literature. Sadly what was given to me was a book that lacked depth for the characters and was quite predictable.
The story follows a group of teen to early adults. 2 of them are white supremacists, 2 are married with a young child, 1 is a homeless teen, 1 is a victim of gun violence who has epilepsy and is also homosexual, and 1 is the greatest person ever. The group itself is so entwined by siblings, marriage, relationships, friendships it isn't weird to wonder just how big of a town it could be they are living in.
The book is full of poor choices, dealing drugs with a toddler present, constant fantasizing about killing a certain person, a lot of time spent in the minds of white supremacists.
The whole book we know someone is going to die. Most of the book is framed to make you think it will be the homeless youth at the hands of the white supremacists. But it is actually the great girl that is anti gun and everyone loves because a toddler got a hold of a gun his parents couldn't be bothered to properly store. The end murder affects the lives of everyone else so they mostly die or want to, to demonstrate that guns aren't the problem. Too bad the gun and people's selfish nature was an unaddressed problem in the whole book full of problems.
The plot was too weighed down for anything to stick and the characters fell very flat despite Hopkins best efforts.
The story follows a group of teen to early adults. 2 of them are white supremacists, 2 are married with a young child, 1 is a homeless teen, 1 is a victim of gun violence who has epilepsy and is also homosexual, and 1 is the greatest person ever. The group itself is so entwined by siblings, marriage, relationships, friendships it isn't weird to wonder just how big of a town it could be they are living in.
The book is full of poor choices, dealing drugs with a toddler present, constant fantasizing about killing a certain person, a lot of time spent in the minds of white supremacists.
The whole book we know someone is going to die. Most of the book is framed to make you think it will be the homeless youth at the hands of the white supremacists. But it is actually the great girl that is anti gun and everyone loves because a toddler got a hold of a gun his parents couldn't be bothered to properly store. The end murder affects the lives of everyone else so they mostly die or want to, to demonstrate that guns aren't the problem. Too bad the gun and people's selfish nature was an unaddressed problem in the whole book full of problems.
The plot was too weighed down for anything to stick and the characters fell very flat despite Hopkins best efforts.
Kelly (279 KP) rated The Birth of a Nation (2016) in Movies
Jan 9, 2019
Moving and powerful story
Contains spoilers, click to show
The birth of a nation tells the story of slave preacher Nat Turner, who leads an uprising on a plantation in the 1830s. The film itself is based on a true story.
The film tells a story of a personal history, which may otherwise be forgotten and serves as a stark reminder of what happens when we allow profits to prioritise over humanity. The bulk of the film concentrates on the slipping standards and increasing violence on the plantation where Nat was enslaved. Being a preacher, Nat was privy to conditions on nearby plantations, but chose to act after a series of event, which included the brutal attack of his wife and his own lashing for baptising a white man without the permission of his owner.
The acting within the film was good and believable. The plot line includes some pretty horrific scenes that demonstrates the ways in which slaves were punished. These scenes were used to serve a purpose to the story rather than forced to the audience.
Personally, I felt that the film itself focuses too much on the motivation of Nat Turners rebellion, and brushed over the events of the rebellion and Nat’s execution. However I have still scored the film highly, as I believe that it is a story that needs to be told in order to remind us of the horrific way that an entire race of people were perceived and treated during the 17 and 1800s. So many story’s of brave people have been lost, and we need to be aware of stories like that of Nat Turner in order to understand that slaves were not always complacent of their circumstance.
The film tells a story of a personal history, which may otherwise be forgotten and serves as a stark reminder of what happens when we allow profits to prioritise over humanity. The bulk of the film concentrates on the slipping standards and increasing violence on the plantation where Nat was enslaved. Being a preacher, Nat was privy to conditions on nearby plantations, but chose to act after a series of event, which included the brutal attack of his wife and his own lashing for baptising a white man without the permission of his owner.
The acting within the film was good and believable. The plot line includes some pretty horrific scenes that demonstrates the ways in which slaves were punished. These scenes were used to serve a purpose to the story rather than forced to the audience.
Personally, I felt that the film itself focuses too much on the motivation of Nat Turners rebellion, and brushed over the events of the rebellion and Nat’s execution. However I have still scored the film highly, as I believe that it is a story that needs to be told in order to remind us of the horrific way that an entire race of people were perceived and treated during the 17 and 1800s. So many story’s of brave people have been lost, and we need to be aware of stories like that of Nat Turner in order to understand that slaves were not always complacent of their circumstance.
