Search
Search results
Debbiereadsbook (1753 KP) rated The Prince of Asgard (The Nine Worlds #2) in Books
Mar 22, 2026
the emotions creep up and I loved watching them fall!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in The Nine Worlds series, and it can be read as a stand alone. I would recommend, however, that you read book 1, The Magic of Vanaheim. It will give you a better understanding of this world, the Norse mythology and the wonderfulness that is Ms Nansen's writing!
Thori kills a dragon a few years ago, and now he finds himself sold, as a thrall, to the man who loved that dragon. He just needs to kill that man too, and he can be free. But there are other things at work, and Thori needs to work WITH Njord to save the world they live in. He's just not sure he can let Njord go, once they have.
I loved book one, Hakon and Talvi do pop up here. But you don't need their story to follow this one. There is a little overlap between the two, because I wrote in that review: But the biggest question is just what is going on with Talvi's uncle and the thrall??
Well, now I know!
I loved this book, I really did. Thori and Njord (Talvi's uncle) butt heads right from the start, but it's the way they grow closer that I loved. It's a proper slow burn, and it was right and proper that these two took some time to become fully invested in the other.
Lots and lots of Norse and Viking mythology and lore and again, some I knew of, some not. But I've given up trying to match my (very limited) knowledge to what's on the page because I'm fairly certain, what I think I remember from wherever I picked it up, is wrong and I'm getting mixed up. So once I stopped, I was able to fully engross myself in this book, this world and these people.
Some violence, but hey! Vikings and witches and all manner of deadly beings, so to be expected. I found the smex a bit lighter (than book 1) but no less powerful and steamy. The emotions creep up on both Thori and Njord and I loved watching them fall.
There was a sort of third act break up, sort of, but Thori remedies that beautifully! And with such a gift!!
I don't know who might be next, I'm sure there were clues here, but I might have missed them, concentrating on Thori and Njord as I was but I WILL read it. There is clearly a bigger picture I'm yet to see, but my book brain is screaming at me, that something bigger is going on that is already clear!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in The Nine Worlds series, and it can be read as a stand alone. I would recommend, however, that you read book 1, The Magic of Vanaheim. It will give you a better understanding of this world, the Norse mythology and the wonderfulness that is Ms Nansen's writing!
Thori kills a dragon a few years ago, and now he finds himself sold, as a thrall, to the man who loved that dragon. He just needs to kill that man too, and he can be free. But there are other things at work, and Thori needs to work WITH Njord to save the world they live in. He's just not sure he can let Njord go, once they have.
I loved book one, Hakon and Talvi do pop up here. But you don't need their story to follow this one. There is a little overlap between the two, because I wrote in that review: But the biggest question is just what is going on with Talvi's uncle and the thrall??
Well, now I know!
I loved this book, I really did. Thori and Njord (Talvi's uncle) butt heads right from the start, but it's the way they grow closer that I loved. It's a proper slow burn, and it was right and proper that these two took some time to become fully invested in the other.
Lots and lots of Norse and Viking mythology and lore and again, some I knew of, some not. But I've given up trying to match my (very limited) knowledge to what's on the page because I'm fairly certain, what I think I remember from wherever I picked it up, is wrong and I'm getting mixed up. So once I stopped, I was able to fully engross myself in this book, this world and these people.
Some violence, but hey! Vikings and witches and all manner of deadly beings, so to be expected. I found the smex a bit lighter (than book 1) but no less powerful and steamy. The emotions creep up on both Thori and Njord and I loved watching them fall.
There was a sort of third act break up, sort of, but Thori remedies that beautifully! And with such a gift!!
I don't know who might be next, I'm sure there were clues here, but I might have missed them, concentrating on Thori and Njord as I was but I WILL read it. There is clearly a bigger picture I'm yet to see, but my book brain is screaming at me, that something bigger is going on that is already clear!
5 full and shiny stars
*same worded review will appear elsewhere
BankofMarquis (1832 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 26, 2023
More of the Same - which is a GOOD thing
Once a series gets to it’s 4th installment - and that installment is NOT a reboot or “prequel” - the audience for said series is pretty much settled in. There is a rabid group of movie-going watchers that are looking for the intimate details and Easter Eggs to further their immersion into this world while the rest of the movie going public has probably moved on and, just might, check it out on a whim.
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Merissa (14003 KP) rated Will (The Books of the Five #2) in Books
Apr 12, 2023
You know when you read the first book in a series, fall in love with it, and presume that the next book won't be anywhere near as good... just because?! That's how I felt when I started Will. I had loved Eleanor and devoured every word. There was no way that Will could be that good, could it? OMG, yes it could be that good and even better. This book completely surpassed my expectations and took me on a poignant, raw and intense journey alongside the main character.
