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Duchess of Malfi, the White Devil, the Broken Heart and 'Tis Pity She's a Whore
John Ford, John Webster and Jane Kingsley-Smith
6.5
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These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark...
Debbiereadsbook (1554 KP) rated Half Bound (Helheim Wolf Pack Tale #5) in Books
Apr 13, 2021
Thank you, Ms Dawes, for writing these books, I've thoroughly enjoyed delving into this world.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 5 in the Helheim Wolf Pack series, the last book and you do NEED to have read the other books before this one. This one pulls everything together but not everything important is recapped.
I found this one a much darker read than the others. The others are graphic and explicit but I thought this one was so much MORE. The violence Vivian expends to get what she wants is described in great detail, what she does and what she has others do. This is the only reason I gave it. . .oh . . no. . .wait, there is ANOTHER reason. Let me try that again! This is ONE of the reasons I gave it 4 stars. Oh but she does get her comeuppance, she really does!
Saxon is captured and Casey allows herself to be taken, on the condition Saxon is freed. Yeah, right, we did not see that one being double-crossed by Vivian! Vivian breaks Casey, she really does, physically and emotionally. It's painful reading, not just the physical stuff, but when Casey comes to terms with what Vivian does to her, what it means for her future, what it means she can never be. And then. . .not yet. . .I'll say soon.
Across the other side of the story, Brax, who left Rhett a while ago because he was addicted to Indi's bite, has to fetch a new pack member who affects him, and his wolf, deeply. But Andrea is damaged, both inside and out, and she doesn't think anyone will want her now her abusive ex has marked her as he did. Besides, all men are gonna hurt her, so she steers clear. When said ex gets too close, Brax and Drae bond, and when they do? Oh it's so beautiful, their bonding, it really is. Said ex also gets his comeuppance, but not quite how I thought he would!
Back to what Vivian does to break Casey emotionally. This is the other reason I gave it 4 stars. Casey loves Saxon and he loves her. But they never really got to tell each other that. After Casey gets free, I'm not surprised she has the thoughts she does. And then there was that "Besides. . . ." when Vivian was gloating! So now my mind is racing and I want answers! At least I know the questions this time!
A very fitting end, and one that spawns another series about Casey and her brothers. I hope to get my hands on them too.
Thank you, Ms Dawes, for writing these books, I've thoroughly enjoyed delving into this world.
4 stars
**same worded review will appear elsewhere**
This is book 5 in the Helheim Wolf Pack series, the last book and you do NEED to have read the other books before this one. This one pulls everything together but not everything important is recapped.
I found this one a much darker read than the others. The others are graphic and explicit but I thought this one was so much MORE. The violence Vivian expends to get what she wants is described in great detail, what she does and what she has others do. This is the only reason I gave it. . .oh . . no. . .wait, there is ANOTHER reason. Let me try that again! This is ONE of the reasons I gave it 4 stars. Oh but she does get her comeuppance, she really does!
Saxon is captured and Casey allows herself to be taken, on the condition Saxon is freed. Yeah, right, we did not see that one being double-crossed by Vivian! Vivian breaks Casey, she really does, physically and emotionally. It's painful reading, not just the physical stuff, but when Casey comes to terms with what Vivian does to her, what it means for her future, what it means she can never be. And then. . .not yet. . .I'll say soon.
Across the other side of the story, Brax, who left Rhett a while ago because he was addicted to Indi's bite, has to fetch a new pack member who affects him, and his wolf, deeply. But Andrea is damaged, both inside and out, and she doesn't think anyone will want her now her abusive ex has marked her as he did. Besides, all men are gonna hurt her, so she steers clear. When said ex gets too close, Brax and Drae bond, and when they do? Oh it's so beautiful, their bonding, it really is. Said ex also gets his comeuppance, but not quite how I thought he would!
Back to what Vivian does to break Casey emotionally. This is the other reason I gave it 4 stars. Casey loves Saxon and he loves her. But they never really got to tell each other that. After Casey gets free, I'm not surprised she has the thoughts she does. And then there was that "Besides. . . ." when Vivian was gloating! So now my mind is racing and I want answers! At least I know the questions this time!