LeftSideCut (3776 KP) rated The Cabin in the Woods (2012) in Movies
Dec 29, 2019 (Updated Jan 22, 2020)
I absolutely love The Cabin in the Woods. It's masquerades as a straight up horror flick but with a ridiculous curve ball thrown in(no spoilers here, but seriously, watch it already!), that manages to subvert everything you would expect from a standard slasher type horror.
The cast are all great - Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams - all play typically heightened stereotypes of the kind of run of the mill teenage cannon fodder you usually find within the genre, and with the film's tongue firmly in cheek, it hard to not like any of them.
Then you also have Richard Jenkins and Bradley Whitford providing the majority of the comic relief, and the two of them together are pretty funny, and seem to be having a ball filming.
The narrative of The Cabin in the Woods is the secret ingredient here though. It's fun, it's different, and when the aforementioned twist arrives, it shifts heard pretty quickly, providing one if the most absurd and memorable final acts I've seen in a horror movie.
The gore and violence on display is truly astonishing, and it's nice to see that the effects teams on board used a lot of practical effects to achieve a lot of this, with digital effects used only when necessary. The costume designs for a certain aspect of the film are fantastic as well (still trying to avoid spoilers).
I can't for the life of me see why anyone who likes horror wouldn't get a kick out of The Cabin in the Woods. It tries to do something different, and in my opinion pulls it off with flying bloody colours, and is easily one of my favourite horrors out there.
The cast are all great - Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams - all play typically heightened stereotypes of the kind of run of the mill teenage cannon fodder you usually find within the genre, and with the film's tongue firmly in cheek, it hard to not like any of them.
Then you also have Richard Jenkins and Bradley Whitford providing the majority of the comic relief, and the two of them together are pretty funny, and seem to be having a ball filming.
The narrative of The Cabin in the Woods is the secret ingredient here though. It's fun, it's different, and when the aforementioned twist arrives, it shifts heard pretty quickly, providing one if the most absurd and memorable final acts I've seen in a horror movie.
The gore and violence on display is truly astonishing, and it's nice to see that the effects teams on board used a lot of practical effects to achieve a lot of this, with digital effects used only when necessary. The costume designs for a certain aspect of the film are fantastic as well (still trying to avoid spoilers).
I can't for the life of me see why anyone who likes horror wouldn't get a kick out of The Cabin in the Woods. It tries to do something different, and in my opinion pulls it off with flying bloody colours, and is easily one of my favourite horrors out there.
Gareth von Kallenbach (980 KP) rated Brooklyn's Finest (2010) in Movies
Aug 8, 2019
The story of three cops Sal, Tango, and Eddie, “Brooklyn’s Finest” depicts a graphic understanding of the challenges faced by hardened policemen. Eddie (Richard Gere) is disgruntled and seven days away from retirement from the police force. Tango (Don Cheadle) is stuck undercover while his real life is breaking apart. Sal (Ethan Hawke) can’t afford to support his growing family. All three of them are about to have a week that will test who they are as cops in the not so clear-cut morals of the Brooklyn police force.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
Gareth von Kallenbach (980 KP) rated Surrogates (2009) in Movies
Aug 9, 2019
Imagine if “IRobot”, “Die Hard”, and Joss Whedon’s television show “Dollhouse” had a child, the result would be akin to “Surrogates”. In the not to distant future technology is developed which gives us the ability to control customizable robots, called surrogates, with our minds. As a result, people rarely leave the house and interact directly with each other as surrogates. This robot filled thriller tells the story of FBI agent, Tom Greer (Bruce Willis), sent to investigate sudden deaths occurring when people are operating their surrogates.
In addition to Willis’s captivating acting, the film shines in part due to well-executed details, from the surrogate’s not quite human enough demeanor, to the underlying bias against people who don’t use the technology. “Surrogates” is a film that will make you reconsider the issue of advancing technology from both sides.
The least impressive aspect of this scifi/thriller based on a popular graphic novel is the fundamentally preposterous premise. One of the film’s main assumptions is that the use of surrogates has eliminated violence and racism. Believing that people, who are in essence operating a real world version of Second Life, would spend no time committing crimes, seems more than a little irrational.
