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Debbiereadsbook (1788 KP) rated Still Waters, Deep (Between Hill and Sea) in Books
Apr 18, 2026
love the descriptive passages!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the first in a new series by Ms Sheppard, and it reads a little bit different to her other books.
Seren is an archivist, and Talise a hydrologist. Catrin wrote about the water of Llyn Du, over 100 years ago, before she disappeared and now all three ladies are entwined by a red thread of fate.
It took time for the threads to weave, and as such, I didn't know where it was all going for a long time. It meant I had to slow down my reading, and concentrate really hard, which in turn meant it took me longer to read. Not a bad thing, just needs a comment, cos Book Feelings are important!
I enjoyed that Seren and Talise have a voice, and Eifion doesn't. I think if he had, the water might have muddled a bit(see what I did there?) between Catrin and Talise, around the lake and what was happening to Talise and what had happened to Catrin.
It's full of Ms Sheppard's signature Welsh myths and legends. There is a bit at the end that talks about Llyn Du and the red thread of fate. I didn't read it. but some might fine it helpful.
It's also full of descriptive passages that you can actually feel. You can feel how the lake reacts to Talise. You can feel how heavy the bell is, how Talise can feel it in her bones. You can feel how Seren reacts to the red thread, so far away from the lake. I love these passages, the way Ms Sheppard writes them. They come across so beautifully, so emotionally, so real.
There is no violence, and no smex. And I loved that there isn't!
Like I said, first in a new series, all connected by that red thread of fate, Welsh myths and nothing more. I look forward to reading what comes next!
4 very VERY good stars
*same worded review will appear elsewhere
This is the first in a new series by Ms Sheppard, and it reads a little bit different to her other books.
Seren is an archivist, and Talise a hydrologist. Catrin wrote about the water of Llyn Du, over 100 years ago, before she disappeared and now all three ladies are entwined by a red thread of fate.
It took time for the threads to weave, and as such, I didn't know where it was all going for a long time. It meant I had to slow down my reading, and concentrate really hard, which in turn meant it took me longer to read. Not a bad thing, just needs a comment, cos Book Feelings are important!
I enjoyed that Seren and Talise have a voice, and Eifion doesn't. I think if he had, the water might have muddled a bit(see what I did there?) between Catrin and Talise, around the lake and what was happening to Talise and what had happened to Catrin.
It's full of Ms Sheppard's signature Welsh myths and legends. There is a bit at the end that talks about Llyn Du and the red thread of fate. I didn't read it. but some might fine it helpful.
It's also full of descriptive passages that you can actually feel. You can feel how the lake reacts to Talise. You can feel how heavy the bell is, how Talise can feel it in her bones. You can feel how Seren reacts to the red thread, so far away from the lake. I love these passages, the way Ms Sheppard writes them. They come across so beautifully, so emotionally, so real.
There is no violence, and no smex. And I loved that there isn't!
Like I said, first in a new series, all connected by that red thread of fate, Welsh myths and nothing more. I look forward to reading what comes next!
4 very VERY good stars
*same worded review will appear elsewhere
Debbiereadsbook (1788 KP) rated Crimson: A Dark Sidhe Faerie Tale in Books
Mar 10, 2023
First time author nailed it!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Ok so! As far as I can see this book is the only book currently written by this author. And if this is her FIRST book?? Oh my days, I cannot wait to see what she delivers next!
Because, bar two things, I bloody LOVED this book.
It's dark and deadly, with so much going on sometimes, I had to double back to check I fully understood. And that, for ME, is a good thing! I didn't find it especially explicit, for Kara and Alak, but for the Fae in general, it is. There is a lot of violence here too, but I think it is needed to get the way these folk live across. It's a truly multi-layered story and it takes time to get to where it's going.
Or rather, it takes time to get the whole point of the story across. And again, for ME, a very good thing. It kept me fully engaged from start to finish.
BUT.
It is a long LONG book, some 500 pages and it's not all easy reading. As I said, it takes time to build up to things. Some peeps don't like such long books. I did here, but it did take me a long time to finish. Mostly because of my next point.
AND.
Only Kara has a say. And if Alak had been given a voice, it would have broken this up a bit, and made it not seem quite so long. Because I really needed to hear from him at points along the way, especially when Kara is in danger.