A very fitting end, and one that spawns another series about Casey and her brothers. I hope to get my hands on them too.
Thank you, Ms Dawes, for writing these books, I've thoroughly enjoyed delving into this world.
4 stars
**same worded review will appear elsewhere**
Jesters_folly (230 KP) rated The Suicide Squad (2021) in Movies
Aug 4, 2021
The Suicide Squad is a (possible) reboot that may or may not follow on from Suicide Squad and (or only) Birds of Prey. Honestly I'm not sure that even DC knows what's going on with their movie time line. Anyway, Margot Robbie and Joel Kinnamen return as Harley Quinn and Rick Flagg to lead another team of criminal misfits on an impossible mission (or, if it's a reboot like James Gunn says then it's the first time they are together and we ignore that Flagg askes Harley why she's back in prison or that Waller's team are checking who has worked with who). This time task force X are sent to the island of Corto Maltese to find and destroy 'Project Starfish'.
Ok so 'The Suicide Squad' is a good film, it looks like it has learned form the problems of the first film and incorporated the humour from 'Birds of Prey'. Firstly It's not as formulaic as the first film, a problem that is caused by the premise of 'Task Force X', if each member of the task force is chosen because they have a skill that is useful for the mission then you would expect that skill to be used and the first film took this too literally, each member had a scene where they did their thing then they just faded into the background and 'The Suicide Squad' avoids this by focusing on the characters was, well characters and not powers.
The film is very action driven and very violent but, unlike some of the other recent DC films it's not dark, it has more of a 'Grindhouse' feel than the dark, brooding style of the Batman/Superman/Justice league films (I liked those but they were a bit heavy in parts). The Suicide Squad has humour in it, some of which is quite immature but it fits the tone of the film. The violence and humour is some what balanced out by the comic book feel the film has, King shark, Weasel and Staro are both some what cartoony in appearance and some of the costumes are straight out of the comic books and I think that this is what managed to keep it at a (UK) rating of 15 because (and I know I've said this) it's violent, it's bloody, people get ripped apart and there is torture and lots of talk about killing children.
Somehow 'The Suicide Squad' is a fun watchable film and defiantly one of the better DC films, don't be put of by the original Suicide Squad (no 'The).
Oh and also there's a, after credit scene that set's up for a film that's been announced so stick around until the credits finish.
Ok so 'The Suicide Squad' is a good film, it looks like it has learned form the problems of the first film and incorporated the humour from 'Birds of Prey'. Firstly It's not as formulaic as the first film, a problem that is caused by the premise of 'Task Force X', if each member of the task force is chosen because they have a skill that is useful for the mission then you would expect that skill to be used and the first film took this too literally, each member had a scene where they did their thing then they just faded into the background and 'The Suicide Squad' avoids this by focusing on the characters was, well characters and not powers.
The film is very action driven and very violent but, unlike some of the other recent DC films it's not dark, it has more of a 'Grindhouse' feel than the dark, brooding style of the Batman/Superman/Justice league films (I liked those but they were a bit heavy in parts). The Suicide Squad has humour in it, some of which is quite immature but it fits the tone of the film. The violence and humour is some what balanced out by the comic book feel the film has, King shark, Weasel and Staro are both some what cartoony in appearance and some of the costumes are straight out of the comic books and I think that this is what managed to keep it at a (UK) rating of 15 because (and I know I've said this) it's violent, it's bloody, people get ripped apart and there is torture and lots of talk about killing children.
Somehow 'The Suicide Squad' is a fun watchable film and defiantly one of the better DC films, don't be put of by the original Suicide Squad (no 'The).
Oh and also there's a, after credit scene that set's up for a film that's been announced so stick around until the credits finish.
Erika (17789 KP) rated Wrath of Man (2021) in Movies
May 23, 2021 (Updated May 23, 2021)
Guy Ritchie’s newest film, Wrath of Man, is based upon a French film called le Convoyeur, or ‘Cash Truck’. It’s one of the first ‘big’ films that’s only been released in theaters here in the US.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.