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
I was a big fan of Shanti Hershenson's other poetry book You Won't Know Her Name. Even though the subject matter was heavy, the poems were written extremely well. When I saw that Hershenson had published a companion poetry book titled I Know Her Name, I knew it was something I had to read. Shanti Hershenson, again, blew me away with how talented she is with her poetry.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
James P. Sumner (65 KP) rated Rambo: Last Blood (2019) in Movies
Sep 19, 2019
Hopefully this truly is Last Blood.
In Sylvester Stallone's fifth and (hopefully) final outing as one-man army John Rambo, we find the eponymous hero enjoying the quiet life on the Texas ranch he returned to at the end of "Rambo (2008)".
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
For Scrabble Lovers
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Canadian author Susin Nielsen continues to entertain children with her latest novel Word Nerd. Similarly with characters from previous novels, the pre-teen Ambrose is a bit of a misfit. With a deathly peanut allergy and an over protective parent who travels from job to job, Ambrose never manages to make any friends. Now settled in Vancouver, Ambrose is the happiest he has ever been. He is homeschooled away from all the bullies, has made a friend and found a passion in Scrabble. However, he has to keep all of this secret from his mother.
Ambrose is a funny, intelligent narrator who draws the reader in from the very first line: “The day I almost died…” Like many children who do not fit in with peers at school, Ambrose’s passions lie within less conventional past times, i.e. playing Scrabble. Able to quickly pull out several words from a jumble of letters – emphasized by the anagram chapter headings – he is overjoyed to learn of a nearby Scrabble club and knows just the person to accompany him.
Cosmo is a character that younger readers may struggle to come to terms with. An ex-convict and recovering drug addict, Cosmo also enjoys playing Scrabble and is persuaded by his annoying neighbour – Ambrose – to go to the club. An unconventional friendship sparks between the two of them, both unintentionally helping the other out. Cosmo encourages Ambrose to stand up to the bullies, whereas having a child around keeps Cosmo away from the things that resulted in a prison sentence. Despite the positives in this relationship, Ambrose’s mother believes Cosmo to be completely untrustworthy.
Although Ambrose and Cosmo are the main characters in Word Nerd, Ambrose’s mother maintains an important role. Having lost her husband suddenly and unexpectedly, she must have been terrified to learn of Ambrose’s peanut allergy. In order to prevent her son from leaving her as well, she has become overprotective and controlling, denying Ambrose the right to live his own life.
Some readers may have experienced similar situations either at school or with their parents. Word Nerd, whilst being a form of entertainment, explains the potential reasons behind these scenarios, helping children to understand what may be occurring in their lives. It also highlights the dangers of drug addictions and crime, but also suggests that people can change their ways.
Word Nerd, whilst voiced by a twelve year old, is more appropriate for readers in their teens. Ambrose is very mature at such a young age, and the book contains subjects of drugs and violence as well as mild sexual references. What Susin Nielsen has produced is an amusing story with a powerful message. Both entertaining and insightful, Word Nerd is perhaps Nielsen’s best novel yet.
Canadian author Susin Nielsen continues to entertain children with her latest novel Word Nerd. Similarly with characters from previous novels, the pre-teen Ambrose is a bit of a misfit. With a deathly peanut allergy and an over protective parent who travels from job to job, Ambrose never manages to make any friends. Now settled in Vancouver, Ambrose is the happiest he has ever been. He is homeschooled away from all the bullies, has made a friend and found a passion in Scrabble. However, he has to keep all of this secret from his mother.
Ambrose is a funny, intelligent narrator who draws the reader in from the very first line: “The day I almost died…” Like many children who do not fit in with peers at school, Ambrose’s passions lie within less conventional past times, i.e. playing Scrabble. Able to quickly pull out several words from a jumble of letters – emphasized by the anagram chapter headings – he is overjoyed to learn of a nearby Scrabble club and knows just the person to accompany him.
Cosmo is a character that younger readers may struggle to come to terms with. An ex-convict and recovering drug addict, Cosmo also enjoys playing Scrabble and is persuaded by his annoying neighbour – Ambrose – to go to the club. An unconventional friendship sparks between the two of them, both unintentionally helping the other out. Cosmo encourages Ambrose to stand up to the bullies, whereas having a child around keeps Cosmo away from the things that resulted in a prison sentence. Despite the positives in this relationship, Ambrose’s mother believes Cosmo to be completely untrustworthy.