Still, the film is engaging and much more thought provoking than I had expected. “Surrogates” fulfills both sci-fi and Bruce Willis fan requirements and is a visually enticing film. You will see a variety of locations common to a robot filled world, from a surrogate beauty salon complete with drills to the inner sanctum of the robot production line.
Touching on human, technological, and futuristic themes “Surrogates” is a fun film filled with visual effects and a truly engaging plot that is if you can overcome the plot holes that fracture the initial premise.
In addition to Willis’s captivating acting, the film shines in part due to well-executed details, from the surrogate’s not quite human enough demeanor, to the underlying bias against people who don’t use the technology. “Surrogates” is a film that will make you reconsider the issue of advancing technology from both sides.
The least impressive aspect of this scifi/thriller based on a popular graphic novel is the fundamentally preposterous premise. One of the film’s main assumptions is that the use of surrogates has eliminated violence and racism. Believing that people, who are in essence operating a real world version of Second Life, would spend no time committing crimes, seems more than a little irrational.
Still, the film is engaging and much more thought provoking than I had expected. “Surrogates” fulfills both sci-fi and Bruce Willis fan requirements and is a visually enticing film. You will see a variety of locations common to a robot filled world, from a surrogate beauty salon complete with drills to the inner sanctum of the robot production line.
Touching on human, technological, and futuristic themes “Surrogates” is a fun film filled with visual effects and a truly engaging plot that is if you can overcome the plot holes that fracture the initial premise.
What's not to like (other than the casual prejudice)?
Contains spoilers, click to show
Okay, so I am one of those people who definitely saw the film before I read the book (and having now done the background reading I am even more impressed with Gilliam’s direction which uses some seriously creative camera angles to replicate the constantly expanding and contracting drug dependent points of view).
Whilst I understand that America’s post counter-culture, folksy racism/ misogyny/ homophobia [insert prejudice here] is subject to criticism by the author, there was more than one occasion where I found the discriminatory language jarringly unnecessary. It really dates the piece.
That said, on the whole, this is a really excellent read, and I was in equal parts disgusted and amused by the antics, and found myself (to some degree of shame) identifying with some of the scrapes and situations the Doctor of Journalism and his legal crony got themselves into- I mean who hasn’t found a casualty or two in their bathrooms following an impromptu house party? (Although I do wonder how events might read to those who avoided misspending their youth...)
It’s a short, pithy searing indictment of American culture, society and the tacit implication (or actually come to think of it- pretty explicit statement) that substance abuse is the only way to deal with and make sense of the chaos. So, one could argue, still pretty relevant.
Violence is frequently a first recourse, the idealisation of capitalism is metaphorically “burned to the ground” (yet antithetically also a cause for admiration) and towards the end a primate bites into an old man’s skull. What’s not to like?
Whilst I understand that America’s post counter-culture, folksy racism/ misogyny/ homophobia [insert prejudice here] is subject to criticism by the author, there was more than one occasion where I found the discriminatory language jarringly unnecessary. It really dates the piece.
That said, on the whole, this is a really excellent read, and I was in equal parts disgusted and amused by the antics, and found myself (to some degree of shame) identifying with some of the scrapes and situations the Doctor of Journalism and his legal crony got themselves into- I mean who hasn’t found a casualty or two in their bathrooms following an impromptu house party? (Although I do wonder how events might read to those who avoided misspending their youth...)
It’s a short, pithy searing indictment of American culture, society and the tacit implication (or actually come to think of it- pretty explicit statement) that substance abuse is the only way to deal with and make sense of the chaos. So, one could argue, still pretty relevant.
Violence is frequently a first recourse, the idealisation of capitalism is metaphorically “burned to the ground” (yet antithetically also a cause for admiration) and towards the end a primate bites into an old man’s skull. What’s not to like?
Merissa (13600 KP) rated Breaking the Mold (The Gray Eyes Series Book, #2) in Books
Dec 17, 2018
Breaking the Mold is the second book in the Grey Eyes series and is set in a different town, with different characters (mainly). This book is darker than the first, with a creepy, psychotic powerlifter who thinks he can have what - and who - he wants as just one of the 'bad guys'. Olivia has always been a Daddy's Girl, but things are changing and she can no longer adhere to his rulings completely. Luckily for Olivia, her mother is on her side, and helps her every which way she can. Alex is the gentle but strong hero, who wants nothing more than to reconnect with Olivia after 10 years apart. Will she be the same girl his memories show him, or not. Will she even remember him?
