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Daniel Boyd (1066 KP) rated 22 July (2018) in Movies
Oct 22, 2018 (Updated Oct 22, 2018)
Good Direction (1 more)
Well Acted
An Important, If Terrifying Recent Tragedy
22 July is a Netflix film directed by Paul Greengrass about a brutal 2011 terrorist attack in Oslo.
This film is hard to watch.
I'm a guy that loves gory action flicks and intense horror movies, but something like this is far more disturbing to me. The film is so well made on a technical level, that at some points it actually feels like you are watching the real life massacre play out, which to me felt a little bit too real. Thankfully, I have never been affected by an act of terrorism, nor has anyone that I know, but if I had, I'm not sure how I would feel about someone making a movie like this retelling the trauma that those people went through.
I appreciate that this is an important event in recent history and shouldn't be something that is easily forgotten, but the brutal realism of this film is hard to stomach at times. It really puts you in the shoes of the victims and let's you imagine the terror and crippling fear that they must have felt.
The actor that plays the perpetrator of the attack, Anders Behring Breivik, (played by Anders Danielsen Lie,) has to be commended. He was so believable in the role that I ended up getting really angry every time that he appeared in a scene. I don't even want to know what an actor has to do to get into that headspace, but he put in an absolutely sublime performance as a deplorable scumbag.
The other standout role was Jonas Strand Gravli as Viljar Hanssen, one of the victims of the attack. He is the audience's main conduit into this horrific event and he is brilliant throughout the film.
The main criticism that I have is that we are shown this horrific attack in brutal detail and the aftermath of the event, with no real purpose. I am not sure what the point of this movie was other than to retell a gut wrenching, terrifying story of a real life terrorist attack. I guess, if you were to do some reaching, you could say that the fact that the film has no point echoes the fact that this brutal act of mass violence also had no point and sometimes these horrific things just happen with no real reason.
Overall, this is a very well made movie. It is full of heavy emotions and will make you think about the nature of the human mind. This is if you can get through it though, the movie is very hard to watch and I can see a good amount of folks turning off because they can't handle it, which I can totally understand.
This film is hard to watch.
I'm a guy that loves gory action flicks and intense horror movies, but something like this is far more disturbing to me. The film is so well made on a technical level, that at some points it actually feels like you are watching the real life massacre play out, which to me felt a little bit too real. Thankfully, I have never been affected by an act of terrorism, nor has anyone that I know, but if I had, I'm not sure how I would feel about someone making a movie like this retelling the trauma that those people went through.
I appreciate that this is an important event in recent history and shouldn't be something that is easily forgotten, but the brutal realism of this film is hard to stomach at times. It really puts you in the shoes of the victims and let's you imagine the terror and crippling fear that they must have felt.
The actor that plays the perpetrator of the attack, Anders Behring Breivik, (played by Anders Danielsen Lie,) has to be commended. He was so believable in the role that I ended up getting really angry every time that he appeared in a scene. I don't even want to know what an actor has to do to get into that headspace, but he put in an absolutely sublime performance as a deplorable scumbag.
The other standout role was Jonas Strand Gravli as Viljar Hanssen, one of the victims of the attack. He is the audience's main conduit into this horrific event and he is brilliant throughout the film.
The main criticism that I have is that we are shown this horrific attack in brutal detail and the aftermath of the event, with no real purpose. I am not sure what the point of this movie was other than to retell a gut wrenching, terrifying story of a real life terrorist attack. I guess, if you were to do some reaching, you could say that the fact that the film has no point echoes the fact that this brutal act of mass violence also had no point and sometimes these horrific things just happen with no real reason.
Overall, this is a very well made movie. It is full of heavy emotions and will make you think about the nature of the human mind. This is if you can get through it though, the movie is very hard to watch and I can see a good amount of folks turning off because they can't handle it, which I can totally understand.
Debbiereadsbook (1554 KP) rated Surreal Estate in Books
Nov 5, 2018
love love LOVED this one!