Having said all that, I really REALLY enjoyed it, and I really REALLY hope we get a second book. Because while there is a HFN ending, Kara and Alak's story is by no means finished. And some other characters need a HEA, too!
So, for a first time author, I'd say Ms Speelman nailed it!
4 most excellent stars
Ok so! As far as I can see this book is the only book currently written by this author. And if this is her FIRST book?? Oh my days, I cannot wait to see what she delivers next!
Because, bar two things, I bloody LOVED this book.
It's dark and deadly, with so much going on sometimes, I had to double back to check I fully understood. And that, for ME, is a good thing! I didn't find it especially explicit, for Kara and Alak, but for the Fae in general, it is. There is a lot of violence here too, but I think it is needed to get the way these folk live across. It's a truly multi-layered story and it takes time to get to where it's going.
Or rather, it takes time to get the whole point of the story across. And again, for ME, a very good thing. It kept me fully engaged from start to finish.
BUT.
It is a long LONG book, some 500 pages and it's not all easy reading. As I said, it takes time to build up to things. Some peeps don't like such long books. I did here, but it did take me a long time to finish. Mostly because of my next point.
AND.
Only Kara has a say. And if Alak had been given a voice, it would have broken this up a bit, and made it not seem quite so long. Because I really needed to hear from him at points along the way, especially when Kara is in danger.
Having said all that, I really REALLY enjoyed it, and I really REALLY hope we get a second book. Because while there is a HFN ending, Kara and Alak's story is by no means finished. And some other characters need a HEA, too!
So, for a first time author, I'd say Ms Speelman nailed it!
4 most excellent stars
Debbiereadsbook (1788 KP) rated A Star to Sail By in Books
Sep 9, 2023
loved being kept on my toes!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Crispin wanted to be in the Navy, and now he finds himself on a pirate ship, helping them. But these pirates aren't like anything he heard about and Billy, especially, calls to him for reasons he can't figure out. Billy knows though, and it takes a storm to bring them finally to admit to each other what they could be.
What I especially liked about this, was being kept on my toes!
We are aware that something happened to Crispin to mean he is surviving on a merchant ship, and is no longer in the Royal Navy, but not WHY. We know Billy hates Naval officers, but not WHY. And we get the answers to both almost at the same time. Very different reasons, but equally devastating to them. I'm not going to go into it, for spoilers, but difficult reading, Billy's especially. Be mindful of the trigger warnings on this book.
It's not especially explicit, but I didn't mind that here. It's more about the feeling these two men have for each other, and knowing that they can be together, in this time, and be safe.
It is, however, quite violent. These pirates are ...reasonable...in their behaviours, but things happen and then Crispin and Billy are dealt a nasty blow. The level of violence is not graphic, though it does carry some detailed descriptions of punishments and the aftermath. Also, the reason Billy hates Naval officers is described in some detail.
It's not a complicated read, and I found I read it faster than I normally would for a book of this length, some 370 pages.
First I've read of this author, I like the way she spins her tales. I'll certainly read more by this author.
A very enjoyable, 4 star read
*same worded review will appear elsewhere
Crispin wanted to be in the Navy, and now he finds himself on a pirate ship, helping them. But these pirates aren't like anything he heard about and Billy, especially, calls to him for reasons he can't figure out. Billy knows though, and it takes a storm to bring them finally to admit to each other what they could be.
What I especially liked about this, was being kept on my toes!
We are aware that something happened to Crispin to mean he is surviving on a merchant ship, and is no longer in the Royal Navy, but not WHY. We know Billy hates Naval officers, but not WHY. And we get the answers to both almost at the same time. Very different reasons, but equally devastating to them. I'm not going to go into it, for spoilers, but difficult reading, Billy's especially. Be mindful of the trigger warnings on this book.
It's not especially explicit, but I didn't mind that here. It's more about the feeling these two men have for each other, and knowing that they can be together, in this time, and be safe.
It is, however, quite violent. These pirates are ...reasonable...in their behaviours, but things happen and then Crispin and Billy are dealt a nasty blow. The level of violence is not graphic, though it does carry some detailed descriptions of punishments and the aftermath. Also, the reason Billy hates Naval officers is described in some detail.
It's not a complicated read, and I found I read it faster than I normally would for a book of this length, some 370 pages.
