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Lilyn G - Sci-Fi & Scary (91 KP) rated 10 Cloverfield Lane (2016) in Movies
Feb 7, 2018
Surprisingly Entertaining
Contains spoilers, click to show
THIS REVIEW MAY CONTAIN MILD SPOILERS, but honestly nothing more than I’d already gathered from Twitter and talk /reviews on various other forms of social media. Still, you have been warned. Read no further than the following first paragraph if you don’t want to risk mild spoilage.
10 Cloverfield Lane was surprisingly entertaining. I’m not really a huge fan of movies shot in an enclosed space because, in general, how often does that work out well? (Remember the Ashley Judd movie about bugs? Mmhmm.) However, it worked, and worked well in this. Part of this, no doubt, belongs to the fact that John Goodman put on a freaking amazing performance. That man just OWNED this movie. You knew something wasn’t right with him. It was obvious he had some crazy going on. The way he was able to yo-yo between affable and scary, though, was fantastic and kept you guessing as to just how crazy his crazy was. Everything was nailed, from the look in his eyes to the flexing of his hands when he was struggling to keep himself under control. Top-notch!
The other two, Mary Elizabeth Winstead and John Gallagher Jr, also brought good performances to the table and perfectly complimented Goodman’s acting. Winstead, who has one of those “I knowwww you..you’re…you were in something I’ve seen!” faces (she’s actually got quite the list of acting credits to her name), did a great job as a solid female lead. She sold her confusion, wariness, intelligence and strength to you with all the skill of Joel Olsteen convincing christians that their tithes were actually going to go for good works. Considering the man has a multi-million dollar mansion and people still buy that line – that should tell you something! Great job by Winstead. She didn’t shine like Goodman did, but she never faltered either.
This movie quite literally had me on the edge of my seat leaning forward, tips of my fingers near my ears at one point because I was expecting bad loudness. Trachtenburg delivered. From the absurd to the affable family moments, and from the crazy-scary to the Cloverfield freakouts, the only weak part of the film really seemed to be the fact that the ending they gave it wasn’t really necessary. It would have been just as strong if they’d ended it before it went full Cloverfield. It might have even been stronger. It felt like Trachtenburg gave in to ever-present “Action! ACTION! WE NEED ACTION!” push that seems to present in Hollywood now, even if its unnecessary, and then wanted to put everything in a basket with a pretty bow. But ending it right before it went BOO! would have left people walking from the theatres, feeling vaguely disturbed, and talking only about the fantastic performances by the three actors.
Overall, great job by all involved and it was definitely worth the price of the tickets, beer, popcorn, and mnms!
10 Cloverfield Lane was surprisingly entertaining. I’m not really a huge fan of movies shot in an enclosed space because, in general, how often does that work out well? (Remember the Ashley Judd movie about bugs? Mmhmm.) However, it worked, and worked well in this. Part of this, no doubt, belongs to the fact that John Goodman put on a freaking amazing performance. That man just OWNED this movie. You knew something wasn’t right with him. It was obvious he had some crazy going on. The way he was able to yo-yo between affable and scary, though, was fantastic and kept you guessing as to just how crazy his crazy was. Everything was nailed, from the look in his eyes to the flexing of his hands when he was struggling to keep himself under control. Top-notch!
The other two, Mary Elizabeth Winstead and John Gallagher Jr, also brought good performances to the table and perfectly complimented Goodman’s acting. Winstead, who has one of those “I knowwww you..you’re…you were in something I’ve seen!” faces (she’s actually got quite the list of acting credits to her name), did a great job as a solid female lead. She sold her confusion, wariness, intelligence and strength to you with all the skill of Joel Olsteen convincing christians that their tithes were actually going to go for good works. Considering the man has a multi-million dollar mansion and people still buy that line – that should tell you something! Great job by Winstead. She didn’t shine like Goodman did, but she never faltered either.
This movie quite literally had me on the edge of my seat leaning forward, tips of my fingers near my ears at one point because I was expecting bad loudness. Trachtenburg delivered. From the absurd to the affable family moments, and from the crazy-scary to the Cloverfield freakouts, the only weak part of the film really seemed to be the fact that the ending they gave it wasn’t really necessary. It would have been just as strong if they’d ended it before it went full Cloverfield. It might have even been stronger. It felt like Trachtenburg gave in to ever-present “Action! ACTION! WE NEED ACTION!” push that seems to present in Hollywood now, even if its unnecessary, and then wanted to put everything in a basket with a pretty bow. But ending it right before it went BOO! would have left people walking from the theatres, feeling vaguely disturbed, and talking only about the fantastic performances by the three actors.