Sasha can't live at home, so he's on the streets. He finds an empty home that calls to his 6th sense and moves in. Then Nick buys the house. The house reacts badly to Nick wanting to sell it, and makes Nick's already tight budget and time frame almost impossible. Sasha doesn't want Nick to end up in the hospital, or worse, so he has to come up with something quick, while clearly out and healing his grandfather's house.
I won a copy of this book, and I am so bloody glad I did! Ms Ryan usually writes Young Adult and had this book came with that tag, I would not have entered, cos I'm not a YA fan. This is Ms Ryan's first foray into a much more adult setting, and into the male/male genre, and BOY does she smash it out the park!
Sasha can read houses, they call to him. His skill isn't made immediately clear, and we have to wait for the full picture. I think it really hit me, just what this meant for Sasha, when he was healing his grandfather's house.
I loved we got all of Nick's internal wrangling with himself over his growing feelings and attraction to Sasha. Loved that he was like, "okay then, must be bi" Loved the interaction between Nick and his brothers! His older brother needs a story now, needs to find his happy ever after, especially after what happened here. Well both brothers should have a story, I think!
It's not overly explicit, I thought, but it wans't lacking in any thing regards to the heat and steam level between these two! Not at all! It does carry a violence and drug use warning. These ARE needed and are an integral part of the story, but they are all off screen. We know Sasha's mum does drugs, but we don't see it. We know WHAT happened to Nick, cos we deal with the fall out, but not HOW. It also comes with a non-con warning. It's mostly touching, and doesn't develop into a full blown attack, but could very well have. It needs mentioning though.
It's told from both Sasha and Nick's point of view, in the first person. Each change occurs as a a chapter changes and is clearly headed. I didn't quite manage to read it in one sitting, but very nearly!
I can't wait to see what Ms Ryan comes up with next. I love finding new to me authors, especially ones who step outside their comfort zone! She impressed me here, greatly, and, apparently, I'm a tough critic! I'm not sure that's true, but I LOVED this book.
so,
5 full and shiny stars!
**same worded review will appear elsewhere**
I won a copy of this book, and I am so bloody glad I did! Ms Ryan usually writes Young Adult and had this book came with that tag, I would not have entered, cos I'm not a YA fan. This is Ms Ryan's first foray into a much more adult setting, and into the male/male genre, and BOY does she smash it out the park!
Sasha can read houses, they call to him. His skill isn't made immediately clear, and we have to wait for the full picture. I think it really hit me, just what this meant for Sasha, when he was healing his grandfather's house.
I loved we got all of Nick's internal wrangling with himself over his growing feelings and attraction to Sasha. Loved that he was like, "okay then, must be bi" Loved the interaction between Nick and his brothers! His older brother needs a story now, needs to find his happy ever after, especially after what happened here. Well both brothers should have a story, I think!
It's not overly explicit, I thought, but it wans't lacking in any thing regards to the heat and steam level between these two! Not at all! It does carry a violence and drug use warning. These ARE needed and are an integral part of the story, but they are all off screen. We know Sasha's mum does drugs, but we don't see it. We know WHAT happened to Nick, cos we deal with the fall out, but not HOW. It also comes with a non-con warning. It's mostly touching, and doesn't develop into a full blown attack, but could very well have. It needs mentioning though.
It's told from both Sasha and Nick's point of view, in the first person. Each change occurs as a a chapter changes and is clearly headed. I didn't quite manage to read it in one sitting, but very nearly!
I can't wait to see what Ms Ryan comes up with next. I love finding new to me authors, especially ones who step outside their comfort zone! She impressed me here, greatly, and, apparently, I'm a tough critic! I'm not sure that's true, but I LOVED this book.
so,
5 full and shiny stars!
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated Destroyer (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
It feels like Nicole Kidman has been making a big screen comeback recently. I enjoyed Aquaman and The Upside, we're also looking forward to seeing her in Boy Erased next month. I was aware that this one was going to be a little... different shall we say? But I hadn't read up much about it. It's a very surprising role to see her in.
