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Movie Metropolis (309 KP) rated Deadpool (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Valentine's weekend wonder
It’s hard to believe that one of Marvel’s hottest properties – Deadpool, has taken this long to get to the silver screen. Of course, we can always cast our minds back to 2009’s disastrous X-Men Origins: Wolverine. But for goodness sake, let’s not.
Here, after much petitioning from fans and Reynolds himself, Deadpool finally gets his own origins story, directed by Tim Miller in his debut feature film. But was it worth the wait?
Ryan Reynolds returns as a much more faithful representation of Wade Wilson, a small-time mercenary going through the motions until a shock cancer diagnosis makes him rethink his life – and career prospects, at the cost of losing touch with his love interest, Vanessa, played by the incredibly beautiful Morena Baccarin.
Naturally, a villain in the shape of Ed Skrein’s Ajax, provides the film with its main opposition, though a few other one-dimensional characters appear alongside him every so often. Unfortunately, they make little impact throughout the course of Deadpool and even Skrein suffers next to Reynolds potty-mouthed Wilson.
MV5BMjE3MzI3NzAwOV5BMl5BanBnXkFtZTgwNDc2Nzc5NzE@._V1__SX1303_SY615_
Brianna Hildebrand, Ryan Reynolds and Stefan Kapicic. Photo by 20th Century Fox.
And ta da! The red-suited antihero is born, much like any other Marvel origins story in fact. However, this is most definitely not your typical superhero flick. From gratuitous sex, violence, swearing and drug references, not to mention the character’s trademark breaking of the fourth wall, it’s all here – and you know what, it’s a breath of fresh air.
Reynolds is absolutely born to play this character and is the best we have seen him in years. Gone is the romantic comedy slop or stereotypical action hero he has portrayed over the last few years and in their place is a witty, incredibly self-aware persona that is one of Marvel’s greatest assets.
Elsewhere, the direction is so confident, and the design choices so slick, it’s difficult to fully comprehend that this is Tim Miller’s first feature film. From a brilliant set of opening credits that poke fun at the narcissism of Hollywood, to some excellent commentary on the superhero genre itself, it’s very cocky indeed and very very funny.
Naturally, not every gag lands on target, but that’s no surprise given that even the best comedies suffer from this. There’s also a lack of development beyond the titular character that hurts the film’s more romantic side, and with Deadpool’s lengthy running time, this could’ve been avoided somewhat.
Other than that, it’s pretty much spot on. Ryan Reynolds looks like he’s having a blast in front of the camera, and Tim Miller looks like he’s having a great time behind it. What about the old Fox and Marvel rivalry chestnut? Well, there’s not even a whiff of it – apart from a sarcastic remark that is.
Overall, Deadpool was a gamble and with Fox’s less than stellar reputation for fashioning decent films out of Marvel property, a huge one at that. But, against all the odds it has paid off spectacularly.
Keep this to yourselves, but it could quite possibly be the best comic-book adaptation to date.
https://moviemetropolis.net/2016/02/13/a-valentines-weekend-wonder-deadpool-review/
Here, after much petitioning from fans and Reynolds himself, Deadpool finally gets his own origins story, directed by Tim Miller in his debut feature film. But was it worth the wait?
Ryan Reynolds returns as a much more faithful representation of Wade Wilson, a small-time mercenary going through the motions until a shock cancer diagnosis makes him rethink his life – and career prospects, at the cost of losing touch with his love interest, Vanessa, played by the incredibly beautiful Morena Baccarin.
Naturally, a villain in the shape of Ed Skrein’s Ajax, provides the film with its main opposition, though a few other one-dimensional characters appear alongside him every so often. Unfortunately, they make little impact throughout the course of Deadpool and even Skrein suffers next to Reynolds potty-mouthed Wilson.
MV5BMjE3MzI3NzAwOV5BMl5BanBnXkFtZTgwNDc2Nzc5NzE@._V1__SX1303_SY615_
Brianna Hildebrand, Ryan Reynolds and Stefan Kapicic. Photo by 20th Century Fox.