Overall, great job by all involved and it was definitely worth the price of the tickets, beer, popcorn, and mnms!
Phillip McSween (751 KP) rated Singin' in the Rain (1952) in Movies
Mar 28, 2018
Timeless
Hollywood star Don Lockwood (Gene Kelly) has to figure out how to save his first "talking picture" film after a negative early screening.
Acting: 10
I was amazed by the versatility of the actors/actresses in the film. To be able to hit lines passionately AND dance and sing through huge musical numbers has to take some serious skill, skill I couldn't even begin to possess. The performances of Gene Kelly, Donald O'Connor, and Debbie Reynold transcend time, holding strong an amazing 65 years later!
Reynolds was my favorite as (Kathy Selden). Her charm and humor are effortless and natural. Not only did she hold her own in her every scene, but she made every scene outstanding. I can't believe I am just now learning to appreciate this woman's greatness. I suppose that's what my Movies 365 quest is all about.
Beginning: 9
I suppose I should chime in here as this received my lowest score. Singin' In the Rain gets off to a very solid start as it grabs my attention right from the beginning. It's intriguing and I wasn't quite sure where they were going after the first ten minutes. Did I really enjoy the first ten minutes of the film? Absolutely. Does it compare to some of the best starts in film history. Sadly, not quite, but not far off either. Consider it a minor boo-boo that didn't even require a band-aid.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Compared to other musicals out there, you can't even mention the genre without thinking Singin' In the Rain. The musical numbers are extravagant and phenomenal. What's more, the film doesn't rely just on the music to succeed as the scripted dialogue is every bit as strong. La La Land astounded me. This film blew me away.
Memorability: 10
Pace: 10
Sometimes this can be hard to manage in a musical whether there's too much singing and not enough dialogue scenes or vice versa. This film does an excellent job of seamlessly blending the two. Every song had its purpose and each number is active and fun, keeping you engaged throughout the film. It never got slow at any point.
Plot: 10
The story was an evolving creation. You think something is going to happen then the film takes an entirely different turn. Just when you think you have it all figured out, they throw another surprise in. The plot is clever, intriguing, and unique. I have yet to see anything like it.
Resolution: 10
Overall: 99
I went into this film wondering what all the hype was about and, after watching, I can say it's not hype. Not by a long shot, not by any means. Singin' In the Rain is amazing today and it's going to be wonderful thirty years from now. It gets all the little things perfectly right like the classic scene where Don is having a conversation about the film as they're walking past different set pieces. Timeless.
Acting: 10
I was amazed by the versatility of the actors/actresses in the film. To be able to hit lines passionately AND dance and sing through huge musical numbers has to take some serious skill, skill I couldn't even begin to possess. The performances of Gene Kelly, Donald O'Connor, and Debbie Reynold transcend time, holding strong an amazing 65 years later!
Reynolds was my favorite as (Kathy Selden). Her charm and humor are effortless and natural. Not only did she hold her own in her every scene, but she made every scene outstanding. I can't believe I am just now learning to appreciate this woman's greatness. I suppose that's what my Movies 365 quest is all about.
Beginning: 9
I suppose I should chime in here as this received my lowest score. Singin' In the Rain gets off to a very solid start as it grabs my attention right from the beginning. It's intriguing and I wasn't quite sure where they were going after the first ten minutes. Did I really enjoy the first ten minutes of the film? Absolutely. Does it compare to some of the best starts in film history. Sadly, not quite, but not far off either. Consider it a minor boo-boo that didn't even require a band-aid.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Compared to other musicals out there, you can't even mention the genre without thinking Singin' In the Rain. The musical numbers are extravagant and phenomenal. What's more, the film doesn't rely just on the music to succeed as the scripted dialogue is every bit as strong. La La Land astounded me. This film blew me away.
Memorability: 10
Pace: 10
Sometimes this can be hard to manage in a musical whether there's too much singing and not enough dialogue scenes or vice versa. This film does an excellent job of seamlessly blending the two. Every song had its purpose and each number is active and fun, keeping you engaged throughout the film. It never got slow at any point.
Plot: 10
The story was an evolving creation. You think something is going to happen then the film takes an entirely different turn. Just when you think you have it all figured out, they throw another surprise in. The plot is clever, intriguing, and unique. I have yet to see anything like it.