Days after seeing Destroyer I'm still not any clearer about the whole thing. It almost felt like it had gritty TV crime drama potential but as a film I was a little underwhelmed.
I spent a long time wondering if I had missed something, the ending caused me the following reaction... "wait... oh... huh." I'm not sure that the way it tied itself up worked. It left me a little confused, not because the story didn't make sense but because of the way the film had been organised.
The main character, Erin, takes some pretty extreme measures during the film because of our bad guy. But out bad guy doesn't seem to warrant that behaviour. Sure he's a little nuts but as a catalyst for the messed up things she does I didn't find it to be very believable.
Kidman puts on a good show as you'd expect, trying to get past that hair and make-up though... I spent the first 30 minutes getting annoyed by it. I honestly don't know if I'm annoyed because it's bad or annoyed because it feels like they've disfigured Nicole Kidman.
The story is very familiar, a cop's past comes back to haunt them isn't new territory. Kidman takes on a very strong role and I can't deny she put some oomph into it but it's just another sort of okay film. Some less dramatic hair and make-up, a more organised timeline and a little more thought for the bad guy and I think I could have seen myself giving this four stars.
[As an after thought... the guy behind me at the screening kept laughing. Proper comedy gaffawing. I have to guess he was laughing at the violence being over the top because there wasn't anything amusing in it. I've seem films that are worse in that aspect though so I'm really just shrugging my shoulders about it.]
What you should do
There are other films that do much the same as this, but seeing Nicole Kidman as Erin Bell was an eye opener that you might benefit from seeing once.
Movie thing you wish you could take home
I would like whatever Nicole Kidman has that makes her naturally look like she's no older that Sebastian Stan.
Days after seeing Destroyer I'm still not any clearer about the whole thing. It almost felt like it had gritty TV crime drama potential but as a film I was a little underwhelmed.
I spent a long time wondering if I had missed something, the ending caused me the following reaction... "wait... oh... huh." I'm not sure that the way it tied itself up worked. It left me a little confused, not because the story didn't make sense but because of the way the film had been organised.
The main character, Erin, takes some pretty extreme measures during the film because of our bad guy. But out bad guy doesn't seem to warrant that behaviour. Sure he's a little nuts but as a catalyst for the messed up things she does I didn't find it to be very believable.
Kidman puts on a good show as you'd expect, trying to get past that hair and make-up though... I spent the first 30 minutes getting annoyed by it. I honestly don't know if I'm annoyed because it's bad or annoyed because it feels like they've disfigured Nicole Kidman.
The story is very familiar, a cop's past comes back to haunt them isn't new territory. Kidman takes on a very strong role and I can't deny she put some oomph into it but it's just another sort of okay film. Some less dramatic hair and make-up, a more organised timeline and a little more thought for the bad guy and I think I could have seen myself giving this four stars.
[As an after thought... the guy behind me at the screening kept laughing. Proper comedy gaffawing. I have to guess he was laughing at the violence being over the top because there wasn't anything amusing in it. I've seem films that are worse in that aspect though so I'm really just shrugging my shoulders about it.]
What you should do
There are other films that do much the same as this, but seeing Nicole Kidman as Erin Bell was an eye opener that you might benefit from seeing once.
Movie thing you wish you could take home
I would like whatever Nicole Kidman has that makes her naturally look like she's no older that Sebastian Stan.
