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Designated Survivor - Season 1
8.4
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TV Season Watch
Designated Survivor is an American Political Drama 22 episodes for the first season. On the night...
Gareth von Kallenbach (965 KP) rated The Astronaut Farmer (2006) in Movies
Aug 14, 2019
Charles Farmer (Billy Bob Thornton) is a man with a dream. Unlike some men, he does not dream of wealth, fame, or material goods, instead he dreams simply of traveling into space. While to most who share Charles’s dream would be resigned to simply leave it at that, Charles is not like most men and is determined to make his dream a reality.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
Sideways (2004)
7.2
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Movie Watch
The misadventures begin when Miles (Paul Giamatti), an un-recovered divorcé and would-be novelist...
Charlie Cobra Reviews (1840 KP) rated Swamp Thing in TV
Jul 7, 2020
One of DC's Current Bests
Swamp Thing is a 2019 superhero horror/drama tv series developed by Gary Dauberman and Mark Verheiden with Executive Producers James Wan, Len Wiseman and Michael Clear. It was produced by Big Shoe Productions, Inc., Atomic Monster Productions, DC Entertainment and Warner Bros. Television and distributed by Warner Bros. Entertainment. The show stars Crystal Reed, Virginia Madsen, Andy Bean, Derek Mears, Jessica Beals, and Will Patton.
Abby Arcane (Crystal Reed) returns to her hometown of Marais, Louisiana investigating a deadly swamp-borne virus for the CDC . She develops a bond with Alec Holland (Andy Bean), a disgraced scientist who dies tragically soon after, but Holland may not be dead after all, as Abby discovers the mysteries of the swamp transform him into Swamp Thing.
This show is really cool. It makes me want to go back and watch the old movies to compare how they hold up. I was amazed with how dark they kept the story with the rating being TV-MA and there being so much blood and gore. The actors are great and there are some amazing performances but I also feel that some characters are not introduced well and just kind of come out of nowhere. They feel kind of unnecessary or just extra but I love the tone and horror vibe the show has going and what feels like a bigger story arc they are trying to setup with "the Green" and "the darkness" in the swamp of Marais. The visual effects are really top notch and Swamp Thing himself looks impressive. I give this show a 9/10 and it also gets my "Must See Seal of Approval".
I just really hope it doesn't stay cancelled and that they get another season, it really deserves it.
Abby Arcane (Crystal Reed) returns to her hometown of Marais, Louisiana investigating a deadly swamp-borne virus for the CDC . She develops a bond with Alec Holland (Andy Bean), a disgraced scientist who dies tragically soon after, but Holland may not be dead after all, as Abby discovers the mysteries of the swamp transform him into Swamp Thing.
This show is really cool. It makes me want to go back and watch the old movies to compare how they hold up. I was amazed with how dark they kept the story with the rating being TV-MA and there being so much blood and gore. The actors are great and there are some amazing performances but I also feel that some characters are not introduced well and just kind of come out of nowhere. They feel kind of unnecessary or just extra but I love the tone and horror vibe the show has going and what feels like a bigger story arc they are trying to setup with "the Green" and "the darkness" in the swamp of Marais. The visual effects are really top notch and Swamp Thing himself looks impressive. I give this show a 9/10 and it also gets my "Must See Seal of Approval".
I just really hope it doesn't stay cancelled and that they get another season, it really deserves it.
Gareth von Kallenbach (965 KP) rated Joy (2015) in Movies
Aug 6, 2019
Jennifer Lawrence (Joy), Robert De Niro (Rudy, Joy’s father),
Bradley Cooper (Neil Walker, Joy’s eventual boss), Edgar Ramirez (Tony,
Joy’s ex-husband), Isabella Rossellini (Trudy, Rudy’s girlfriend), Diane
Ladd (Mimi, Joy’s grandmother), Virginia Madsen (Terry, Joys mother),
and Elisabeth Röhm (Peggy, Joys half-sister)
Also making appearances that were notable to me were Susan Lucci as
Danica, a character seen on the TV soap opera that Joys mother Terry is
constantly watching, and Melissa Rivers, playing her mother Joan Rivers
on the TV channel QVC.
David O. Russel wrote, directed and produced the film, bringing the
headliners back for yet another go ‘round, after the successes of Silver
Linings Playbook and American Hustle.