First I've read of this author, I like the way she spins her tales. I'll certainly read more by this author.
A very enjoyable, 4 star read
*same worded review will appear elsewhere
LeftSideCut (3776 KP) rated Scream (2022) in Movies
Jan 16, 2022
Creepy telephone calls, a will-they-won't-they romance between Gale Weathers and Deputy Dewey, a killer that falls over a lot, on-the-nose meta dialogue, and copious amounts of stabbing and blood, can only mean one thing - Scream is back and dammit, it feels good.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
The Ostin Rebel (Isle of Ostin #4)
8.0
Rate It
Book
Everest Ostin thought being a royal vampire was amazing when he was younger. As he aged, he...
MM Paranormal Romance
ClareR (6256 KP) rated All the Broken Places in Books
Nov 4, 2023
Gretel Fernsby has a terrible secret that she’d rather others didn’t know. If you’ve read The Boy in the Striped Pyjamas, you’ll recognise the name: Gretel is the daughter of the camp Commandant of Auschwitz.
In short chapters, flashing between the past and the present, we learn about 91 year old Gretel’s past, and what happened when she and her mother escaped Germany.
Gretel is very well off, living in an expensive block of very large flats in central London. She doesn’t really have any friends, and seems to keep her true self from everyone including her son.
She is confronted with the memory of her younger brother, Bruno, when a boy of his age moves in to the downstairs flat. She realises that his father is violent, and his mother is abused. Gretel can’t let this kind of violence happen again.
The characters in this were superb. Whilst the first book had its problems with historical accuracy, I feel that this book centred more around trauma, guilt and shame. Gretel carries all of these things around with her forever. She feels culpable for what happened in the camp - even though she was both a child and female. In retrospect, she is able to see what was wrong with the nazi regime, but at the time would have been brainwashed. She wouldn’t have known a time where Jews and other “undesirable” minorities would have been treated any differently. The wonder is that she went on to learn that this was wrong. The trauma that she carries with her from the death of her brother, learning about what her father was guilty of, and occurrences in Paris, is lifelong.
From Gretel’s life experiences to those of her downstairs neighbour, everything is handled with compassion and tact. Again, it’s not perfect, but then neither are humans. And that is what this book shows above all: that we can learn from our mistakes if we are willing to do so.
In short chapters, flashing between the past and the present, we learn about 91 year old Gretel’s past, and what happened when she and her mother escaped Germany.
Gretel is very well off, living in an expensive block of very large flats in central London. She doesn’t really have any friends, and seems to keep her true self from everyone including her son.
She is confronted with the memory of her younger brother, Bruno, when a boy of his age moves in to the downstairs flat. She realises that his father is violent, and his mother is abused. Gretel can’t let this kind of violence happen again.
The characters in this were superb. Whilst the first book had its problems with historical accuracy, I feel that this book centred more around trauma, guilt and shame. Gretel carries all of these things around with her forever. She feels culpable for what happened in the camp - even though she was both a child and female. In retrospect, she is able to see what was wrong with the nazi regime, but at the time would have been brainwashed. She wouldn’t have known a time where Jews and other “undesirable” minorities would have been treated any differently. The wonder is that she went on to learn that this was wrong. The trauma that she carries with her from the death of her brother, learning about what her father was guilty of, and occurrences in Paris, is lifelong.
From Gretel’s life experiences to those of her downstairs neighbour, everything is handled with compassion and tact. Again, it’s not perfect, but then neither are humans. And that is what this book shows above all: that we can learn from our mistakes if we are willing to do so.
Debbiereadsbook (1788 KP) rated The Dark Before Dawn (Basic Instincts #4) in Books
Jul 8, 2026
both Jude and Danyal suffer here.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Basic Instincts series, and it can be read as a stand alone. I do however, personally recommend that you do read them in order. It will give you a better picture of Blyham and what has happened and what is still happening there.
Jude has returned home, after years on the cruise ships. Danyal is an old school friend and the attraction between them still lingers. Then Jude witnesses a murder, Danyal's police colleague is murder and the killer is playing games.
What I loved about this book, was, although the Blyham Strangler was mentioned, the recent spate of attacks on the gay community are someone else. Someone who we get to hear from and I love LOVE hearing from the bad guys! But they have no connection to the strangler. They are twisted and deadly, especially after what happens to Danyal's colleague.