ClareR (5996 KP) rated The German House in Books
Dec 30, 2019
The German House is set in Frankfurt in 1963 at the time of the Auschwitz trials. Eva Bruhns is a 24 year old translator, and is asked to translate the testimony of the Polish speaking Jews who were imprisoned at Auschwitz. Eva was a small child during the war, and remembers little of it. She seems to be mostly concerned with her romance and possible engagement to Jürgen Schoorman, a wealthy businessman. However, when David Miller, a Canadian lawyer who is working for the prosecution at the trials, hires Eva as a translator, her world view and her opinion of her parents and the Germans involved in the war, changes. Her parents don’t want to talk about their involvement in the war, and Jürgen doesn’t think that she should be involved in something so distasteful. But this isn’t just a coming of age story. Granted, Eva does grow in this novel. She learns about the collective guilt of the German nation with regards to the Holocaust, and looks at how the children of the war generation reacted to something that was in effect hidden from them. They called it Vergangenheitsbewältigung - the struggle to come to term with and overcome the past. Young Germans wanted to analyse, digest and learn to live with the past, and the Holocaust in particular. Eva can’t understand why her parents will not own up to their share of the guilt.
I really enjoyed this novel. It was hard-going at times, and it did read like a translated novel. It did however, catch the spirit of the time. Eva’s longing to break out of the societal restrictions of the time (for example when she refers to how much she likes a new Beatles song that Jürgen can’t understand, he doesn’t like pop music) and Jürgen’s wish that she stops work as soon as she gets engaged (as a modern woman, I was positively fuming at this point!!).
I was fascinated by the trip the Court makes to Auschwitz - somewhere I’ve never been, and after a trip to Oranienburg (a camp for political prisoners outside Berlin), I feel that I would struggle to go. This was one of the most emotional parts of the book.
The side story involving Eva’s older sister is also fascinating, and I feel portrays the effect of seeing so much violence and hatred as a young child (no spoilers here!).
All in all, after I got used to the writing style, I really enjoyed this. It was an interesting insight into the post-war years, and West Germany’s reaction to the damage and destruction that the Nazis had caused during the Holocaust.
This is well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
I really enjoyed this novel. It was hard-going at times, and it did read like a translated novel. It did however, catch the spirit of the time. Eva’s longing to break out of the societal restrictions of the time (for example when she refers to how much she likes a new Beatles song that Jürgen can’t understand, he doesn’t like pop music) and Jürgen’s wish that she stops work as soon as she gets engaged (as a modern woman, I was positively fuming at this point!!).
I was fascinated by the trip the Court makes to Auschwitz - somewhere I’ve never been, and after a trip to Oranienburg (a camp for political prisoners outside Berlin), I feel that I would struggle to go. This was one of the most emotional parts of the book.
The side story involving Eva’s older sister is also fascinating, and I feel portrays the effect of seeing so much violence and hatred as a young child (no spoilers here!).
All in all, after I got used to the writing style, I really enjoyed this. It was an interesting insight into the post-war years, and West Germany’s reaction to the damage and destruction that the Nazis had caused during the Holocaust.
This is well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
Leah Lopez (7 KP) rated Gone Girl in Books
Nov 6, 2019
This book had many key elements to keep the reader constantly entertained.
1) The characters had their own voice; their own emotions and thoughts which was clearly recognised through per chapter dedicated to them. My mind alternated between which character I liked/hated understood/or not worth understanding. At the beginning of the book I was on Nick's side. It seemed Amy was some "nagging wife" and it would be easy to become annoyed by all her "stupid traditions" but then, I read Amy's side and then I was like..."Okay, now I understand why the traditions are important and how much she loves Nick..." When he come home to find his wife had disappeared and his house looked "ransacked" I began questioning the possible theories to her disappearance. I thought:
S.P.O.I.L.E.R. A.L.E.R.T
She hasn't been taken. She isn't dead. It is all but a set up: to get Nick to realise how much he loves Amy and he be lost without her. I thought she has just gone away for a few days.
My first shock? Nick cheating on Amy
but then; had it been a shock/ plot twist shock, or did I just not want to believe that of him?
It was easy from this point to hate Nick. He had been having an affair, he was violent, he was a liar.
I began siding with Amy.
Still...it became clear through Nick's request on finding out the truth that she too was a liar; but a more-well trained liar and not spontaneous? She was evil; she played people to her needs. She used them to better herself.