Joy is a divorced mother of 2, living in a house with her Grandmother
Mimi, who she adores, her mother, who practically never leaves her room,
her 2 kids, and her ex-husband in the basement. Shortly after the film
begins, her father Rudy also moves into the basement.
Joy struggles through her life every day, never quite able to get ahead,
and always just barely making ends meet. Her grandmother has big dreams
for her and insists that Joy will “rise above” and “make something” of
her life, but Joy struggles to have faith, and indeed, to even begin to
figure out how to go about such a seeming monumental task.
The story follows Joy and her family through somewhat ridiculous
scenarios, and while it was acted well by Jennifer Lawrence, De Niro,
and most of the rest of the cast, I had a hard time really getting into
the film.
I kept finding myself wondering why Joys family wasn’t more supportive
and why they all, with the exception of her Mimi and her ex-husband,
seemed to be more trying to bring her down and keep her down, than
giving her a boost and a push up. I always have liked Robert De Niro,
but in this film found myself seriously disliking him. I suppose that
speaks to his ability as an actor and being able to portray a role in
which he is “supposed to be” less than 100% likeable.
Jennifer Lawrence as Joy shows tenaciousness, grit and a will to succeed
and “rise above”, at least once she gets to the point in the film where
she has “HAD ENOUGH” of being walked on and disregarded, and plays the
part wonderfully.
I kept hoping to like the movie better, but sadly, also kept waiting for
it to GET better.
Bradley Cooper (Neil Walker, Joy’s eventual boss), Edgar Ramirez (Tony,
Joy’s ex-husband), Isabella Rossellini (Trudy, Rudy’s girlfriend), Diane
Ladd (Mimi, Joy’s grandmother), Virginia Madsen (Terry, Joys mother),
and Elisabeth Röhm (Peggy, Joys half-sister)
Also making appearances that were notable to me were Susan Lucci as
Danica, a character seen on the TV soap opera that Joys mother Terry is
constantly watching, and Melissa Rivers, playing her mother Joan Rivers
on the TV channel QVC.
David O. Russel wrote, directed and produced the film, bringing the
headliners back for yet another go ‘round, after the successes of Silver
Linings Playbook and American Hustle.
Joy is a divorced mother of 2, living in a house with her Grandmother
Mimi, who she adores, her mother, who practically never leaves her room,
her 2 kids, and her ex-husband in the basement. Shortly after the film
begins, her father Rudy also moves into the basement.
Joy struggles through her life every day, never quite able to get ahead,
and always just barely making ends meet. Her grandmother has big dreams
for her and insists that Joy will “rise above” and “make something” of
her life, but Joy struggles to have faith, and indeed, to even begin to
figure out how to go about such a seeming monumental task.
The story follows Joy and her family through somewhat ridiculous
scenarios, and while it was acted well by Jennifer Lawrence, De Niro,
and most of the rest of the cast, I had a hard time really getting into
the film.
I kept finding myself wondering why Joys family wasn’t more supportive
and why they all, with the exception of her Mimi and her ex-husband,
seemed to be more trying to bring her down and keep her down, than
giving her a boost and a push up. I always have liked Robert De Niro,
but in this film found myself seriously disliking him. I suppose that
speaks to his ability as an actor and being able to portray a role in
which he is “supposed to be” less than 100% likeable.
Jennifer Lawrence as Joy shows tenaciousness, grit and a will to succeed
and “rise above”, at least once she gets to the point in the film where
she has “HAD ENOUGH” of being walked on and disregarded, and plays the
part wonderfully.
I kept hoping to like the movie better, but sadly, also kept waiting for
it to GET better.
Gareth von Kallenbach (965 KP) rated Firewall (2006) in Movies
Aug 14, 2019
Following a three year absence from the big screen, box office megastar Harrison Ford returns in Firewall as Ford Jack Stanfield, a devoted family man who works designing and maintaining networks and security systems for a small chain of banks. Jack who along with his wife Beth (Virginia Madsen), and their two children live a comfortable life in a Seattle suburb in a luxurious home that Beth designed.
The twenty-four banks owned by Jack’s firm are in the process of being acquired by a large chain and the resulting windfall from this venture is making people on both sides tense and excited as the merger draws closure. Jack has some reservations about the new firm’s lack of customer service and acceptance of security losses which he believes will be passed on to their customers. This stance draws tension from a representative of the new partner (Robert Patrick), and has caused Jack to go to a meeting with a potential client who is looking to engage Jack’s services.