Although Ambrose and Cosmo are the main characters in Word Nerd, Ambrose’s mother maintains an important role. Having lost her husband suddenly and unexpectedly, she must have been terrified to learn of Ambrose’s peanut allergy. In order to prevent her son from leaving her as well, she has become overprotective and controlling, denying Ambrose the right to live his own life.
Some readers may have experienced similar situations either at school or with their parents. Word Nerd, whilst being a form of entertainment, explains the potential reasons behind these scenarios, helping children to understand what may be occurring in their lives. It also highlights the dangers of drug addictions and crime, but also suggests that people can change their ways.
Word Nerd, whilst voiced by a twelve year old, is more appropriate for readers in their teens. Ambrose is very mature at such a young age, and the book contains subjects of drugs and violence as well as mild sexual references. What Susin Nielsen has produced is an amusing story with a powerful message. Both entertaining and insightful, Word Nerd is perhaps Nielsen’s best novel yet.
Lee (2222 KP) rated Get Out (2017) in Movies
Jul 26, 2017
Amazingly, I managed to head into Get Out having not even seen the trailer. It had been appearing more and more frequently on my news feeds recently, usually accompanied by a lot of positive buzz, and usually featuring an image of lead character Chris, wide eyed and terrified, with a tear running down his cheek (note that I’ve continued this trend with my review!). Described as a racial satire/horror it just didn’t really feature high on my watch list, but I booked a ticket to go see it, wanting to see what all the buzz was about. I’m kind of glad that I went in relatively blind as to what to expect though, as I was absolutely blown away by it.
Daniel Kaluuya plays Chris, a young black man dating a white girl called Rose (Allison Williams). He’s preparing to go and meet her parents for the first time but he’s a bit unsure as to what they’re going to think about him, despite Rose assuring him that he’s got nothing to worry about. When they arrive at the huge house out in the country, her parents really are fine with Chris. And they take every opportunity during their conversations to be positive about race and to assure Chris that they’re fine with him too, to the point where Chris (and us) begin to feel a little bit uneasy. This unease isn’t helped by the fact that there are two black servants in the house, neither of whom have very much to say and both acting very strangely. At night, the housekeeper wanders quietly around the house while the groundsman sprints around outside in the dark!
Paranoia and tension continues when a large group of family friends arrives for a party and they all seem very keen to get to know Chris and bond with him. One of the guests even has a black ‘companion’ who is also acting strangely. Despite the assurances from all, things definitely are not OK…
Of the little I read about Get Out beforehand, one of the reviews that stuck with me most described it a little bit like From Dusk Til Dawn in the way that everything suddenly all goes to shit in a hugely enjoyable and unexpected twist. There are definitely no vampires or anything similar in this movie, but I felt that it was a pretty good comparison. The movie spends a long time putting you on the edge of your seat, building up the tension, providing plenty of food for thought on modern day racism and adding the odd bit of welcome comedy relief from Chris’ friend on the end of the phone trying to support him. It’s all hugely enjoyable and even though you can guess pretty early on what’s going on, it’s all still hugely satisfying when the truth finally is revealed and the violence and action take over.
Daniel Kaluuya plays Chris, a young black man dating a white girl called Rose (Allison Williams). He’s preparing to go and meet her parents for the first time but he’s a bit unsure as to what they’re going to think about him, despite Rose assuring him that he’s got nothing to worry about. When they arrive at the huge house out in the country, her parents really are fine with Chris. And they take every opportunity during their conversations to be positive about race and to assure Chris that they’re fine with him too, to the point where Chris (and us) begin to feel a little bit uneasy. This unease isn’t helped by the fact that there are two black servants in the house, neither of whom have very much to say and both acting very strangely. At night, the housekeeper wanders quietly around the house while the groundsman sprints around outside in the dark!
Paranoia and tension continues when a large group of family friends arrives for a party and they all seem very keen to get to know Chris and bond with him. One of the guests even has a black ‘companion’ who is also acting strangely. Despite the assurances from all, things definitely are not OK…
Of the little I read about Get Out beforehand, one of the reviews that stuck with me most described it a little bit like From Dusk Til Dawn in the way that everything suddenly all goes to shit in a hugely enjoyable and unexpected twist. There are definitely no vampires or anything similar in this movie, but I felt that it was a pretty good comparison. The movie spends a long time putting you on the edge of your seat, building up the tension, providing plenty of food for thought on modern day racism and adding the odd bit of welcome comedy relief from Chris’ friend on the end of the phone trying to support him. It’s all hugely enjoyable and even though you can guess pretty early on what’s going on, it’s all still hugely satisfying when the truth finally is revealed and the violence and action take over.