Towards the end of the book; when she came back home and reported her "kidnap and rape" from Desi it was here I thought this is going to end pretty shit now...but once again I was surprised. I began to hate Amy and like Nick. Still Nick demonstrated his violence towards Amy by strangling her and detailing his enjoyment of her pulsating struggle for breath. When Amy came back and explained the truth, and furthermore...I wanted her to be arrested; to find that tiny bit of evidence she didn't think of...something none of us would have thought of but maybe read and thought nothing of it at the time. Still, she still had things up her sleeve and still ten steps in front of Nick-the semen and her way of permanently keeping him in her life. I knew it had to end, but I think it would have been more entertaining on something she left out, rather than her once again winning.
Overall:
a great suspense-filled book that makes you yo-yo between liking/hating the characters!
Will be looking for more books written by her!
1) The characters had their own voice; their own emotions and thoughts which was clearly recognised through per chapter dedicated to them. My mind alternated between which character I liked/hated understood/or not worth understanding. At the beginning of the book I was on Nick's side. It seemed Amy was some "nagging wife" and it would be easy to become annoyed by all her "stupid traditions" but then, I read Amy's side and then I was like..."Okay, now I understand why the traditions are important and how much she loves Nick..." When he come home to find his wife had disappeared and his house looked "ransacked" I began questioning the possible theories to her disappearance. I thought:
S.P.O.I.L.E.R. A.L.E.R.T
She hasn't been taken. She isn't dead. It is all but a set up: to get Nick to realise how much he loves Amy and he be lost without her. I thought she has just gone away for a few days.
My first shock? Nick cheating on Amy
but then; had it been a shock/ plot twist shock, or did I just not want to believe that of him?
It was easy from this point to hate Nick. He had been having an affair, he was violent, he was a liar.
I began siding with Amy.
Still...it became clear through Nick's request on finding out the truth that she too was a liar; but a more-well trained liar and not spontaneous? She was evil; she played people to her needs. She used them to better herself.
Towards the end of the book; when she came back home and reported her "kidnap and rape" from Desi it was here I thought this is going to end pretty shit now...but once again I was surprised. I began to hate Amy and like Nick. Still Nick demonstrated his violence towards Amy by strangling her and detailing his enjoyment of her pulsating struggle for breath. When Amy came back and explained the truth, and furthermore...I wanted her to be arrested; to find that tiny bit of evidence she didn't think of...something none of us would have thought of but maybe read and thought nothing of it at the time. Still, she still had things up her sleeve and still ten steps in front of Nick-the semen and her way of permanently keeping him in her life. I knew it had to end, but I think it would have been more entertaining on something she left out, rather than her once again winning.
Overall:
a great suspense-filled book that makes you yo-yo between liking/hating the characters!
Will be looking for more books written by her!
365Flicks (235 KP) rated Leopard (2016) in Movies
Nov 20, 2019
A Beautiful, Twisted, Dark, Intense and Mesmerizing tale of Betrayal, Violence and Heart Breaking Brotherly Love..
Anyone who listens to ourleopard5-1 Podcast knows that while Chris and myself love the fanfare of the Huge Blockbuster Marvel/DC/Star Wars releases. Well nothing can quite compare to the
smaller Independent Films that you just know every second of screen time came straight from one persons passion to make a piece of Cinema that is all there’s. A movie that can display such mastery of there craft and hit you square in the heart (or balls) and make you feel something that… In my opinion Capes and Spandex just cant do.
Leopard is available On Demand this month from Osiris Entertainment.
Leopard is exactly that type of movie. A true passion piece that is driven by the wonderfully carefully calculated mind of its Writer/Director/Actor, BUT smashed out of the park by his outstanding team of Actors. Most revleopard6iews and articles I have read liken this movie to the wonderful Paris,Texas but I personally thought it had a feeling of Shane Meadows Dead Man Shoes.