The book is dark and deadly with on page violence that is absolutely needed. It's emotional and heart wrenching. Both Danyal and Jude suffer losses here in the most horrific way and you feel for them. It brings them closer, though and I loved that neither felt the need to push the other away.
I didn't think it was as steamy as the other books. This one concentrates more on the emotional connection, I find, than the smex. There is smex, sure but it's a second to the crime and the bad guy and what happens there.
The bad guy gets his comeuppence, in the most ironic way, considering what happens earlier in the book.
Will there be more? I'm not sure Blyham can handle another bad guy, to be honest! But if there is, I'll read it!
5 dark and deadly stars.
*same worded review will appear elsewhere
This is book 4 in the Basic Instincts series, and it can be read as a stand alone. I do however, personally recommend that you do read them in order. It will give you a better picture of Blyham and what has happened and what is still happening there.
Jude has returned home, after years on the cruise ships. Danyal is an old school friend and the attraction between them still lingers. Then Jude witnesses a murder, Danyal's police colleague is murder and the killer is playing games.
What I loved about this book, was, although the Blyham Strangler was mentioned, the recent spate of attacks on the gay community are someone else. Someone who we get to hear from and I love LOVE hearing from the bad guys! But they have no connection to the strangler. They are twisted and deadly, especially after what happens to Danyal's colleague.
The book is dark and deadly with on page violence that is absolutely needed. It's emotional and heart wrenching. Both Danyal and Jude suffer losses here in the most horrific way and you feel for them. It brings them closer, though and I loved that neither felt the need to push the other away.
I didn't think it was as steamy as the other books. This one concentrates more on the emotional connection, I find, than the smex. There is smex, sure but it's a second to the crime and the bad guy and what happens there.
The bad guy gets his comeuppence, in the most ironic way, considering what happens earlier in the book.
Will there be more? I'm not sure Blyham can handle another bad guy, to be honest! But if there is, I'll read it!
5 dark and deadly stars.
*same worded review will appear elsewhere
Gareth von Kallenbach (980 KP) rated Hellboy (2019) in Movies
Jul 2, 2019
Trivia question for you…what does an immortal evil queen, King Arthur, Nazis and a boy born from Hell itself have in common? If you answered Hellboy you win a prize. The prize is going to the theater and watching the film and whether it’s a prize worth winning is something you’ll have to decide for yourself. I’m getting a bit ahead of myself though, so let’s rewind a bit and start at the beginning.
Hellboy (David Harbour) is a demon from Hell (hence the name), his backstory as we learn early on in the movie is pretty standard fare. The Nazi’s are on the verge of losing World War II and in a desperate move to turn the tide call upon the evil sorcerer Rasputin to call upon the depths of Hell and raise a champion who will fight for them. The incantation is interrupted when famous Nazi hunter Lobster Johnson (Thomas Haden Church) goes in with guns blazing, as other allied troops join the fray. Their relief at stopping the incantation is short-lived as the alter opens and a young demon climbs through. Professor Broom who had infiltrated the Nazi team had been brought in to put down any evil that was successfully summoned. Upon seeing the young demon, Professor Broom (for reasons known only to him at the time) decides not to kill him, but to take him in and raise him as his own.
Flash forward to present day, and Hellboy as we now know him alongside his father are members of the B.P.R.D (Bureau for Paranormal Research and Defense). On a mission to defeat some giants that are roaming the countryside in England they stumble upon an ancient evil that dark forces are trying to retrieve. It seems back in the dark ages a war between humans and monsters was being waged. Seeing no end to the violence King Arthur (Mark Stanley) and his faithful wizard Merlin (Brian Gleeson) offer to surrender to The Blood Queen (Milla Jovovich). On top the hill where the surrender is to take place, the Blood Queen is betrayed by one of her own and King Arthur, using the infamous blade Excalibur, cut the Blood Queen into several parts. While she can’t be killed, she can be contained and each of her body parts are placed in separate boxes. These boxes are then sealed with holy water that only a holy man can unlock and are sent to the farthest corners of England. If the Blood Queen ever returns, she will release a plague that will not only destroy England but spread across the entire world. Thus, sets the stage for Hellboy.