Heather Cranmer (2721 KP) rated Snuggle with the Strange: 9 Twisted Tales (The Snuggle Series #1) in Books
Jul 28, 2021
I usually try to stay away from books featuring short stories because usually they aren't that great. However, there was something about Snuggle with the Strange: 9 Twisted Tales by Liane Carter that jumped out at me. I felt compelled to read it, and I'm glad I did. I thoroughly enjoyed this book and all the short stories.
I didn't really know what to expect with Snuggle with the Strange except that the stories would be a bit out there. The first two stories gave me Scary Stories to Tell in the Dark by Alvin Schwartz vibes but for adults. These stories were more paranormal/supernatural in nature, and I really enjoyed them. The next six stories were more realistic in the fact that they could actually happen to anyone (which is a scary thought!). The last story returned to being supernatural again. I loved each and every story, and I thought the pacing and world building for each was done very well. Each story has an original feel and isn't like any of the other stories in the book. Even though this is a fairly short book, all the suspense makes it seem as if time has stood still. My favorite stories in Snuggle with the Strange were "Life in the Shed" and "He Looked Like My First Mistake." Although all the stories are written very well, I just loved those a little extra. Oh, and something else I loved was that the cover of the book links each of the nine stories. I thought that was very cool!
All of the characters are well fleshed out in each story. There's just enough information on each character so you can love them or love to hate them. At times, I felt like I was the main character in the story!
As this is an adult horror book, there are quite a few trigger warnings for Snuggle with the Strange which include demons, underage drug use (a few mentions of marijuana), implied rape, implied child rape, attempted rape, death, murder, violence, attempted murder, domestic abuse, child abuse, and profanity.
Overall, Snuggle with the Strange is a breath of fresh air for those who love the genre horror. With it's interesting cast of characters and original short stories, this is one book that every horror lover should read. I would definitely recommend Snuggle with the Strange: 9 Twisted Tales by Liane Carter for those aged 16+ who like their horror with a flair of originality instead of rehashed fiction. If that sounds like you, this is your kind of book!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Strange: 9 Twisted Tales in exchange for an honest and unbiased review.)
I didn't really know what to expect with Snuggle with the Strange except that the stories would be a bit out there. The first two stories gave me Scary Stories to Tell in the Dark by Alvin Schwartz vibes but for adults. These stories were more paranormal/supernatural in nature, and I really enjoyed them. The next six stories were more realistic in the fact that they could actually happen to anyone (which is a scary thought!). The last story returned to being supernatural again. I loved each and every story, and I thought the pacing and world building for each was done very well. Each story has an original feel and isn't like any of the other stories in the book. Even though this is a fairly short book, all the suspense makes it seem as if time has stood still. My favorite stories in Snuggle with the Strange were "Life in the Shed" and "He Looked Like My First Mistake." Although all the stories are written very well, I just loved those a little extra. Oh, and something else I loved was that the cover of the book links each of the nine stories. I thought that was very cool!
All of the characters are well fleshed out in each story. There's just enough information on each character so you can love them or love to hate them. At times, I felt like I was the main character in the story!
As this is an adult horror book, there are quite a few trigger warnings for Snuggle with the Strange which include demons, underage drug use (a few mentions of marijuana), implied rape, implied child rape, attempted rape, death, murder, violence, attempted murder, domestic abuse, child abuse, and profanity.
Overall, Snuggle with the Strange is a breath of fresh air for those who love the genre horror. With it's interesting cast of characters and original short stories, this is one book that every horror lover should read. I would definitely recommend Snuggle with the Strange: 9 Twisted Tales by Liane Carter for those aged 16+ who like their horror with a flair of originality instead of rehashed fiction. If that sounds like you, this is your kind of book!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Strange: 9 Twisted Tales in exchange for an honest and unbiased review.)
Hazel (2934 KP) rated The Coffinmaker's Garden (Ash Henderson #3) in Books
Jan 17, 2021
I realise that starting to read a series on book 3 is probably not the best idea but having previously read and enjoyed some of Stuart MacBride's Logan McRae series, I thought what the heck and I certainly wasn't disappointed in the slightest and would definitely say this works as a standalone.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
Jesters_folly (230 KP) rated The Kitchen (2019) in Movies
Sep 24, 2019
Contains spoilers, click to show
When their mobster husbands are all sent to prison, three women decide that the only way they can survive is to take over their criminal enterprise’s, the quest is can their friendship last.