And ta da! The red-suited antihero is born, much like any other Marvel origins story in fact. However, this is most definitely not your typical superhero flick. From gratuitous sex, violence, swearing and drug references, not to mention the character’s trademark breaking of the fourth wall, it’s all here – and you know what, it’s a breath of fresh air.
Reynolds is absolutely born to play this character and is the best we have seen him in years. Gone is the romantic comedy slop or stereotypical action hero he has portrayed over the last few years and in their place is a witty, incredibly self-aware persona that is one of Marvel’s greatest assets.
Elsewhere, the direction is so confident, and the design choices so slick, it’s difficult to fully comprehend that this is Tim Miller’s first feature film. From a brilliant set of opening credits that poke fun at the narcissism of Hollywood, to some excellent commentary on the superhero genre itself, it’s very cocky indeed and very very funny.
Naturally, not every gag lands on target, but that’s no surprise given that even the best comedies suffer from this. There’s also a lack of development beyond the titular character that hurts the film’s more romantic side, and with Deadpool’s lengthy running time, this could’ve been avoided somewhat.
Other than that, it’s pretty much spot on. Ryan Reynolds looks like he’s having a blast in front of the camera, and Tim Miller looks like he’s having a great time behind it. What about the old Fox and Marvel rivalry chestnut? Well, there’s not even a whiff of it – apart from a sarcastic remark that is.
Overall, Deadpool was a gamble and with Fox’s less than stellar reputation for fashioning decent films out of Marvel property, a huge one at that. But, against all the odds it has paid off spectacularly.
Keep this to yourselves, but it could quite possibly be the best comic-book adaptation to date.
https://moviemetropolis.net/2016/02/13/a-valentines-weekend-wonder-deadpool-review/
Movie Metropolis (309 KP) rated American Assassin (2017) in Movies
Jun 10, 2019
Great, another terrorism thriller
Just what the world needs, another ill-timed terrorism-based thriller – you can almost hear the groans can’t you? It seems the movie-going public just can’t get enough of these accounts of urban terrorism.
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Movie Metropolis (309 KP) rated Tomorrowland (2015) in Movies
Jun 11, 2019
A CGI disaster
Disney has an intriguing track record when it comes to movies. The multi-billion dollar company has produced some incredible films and some absolute stinkers, with its live-action department bearing the brunt of this misfortune.
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Brea Lowther (26 KP) rated Everything, Everything in Books
Feb 5, 2018
Pleasantly Surprised
Contains spoilers, click to show
I read quite a bit. Young Adult is a genre that is really hit or miss with me. I wasn't expecting to have a very strong feeling for this book, but I was wrong, and pleasantly surprised. I initially read this, because I'm very much a "must read the book before watching the movie" person. I picked it up because it had been sitting on my "too read" shelf for far too long. I breezed through it because it wasn't a tough read, and it kept me hooked throughout.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
Heather Cranmer (2721 KP) rated Nightmare City in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb to Nightmare City by Andrew Klavan, I knew it was a book I had to read! While it wasn't a fantastic read, it was still decent enough.
I think the title of this book suits it quite well. What the main character is in is a city made from his nightmares!
At first I wasn't sure if I liked the cover, but it's kind of grown on me. Now I do like it. I like how we see the monsters coming out of the fog. Definitely creepy!
I thought the world building was done really well. It has a super creepy and sinister feel about it. In fact, the world felt so real at times, it was like I was Tom.
The pacing does let the book down somewhat, I felt. For the first three quarters of the book, I felt that the pacing was a bit slow. In fact, there were times when I would just skim paragraphs as I became bored. However, the pacing did pick up in the last quarter of the book, of which I was thankful. From there until the end, I couldn't put the book down!
I thought the whole idea for the plot was interesting. It's not an original idea, but Klavan put his own spin on it making it a bit different. I'd go into more detail, but I don't want to give any spoilers away. Oh, and as for the mystery part of the book, I would've never guessed who the culprit was! There's no cliff hangers, so I believe this book may just be a stand alone.