Being a fan of the previous movies and in particular the portrayal of Hellboy by Ron Pearlman, I wasn’t sure how to feel about David Harbour in this role. It’s always a bit hit or miss when a series is rebooted, and I was pleasantly surprised with how David Harbour stepped up and into the role. While he doesn’t have the same menacing size and gruffness that Ron Pearlman possesses, it didn’t take me long to adjust to this new version. He is joined by a strong supporting cast consisting of Sasha Lane as his ghost whispering friend Alice and Ben Daimo as an MI-11 agent weary of teaming up with a monster. Milla Jovovich does an outstanding job as the Blood Queen and her fairy-pig friend portrayed by Stephen Graham and Douglas Tait.
Visually the movie is stunning, with the numerous monsters and fairy creatures coming to life before your eyes. The movie is exceptionally gory as one might expect, with numerous limb dismemberments, decapitations, and more blood than anyone would expect to erupt from such wounds. It’s over-the-top and meant to be that way which tended to bring some uncomfortable laughter at times from those around me. Having recently played Mortal Kombat 11, I couldn’t help but feel that some of the fatality screens in that game would have felt right at home in this movie.
Story is where I feel Hellboy falls a bit flat. There are so many characters and side stories going on that it’s easy to get lost in it. From my description above, you can see that it includes King Arthur, Rasputin, Nazis, Secret Societies, Witches that eat children, monsters…and that’s only in the first half of the movie. There is a ton going on and there are a lot of disconnects. While trying to avoid spoilers, there is a part in the film where Hellboy is talking to Baba Yaga (see another character reference), and after tricking her she places a curse on him. I’m still trying to figure out if the curse she placed on him occurred in the movie or not. In fact, I’m trying to figure out exactly what the point of that scene was. It’s not a bad story, but it tries to pack in a TON of references in its brief hour and forty five-ish minutes.
I’ll be the first to admit that I’ve never read any of the Hellboy graphic novels, I have seen both of the previous films, so I had a little bit of background going into this movie. I don’t know if all the references in the movie are pivotal to the novels or not. You certainly don’t have to have read them or seen the previous movies to appreciate this one, I just wonder if they tried to fit in too many Hellboy references into one film. Hellboy is an enjoyable ride, and it certainly doesn’t drag at all, in fact I was surprised at how quickly it was over. With all that being said, it’s a fun action-packed movie, with lots of gratuitous violence if that’s your thing. I certainly wouldn’t recommend taking your children to see it, violence aside, I just think there is way too much going on and it can be difficult to follow. Oh, and don’t forget to stay through the credits for the end credit scene. It’s not pivotal to the movie, but worth waiting around for.
Hellboy (David Harbour) is a demon from Hell (hence the name), his backstory as we learn early on in the movie is pretty standard fare. The Nazi’s are on the verge of losing World War II and in a desperate move to turn the tide call upon the evil sorcerer Rasputin to call upon the depths of Hell and raise a champion who will fight for them. The incantation is interrupted when famous Nazi hunter Lobster Johnson (Thomas Haden Church) goes in with guns blazing, as other allied troops join the fray. Their relief at stopping the incantation is short-lived as the alter opens and a young demon climbs through. Professor Broom who had infiltrated the Nazi team had been brought in to put down any evil that was successfully summoned. Upon seeing the young demon, Professor Broom (for reasons known only to him at the time) decides not to kill him, but to take him in and raise him as his own.
Flash forward to present day, and Hellboy as we now know him alongside his father are members of the B.P.R.D (Bureau for Paranormal Research and Defense). On a mission to defeat some giants that are roaming the countryside in England they stumble upon an ancient evil that dark forces are trying to retrieve. It seems back in the dark ages a war between humans and monsters was being waged. Seeing no end to the violence King Arthur (Mark Stanley) and his faithful wizard Merlin (Brian Gleeson) offer to surrender to The Blood Queen (Milla Jovovich). On top the hill where the surrender is to take place, the Blood Queen is betrayed by one of her own and King Arthur, using the infamous blade Excalibur, cut the Blood Queen into several parts. While she can’t be killed, she can be contained and each of her body parts are placed in separate boxes. These boxes are then sealed with holy water that only a holy man can unlock and are sent to the farthest corners of England. If the Blood Queen ever returns, she will release a plague that will not only destroy England but spread across the entire world. Thus, sets the stage for Hellboy.