The Kitchen is based on comics released by DC Vertigo and is set in ‘Hell’s Kitchen’, New York during the 1970’s and focus’ on the lives of the wives of an Irish/American mob and their struggle to maintain a basic life style once their husbands have been arrested. Each of the women have a different type of relationship with their husbands; Kathy is in a seemingly normal, loving relationship, Claire is in an abusive relationship and Ruby is in a mixed marriage which is looked down on by alto for the other characters. One of the threads of the film is how each woman reacts to their husbands being away and what will happen when they return.
First off, this is not a comedy, I have seen some reviews where people seem to have been expecting a few laughs, mainly because of the casting of Melissa McCarthy and Tiffany Haddish. The Kitchen has violence, abuse, attempted rape, bad language, lots of guns, prostitutes and shootings but no humour. I think there was only one time anyone laughed (in the cinema audience) and that was when the characters were being shown how to dispose of a dead body.
I have to say that this is a good, well written female lead film, the premise is not forced and there is a reason the characters are female and in a situation that women would not normally be in, especially for the time it is set. Even though the characters are slightly stereotyped (The beaten woman trying to get stronger, the loving wife trying to keep things together) they are not turned into a joke or overly exaggerated and is a big step up from the Ghostbuster’s remake which also had McCarthy as part of an all-female team. Like Ghostbusters there is also a male character who helps the team, Gabriel, but the Kitchen avoids turning him into a joke unlike Chris Hemsworth in ghostbusters.
It could be said that the way the male characters are portrayed is bad, most of them are either thugs, stupid or crazy but this not due to any kind of feminism agenda but is a slightly stereotyped view of how a segment of people were seen, most of the people they deal with are the Irish/American mobsters. This is also shown by the Italians; they are not portrayed in the same way.
I do get the feeling that The Kitchen will be remembered more for scenes and its characters than for the overall movie as there are some bits that seem to drag but, overall it is a film worth watching.
The Kitchen is based on comics released by DC Vertigo and is set in ‘Hell’s Kitchen’, New York during the 1970’s and focus’ on the lives of the wives of an Irish/American mob and their struggle to maintain a basic life style once their husbands have been arrested. Each of the women have a different type of relationship with their husbands; Kathy is in a seemingly normal, loving relationship, Claire is in an abusive relationship and Ruby is in a mixed marriage which is looked down on by alto for the other characters. One of the threads of the film is how each woman reacts to their husbands being away and what will happen when they return.
First off, this is not a comedy, I have seen some reviews where people seem to have been expecting a few laughs, mainly because of the casting of Melissa McCarthy and Tiffany Haddish. The Kitchen has violence, abuse, attempted rape, bad language, lots of guns, prostitutes and shootings but no humour. I think there was only one time anyone laughed (in the cinema audience) and that was when the characters were being shown how to dispose of a dead body.
I have to say that this is a good, well written female lead film, the premise is not forced and there is a reason the characters are female and in a situation that women would not normally be in, especially for the time it is set. Even though the characters are slightly stereotyped (The beaten woman trying to get stronger, the loving wife trying to keep things together) they are not turned into a joke or overly exaggerated and is a big step up from the Ghostbuster’s remake which also had McCarthy as part of an all-female team. Like Ghostbusters there is also a male character who helps the team, Gabriel, but the Kitchen avoids turning him into a joke unlike Chris Hemsworth in ghostbusters.
It could be said that the way the male characters are portrayed is bad, most of them are either thugs, stupid or crazy but this not due to any kind of feminism agenda but is a slightly stereotyped view of how a segment of people were seen, most of the people they deal with are the Irish/American mobsters. This is also shown by the Italians; they are not portrayed in the same way.
I do get the feeling that The Kitchen will be remembered more for scenes and its characters than for the overall movie as there are some bits that seem to drag but, overall it is a film worth watching.
