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    Las Vegas Map and Walks

    Las Vegas Map and Walks

    Travel and Navigation

    (0 Ratings) Rate It

    App

    Lose Yourself Without Getting Lost. This handy application presents you several self-guided walks...

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Cyn Armistead (14 KP) rated Walking Dead (Walker Papers, #4) in Books

Mar 1, 2018  
WD
Walking Dead (Walker Papers, #4)
C.E. Murphy | 2009
8
8.0 (2 Ratings)
Book Rating
I've enjoyed the other Walker Papers novels, but <i>Walking Dead</i> definitely showed more depth and maturity than the earlier volumes. Both the author and her lead character have grown very nicely. It's refreshing to read a series that does not fall into the all-too-familiar paranormal romance formula!

Another thing I enjoy about this series is that heroine Joanne has a supporting ensemble of friends and coworkers who have their own talents and foibles, including a delightful married couple, a sexy father figure (who isn't related to anyone we've met so far), and an even sexier boss. This time around we were treated to the return of a character Joanne rescued in an earlier volume who has grown into some of her own ass-kicking abilities.

Joanne is far from perfect, but she doesn't make the same mistakes over and over again, which is a pet peeve of mine and occurs all too often in some other authors works. (There's consistency, and then there's refusing to learn from mistakes to the extent that I have to believe that a character is too stupid to live.)

There is a thread that ties all of the Walker Papers together, but C.E. Murphy is keeping things fresh enough that I, at least, am not getting bored. I would, however, caution that this is a series that is best read completely and in order. I began reading one of the novels without realizing that there had been a novella published between it and the previous one, and found myself well and truly confused. Walking Dead definitely is not a good starting point for the series! While a new reader wouldn't necessarily be completely lost, she would miss far too much of the magic.
  
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Frank Carter recommended Raw Power by The Stooges in Music (curated)

 
Raw Power by The Stooges
Raw Power by The Stooges
1973 | Punk, Rock
8.4 (9 Ratings)
Album Favorite

"He's the best frontman of all time. Iggy Pop and Nick Cave are up there for me in different ways, but Nick Cave didn't invent the stage dive. I could have picked any Stooges, but Raw Power has everything. I picked this mainly because of my love for Iggy Pop. When Post Pop Depression came out last year I fell in love with it, a collaboration between two of my favourite artists [Pop and Josh Homme], and to see this man play the Royal Albert Hall and stage diving is pretty fucking next level. It was a monumental moment. I was quite young when I first heard The Stooges. I had a couple of weird mixtapes my uncle had made. He was into stuff like The Specials but there were a few random tracks on there and the Stooges were one of them. Now, any time I have to DJ I mainly just play Iggy. He's got so many classic songs that you don't have to think about it, you can just turn to him first, a decent 40 minutes of Iggy Pop, then fill it out with whatever else you need to put in. Iggy's hits are a bit stretched out over his entire career, but Raw Power's got my favourite lyrics he's ever written. It's got the song 'Raw Power' which is just next fucking level and it's got 'Search and Destroy'. ""I'm a street walking cheetah with a heart full of napalm"". If you want to sum up how a man feels walking down a Hollywood street feeling like a badass, it doesn't get any better than that. The name of the album says everything you need to, it's where I took inspiration from when I was trying to come up with Modern Ruin."

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Jeff Nichols recommended Hud (1963) in Movies (curated)

 
Hud (1963)
Hud (1963)
1963 | Drama, Western
9.5 (2 Ratings)
Movie Favorite

"This one — they’re just kissing cousins, really — but the last Paul Newman film I’ll talk about is Hud — just the greatest introduction to a character maybe ever on screen. You’ve got this goofy kid walking around town and he walks past the bar, and there’s glass on the sidewalk and the bar owner’s sweeping it up. And the kid goes, “Did you have trouble in here last night?” “I had Hud in here last night.” Such an awesome way to introduce the main character of this film. When you first meet him, he’s walking out of this married woman’s house putting his boots on and the husband pulls up, and he immediately blames his nephew. It’s this really incredible thing. I was lucky enough to work on a college professor’s documentary called The Rough South of Larry Brown. Which is about the writer Larry Brown out of Oxford, Mississippi. In that documentary Larry Brown talks about his writing, he says, “Yeah, you read my stuff and you read a little bit and you might think it’s pretty funny. And then you read a little bit more and you realize, it’s not funny worth a damn.” And that’s Hud. You start it off and you’re like, “Gosh, look at this rapscallion, this character,” and then you realize, “Wow, that’s not funny; there is some deep stuff inside that man that is hurt and angry, but is manifesting itself in very evil ways.” The complexity of that — it’s different than Newman’s character in The Hustler. In The Hustler, he’s doing pride, but there’s something deep going on in Hud that’s darker. It’s more about family and legacy and things that I think, because it’s attached to the family, I relate to very much. I had to deal with familial relationships that are complex."

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