Being a fan of the previous movies and in particular the portrayal of Hellboy by Ron Pearlman, I wasn’t sure how to feel about David Harbour in this role. It’s always a bit hit or miss when a series is rebooted, and I was pleasantly surprised with how David Harbour stepped up and into the role. While he doesn’t have the same menacing size and gruffness that Ron Pearlman possesses, it didn’t take me long to adjust to this new version. He is joined by a strong supporting cast consisting of Sasha Lane as his ghost whispering friend Alice and Ben Daimo as an MI-11 agent weary of teaming up with a monster. Milla Jovovich does an outstanding job as the Blood Queen and her fairy-pig friend portrayed by Stephen Graham and Douglas Tait.
Visually the movie is stunning, with the numerous monsters and fairy creatures coming to life before your eyes. The movie is exceptionally gory as one might expect, with numerous limb dismemberments, decapitations, and more blood than anyone would expect to erupt from such wounds. It’s over-the-top and meant to be that way which tended to bring some uncomfortable laughter at times from those around me. Having recently played Mortal Kombat 11, I couldn’t help but feel that some of the fatality screens in that game would have felt right at home in this movie.
Story is where I feel Hellboy falls a bit flat. There are so many characters and side stories going on that it’s easy to get lost in it. From my description above, you can see that it includes King Arthur, Rasputin, Nazis, Secret Societies, Witches that eat children, monsters…and that’s only in the first half of the movie. There is a ton going on and there are a lot of disconnects. While trying to avoid spoilers, there is a part in the film where Hellboy is talking to Baba Yaga (see another character reference), and after tricking her she places a curse on him. I’m still trying to figure out if the curse she placed on him occurred in the movie or not. In fact, I’m trying to figure out exactly what the point of that scene was. It’s not a bad story, but it tries to pack in a TON of references in its brief hour and forty five-ish minutes.
I’ll be the first to admit that I’ve never read any of the Hellboy graphic novels, I have seen both of the previous films, so I had a little bit of background going into this movie. I don’t know if all the references in the movie are pivotal to the novels or not. You certainly don’t have to have read them or seen the previous movies to appreciate this one, I just wonder if they tried to fit in too many Hellboy references into one film. Hellboy is an enjoyable ride, and it certainly doesn’t drag at all, in fact I was surprised at how quickly it was over. With all that being said, it’s a fun action-packed movie, with lots of gratuitous violence if that’s your thing. I certainly wouldn’t recommend taking your children to see it, violence aside, I just think there is way too much going on and it can be difficult to follow. Oh, and don’t forget to stay through the credits for the end credit scene. It’s not pivotal to the movie, but worth waiting around for.
Jamie (131 KP) rated The Shining Girls in Books
Jun 4, 2017
Ambitious & unique story line (1 more)
Handles the web of time paradoxes well
Mash-up of genres is disjointing (2 more)
Romance is distracting at best
Repeated murder scenes gets wearisome
A cool time travel thriller
The Shining Girls follows Harper, a crude serial killer from the 1930’s that can hop through time; and Kirby, the spunky young woman that got away. This book was incredibly ambitious in its premise and I spent a great deal of my time reading the book wondering if it could deliver and I can happily say that I wasn’t disappointed.
The story is a heavily character driven dive through recent American history, from the Great Depression in the 1930’s all the way up to the early 1990’s. I was impressed by the amount of research that was put into this book, each decade having enough detail to get a good feel for the era. Many of the characters were pretty well fleshed out for such short chapters, and I found myself liking many of them.
My favorite part of the story, though, was the tragedy that was Harper because of how very flawed and human he is. He views himself as commanding, charming, persuasive, but to many of his victims he’s just downright creepy. He thinks himself calculating yet he makes mistakes left and right. He has a drive to rise up from the trenches of poverty and starvation from his own era, to be powerful. His choice of victims are all women in a great act of femicide, because he has this dire need to feel masculine. He chooses women that he views as invincible, that shine with ambition in order to assert his dominance by snuffing them out. He thinks he has this divine purpose, a destiny to fulfill because he wants it so desperately, even though the reality is that it’s simply senseless violence with no real meaning. He obsesses over the murders, returning to the scene of the crimes over and over to get off. Harper is pathetic. It was a refreshing change from the stereotypical smooth, genius archetype that glorifies killers. I didn’t know right away that this book was meant to be a feminist novel, but that’s what I took away from not only Harper’s struggle with masculinity, but with the strong and fiercely independent female characters all throughout the book.