Jesters_folly (230 KP) rated Blinded by the Light (2019) in Movies
Jul 10, 2019
One of the joys of having a cinema card are the previews, because you chose to pay monthly or yearly for unlimited films you get to see some films early, this can be anything from a day to a month. Then there are the secret films, a preview that can be a few months early but you only find out what you are seeing when the certificate card comes up. This is how I came to see Blinded by the Light. As the title came up I dug through my memory to see if I'd seen any trailers, I thought I had but couldn't remember anything about it. Five people left cinema so there must have been some trailers but people leaving doesn't really tell you much, there's always some one who leaves and it's better than the people who stay and mumble about how rubbish it is. After the title came the words ‘Inspired by real events.’ Which still doesn't give to much away, it could be an over the top farce like ‘I Tonya', a black comedy like ‘Three Billboards’ or a dull trudge like ‘The Post'.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.
Gareth von Kallenbach (980 KP) rated Wind River (2017) in Movies
Jul 11, 2019
Between Sicario and Hell or High Water (both of which landed on my year-end best lists for 2015 and 2016 respectively), Taylor Sheridan has already proven to be an incredible talent at crafting slow-burning thrillers that also serve as in-depth character studies. His new film, third as a screenwriter and second as a director, may move at quite a faster pace than his previous two screenplays, but it is no less accomplished, either in plot or in character development. Though some may leave the theater feeling that they haven’t seen anything new, and they’d be right to as there isn’t anything particularly flashy or unique in the direction or cinematography, Wind River however finds its strength in its simplicity. It’s a simple story concerning the death of a young girl on a Wyoming reservation, of the tracker (Jeremy Renner) for whom the circumstance strikes too close to home, and of the presumably untested FBI agent (Elizabeth Olsen) forced to face the darker side of her chosen profession.
For Jeremy Renner, Wind River marks a career best. He displays restraint in a role that others would have played far too arrogantly and when he lets us in to share in his character’s painful past, the melodrama inherent in the dialogue is delivered with dignity and humility. Complimenting his performance beautifully is Gil Birmingham as Martin, the father of the murdered girl. Much like his work opposite Jeff Bridges in Hell or High Water, his scenes with Renner are the highlight of the film. Every line he delivers reverberates with truth and with the weight of losing of two children, one whose life is thrown away to drug use and one to an untimely, mysterious death. Veteran actor and longtime favorite of mine, Graham Greene is also on hand to give a competent turn as the local sheriff who in equal measures doles out tension-relieving humor as well as reminding us of the gravity of a bleak situation.
In amongst a predominately-male cast, Elizabeth Olsen shines. This film was an undoubtedly a tough task, as her character is given no soft options, and her performance gave me cause to reflect on a young Jodie Foster in The Silence of the Lambs. I don’t just draw this comparison because of the fact they both play young agents thrust into a situation beyond their level of experience, but because of the scenes in these films where they are called upon to confidently take command of a room full of men and to show great physicality in moments of unexpected violence. It’s another top mark in her filmography comparable to her breakout in Martha Marcy May Marlene and hopefully, in-between bouts of this bloated Marvel Cinematic Universe nonsense, we’ll continue to see her in roles of some substance.
For Jeremy Renner, Wind River marks a career best. He displays restraint in a role that others would have played far too arrogantly and when he lets us in to share in his character’s painful past, the melodrama inherent in the dialogue is delivered with dignity and humility. Complimenting his performance beautifully is Gil Birmingham as Martin, the father of the murdered girl. Much like his work opposite Jeff Bridges in Hell or High Water, his scenes with Renner are the highlight of the film. Every line he delivers reverberates with truth and with the weight of losing of two children, one whose life is thrown away to drug use and one to an untimely, mysterious death. Veteran actor and longtime favorite of mine, Graham Greene is also on hand to give a competent turn as the local sheriff who in equal measures doles out tension-relieving humor as well as reminding us of the gravity of a bleak situation.
In amongst a predominately-male cast, Elizabeth Olsen shines. This film was an undoubtedly a tough task, as her character is given no soft options, and her performance gave me cause to reflect on a young Jodie Foster in The Silence of the Lambs. I don’t just draw this comparison because of the fact they both play young agents thrust into a situation beyond their level of experience, but because of the scenes in these films where they are called upon to confidently take command of a room full of men and to show great physicality in moments of unexpected violence. It’s another top mark in her filmography comparable to her breakout in Martha Marcy May Marlene and hopefully, in-between bouts of this bloated Marvel Cinematic Universe nonsense, we’ll continue to see her in roles of some substance.