I thought all the characters were written superbly! Though most of the book, the only character featured is Tom. Tom seemed to me like a typical 17 year old male. He likes cars and girls, but he also quests for the truth which puts his life in jeopardy. I liked how down to Earth Tom was and how he couldn't be intimidated when it came to letting the truth be known. Even though she isn't featured very much, I did like the character of Lisa. I liked how friendly she was, and I felt like she was just a very warm person. There's also the character of Marie, Tom's crush, which I liked to begin with, but I'm not going to say anything due to spoilers.
The dialogue flowed very well, as did the character interactions. Nothing felt disjointed or awkward at all. There's no swearing in this book and only mild violence.
Overall, Nightmare City is a decent read. The pacing does let it down a bit, but I think most people would like the book.
I'd recommend this book to those aged 14+ who are fans of horror or those who want to be a bit creeped out.
I'd give Nightmare City by Andrew Klavan a 3.5 out of 5.
(I received a hardback copy of this book for free from booksneeze.com in exchange for a a fair and honest review).
When I read the blurb to Nightmare City by Andrew Klavan, I knew it was a book I had to read! While it wasn't a fantastic read, it was still decent enough.
I think the title of this book suits it quite well. What the main character is in is a city made from his nightmares!
At first I wasn't sure if I liked the cover, but it's kind of grown on me. Now I do like it. I like how we see the monsters coming out of the fog. Definitely creepy!
I thought the world building was done really well. It has a super creepy and sinister feel about it. In fact, the world felt so real at times, it was like I was Tom.
The pacing does let the book down somewhat, I felt. For the first three quarters of the book, I felt that the pacing was a bit slow. In fact, there were times when I would just skim paragraphs as I became bored. However, the pacing did pick up in the last quarter of the book, of which I was thankful. From there until the end, I couldn't put the book down!
I thought the whole idea for the plot was interesting. It's not an original idea, but Klavan put his own spin on it making it a bit different. I'd go into more detail, but I don't want to give any spoilers away. Oh, and as for the mystery part of the book, I would've never guessed who the culprit was! There's no cliff hangers, so I believe this book may just be a stand alone.
I thought all the characters were written superbly! Though most of the book, the only character featured is Tom. Tom seemed to me like a typical 17 year old male. He likes cars and girls, but he also quests for the truth which puts his life in jeopardy. I liked how down to Earth Tom was and how he couldn't be intimidated when it came to letting the truth be known. Even though she isn't featured very much, I did like the character of Lisa. I liked how friendly she was, and I felt like she was just a very warm person. There's also the character of Marie, Tom's crush, which I liked to begin with, but I'm not going to say anything due to spoilers.
The dialogue flowed very well, as did the character interactions. Nothing felt disjointed or awkward at all. There's no swearing in this book and only mild violence.
Overall, Nightmare City is a decent read. The pacing does let it down a bit, but I think most people would like the book.
I'd recommend this book to those aged 14+ who are fans of horror or those who want to be a bit creeped out.
I'd give Nightmare City by Andrew Klavan a 3.5 out of 5.
(I received a hardback copy of this book for free from booksneeze.com in exchange for a a fair and honest review).
Heather Cranmer (2721 KP) rated The Life & Death of Jorja Graham (Jorja Graham #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I participated in a book blitz for The Life & Death of Jorja Graham a week or so ago. After reading the blurb and seeing a teaser, I really wanted to read this book. While is wasn't a fantastic read, it was still an alright read.
The title sounds very ominous which is another thing that made me want to read the book. It's very straight forward, and I think that suits the book just fine.
The girl on the cover, who I assume is Jorja Graham, looks a bit spooky which I love! I do sort of like the cover, but I would've liked to see the mansion which is mentioned a lot throughout the book on the cover too.
The world building was good, I thought. I found it to be believable for the most part. Towards the end, it gets a little big confusing though. I'd elaborate, but I want this to be a spoiler free review.
The pacing was a bit slow to begin with. I was starting to think I had made a mistake in buying this book. Luckily, the pacing starts picking up about thirty percent in.