There were a couple of problems with the book, however, that I feel need to be addressed. The mash up of genres is both a good and bad aspect of the story. The middle chapters where romance comes into play to me was really distracting and feels out of place. The tagline describing the novel also states that “the girl who wouldn’t die hunts the killer who shouldn’t exist” but honestly, it didn’t feel much like Kirby was really hunting the killer. Looking for connections with other murder cases and investigating some wild hunches, yes, but really she spends most of the book developing her bond with Dan. I would have really liked for this to be more of a cat and mouse type of hunt between Kirby and Harper.
The chapters with Harper were much more interesting, but even those became a little repetitive. We as the reader follow Harper as he stalks his victims in childhood, waiting for the right time to strike when they reach adulthood. While it was necessary for the plot to detail the characters to both connect them to the greater chain of paradoxes and to show Harper’s descent, the violence is excessive and extremely detailed, and after a while it started to feel more like torture porn. It just got tiring after a while.
Despite its flaws, I thought this book was good, and I mean really good. I loved the way that the time paradoxes were handled, time travel stories tend to be tricky and usually end up with a couple of glaring loop holes. The loops are handled in a way that I found satisfying and this book is easily my favorite time travel novel I’ve ever read. It is truly unique and a story I won’t soon forget.
The story is a heavily character driven dive through recent American history, from the Great Depression in the 1930’s all the way up to the early 1990’s. I was impressed by the amount of research that was put into this book, each decade having enough detail to get a good feel for the era. Many of the characters were pretty well fleshed out for such short chapters, and I found myself liking many of them.
My favorite part of the story, though, was the tragedy that was Harper because of how very flawed and human he is. He views himself as commanding, charming, persuasive, but to many of his victims he’s just downright creepy. He thinks himself calculating yet he makes mistakes left and right. He has a drive to rise up from the trenches of poverty and starvation from his own era, to be powerful. His choice of victims are all women in a great act of femicide, because he has this dire need to feel masculine. He chooses women that he views as invincible, that shine with ambition in order to assert his dominance by snuffing them out. He thinks he has this divine purpose, a destiny to fulfill because he wants it so desperately, even though the reality is that it’s simply senseless violence with no real meaning. He obsesses over the murders, returning to the scene of the crimes over and over to get off. Harper is pathetic. It was a refreshing change from the stereotypical smooth, genius archetype that glorifies killers. I didn’t know right away that this book was meant to be a feminist novel, but that’s what I took away from not only Harper’s struggle with masculinity, but with the strong and fiercely independent female characters all throughout the book.
There were a couple of problems with the book, however, that I feel need to be addressed. The mash up of genres is both a good and bad aspect of the story. The middle chapters where romance comes into play to me was really distracting and feels out of place. The tagline describing the novel also states that “the girl who wouldn’t die hunts the killer who shouldn’t exist” but honestly, it didn’t feel much like Kirby was really hunting the killer. Looking for connections with other murder cases and investigating some wild hunches, yes, but really she spends most of the book developing her bond with Dan. I would have really liked for this to be more of a cat and mouse type of hunt between Kirby and Harper.
The chapters with Harper were much more interesting, but even those became a little repetitive. We as the reader follow Harper as he stalks his victims in childhood, waiting for the right time to strike when they reach adulthood. While it was necessary for the plot to detail the characters to both connect them to the greater chain of paradoxes and to show Harper’s descent, the violence is excessive and extremely detailed, and after a while it started to feel more like torture porn. It just got tiring after a while.
Despite its flaws, I thought this book was good, and I mean really good. I loved the way that the time paradoxes were handled, time travel stories tend to be tricky and usually end up with a couple of glaring loop holes. The loops are handled in a way that I found satisfying and this book is easily my favorite time travel novel I’ve ever read. It is truly unique and a story I won’t soon forget.
Movie Metropolis (309 KP) rated Red Sparrow (2018) in Movies
Jun 10, 2019
Never entertaining, frequently repugnant
Director Francis Lawrence and Hollywood sweetheart Jennifer Lawrence (they are no relation, I’ve checked) aren’t a new combination when it comes to film-making.
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/