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ClareR (5879 KP) rated You Let Me In in Books
Mar 10, 2020
A satisfyingly dark read!
You Let Me In is unlike anything I’ve read before. I signed up to read this on The Pigeonhole based purely on the cover. I didn’t read anything about it, in fact I thought it was going to be a thriller. The cover though: I actually thought it was a hand showing someone then bird’, and I was half right. It’s a dead bird, and the main character, Cassandra Tipp, does seem to spend most of her life metaphorically giving everyone ‘the bird’ (ie. telling them to leave her alone).
There is a mystery at the start of this. Cassandra Tipp has disappeared, and her niece and nephew have been told that after a year they can have her worldly goods if they go to her house, find the manuscript she has left them and deduce a code word.
This book is that story.
It transpires that Cassie has been involved in the death of three people: her husband Tommy Tipp, her father and her brother. But how did she get away with it? Or more importantly: who did it if she didn’t? And who is Pepper Man?
Ok, I don’t want to give too much away, but fairies are involved from the beginning, and they’re unlike the fairies I’ve read about in the past. They come with a fascinating origin story, and I’d be interested to know if they were a construct of the authors imagination, or whether they’re a Norwegian version of the fairies I’ve learnt about with my Anglo-Irish background. Either way, they’re great characters.
There’s also a chance that child abuse is involved, either by humans or fairies, it all depends on what you read in to things that happen, whether or not you believe that Cassie is in fact sane. Some of the violence is pretty graphic too, and did put some Pigeonhole readers off.
It’s a puzzling book, a book where you’re never sure whether the narrator is reliable. And I loved it. So, if you like quirky, puzzling, violent(ish), dark books, with fairies (or perhaps not) and potentially with characters with mental health issues, then you’ll enjoy this book as much as I did. It was a satisfying, startling ten days with The Pigeonhole!
There is a mystery at the start of this. Cassandra Tipp has disappeared, and her niece and nephew have been told that after a year they can have her worldly goods if they go to her house, find the manuscript she has left them and deduce a code word.
This book is that story.
It transpires that Cassie has been involved in the death of three people: her husband Tommy Tipp, her father and her brother. But how did she get away with it? Or more importantly: who did it if she didn’t? And who is Pepper Man?
Ok, I don’t want to give too much away, but fairies are involved from the beginning, and they’re unlike the fairies I’ve read about in the past. They come with a fascinating origin story, and I’d be interested to know if they were a construct of the authors imagination, or whether they’re a Norwegian version of the fairies I’ve learnt about with my Anglo-Irish background. Either way, they’re great characters.
There’s also a chance that child abuse is involved, either by humans or fairies, it all depends on what you read in to things that happen, whether or not you believe that Cassie is in fact sane. Some of the violence is pretty graphic too, and did put some Pigeonhole readers off.
It’s a puzzling book, a book where you’re never sure whether the narrator is reliable. And I loved it. So, if you like quirky, puzzling, violent(ish), dark books, with fairies (or perhaps not) and potentially with characters with mental health issues, then you’ll enjoy this book as much as I did. It was a satisfying, startling ten days with The Pigeonhole!
JT (287 KP) rated I'm Still Here (2010) in Movies
Mar 10, 2020
This film, is it, was it real, or was it in effect a massive hoax concocted by Phoenix and Affleck? Well, it has been revealed that it was the latter, and to be fair after watching it you’d have to be a total fool to actually believe that one of Hollywood’s brightest talents would jack it all in to become a rapper.
As far as performances go this is one of Joaquin’s best, and all he had to do was grow a grizzly beard, smoke a lot and write some of the most ridiculous rap lyrics ever! But if this is genuine satire then he put his heart and sole into it!
When he was interviewed by David Letterman (who had no idea the whole thing was a hoax) Phoenix looked like a shadow of his former self
Chewing gum, and slopped in his chair he was totally unresponsive to the abuse he was getting, and back stage vented his anger. The more outrageous scenes are the ones that create the most hilarious and deliver the shocking impacts, such as sniffing coke from the bosom of a prostitute, to having his face shat on by a so called friend.