Resolution: 10
Overall: 99
I went into this film wondering what all the hype was about and, after watching, I can say it's not hype. Not by a long shot, not by any means. Singin' In the Rain is amazing today and it's going to be wonderful thirty years from now. It gets all the little things perfectly right like the classic scene where Don is having a conversation about the film as they're walking past different set pieces. Timeless.
<i>I received this book for free through Goodreads First Reads.</i>
“Dreams come true. So do nightmares.” Dea Donahue has spent her entire life travelling from one state to another, starting school after school… and walking other people’s dreams in order to survive. Dea, like her mother, is a dream walker, but she must keep this a secret from everyone else. She must follow the rules: don’t walk a person’s dream more than once, don’t let the dreamer see you; otherwise the monsters will find you. Or so Dea’s eccentric mother says.
Dea’s mother is a very paranoid person, afraid of many things particularly mirrors, and has a strange obsession for clocks. At any moment she may decide they need to pack up and leave, but Dea has had enough. Especially now that she has met Connor, the first boy to ever treat her nicely, the first boy she could call a friend. But when Dea’s mother goes missing, Dea needs to take a closer look at her mother’s obscure fears in order to track her down. At the same time there are rumours going around suggesting that Connor may not be the nice guy Dea thinks he is.
<i>Dreamland</i> is both a fantasy novel and murder mystery. It is as though Robert L. Anderson has written two different stories and then seamlessly merged them together. The main narrative focuses on Dea’s predicament but Connor’s life is constantly present underneath it. The real life quality to the story line makes the incidents Dea experiences all the more creepy.
Part three of the book becomes more fantasy-like which is a little confusing and difficult to see the setting in the way the author perceives it, however the narrative soon returns to the real world and progresses on with Connor’s story. It is not until this point that the reader realizes that <i>Dreamland</i> is part murder mystery.
As a whole, <i>Dreamland</i> is a gripping read that is difficult to put down. Readers are plagued with questions and anticipations as they wait to find out why Dea can dream walk, what the significance of the mirrors and clocks are, and what happened to Dea’s mother. Once these are resolved a whole bunch of new questions crop up.
The ending is mostly satisfying although it is not completely clear what happens next. Although the reader knows where Dea and Connor both end up, it is largely up to our own interpretation as to what their lives are like once the story ends.
<i>Dreamland</i> is definitely a worthy young adult book to read. It is different to other novels in the genre and brings a whole new concept to the table. I expect this book to rise in popularity rather quickly – and if it does not? Well, lots of people are missing out!
“Dreams come true. So do nightmares.” Dea Donahue has spent her entire life travelling from one state to another, starting school after school… and walking other people’s dreams in order to survive. Dea, like her mother, is a dream walker, but she must keep this a secret from everyone else. She must follow the rules: don’t walk a person’s dream more than once, don’t let the dreamer see you; otherwise the monsters will find you. Or so Dea’s eccentric mother says.
Dea’s mother is a very paranoid person, afraid of many things particularly mirrors, and has a strange obsession for clocks. At any moment she may decide they need to pack up and leave, but Dea has had enough. Especially now that she has met Connor, the first boy to ever treat her nicely, the first boy she could call a friend. But when Dea’s mother goes missing, Dea needs to take a closer look at her mother’s obscure fears in order to track her down. At the same time there are rumours going around suggesting that Connor may not be the nice guy Dea thinks he is.
<i>Dreamland</i> is both a fantasy novel and murder mystery. It is as though Robert L. Anderson has written two different stories and then seamlessly merged them together. The main narrative focuses on Dea’s predicament but Connor’s life is constantly present underneath it. The real life quality to the story line makes the incidents Dea experiences all the more creepy.
Part three of the book becomes more fantasy-like which is a little confusing and difficult to see the setting in the way the author perceives it, however the narrative soon returns to the real world and progresses on with Connor’s story. It is not until this point that the reader realizes that <i>Dreamland</i> is part murder mystery.
As a whole, <i>Dreamland</i> is a gripping read that is difficult to put down. Readers are plagued with questions and anticipations as they wait to find out why Dea can dream walk, what the significance of the mirrors and clocks are, and what happened to Dea’s mother. Once these are resolved a whole bunch of new questions crop up.
The ending is mostly satisfying although it is not completely clear what happens next. Although the reader knows where Dea and Connor both end up, it is largely up to our own interpretation as to what their lives are like once the story ends.
<i>Dreamland</i> is definitely a worthy young adult book to read. It is different to other novels in the genre and brings a whole new concept to the table. I expect this book to rise in popularity rather quickly – and if it does not? Well, lots of people are missing out!