Leopard tells the story of Jack (Eoin Macken. Merlin, NBCs Night Shift Also the Writer/Director) and his brother Tom (Tom Hopper. Merlin, Black Sails). Jack is returning to his home town in Ireland after a prolonged absence and it is clear from the outset he is not all that welcome. We find that his father has passed away and he is back for the reading of the Will along with his brother Tom who is not all there (Think Lenny from Mice and Men). There relationship is fairly strained and we spend the course of the movie figuring out what happened 5 years ago and where that has left the two brothers now. Throw in some Hostile locals, A left for Dead girl to become the point of Toms fixation and a creepy Strip Club, you have leopard.
Chris and I cannot speak highly enough of this movie it ticks all of our boxes when looking for something a little bit different. The Irish setting not only makes for a great backdrop but also becomes a character within itself. The score to this movie is often hopeful and optimistic but full of eerie dread at the same time, truly wonderful. Eoin and Tom bring a level of chemistry you would hope for after there time together on Merlin. However I am going to say it here and now Tom Hopper is a Brit star to watch out for he smashed this out of the park. There is also a damn fine supporting cast in Jack Reynor (Transformers: Age of Extinction) Rebecca Night (Sky 1s The Starlings) and Helen Pearson (Mrs O from Hollyoaks).
Anyone who listens to ourleopard5-1 Podcast knows that while Chris and myself love the fanfare of the Huge Blockbuster Marvel/DC/Star Wars releases. Well nothing can quite compare to the
smaller Independent Films that you just know every second of screen time came straight from one persons passion to make a piece of Cinema that is all there’s. A movie that can display such mastery of there craft and hit you square in the heart (or balls) and make you feel something that… In my opinion Capes and Spandex just cant do.
Leopard is available On Demand this month from Osiris Entertainment.
Leopard is exactly that type of movie. A true passion piece that is driven by the wonderfully carefully calculated mind of its Writer/Director/Actor, BUT smashed out of the park by his outstanding team of Actors. Most revleopard6iews and articles I have read liken this movie to the wonderful Paris,Texas but I personally thought it had a feeling of Shane Meadows Dead Man Shoes.
Leopard tells the story of Jack (Eoin Macken. Merlin, NBCs Night Shift Also the Writer/Director) and his brother Tom (Tom Hopper. Merlin, Black Sails). Jack is returning to his home town in Ireland after a prolonged absence and it is clear from the outset he is not all that welcome. We find that his father has passed away and he is back for the reading of the Will along with his brother Tom who is not all there (Think Lenny from Mice and Men). There relationship is fairly strained and we spend the course of the movie figuring out what happened 5 years ago and where that has left the two brothers now. Throw in some Hostile locals, A left for Dead girl to become the point of Toms fixation and a creepy Strip Club, you have leopard.
Chris and I cannot speak highly enough of this movie it ticks all of our boxes when looking for something a little bit different. The Irish setting not only makes for a great backdrop but also becomes a character within itself. The score to this movie is often hopeful and optimistic but full of eerie dread at the same time, truly wonderful. Eoin and Tom bring a level of chemistry you would hope for after there time together on Merlin. However I am going to say it here and now Tom Hopper is a Brit star to watch out for he smashed this out of the park. There is also a damn fine supporting cast in Jack Reynor (Transformers: Age of Extinction) Rebecca Night (Sky 1s The Starlings) and Helen Pearson (Mrs O from Hollyoaks).
Andy K (10823 KP) rated Dancer in the Dark (2000) in Movies
Nov 24, 2019
Selma is a simple woman leading a simple life. She lives with her only son in a trailer on the property of her friends the nice cop and his wife. She works at a metal factory making sinks and basins. She doesn't make a lot of money, so she holds on to almost every penny she earns for something secret. She can't even buy her son a present for his birthday, so her friends and landlords buy the boy the used bicycle he has been yearning for. Selma also enjoys musicals. She loves them. Especially The Sound of Music, She is actually cast in a local production and gets to play Maria. She can even hear rhythm through the common sounds of life like a train on its tracks or even the sounds of people walking. She creates melodies in her head to distract from the mundane events of life. Sometimes these melodies turn into full production numbers only visible in the confines of her cerebrum.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
LeftSideCut (3776 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
Birds of Prey is a mixed bag, but there's just about enough good there to make it an enjoyable time.