What is the most cringe-worthy to watch is Phoenix’s pitiful attempts at rapping, the bloke has about as much musical talent as Jedward and he gets his fair share of heckles, in each venue that he some how manages to get a gig for.
“I’ve got a million dollars in the bank, what have you got!?” comes Pheonix’s response, and then he proceeds to hurl himself into the crowd fists swinging, followed by violent vomiting.
To think that a man of P Diddy’s calibre would even consider letting some disheveled tramp off the street play him tracks from his demo is unbelievable in itself. Diddy’s eyes say it all as he asks Phoenix to skip on to the next one, continually starring down the camera in sheer disbelief!
There is not a lot to suggest that an actor such as this would just suddenly melt down, of course we don’t deny the pressures in Hollywood might cause few to sink to a lowest ebb, but Affleck succeeds in making this a shocking and truly hilarious stunt.
As far as performances go this is one of Joaquin’s best, and all he had to do was grow a grizzly beard, smoke a lot and write some of the most ridiculous rap lyrics ever! But if this is genuine satire then he put his heart and sole into it!
When he was interviewed by David Letterman (who had no idea the whole thing was a hoax) Phoenix looked like a shadow of his former self
Chewing gum, and slopped in his chair he was totally unresponsive to the abuse he was getting, and back stage vented his anger. The more outrageous scenes are the ones that create the most hilarious and deliver the shocking impacts, such as sniffing coke from the bosom of a prostitute, to having his face shat on by a so called friend.
What is the most cringe-worthy to watch is Phoenix’s pitiful attempts at rapping, the bloke has about as much musical talent as Jedward and he gets his fair share of heckles, in each venue that he some how manages to get a gig for.
“I’ve got a million dollars in the bank, what have you got!?” comes Pheonix’s response, and then he proceeds to hurl himself into the crowd fists swinging, followed by violent vomiting.
To think that a man of P Diddy’s calibre would even consider letting some disheveled tramp off the street play him tracks from his demo is unbelievable in itself. Diddy’s eyes say it all as he asks Phoenix to skip on to the next one, continually starring down the camera in sheer disbelief!
There is not a lot to suggest that an actor such as this would just suddenly melt down, of course we don’t deny the pressures in Hollywood might cause few to sink to a lowest ebb, but Affleck succeeds in making this a shocking and truly hilarious stunt.
JT (287 KP) rated Only God Forgives (2013) in Movies
Mar 10, 2020
Now here is a film that completely split critics. It’s not going to be everyone’s cup of tea and it’s clear to see why. Anyone expecting a well constructed follow up to Winding Refn’s hit Drive are going to be sorely disappointed, as Only God Forgives serves up a mix of beautiful neon visuals, character dreamscapes and minimal dialogue.
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Gareth von Kallenbach (980 KP) rated Bullet to the Head (2013) in Movies
Aug 7, 2019
Action icon Sylvester Stallone follows up his smash hit “The Expendables 2” with a turn as a New Orleans hitman on a mission of revenge in “Bullet to the Head”. Produced by Walter Hill, who brought us such classics as the “Alien” series and directed films such as “Red Heat” and “48 Hours”, his signature style is evident throughout.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
When Friday Comes: Football, War and Revolution in the Middle East
Book
In January 2011 millions of Egyptians took part in mass protests that ended the iron rule of its...
A House in the Sky: A Memoir of a Kidnapping That Changed Everything
Amanda Lindhout and Sara Corbett
Book
A House in the Sky is the dramatic and redemptive memoir of Amanda Lindhout, a woman whose curiosity...
British Comics: A Cultural History
Book
British Comics is a unique cultural history of British comic papers and magazines, from their...
The New Counter-Measures: Series 1
John Dorney, Guy Adams, Ian Potter and Christopher Hatherall
Book
Four new investigations for Sir Toby Kinsella and his specialist team. 1. Nothing to See Here by Guy...
Charlie Cobra Reviews (1840 KP) rated Baki in TV
Jul 7, 2020
Ridiculously Crazy Yet Insanely Hardcore
Baki is the third season of an anime series based on manga series titled Grappled Baki or Baki The Grappled. It is directed by Toshiki Hirano, written by Tatsuhiko Urahata and produced by Kei Watahiki, Yuki Yokoi, and Executive Producer Tetsu Kohima. Baki is made by TMS Entertainment and licensed by Netflix.