The plot was alright. For about the first sixty percent or so, the book reads like a contemporary romance for the most part. However, it's like it becomes a different book for the rest of the way because it turns into more of a paranormal book. Again, I don't want to give away any spoilers, but let's just say there was a plot twist I was totally not expecting! There is a slight cliff hanger at the end of the book, and I do believe there will be another book in the series, but don't quote me on that.
I thought the character of Jorja was written really well. I instantly liked her and her charming nature. Corbin comes off as a bit of a stalker to begin with, but I eventually warmed to him and his passionate nature as well. The other minor characters were written a bit lukewarm, I felt. For example, Jorja's best friend Cat could've been written as a stronger character, but I felt that she was just a bit too bland. I would've liked to know more about her and more about hers and Jorja's friendship.
I did enjoy the dialogue, and I felt it flowed very well. I felt that maybe if this book was a bit longer and a had a bit more detail, it could've been better. There is some swearing and some violence.
All in all, The Life & Death of Jorja Graham is a decent read. The lead character is likable and the dialogue is fantastic!
I'd recommend this book to those aged 16+ who are big fans of paranormal romance.
<b>I'd give The Life & Death of Jorja Graham by Brynn Myers a 3.5 out of 5.</b>
(I bought this ebook with my own money from Amazon. I was not required to write a review).
I participated in a book blitz for The Life & Death of Jorja Graham a week or so ago. After reading the blurb and seeing a teaser, I really wanted to read this book. While is wasn't a fantastic read, it was still an alright read.
The title sounds very ominous which is another thing that made me want to read the book. It's very straight forward, and I think that suits the book just fine.
The girl on the cover, who I assume is Jorja Graham, looks a bit spooky which I love! I do sort of like the cover, but I would've liked to see the mansion which is mentioned a lot throughout the book on the cover too.
The world building was good, I thought. I found it to be believable for the most part. Towards the end, it gets a little big confusing though. I'd elaborate, but I want this to be a spoiler free review.
The pacing was a bit slow to begin with. I was starting to think I had made a mistake in buying this book. Luckily, the pacing starts picking up about thirty percent in.
The plot was alright. For about the first sixty percent or so, the book reads like a contemporary romance for the most part. However, it's like it becomes a different book for the rest of the way because it turns into more of a paranormal book. Again, I don't want to give away any spoilers, but let's just say there was a plot twist I was totally not expecting! There is a slight cliff hanger at the end of the book, and I do believe there will be another book in the series, but don't quote me on that.
I thought the character of Jorja was written really well. I instantly liked her and her charming nature. Corbin comes off as a bit of a stalker to begin with, but I eventually warmed to him and his passionate nature as well. The other minor characters were written a bit lukewarm, I felt. For example, Jorja's best friend Cat could've been written as a stronger character, but I felt that she was just a bit too bland. I would've liked to know more about her and more about hers and Jorja's friendship.
I did enjoy the dialogue, and I felt it flowed very well. I felt that maybe if this book was a bit longer and a had a bit more detail, it could've been better. There is some swearing and some violence.
All in all, The Life & Death of Jorja Graham is a decent read. The lead character is likable and the dialogue is fantastic!
I'd recommend this book to those aged 16+ who are big fans of paranormal romance.
<b>I'd give The Life & Death of Jorja Graham by Brynn Myers a 3.5 out of 5.</b>
(I bought this ebook with my own money from Amazon. I was not required to write a review).
Heather Cranmer (2721 KP) rated Cyberstalker in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I saw that this book was available to review, I knew I had to read it. It just sounded so interesting! While it started out shaky at first, it quickly became a book that I couldn't put down.
The title is plain but attention grabbing. When I read the title, I had to read the blurb to find out if it was something I would enjoy.
The cover is a little too bland for my liking. It doesn't really grab my attention at all. In fact, it looks like a book from the 1980's (although it isn't).
The world building is very believable, and that's the creepiest thing. It just makes you realize how easy it would be to have this happen to us or to someone we know. Hildebrand definitely has the creep factor in his world building!
The pacing started off slow at first, and I was wondering if I had made a mistake in agreeing to review this book. I was very disappointed because I wanted to enjoy this book. I made the (wise) decision to stick with the book though, and I was greatly rewarded. Close to halfway in, the pacing really picks up, and I was totally enthralled in this story. In fact, it took me a day to read, and it only took that long because life got in the way...and sleep!
