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Sean Farrell (9 KP) rated The Girl Before in Books
Mar 15, 2018
Another day, another thriller with the word "Girl" in the title. There isn't really much to differentiate this one from all the others. We have a small cast of characters whose fates are intertwined and whose stories take place in alternating timelines as one learns more about the other. First up chronologically is Emma, who moves into One Folgate Street with her boyfriend after experiencing a violent break-in at her previous flat. The new house is modern and immaculate but is part of a beta-test for a smart-home concept that comes with a very lengthy list of rules, some stranger than others. Next up is Jane, who has her own reasons for needing a fresh start in a new place. She finds herself living in One Folgate Street as well, after the tragic death of its previous tenant. Also interacting with the 2 "girls" is the architect who thought up the home's whole concept, whose intellect and good looks attract both of them to him, despite his odd and aloof demeanor. You can probably guess where the plot is headed from here. Jane has a few odd encounters and they lead her to begin wondering what exactly happened to Emma, whose timeline chronicles the events leading to her death. Who killed her, or was it just an accident? Secrets come out and there are a few decent twists leading up to the somewhat abrupt finale. It was all compelling enough to keep me reading, despite a few odd moments that almost felt like something out of an E.L. James "novel". Nothing here was especially new or exciting, except for perhaps the house itself, and the implications it brings up about privacy in our current hyper-connected age. Though one could make the case that even that part, and possibly most of the rest of this book, was a little too close to the so-bad-it's-good 1990's erotic thriller "Sliver". If you're bored there are far worse ways to pass the time, but otherwise I wouldn't recommend going out of your way to read this one.
Hazel (1853 KP) rated The Storm (The Rain, #2) in Books
Dec 17, 2018
My rating: 3.5
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
LeftSideCut (3776 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
A ride from start to finish
Mandy is an utterly bizarre experience, but it's one that kept me absolutely enthralled from beginning to end.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
Phil Leader (619 KP) rated Prince of Thorns in Books
Nov 25, 2019
There are heroes who will stop at nothing. There are anti-heroes. Then there is Jorg.
As wider events across the kingdoms unfold, Jorg must face up to his past in order to survive the present, and make a future for himself and his band of Brothers.
In any other series of books, Jorg would be the villain of the piece. A prince of one of the hundred kingdoms, he is the leader of a violent gang despite being only a teenager. He demonstrates a complete lack of compassion and pursues his goals with a single minded ruthlessness that is unusual even by the standard of 'grimdark' fantasy fiction. But in Lawrence's very capable hands the reader will be rooting for him, despite his highly questionable motives, morals and actions.
The narrative follows two lines, the 'present' and the events of four years previously when Jorg first took up his life of robbery and violence, with other flashbacks into his deeper past, exploring just why he is the way he is.
The characterisation is superb, and the description of the fantasy world Jorg inhabits is spellbinding. As the odds he faces mount, Jorg simply becomes more cunning, more devious and more deadly. If he can't win within the rules that the world has set, he simply changes the rules to suit himself. There is also a terrific streak of black humour that runs throughout the book, which somewhat lifts the tone.
This does show a little as a first novel. The writing is maybe not as fluent as the subsequent works and sometimes the story wanders a little before getting back on track but, just like Jorg, it does what it sets out to do.
If you like your fantasy full of happy elves and heroes prepared to risk all for a noble cause this probably isn't the book for you. If you want to read about someone who will stop at nothing when he is pushed to the limit then this may well be what you are looking for.
Rating: Plenty of graphic violence and sexual references throughout
As wider events across the kingdoms unfold, Jorg must face up to his past in order to survive the present, and make a future for himself and his band of Brothers.
In any other series of books, Jorg would be the villain of the piece. A prince of one of the hundred kingdoms, he is the leader of a violent gang despite being only a teenager. He demonstrates a complete lack of compassion and pursues his goals with a single minded ruthlessness that is unusual even by the standard of 'grimdark' fantasy fiction. But in Lawrence's very capable hands the reader will be rooting for him, despite his highly questionable motives, morals and actions.
The narrative follows two lines, the 'present' and the events of four years previously when Jorg first took up his life of robbery and violence, with other flashbacks into his deeper past, exploring just why he is the way he is.
The characterisation is superb, and the description of the fantasy world Jorg inhabits is spellbinding. As the odds he faces mount, Jorg simply becomes more cunning, more devious and more deadly. If he can't win within the rules that the world has set, he simply changes the rules to suit himself. There is also a terrific streak of black humour that runs throughout the book, which somewhat lifts the tone.
This does show a little as a first novel. The writing is maybe not as fluent as the subsequent works and sometimes the story wanders a little before getting back on track but, just like Jorg, it does what it sets out to do.
If you like your fantasy full of happy elves and heroes prepared to risk all for a noble cause this probably isn't the book for you. If you want to read about someone who will stop at nothing when he is pushed to the limit then this may well be what you are looking for.
Rating: Plenty of graphic violence and sexual references throughout
Neon's Nerd Nexus (360 KP) rated The Gentlemen (2020) in Movies
Jan 6, 2020 (Updated Jan 6, 2020)
A funny angle
Gentleman is Guy Richie's attempt to bring the british gangster movies from the past back into the modern time and while it may just be an updated version of Snatch its a bloody enjoyable update. It seems like years ago now since I grew out of the 'British Gangster' film phase of my life and while I actaully find Snatch to be over rated myself instead much preferring Guy Richie's other work I can still understand why it has such a big following. Gentleman follows the same formula either deliberately or coincidentally and while this does feel repetative/outdated I couldnt help but be pulled in and deliciously entertained by it. Playing out a bit like reading a comic book Gentleman is satisfyingly violent, full of cusing/crudness and full of mostly satisfying twists and turns. At first I hated it but after the first 20 minutes I just let go and finally started getting back in to this sort of style. Full to the brim with exposition dialog but its handled in a refreshing new way which made hearing it less eye rolling and instead kept it constantly entertaining. Essentially one big power struggle between an assortment of characters non of which are actually very nice people but the ones Hugh Grant and Charlie hunnam play are extremely likeable. Watching these two interact on screen is the absolute bread and butter and they both play interesting characters both with very unique individual traits and characteristics. Colin Farrell is also superb and memorable too and the film has a wicked sense of humor that kept me laughing the whole way through. If you are easily offended its safe to say this is not the film for you as its not only full of extreame cursing but constant racism and violence too. By no means a perfect film or a gangster masterpiece Gentleman is still and absolute blast to watch and has enough twists/turns, quirky characters, witty dialog, fresh ideas, tension, violence/mucking about to entertain and offend pretty much anyone. Highly enjoyable.
JT (287 KP) rated Dead Man's Shoes (2006) in Movies
Mar 10, 2020
British films don’t really come more powerful as this, Shane Meadows has delivered a film so intense it’ll feel like the quickest most terrifying ninety minutes of your life.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Matthew Krueger (10051 KP) rated the Xbox One version of DOOM in Video Games
Mar 20, 2020
Kick Some Ass 2016 Style
Doom 2016- yes i called it this because when you talk about it to people, sometimes their like "which one". So i call this one "Doom 2016". So lets talk about it.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.
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