Baki is anything but a normal teenage high school student. After becoming one of the greatest martial artists in the world by winning a legendary underground fighting tournament, Baki continues to train with intense focus to become strong enough to surpass his father, Yujiro Hanma, the strongest fighter in the world. He is warned by Mitsunari Tokugawa, ruler of the underground fight arena, that five of the world's most dangerous, violent and brutal death row inmates have escaped and they are all converging on Tokyo. Their unmatched skill and strength have made them bored and their objective is to taste defeat. Tokugawa warns Baki that they are seeking him in hopes of being overwhelmed and utterly crushed. Other underground martial art warriors gather to fight by Baki's side after being summoned by Tokugawa.
This anime is pretty freaking crazy. Whether it's the ridiculous amount of muscles the characters have or the amount of damage they can handle, this anime is over the top. From the beginning they hype up these individuals with the stories of why they're in prison and the impossible ways that they escape. But when they start fighting it really picks up. This series was a guilty pleasure of mine for a bit, I totally binge watched the first season and eagerly awaited the second. That being said it is far from perfect. There is a lot of talking sometimes (a bit too much exposition) and waiting for action but when it happens it rarely disappoints. I mean the fight scenes are really graphic with blood, broken bones, teeth breaking, eye stabbing etc. I really hate that it has CGI at all but it's far and in between. At first I didn't like the art style at all but it kinda grew on me. Also to me the second season didn't live up to the hype of the first one but that's just my opinion. If you're looking for straight up action then this is the anime you're looking for. I give it a 7/10.
Baki is anything but a normal teenage high school student. After becoming one of the greatest martial artists in the world by winning a legendary underground fighting tournament, Baki continues to train with intense focus to become strong enough to surpass his father, Yujiro Hanma, the strongest fighter in the world. He is warned by Mitsunari Tokugawa, ruler of the underground fight arena, that five of the world's most dangerous, violent and brutal death row inmates have escaped and they are all converging on Tokyo. Their unmatched skill and strength have made them bored and their objective is to taste defeat. Tokugawa warns Baki that they are seeking him in hopes of being overwhelmed and utterly crushed. Other underground martial art warriors gather to fight by Baki's side after being summoned by Tokugawa.
This anime is pretty freaking crazy. Whether it's the ridiculous amount of muscles the characters have or the amount of damage they can handle, this anime is over the top. From the beginning they hype up these individuals with the stories of why they're in prison and the impossible ways that they escape. But when they start fighting it really picks up. This series was a guilty pleasure of mine for a bit, I totally binge watched the first season and eagerly awaited the second. That being said it is far from perfect. There is a lot of talking sometimes (a bit too much exposition) and waiting for action but when it happens it rarely disappoints. I mean the fight scenes are really graphic with blood, broken bones, teeth breaking, eye stabbing etc. I really hate that it has CGI at all but it's far and in between. At first I didn't like the art style at all but it kinda grew on me. Also to me the second season didn't live up to the hype of the first one but that's just my opinion. If you're looking for straight up action then this is the anime you're looking for. I give it a 7/10.
Kristy H (1252 KP) rated Lola on Fire in Books
Feb 25, 2021
A dark, fast-paced thriller
Brody Ellis has lost his job: desperate for cash to pay rent and to help take care of his younger sister, he robs a gas station. On his way out, he bumps into a woman. It's only once he's home that the realizes he's lost his wallet. He's waiting for the cops to arrest him when he receives a call. A woman named Blair Mayo, the one whom he ran into, has the wallet. She'll return it if he'll do something in return: steal her late mother's diamonds from her father's hateful new wife. But when Brody executes Blair's plan, he finds something else: a murdered woman and a security camera watching his every move. After he flees, slipping in blood, Blair tells him someone has already taken care of the footage. The woman's husband, the notorious mobster Jimmy Latzo. But he wants his own special revenge on Brody (and his sister, Molly, by default). The two flee, with the mob hot on their tail, and get caught up in a tangled web that involves Jimmy, Blair, and a woman named Lola Bear who came up against Jimmy years ago.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.