I absolutely hated Suicide Squad, so naturally, didn't have high hopes for this. The film is aesthetically in the same vein, and carries a similar tone, but this time around, it mostly works.
One of the only things I liked in SS was Margot Robbie, so making her front and centre here is a smart move. She is undeniably the star, and even a cynical bastard like me has to admit, that she is a solid embodiment of Harley Quinn
The surrounding cast are unfortunately, under developed and have little impact. It's great to see characters like Black Canary, Huntress and Zsasz finally bought to the big screen, and Mary Elizabeth Winstead and Jurnee Smollett-Bell so a good job with what they're given, but the plots focus on Harley, and the films relatively brief runtime, leave little room for development past a flashback here and there, which is a shame.
The only character that comes close to matching the leading lady is Ewan McGregor's Roman Sionis aka Black Mask. McGregor obviously relishes in making Sionis seedy, nasty, misogynistic, and flamboyant, and results in one of those villains that you can't wait to get stomped down. The two of them carry the film, no doubt.
The pacing and narrative structure is comparable to Deadpool, with a good chunk of the film being told through various flashbacks. It honestly feels messy for much of the first half, and the truth is, this structure is hiding a fairly thread bare plot.
When the movie catches up with itself, if you will, and moves forward with a more traditional story path, is where there movie started to shine a bit more. The mid section lost me a little bit, with the exception of the odd set piece (the scene in the police station looks incredible), but when Birds of Prey hits it's third act, it's a lot of dumb, beautifully shot fun. The whole final sequence is great, and instead of the overloaded CGI orgies that I've come to expect from the DCEU, we get given fantastically choreographed, practical fight scenes, full of colour, swearing, a surprisingly hard hitting violence.
I left the cinema talking about all the bits that I liked, a stark contrast to the vitriol I felt after seeing Suicide Squad. It's not perfect, it's messy, it's a little cheesy, and is maybe guilty of thinking it's better than it is, but all in all, I can't find too much to complain about.
Also, that car chase scene was ridiculous (in a good way 👍)
I absolutely hated Suicide Squad, so naturally, didn't have high hopes for this. The film is aesthetically in the same vein, and carries a similar tone, but this time around, it mostly works.
One of the only things I liked in SS was Margot Robbie, so making her front and centre here is a smart move. She is undeniably the star, and even a cynical bastard like me has to admit, that she is a solid embodiment of Harley Quinn
The surrounding cast are unfortunately, under developed and have little impact. It's great to see characters like Black Canary, Huntress and Zsasz finally bought to the big screen, and Mary Elizabeth Winstead and Jurnee Smollett-Bell so a good job with what they're given, but the plots focus on Harley, and the films relatively brief runtime, leave little room for development past a flashback here and there, which is a shame.
The only character that comes close to matching the leading lady is Ewan McGregor's Roman Sionis aka Black Mask. McGregor obviously relishes in making Sionis seedy, nasty, misogynistic, and flamboyant, and results in one of those villains that you can't wait to get stomped down. The two of them carry the film, no doubt.
The pacing and narrative structure is comparable to Deadpool, with a good chunk of the film being told through various flashbacks. It honestly feels messy for much of the first half, and the truth is, this structure is hiding a fairly thread bare plot.
When the movie catches up with itself, if you will, and moves forward with a more traditional story path, is where there movie started to shine a bit more. The mid section lost me a little bit, with the exception of the odd set piece (the scene in the police station looks incredible), but when Birds of Prey hits it's third act, it's a lot of dumb, beautifully shot fun. The whole final sequence is great, and instead of the overloaded CGI orgies that I've come to expect from the DCEU, we get given fantastically choreographed, practical fight scenes, full of colour, swearing, a surprisingly hard hitting violence.