Haley Mathiot (9 KP) rated Fade to Black (Rojan Dizon, #1) in Books
Apr 27, 2018
Imagine a combination of 1984, The Hunger Games, and a James Patterson mystery novel. That is the best way I can sum up Fade to Black. A world so intriguing, mysterious, and exciting that you want to live in it, and yet then again, maybe you don’t. A plot that never stops moving and throwing stuff at you, and with every page you become more and more wrapped up in it. Characters that you want to be, or be friends with, or take a good swing at. I am so excited about this novel, guys. I can’t recommend it enough.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
Kristy H (1252 KP) rated Pieces Of Her in Books
Mar 11, 2019
Wonderful wild ride of a book and just a great read!
Andrea "Andy" Cooper thinks she knows everything about her mom, Laura. Laura has taken care of Andy for Andy's entire 31 years--perhaps to Andy's detriment, at times. Laura works as a speech pathologist and lives a peaceful life in the beach town of Belle Isle. But on the morning of Andy's birthday, as Laura takes her to breakfast, everything changes. Violence erupts at the mall, Laura instinctively acts to protect her daughter, and suddenly the secrets she's been hiding are exposed for all to see. She only wants to shelter Andy, but Andy is shocked by her mother's actions and what they mean. Even more, the mall episode sets off a series of events that can't be stopped and leads Andy on a dangerous journey unlike anything she ever imagined.
I'm learning that you can always count on Slaughter for an amazing, twisted ride. I so enjoyed her novels PRETTY GIRLS and THE GOOD DAUGHTER and now PIECES OF HER joins them as another suspenseful, tense mystery.
What I love about Slaughter is that she's wonderfully descriptive in her writing. You don't just get a mystery, you receive a beautifully written novel, full of detailed characters and excellent writing. Andy and Laura are well-formed characters: you'll find yourself incredibly frustrated with Andy in the beginning, as she's so helpless for a 30+ woman. Get it together, Andy! Do something, save yourself, help your mother. Laura is closed off and reluctant to share anything with her family. Luckily, both characters grow on you as the book progresses.
The novel does a good job of showing how the U.S. reacts to public tragic events--the incident in the mall--for it is public opinion to that moment which really influences so much of Laura's future actions. I was captivated by this one from the very beginning. It's fascinating to watch the action unfold in Slaughter's deft hands. I found myself going "wow" at a variety of the twists and was frantically turning the pages, wanting to know what on earth was going on.
The narration switches between Andy in the present-day and another narrator in 1986. This is incredibly effective in creating suspense and slowly unraveling our story. The novel is stressful and tense as the pieces come together, and--per typical Slaughter--brutal and dark in many places.
Overall, I really enjoyed this one. It keep me glued to my seat the entire time, wondering what was happening and what would happen. I loved all the details and little twists. I am always captivated by the dark aspects of Slaughter's novels and her twisted characters and plot plots. While this one could be a little unbelievable perhaps, in places, it was a wonderful wild ride of a book and just a great read. Highly recommend!
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
I'm learning that you can always count on Slaughter for an amazing, twisted ride. I so enjoyed her novels PRETTY GIRLS and THE GOOD DAUGHTER and now PIECES OF HER joins them as another suspenseful, tense mystery.
What I love about Slaughter is that she's wonderfully descriptive in her writing. You don't just get a mystery, you receive a beautifully written novel, full of detailed characters and excellent writing. Andy and Laura are well-formed characters: you'll find yourself incredibly frustrated with Andy in the beginning, as she's so helpless for a 30+ woman. Get it together, Andy! Do something, save yourself, help your mother. Laura is closed off and reluctant to share anything with her family. Luckily, both characters grow on you as the book progresses.
The novel does a good job of showing how the U.S. reacts to public tragic events--the incident in the mall--for it is public opinion to that moment which really influences so much of Laura's future actions. I was captivated by this one from the very beginning. It's fascinating to watch the action unfold in Slaughter's deft hands. I found myself going "wow" at a variety of the twists and was frantically turning the pages, wanting to know what on earth was going on.
The narration switches between Andy in the present-day and another narrator in 1986. This is incredibly effective in creating suspense and slowly unraveling our story. The novel is stressful and tense as the pieces come together, and--per typical Slaughter--brutal and dark in many places.
Overall, I really enjoyed this one. It keep me glued to my seat the entire time, wondering what was happening and what would happen. I loved all the details and little twists. I am always captivated by the dark aspects of Slaughter's novels and her twisted characters and plot plots. While this one could be a little unbelievable perhaps, in places, it was a wonderful wild ride of a book and just a great read. Highly recommend!