The plot is interesting and all too real. With the anonymity of the internet, you never really know who is on the other side of a computer screen. Lilly thinks Ian could be boyfriend material after talking to him online, but he ends up being a psycho.
I thought Hildebrand did an excellent job when it came to the characters. Lilly is a typical 14 year old girl interested in boys while being self conscious about how she looks. Her friends are all more experienced than her, and she's feeling a little left out. She makes some decisions that I wouldn't have made, and I kept cringing at her decisions, but I'm also older then her. Her decisions are those of a 14 year old girl. Ian was just plain creepy. Ian is a big time psycho, and I thought the author did a great job at conveying at how Ian could just flip out at any moment.
The dialogue fits very well with a young adult novel. The teens all acted their age. I don't remembering any swearing in this book, and there's not really any violence, but there is a the creepy factor which younger teens may find a bit too stressful.
Overall, Cyberstalker is a creepy yet intriguing read. It hits home hard and really makes you realize that this could actually happen to someone you know.
I'd recommend this book to to those aged 16+ who are big on social media as well as those who are after a fantastic psychological thriller.
(I was provided with a free ecopy of this title from the tour host in exchange for a fair and honest review).
When I saw that this book was available to review, I knew I had to read it. It just sounded so interesting! While it started out shaky at first, it quickly became a book that I couldn't put down.
The title is plain but attention grabbing. When I read the title, I had to read the blurb to find out if it was something I would enjoy.
The cover is a little too bland for my liking. It doesn't really grab my attention at all. In fact, it looks like a book from the 1980's (although it isn't).
The world building is very believable, and that's the creepiest thing. It just makes you realize how easy it would be to have this happen to us or to someone we know. Hildebrand definitely has the creep factor in his world building!
The pacing started off slow at first, and I was wondering if I had made a mistake in agreeing to review this book. I was very disappointed because I wanted to enjoy this book. I made the (wise) decision to stick with the book though, and I was greatly rewarded. Close to halfway in, the pacing really picks up, and I was totally enthralled in this story. In fact, it took me a day to read, and it only took that long because life got in the way...and sleep!
The plot is interesting and all too real. With the anonymity of the internet, you never really know who is on the other side of a computer screen. Lilly thinks Ian could be boyfriend material after talking to him online, but he ends up being a psycho.
I thought Hildebrand did an excellent job when it came to the characters. Lilly is a typical 14 year old girl interested in boys while being self conscious about how she looks. Her friends are all more experienced than her, and she's feeling a little left out. She makes some decisions that I wouldn't have made, and I kept cringing at her decisions, but I'm also older then her. Her decisions are those of a 14 year old girl. Ian was just plain creepy. Ian is a big time psycho, and I thought the author did a great job at conveying at how Ian could just flip out at any moment.
The dialogue fits very well with a young adult novel. The teens all acted their age. I don't remembering any swearing in this book, and there's not really any violence, but there is a the creepy factor which younger teens may find a bit too stressful.
Overall, Cyberstalker is a creepy yet intriguing read. It hits home hard and really makes you realize that this could actually happen to someone you know.
I'd recommend this book to to those aged 16+ who are big on social media as well as those who are after a fantastic psychological thriller.
(I was provided with a free ecopy of this title from the tour host in exchange for a fair and honest review).
Hazel (1853 KP) rated Glass Sword in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
Heather Cranmer (2721 KP) rated On Bone Bridge in Books
Aug 25, 2018
Interesting plot (3 more)
Fleshed Out Characters
Well written characters
Great pacing
One of my Favorite Books!
The synopsis for On Bone Bridge by Maria Hoey definitely intrigued me. Everything about it made me really want to read this book. When I won On Bone Bridge from a Goodreads giveaway, I was ecstatic! Luckily, this book didn't disappoint.
The pacing for On Bone Bridge starts off slowly for the first few chapters. However, it quickly picks up soon enough. Once the pacing picked up, I didn't want to put this book down. I couldn't wait to find out what happened next and to find out what Kay knew. I also couldn't wait to find out if Oliver would be alright.
