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Citizen Kane (1941)
Citizen Kane (1941)
1941 | Classics, Drama, Mystery
Orson Welles' Citizen Kane is the Citizen Kane of modern movie-making. That doesn't make a lot of sense, but it tells you everything about the place of this film in our culture. Amoral narcissist inherits a huge fortune, accrues even more wealth and power by peddling fake news, but finds his political ambitions thwarted by a sex scandal (which just goes to show you how different life is from the movies).

Trying to ascertain the extent of Citizen Kane's influence on the movies is a bit like trying to map the coastline of the USA without leaving Kansas: the film is packed with so many narrative and technical innovations it's impossible to conceive of the impact it had on the industry. Terrific performances and a clever, serious script about the dangers of choosing the love of power over the power of love, and many moments and images of throwaway genius. You might have expected Welles to make more of the possibilities for unreliable narration in the movie, plus some of his technical virtuosity seems more geared towards showing off than thought-through storytelling, but this is still a genuine classic. One wonders what else Welles might have achieved, had he been allowed to continue to make films with all the resources of Hollywood behind him - but it wasn't to be. Still, this film alone guarantees him immortality.
  
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Andy K (10823 KP) May 24, 2020

Well said

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Susanne Bier recommended 1917 (2020) in Movies (curated)

 
1917 (2020)
1917 (2020)
2020 | Drama, War

"Virtuosic camera movements and demonstrations of technical originality, while impressive, can often do just as much to pull the viewer out of the experience as into it. One becomes absorbed by the mechanics on display, rather than gripped by the characters and their fates. In the case of “1917,” however, it is exactly the virtuosity of the filmmaking that makes the movie so exceptionally gripping. All of the cinematic elements, from the unique visuals to the rousing score, come together to give the audience a monumental, visceral sense of participation in the protagonists’ mission. As a viewer, I am intensely bound to the characters throughout the film. Their story is a relentless, brutal and violent experience — we’re in the foxholes, in the mud, with the corpses in the waterholes, running across rotting horse carcasses ­— and it all feels so real that you can smell the dead horses and burning houses. But amidst all the violence, there are small moments of kindness that moved me more than anything; moments that encapsulate humanity at its finest. The two soldiers in “1917” are far from classical heroes. They are afraid, confused and insecure. But their innocence, their love and their willingness to do the right thing, make them the most touching heroes I’ve seen in a long time. Watching “1917” is a weirdly humbling experience not because of its incredibly cinematic qualities, but because its portrayal of human dignity is so profound and moving. It keeps playing in the back of one’s mind, long after the projector turns off."

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