Debbiereadsbook (1554 KP) rated In Safe Keeping (Heroes and Babies #2) in Books
Sep 3, 2019
excellent follow up!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
This is book two in the Heroes and Babies series, but you do NOT need to have read book one, In Safe Hands, before you read this one. There is (or I didn’t pick it up) no relation between the two books, save the Hero and the Baby! But I recommend you do read it, because its bloody brilliant!
Lucas couldn’t save his son, who died in a fire 3 years ago, but saving Owen and baby Mia goes a little way to help. But Owen in clearly running, from what Lucas doesn’t know. His protective instincts are out the roof for Owen and Mia, and Lucas will do anything to keep them safe.
Book one got me out of a bit of a book funk and blew me away, and book two did too!
Lucas’ pain isn’t immediate obvious, and it takes time for the full picture to become clear. I mean, two thirds of the book before you get it ALL laid out for you! And not everything is how you think it’s gonna be! Love being kept on my toes.
The attraction Lucas has for Owen is also slow to become clear, sort of sneaking up on him. While Lucas was married to a woman, he doesn’t question his attraction to Owen, and just runs with it.
Owen’s pain is equally slow in coming out, and it’s not easy reading, not at all. Owen’s attraction to Lucas is powerful, but Owen questions whether that is just the situation, rather than anything real. When they finally get to the “good stuff” though, Owen knows who he wants, he just hopes Lucas feels the same.
Because of the creeping up on Lucas thing, it is not especially explicit, but then again, it doesn’t need to be. It is hot though, it just takes a long time, right till nearly the end of the book!
Again, we get to hear from the bad guy, although said bad guy isn’t quite as bad as one would think, just a man in a really bad place. It is quite graphic, the level of violence that occurs but I think the IS needed, for Owen’s fright to be fully explained, for you to understand what it is he is running from.
Both have guys a say, and you know that makes me happy! I wasn’t sure if Owen would, at first, but he does. Both voices are different, and well written.
I am, currently, listening to book one, and I was hearing Michael Pauley narrate this, so I would hope he does narrate this as well as he does book one!
5 stars
**same worded review will appear elsewhere**
This is book two in the Heroes and Babies series, but you do NOT need to have read book one, In Safe Hands, before you read this one. There is (or I didn’t pick it up) no relation between the two books, save the Hero and the Baby! But I recommend you do read it, because its bloody brilliant!
Lucas couldn’t save his son, who died in a fire 3 years ago, but saving Owen and baby Mia goes a little way to help. But Owen in clearly running, from what Lucas doesn’t know. His protective instincts are out the roof for Owen and Mia, and Lucas will do anything to keep them safe.
Book one got me out of a bit of a book funk and blew me away, and book two did too!
Lucas’ pain isn’t immediate obvious, and it takes time for the full picture to become clear. I mean, two thirds of the book before you get it ALL laid out for you! And not everything is how you think it’s gonna be! Love being kept on my toes.
The attraction Lucas has for Owen is also slow to become clear, sort of sneaking up on him. While Lucas was married to a woman, he doesn’t question his attraction to Owen, and just runs with it.
Owen’s pain is equally slow in coming out, and it’s not easy reading, not at all. Owen’s attraction to Lucas is powerful, but Owen questions whether that is just the situation, rather than anything real. When they finally get to the “good stuff” though, Owen knows who he wants, he just hopes Lucas feels the same.
Because of the creeping up on Lucas thing, it is not especially explicit, but then again, it doesn’t need to be. It is hot though, it just takes a long time, right till nearly the end of the book!
Again, we get to hear from the bad guy, although said bad guy isn’t quite as bad as one would think, just a man in a really bad place. It is quite graphic, the level of violence that occurs but I think the IS needed, for Owen’s fright to be fully explained, for you to understand what it is he is running from.
Both have guys a say, and you know that makes me happy! I wasn’t sure if Owen would, at first, but he does. Both voices are different, and well written.
I am, currently, listening to book one, and I was hearing Michael Pauley narrate this, so I would hope he does narrate this as well as he does book one!
5 stars
**same worded review will appear elsewhere**