This book is exceptionally well written, with a storyline that drags you in and won't let go. Violence is a part of the story, and it wouldn't be the same without it. It is there by design and is not gratuitous. With mystery and suspense, this book will keep you on your toes. It is pretty obvious just who the other 'bad guys' are, but the how and whys remain unknown until you read further along.
With a similar cliff-hanger ending, this book is a complete story in itself, whilst whetting your appetite for the next book. Although I thoroughly enjoyed Crossing the Barrier and loved Malakai and Lily as characters; there was something about this book, that indefinable 'something' that just pips it to the post for me. A well deserved 5-stars and a need for the next book along. Highly recommended by me.
* I received this book from YA Reads in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
This book is exceptionally well written, with a storyline that drags you in and won't let go. Violence is a part of the story, and it wouldn't be the same without it. It is there by design and is not gratuitous. With mystery and suspense, this book will keep you on your toes. It is pretty obvious just who the other 'bad guys' are, but the how and whys remain unknown until you read further along.
With a similar cliff-hanger ending, this book is a complete story in itself, whilst whetting your appetite for the next book. Although I thoroughly enjoyed Crossing the Barrier and loved Malakai and Lily as characters; there was something about this book, that indefinable 'something' that just pips it to the post for me. A well deserved 5-stars and a need for the next book along. Highly recommended by me.
* I received this book from YA Reads in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
LeftSideCut (3776 KP) rated The Shining (1980) in Movies
Nov 4, 2019 (Updated Jan 8, 2021)
A slow burning horror masterclass
Stanley Kubrick's adaption of The Shining is certainly a rare gem - A tense thriller that might have aged, but still feels different and fresh in today's world.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
Phil Leader (619 KP) rated The Life and Times of William Boule in Books
Nov 19, 2019
It took me a long time to get around to reading a Max China book and I had heard a lot of good things about his work. I was not disappointed.
This novel forms a sequel to The Sister but I didn't feel I needed to read that to enjoy this as the characters are introduced and explained well. Carla Black is a journalist who wants to flush out the titular serial killer from his hideaway in Morocco. Meanwhile Miller, a missing persons investigator and former lover of Carla, suspects she may run into trouble and follows on to help her. When Boule runs into Carla unexpectedly, she and Miller end up in a race to safety with the serial killer in determined pursuit.
There are so many things that make this book stand out. China's descriptions of the dusty streets of Morocco, full of colours and smells are extremely immersive. His characters are all very solid and well-drawn. I particularly liked the local police chief who turns out to be a very shrewd and resourceful operator in his own right at working out what is going on. Boule is suitably amoral and nasty, a real sociopath but when the narrative is from his point of view the reader finds out his self-justification for his actions.
China keeps the reader guessing with the direction the plot is going to take next and the pace is frantic, the chase scenes desperate and nerve wracking and the pauses in action claustrophobic with menace. Everything gathers pace and momentum neatly until the final showdown which is perfectly pitched in terms of drama.
I really was impressed by this book and China is an outstanding writer.
(Contains violence and sexual scenes and references)
This novel forms a sequel to The Sister but I didn't feel I needed to read that to enjoy this as the characters are introduced and explained well. Carla Black is a journalist who wants to flush out the titular serial killer from his hideaway in Morocco. Meanwhile Miller, a missing persons investigator and former lover of Carla, suspects she may run into trouble and follows on to help her. When Boule runs into Carla unexpectedly, she and Miller end up in a race to safety with the serial killer in determined pursuit.
There are so many things that make this book stand out. China's descriptions of the dusty streets of Morocco, full of colours and smells are extremely immersive. His characters are all very solid and well-drawn. I particularly liked the local police chief who turns out to be a very shrewd and resourceful operator in his own right at working out what is going on. Boule is suitably amoral and nasty, a real sociopath but when the narrative is from his point of view the reader finds out his self-justification for his actions.
China keeps the reader guessing with the direction the plot is going to take next and the pace is frantic, the chase scenes desperate and nerve wracking and the pauses in action claustrophobic with menace. Everything gathers pace and momentum neatly until the final showdown which is perfectly pitched in terms of drama.
I really was impressed by this book and China is an outstanding writer.
(Contains violence and sexual scenes and references)