The plot for On Bone Bridge is definitely an interesting one. I also don't believe it's been done too many times. When Violet-May's and Rosemary-June's infant brother, Alexander, falls off of a bridge and drowns, everyone thinks it was just a horrible accident. However, Kay has her suspicions that it wasn't. We read about this time in her life. Then we read a little about when she's a teen, followed by her twenties. It's when she's in her late 30's that she crosses paths with the Duff family. She is invited by Rosemary-June's and Violet-May's brother, Robbie, to come leave with them in their house to keep an eye on things. Rosemary-June now has two kids of her own. A 3 year old girl named Caroline and an 18 month old named Oliver. When strange things start happening to Oliver, Kay starts to wonder if they are by accident or if something more sinister is going on as well as wondering if this is all connected to that day on Bone Bridge when Alexander drowned. Anyway, the plot is written very well. There are a few plot twists including one which could be predictable. However, On Bone Bridge is still a fantastic read. All of my questions were answered, so it was nice to have closure.
I enjoyed the world building in On Bone Bridge. This book definitely had me feeling some emotions for sure! Anyway, most of the book takes place in Ireland at different time periods. I think the author, Maria Hoey, did an excellent job in making the reader feel as if they were right there whilst everything was happening. I loved how most of the story also takes place at the Duffy family home. Kay was in awe of the house when she was little, so it was nice to read more about the place.
Trigger warnings include the death of a child and an animal, a spoiled child, swearing, violence (although not much and not very graphic), drinking, and cheating.
Overall, On Bone Bridge is a fantastic read. It's got a very interesting and strong plot as well as likable characters. The world building is written well too. I would definitely recommend On Bone Bridge by Maria Hoey to everyone aged 15+ who loves reading.
The pacing for On Bone Bridge starts off slowly for the first few chapters. However, it quickly picks up soon enough. Once the pacing picked up, I didn't want to put this book down. I couldn't wait to find out what happened next and to find out what Kay knew. I also couldn't wait to find out if Oliver would be alright.
The plot for On Bone Bridge is definitely an interesting one. I also don't believe it's been done too many times. When Violet-May's and Rosemary-June's infant brother, Alexander, falls off of a bridge and drowns, everyone thinks it was just a horrible accident. However, Kay has her suspicions that it wasn't. We read about this time in her life. Then we read a little about when she's a teen, followed by her twenties. It's when she's in her late 30's that she crosses paths with the Duff family. She is invited by Rosemary-June's and Violet-May's brother, Robbie, to come leave with them in their house to keep an eye on things. Rosemary-June now has two kids of her own. A 3 year old girl named Caroline and an 18 month old named Oliver. When strange things start happening to Oliver, Kay starts to wonder if they are by accident or if something more sinister is going on as well as wondering if this is all connected to that day on Bone Bridge when Alexander drowned. Anyway, the plot is written very well. There are a few plot twists including one which could be predictable. However, On Bone Bridge is still a fantastic read. All of my questions were answered, so it was nice to have closure.
I enjoyed the world building in On Bone Bridge. This book definitely had me feeling some emotions for sure! Anyway, most of the book takes place in Ireland at different time periods. I think the author, Maria Hoey, did an excellent job in making the reader feel as if they were right there whilst everything was happening. I loved how most of the story also takes place at the Duffy family home. Kay was in awe of the house when she was little, so it was nice to read more about the place.
Trigger warnings include the death of a child and an animal, a spoiled child, swearing, violence (although not much and not very graphic), drinking, and cheating.
Overall, On Bone Bridge is a fantastic read. It's got a very interesting and strong plot as well as likable characters. The world building is written well too. I would definitely recommend On Bone Bridge by Maria Hoey to everyone aged 15+ who loves reading.
Heather Cranmer (2721 KP) rated You May Now Kill the Bride (Return to Fear Street #1) in Books
Oct 9, 2018
The Plot (3 more)
The Characters
The Pacing
The World Building
R.L.Stine Does It Again!