What begins as a promising business venture soon takes a dangerous turn as Jack is hijacked and learns that he and his family are being held hostage by a gang of thugs lead by the charismatic and dangerous Bill Cox (Paul Bettany), who wires Jack for sight and sound so they can monitor his every move at work. Jack is told that should he deviate from instructions or attempt to alert others to his situation, his family will be killed for his defiance.
In time, Jack is instructed to withdraw $10,000 from several of the banks top accounts and erase any history of the transactions or the resulting deposits in offshore accounts. The plan hits an unexpected snag when as a result of the pending merger, the hardware needed for Jack to input his requests has been moved to a remote locale out of state.
Undaunted Bill ups the stakes and forces Jack to find a way to get the money to him before time is up and his family is killed. Things go from bad to worse when complications arise forcing Jack to take desperate measures that soon has him fighting both his captors, his co-workers, and the law as he attempts to free his family and save them from their captors.
Firewall like last years Hostage suffers from a severe lack of urgency. We are told and shown just how evil the captors are yet, when people are told not do certain things and they continue to do so without repercussions, one would have to think that they would eventually cut their losses and start killing people off.
Ford does his best to make the by-the-numbers story work, but there are just not enough thrills and tension in the film to make it gripping. There is a heavy sense of “been there, seen that” to almost every portion of the film. What could have been a tight thriller is lost in clichés and gaps in logic that undermine the supposed seriousness of the situation.
The twenty-four banks owned by Jack’s firm are in the process of being acquired by a large chain and the resulting windfall from this venture is making people on both sides tense and excited as the merger draws closure. Jack has some reservations about the new firm’s lack of customer service and acceptance of security losses which he believes will be passed on to their customers. This stance draws tension from a representative of the new partner (Robert Patrick), and has caused Jack to go to a meeting with a potential client who is looking to engage Jack’s services.
What begins as a promising business venture soon takes a dangerous turn as Jack is hijacked and learns that he and his family are being held hostage by a gang of thugs lead by the charismatic and dangerous Bill Cox (Paul Bettany), who wires Jack for sight and sound so they can monitor his every move at work. Jack is told that should he deviate from instructions or attempt to alert others to his situation, his family will be killed for his defiance.
In time, Jack is instructed to withdraw $10,000 from several of the banks top accounts and erase any history of the transactions or the resulting deposits in offshore accounts. The plan hits an unexpected snag when as a result of the pending merger, the hardware needed for Jack to input his requests has been moved to a remote locale out of state.
Undaunted Bill ups the stakes and forces Jack to find a way to get the money to him before time is up and his family is killed. Things go from bad to worse when complications arise forcing Jack to take desperate measures that soon has him fighting both his captors, his co-workers, and the law as he attempts to free his family and save them from their captors.
Firewall like last years Hostage suffers from a severe lack of urgency. We are told and shown just how evil the captors are yet, when people are told not do certain things and they continue to do so without repercussions, one would have to think that they would eventually cut their losses and start killing people off.
Ford does his best to make the by-the-numbers story work, but there are just not enough thrills and tension in the film to make it gripping. There is a heavy sense of “been there, seen that” to almost every portion of the film. What could have been a tight thriller is lost in clichés and gaps in logic that undermine the supposed seriousness of the situation.
Andy K (10821 KP) rated Electric Dreams (1984) in Movies
Oct 13, 2019
Let me start off by saying I recently purchased a region free DVD/Blu Ray player for myself when I discovered there were films I have not seen in 20+ years because they have never had a DVD/Blu Ray release in the US, but are actually available overseas! When I discovered this fact, among the first movies I purchased is this 1980s classic which has been mostly forgotten due to its unavailability.
Miles is an unorganized, nerdy architect who is delighted to discover a young, beautiful cellist moving in to the apartment above his sparse decorated pad in San Francisco. At the same time, a work colleague tells Miles he should get himself organized so he doesn't miss meetings spending all his time working on a new earthquake=proof brick, his dream pet project. Miles heads to his local electronic store (80s version) and gets talked into buying one of these "new" personal computers which everyone seems to be getting.