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
Kara Skinner (332 KP) rated Eleanor & Park in Books
Jun 11, 2019
Eleanor and Park: First Love At Its Finest
Contains spoilers, click to show
I did this book for a reading vlog without knowing anything about it and that turned out to be a mistake. This book was a lot heavier than I anticipated. Trigger warnings for domestic violence and child abuse for those who want to read it.
Together, Eleanor and Park are excellent. They have witty dialogue full of 80’s references and general high school silliness. The two of them together made me nostalgic for high school with their cuteness.
That was definitely needed because the rest of the book was really dark.
From the start, Eleanor isn’t doing well. As the new kid in school, she is an easy target for bullies and has no friends to turn to (at least until Park). But her home life is even worse. After living off a neighbor’s couch for a year, Eleanor was finally allowed to move back into her mom’s house, where her mom and siblings live under the tyrannical rule of Ritchie, a violent and abusive alcoholic.
In Eleanor’s house, the feeling of danger and unease is always there, heightened by nightly fights between Ritchie and the mother and having no bathroom door. Eleanor only really feels safe in the house when Ritchie isn’t there.
Her escape becomes Park, the quiet boy on the bus who let her sit next to him and lets her read comic books over his shoulder. Slowly they develop a reluctant friendship which turns into love.
I really like Eleanor. I think she’s really smart and witty and very relatable. She’s insecure about her body and the abuse definitely took a toll on her emotional state. But in general, she’s just a normal teenager.
Park is a typical teenager as well. He’s frustratingly insecure and angsty, which makes him act like a jerk to Eleanor sometimes, especially in the beginning. But despite that, he’s usually a really nice guy who cares deeply for Eleanor. He’s pretty understanding about her home life and is patient with her, which I really like. He does a lot of things that he thinks are small, like lending Eleanor comics and making her mixtapes, but they mean the world to Eleanor, and it’s really sweet.
The only time I didn’t like him was when he found out someone was writing dirty messages on Eleanor’s textbook and he accused her of writing the messages herself. That was really out-of-character for him and was pretty horrible. Aside from that, though, he was nice. He was, in general, a normal, realistic teenage boy.
My biggest problem with the book was the ending. It wasn’t satisfying for me because it ends abruptly and I didn’t get enough closure about Eleanor’s family. It’s hinted at that they move out of the toxic house but it’s never confirmed. So because of that, it’s only 4 out of 5 stars, but still definitely worth reading.
Together, Eleanor and Park are excellent. They have witty dialogue full of 80’s references and general high school silliness. The two of them together made me nostalgic for high school with their cuteness.
That was definitely needed because the rest of the book was really dark.
From the start, Eleanor isn’t doing well. As the new kid in school, she is an easy target for bullies and has no friends to turn to (at least until Park). But her home life is even worse. After living off a neighbor’s couch for a year, Eleanor was finally allowed to move back into her mom’s house, where her mom and siblings live under the tyrannical rule of Ritchie, a violent and abusive alcoholic.
In Eleanor’s house, the feeling of danger and unease is always there, heightened by nightly fights between Ritchie and the mother and having no bathroom door. Eleanor only really feels safe in the house when Ritchie isn’t there.
Her escape becomes Park, the quiet boy on the bus who let her sit next to him and lets her read comic books over his shoulder. Slowly they develop a reluctant friendship which turns into love.
I really like Eleanor. I think she’s really smart and witty and very relatable. She’s insecure about her body and the abuse definitely took a toll on her emotional state. But in general, she’s just a normal teenager.
Park is a typical teenager as well. He’s frustratingly insecure and angsty, which makes him act like a jerk to Eleanor sometimes, especially in the beginning. But despite that, he’s usually a really nice guy who cares deeply for Eleanor. He’s pretty understanding about her home life and is patient with her, which I really like. He does a lot of things that he thinks are small, like lending Eleanor comics and making her mixtapes, but they mean the world to Eleanor, and it’s really sweet.
The only time I didn’t like him was when he found out someone was writing dirty messages on Eleanor’s textbook and he accused her of writing the messages herself. That was really out-of-character for him and was pretty horrible. Aside from that, though, he was nice. He was, in general, a normal, realistic teenage boy.
My biggest problem with the book was the ending. It wasn’t satisfying for me because it ends abruptly and I didn’t get enough closure about Eleanor’s family. It’s hinted at that they move out of the toxic house but it’s never confirmed. So because of that, it’s only 4 out of 5 stars, but still definitely worth reading.