I was a huge R.L. Stine fan back when I was in school. I was constantly reading every book I could read by R.L. Stine. I credit him with my love of horror books. Anyway, when I heard R.L. Stine was writing new Fear Street books, I had to read them! The first in this series is You May Now Kill the Bride. I absolutely loved it!
The pacing for You May Now Kill the Bride is fantastic! This book really was a page turner. I found myself not wanting to put it down. Each page had me hungry for me.
I really enjoyed the plot of You May Now Kill the Bride. Part of this story takes places in 1924 where we learn about the Fear/Goode curse. A Fear wedding takes place, but it really doesn't good as planned and tragedy ensues. The other part of the story takes place in present day. Another Fear wedding is about to take place, but it doesn't happen because the bride has gone missing. Will this Fear wedding end in tragedy as well? There were a few plot twists which I really enjoyed even if a couple of the plot twists were somewhat predictable. Even though You May Now Kill the Bride is part of a series, it can be read as a standalone. There were no cliffhangers at the end of the book, and all of my questions were answered.
R.L. Stine did an amazing job with the world building like always. I always felt like I was part of the story. Even though this is a work of fiction, everything felt real. I found myself even holding my breath at the most climactic parts of You May Now Kill the Bride.
I felt that all the characters in You May Now Kill the Bride were fleshed out very well. I enjoyed all the characters very much. My favorite character was Ruth-Ann. It was hard not to like her as I could really relate to her on a personal level. However, all the characters were interesting to read about even the minor characters. Most of the story is told in first person from Harmony's point of view. While I did find Harmony annoying right at first, I quickly ended up liking her.
Trigger warnings for You May Now Kill the Bride include magic, the occult, murder/death, and minor violence. There's also one scene where a character hurts their hand which isn't overly graphic, but those who are a bit squeamish may not like it too much. There's also another scene about a body being found after being found at the bottom of a cliff. The description isn't very graphic, but some may find it unsettling.
Overall, You May Now Kill the Bride was such a really good and quick read. The plot is fantastic, and the characters are written very well. Fans of R.L. Stine will truly love this story especially those that loved the original Fear Street series. I would definitely recommend You May Now Kill the Bride by R.L. Stine to everyone aged 15+. It was so good!
The pacing for You May Now Kill the Bride is fantastic! This book really was a page turner. I found myself not wanting to put it down. Each page had me hungry for me.
I really enjoyed the plot of You May Now Kill the Bride. Part of this story takes places in 1924 where we learn about the Fear/Goode curse. A Fear wedding takes place, but it really doesn't good as planned and tragedy ensues. The other part of the story takes place in present day. Another Fear wedding is about to take place, but it doesn't happen because the bride has gone missing. Will this Fear wedding end in tragedy as well? There were a few plot twists which I really enjoyed even if a couple of the plot twists were somewhat predictable. Even though You May Now Kill the Bride is part of a series, it can be read as a standalone. There were no cliffhangers at the end of the book, and all of my questions were answered.
R.L. Stine did an amazing job with the world building like always. I always felt like I was part of the story. Even though this is a work of fiction, everything felt real. I found myself even holding my breath at the most climactic parts of You May Now Kill the Bride.
I felt that all the characters in You May Now Kill the Bride were fleshed out very well. I enjoyed all the characters very much. My favorite character was Ruth-Ann. It was hard not to like her as I could really relate to her on a personal level. However, all the characters were interesting to read about even the minor characters. Most of the story is told in first person from Harmony's point of view. While I did find Harmony annoying right at first, I quickly ended up liking her.
Trigger warnings for You May Now Kill the Bride include magic, the occult, murder/death, and minor violence. There's also one scene where a character hurts their hand which isn't overly graphic, but those who are a bit squeamish may not like it too much. There's also another scene about a body being found after being found at the bottom of a cliff. The description isn't very graphic, but some may find it unsettling.
Overall, You May Now Kill the Bride was such a really good and quick read. The plot is fantastic, and the characters are written very well. Fans of R.L. Stine will truly love this story especially those that loved the original Fear Street series. I would definitely recommend You May Now Kill the Bride by R.L. Stine to everyone aged 15+. It was so good!