I left the cinema talking about all the bits that I liked, a stark contrast to the vitriol I felt after seeing Suicide Squad. It's not perfect, it's messy, it's a little cheesy, and is maybe guilty of thinking it's better than it is, but all in all, I can't find too much to complain about.
Also, that car chase scene was ridiculous (in a good way 👍)
Night Reader Reviews (683 KP) rated A Little Assassination in Books
Feb 29, 2020
Honest Review for Free Copy of Book
A Little Assassination by Lawrence Troyna follows the story of what happens when two assassins are hired to get rid of each other. Too bad it is largely the result of a misunderstanding.
Nero is an assassin who is employed by the British government through a program that is nonexistent. Frequently his job is to remove people who could cause embarrassment to the British government. A sort of lasting damage control so to speak. Unfortunately, no matter how carefully Nero plans his jobs sometimes they go wrong . Usually, that just means a few unintended people get caught in the crossfire, but not this time.
Leon is an assassin as well, but unlike Nero, he works for a crime family. His jobs are usually fairly similar to Nero’s except he doesn't secretly work for the government. This time when Leon is called in his order is to eliminate anyone responsible for the bomb that went off inside one of the family’s drug manufacturing plants. When it is discovered that the plant was accidental collateral damage from a British government hit Leon is supposed to be called off. When this does not happen Leon and Nero’s groups end up fighting head to head for a short while until Leon gives up by his group completely. Now it's an all-out manhunt, but the prey is also a hunter.
Honestly, I am not sure what to say. There really wasn’t much that stood out to me about this book. The most surprising (and in this case the best) part of the book was finding out who the leak on Nero’s side was. There were multiple things about this book that I didn’t like. There was a Mr. Tillotson and a Mr. Trenchard on opposite sides, which was mildly confusing. I was also surprised to find that the plot moves steadily yet to me it still seamed dragging.
The language can be a little rough and (as one would expect from a book about assassins) there is a lot of violence. With that being said the book is best suited for young adults and adults alike. I rate this book 1 out of 4. I had much higher hopes for this book than what it delivered. It was fairly dry and predictable. There really wasn’t much about this book that impressed me aside from who the leak was.
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Nero is an assassin who is employed by the British government through a program that is nonexistent. Frequently his job is to remove people who could cause embarrassment to the British government. A sort of lasting damage control so to speak. Unfortunately, no matter how carefully Nero plans his jobs sometimes they go wrong . Usually, that just means a few unintended people get caught in the crossfire, but not this time.
Leon is an assassin as well, but unlike Nero, he works for a crime family. His jobs are usually fairly similar to Nero’s except he doesn't secretly work for the government. This time when Leon is called in his order is to eliminate anyone responsible for the bomb that went off inside one of the family’s drug manufacturing plants. When it is discovered that the plant was accidental collateral damage from a British government hit Leon is supposed to be called off. When this does not happen Leon and Nero’s groups end up fighting head to head for a short while until Leon gives up by his group completely. Now it's an all-out manhunt, but the prey is also a hunter.
Honestly, I am not sure what to say. There really wasn’t much that stood out to me about this book. The most surprising (and in this case the best) part of the book was finding out who the leak on Nero’s side was. There were multiple things about this book that I didn’t like. There was a Mr. Tillotson and a Mr. Trenchard on opposite sides, which was mildly confusing. I was also surprised to find that the plot moves steadily yet to me it still seamed dragging.
The language can be a little rough and (as one would expect from a book about assassins) there is a lot of violence. With that being said the book is best suited for young adults and adults alike. I rate this book 1 out of 4. I had much higher hopes for this book than what it delivered. It was fairly dry and predictable. There really wasn’t much about this book that impressed me aside from who the leak was.
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https://nightreaderreviews.blogspot.com/
1st to Die (Women's Murder Club, #1)
7.9
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James Patterson, bestselling author of the Alex Cross novels Along Came a Spider, Kiss the Girls,...