After some initial difficulty during set up, Miles decides to fully jump in to the PC world and not only sets up his new toy, but decides to have it fully integrated into his apartment including running his lights, door locks and appliances. He then thinks it would be a good idea to do a mass download of information for his work servers to beef up his own unit's capacity. He quickly realizes this is an overload to his machine when it starts to buzz and flash. In a panic, he douses the machine with some champagne to cool it off inadvertently giving it the spark of "life".
His new machine works quickly to understand its new world around including listening and harmonizing music with the beautiful neighbor upstairs. This leads to the two town house cohabitants developing a relationship. This does not sit well with the PC eventually as "he" has now also evolved to the point where he wants to understand love. Tensions escalate and there is a confrontation for the ultimate fate of the relationships and who will ultimately get the girl.
Since it had been probably 30 years since I had seen Electric Dreams, one of those guilty pleasures from the 80s, I was extremely anxious to rewatch; however, was also worried a new viewing in my adulthood would ruin the magic I had remembered from my youth. I couldn't have been more wrong.
The first thing I had forgotten was all the humor of the film including those awkward moments when Miles and the computer where getting to know each other and the goofy dialogue. Also, it's funny how I read a lot of the functions the computer performed had to be simulated at the time since home PCs were still pretty new to everyone at that point, but now those functions are fairly commonplace including the aforementioned "Smart Home" features among other things.
Yes fine, there are plenty of 80s staples present almost immediately like music montages, bad hairdos, leg warmers and boom boxes, but that still gives the movie charm. After thinking about it, there were elements from other 80s classics like Weird Science, WarGames, and a lot of Short Circuit where an AI was learning about itself. Who remembers Max Headroom?
The soundtrack for the film is also front and center with much of it playing a key role in the budding relationship between Miles and his musical love interest, but it works well and still holds up.
I also have to mention Virginia Madsen. I looked up she was 23 when she made this film (she looked like she was 18), but still looks as remarkable as she did then (80s crush speaking here).
I'm sure I probably still revere this movie more than the people who actually made it, but I can handle that.
Miles is an unorganized, nerdy architect who is delighted to discover a young, beautiful cellist moving in to the apartment above his sparse decorated pad in San Francisco. At the same time, a work colleague tells Miles he should get himself organized so he doesn't miss meetings spending all his time working on a new earthquake=proof brick, his dream pet project. Miles heads to his local electronic store (80s version) and gets talked into buying one of these "new" personal computers which everyone seems to be getting.
After some initial difficulty during set up, Miles decides to fully jump in to the PC world and not only sets up his new toy, but decides to have it fully integrated into his apartment including running his lights, door locks and appliances. He then thinks it would be a good idea to do a mass download of information for his work servers to beef up his own unit's capacity. He quickly realizes this is an overload to his machine when it starts to buzz and flash. In a panic, he douses the machine with some champagne to cool it off inadvertently giving it the spark of "life".
His new machine works quickly to understand its new world around including listening and harmonizing music with the beautiful neighbor upstairs. This leads to the two town house cohabitants developing a relationship. This does not sit well with the PC eventually as "he" has now also evolved to the point where he wants to understand love. Tensions escalate and there is a confrontation for the ultimate fate of the relationships and who will ultimately get the girl.
Since it had been probably 30 years since I had seen Electric Dreams, one of those guilty pleasures from the 80s, I was extremely anxious to rewatch; however, was also worried a new viewing in my adulthood would ruin the magic I had remembered from my youth. I couldn't have been more wrong.
The first thing I had forgotten was all the humor of the film including those awkward moments when Miles and the computer where getting to know each other and the goofy dialogue. Also, it's funny how I read a lot of the functions the computer performed had to be simulated at the time since home PCs were still pretty new to everyone at that point, but now those functions are fairly commonplace including the aforementioned "Smart Home" features among other things.
Yes fine, there are plenty of 80s staples present almost immediately like music montages, bad hairdos, leg warmers and boom boxes, but that still gives the movie charm. After thinking about it, there were elements from other 80s classics like Weird Science, WarGames, and a lot of Short Circuit where an AI was learning about itself. Who remembers Max Headroom?
The soundtrack for the film is also front and center with much of it playing a key role in the budding relationship between Miles and his musical love interest, but it works well and still holds up.
I also have to mention Virginia Madsen. I looked up she was 23 when she made this film (she looked like she was 18), but still looks as remarkable as she did then (80s crush speaking here).
I'm sure I probably still revere this movie more than the people who actually made it, but I can handle that.