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Lilyn G - Sci-Fi & Scary (91 KP) rated 10 Cloverfield Lane (2016) in Movies
Feb 7, 2018
Surprisingly Entertaining
Contains spoilers, click to show
THIS REVIEW MAY CONTAIN MILD SPOILERS, but honestly nothing more than I’d already gathered from Twitter and talk /reviews on various other forms of social media. Still, you have been warned. Read no further than the following first paragraph if you don’t want to risk mild spoilage.
10 Cloverfield Lane was surprisingly entertaining. I’m not really a huge fan of movies shot in an enclosed space because, in general, how often does that work out well? (Remember the Ashley Judd movie about bugs? Mmhmm.) However, it worked, and worked well in this. Part of this, no doubt, belongs to the fact that John Goodman put on a freaking amazing performance. That man just OWNED this movie. You knew something wasn’t right with him. It was obvious he had some crazy going on. The way he was able to yo-yo between affable and scary, though, was fantastic and kept you guessing as to just how crazy his crazy was. Everything was nailed, from the look in his eyes to the flexing of his hands when he was struggling to keep himself under control. Top-notch!
The other two, Mary Elizabeth Winstead and John Gallagher Jr, also brought good performances to the table and perfectly complimented Goodman’s acting. Winstead, who has one of those “I knowwww you..you’re…you were in something I’ve seen!” faces (she’s actually got quite the list of acting credits to her name), did a great job as a solid female lead. She sold her confusion, wariness, intelligence and strength to you with all the skill of Joel Olsteen convincing christians that their tithes were actually going to go for good works. Considering the man has a multi-million dollar mansion and people still buy that line – that should tell you something! Great job by Winstead. She didn’t shine like Goodman did, but she never faltered either.
This movie quite literally had me on the edge of my seat leaning forward, tips of my fingers near my ears at one point because I was expecting bad loudness. Trachtenburg delivered. From the absurd to the affable family moments, and from the crazy-scary to the Cloverfield freakouts, the only weak part of the film really seemed to be the fact that the ending they gave it wasn’t really necessary. It would have been just as strong if they’d ended it before it went full Cloverfield. It might have even been stronger. It felt like Trachtenburg gave in to ever-present “Action! ACTION! WE NEED ACTION!” push that seems to present in Hollywood now, even if its unnecessary, and then wanted to put everything in a basket with a pretty bow. But ending it right before it went BOO! would have left people walking from the theatres, feeling vaguely disturbed, and talking only about the fantastic performances by the three actors.
Overall, great job by all involved and it was definitely worth the price of the tickets, beer, popcorn, and mnms!
10 Cloverfield Lane was surprisingly entertaining. I’m not really a huge fan of movies shot in an enclosed space because, in general, how often does that work out well? (Remember the Ashley Judd movie about bugs? Mmhmm.) However, it worked, and worked well in this. Part of this, no doubt, belongs to the fact that John Goodman put on a freaking amazing performance. That man just OWNED this movie. You knew something wasn’t right with him. It was obvious he had some crazy going on. The way he was able to yo-yo between affable and scary, though, was fantastic and kept you guessing as to just how crazy his crazy was. Everything was nailed, from the look in his eyes to the flexing of his hands when he was struggling to keep himself under control. Top-notch!
The other two, Mary Elizabeth Winstead and John Gallagher Jr, also brought good performances to the table and perfectly complimented Goodman’s acting. Winstead, who has one of those “I knowwww you..you’re…you were in something I’ve seen!” faces (she’s actually got quite the list of acting credits to her name), did a great job as a solid female lead. She sold her confusion, wariness, intelligence and strength to you with all the skill of Joel Olsteen convincing christians that their tithes were actually going to go for good works. Considering the man has a multi-million dollar mansion and people still buy that line – that should tell you something! Great job by Winstead. She didn’t shine like Goodman did, but she never faltered either.
This movie quite literally had me on the edge of my seat leaning forward, tips of my fingers near my ears at one point because I was expecting bad loudness. Trachtenburg delivered. From the absurd to the affable family moments, and from the crazy-scary to the Cloverfield freakouts, the only weak part of the film really seemed to be the fact that the ending they gave it wasn’t really necessary. It would have been just as strong if they’d ended it before it went full Cloverfield. It might have even been stronger. It felt like Trachtenburg gave in to ever-present “Action! ACTION! WE NEED ACTION!” push that seems to present in Hollywood now, even if its unnecessary, and then wanted to put everything in a basket with a pretty bow. But ending it right before it went BOO! would have left people walking from the theatres, feeling vaguely disturbed, and talking only about the fantastic performances by the three actors.
Overall, great job by all involved and it was definitely worth the price of the tickets, beer, popcorn, and mnms!
Phillip McSween (751 KP) rated Singin' in the Rain (1952) in Movies
Mar 28, 2018
Timeless
Hollywood star Don Lockwood (Gene Kelly) has to figure out how to save his first "talking picture" film after a negative early screening.
Acting: 10
I was amazed by the versatility of the actors/actresses in the film. To be able to hit lines passionately AND dance and sing through huge musical numbers has to take some serious skill, skill I couldn't even begin to possess. The performances of Gene Kelly, Donald O'Connor, and Debbie Reynold transcend time, holding strong an amazing 65 years later!
Reynolds was my favorite as (Kathy Selden). Her charm and humor are effortless and natural. Not only did she hold her own in her every scene, but she made every scene outstanding. I can't believe I am just now learning to appreciate this woman's greatness. I suppose that's what my Movies 365 quest is all about.
Beginning: 9
I suppose I should chime in here as this received my lowest score. Singin' In the Rain gets off to a very solid start as it grabs my attention right from the beginning. It's intriguing and I wasn't quite sure where they were going after the first ten minutes. Did I really enjoy the first ten minutes of the film? Absolutely. Does it compare to some of the best starts in film history. Sadly, not quite, but not far off either. Consider it a minor boo-boo that didn't even require a band-aid.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Compared to other musicals out there, you can't even mention the genre without thinking Singin' In the Rain. The musical numbers are extravagant and phenomenal. What's more, the film doesn't rely just on the music to succeed as the scripted dialogue is every bit as strong. La La Land astounded me. This film blew me away.
Memorability: 10
Pace: 10
Sometimes this can be hard to manage in a musical whether there's too much singing and not enough dialogue scenes or vice versa. This film does an excellent job of seamlessly blending the two. Every song had its purpose and each number is active and fun, keeping you engaged throughout the film. It never got slow at any point.
Plot: 10
The story was an evolving creation. You think something is going to happen then the film takes an entirely different turn. Just when you think you have it all figured out, they throw another surprise in. The plot is clever, intriguing, and unique. I have yet to see anything like it.
Resolution: 10
Overall: 99
I went into this film wondering what all the hype was about and, after watching, I can say it's not hype. Not by a long shot, not by any means. Singin' In the Rain is amazing today and it's going to be wonderful thirty years from now. It gets all the little things perfectly right like the classic scene where Don is having a conversation about the film as they're walking past different set pieces. Timeless.
Acting: 10
I was amazed by the versatility of the actors/actresses in the film. To be able to hit lines passionately AND dance and sing through huge musical numbers has to take some serious skill, skill I couldn't even begin to possess. The performances of Gene Kelly, Donald O'Connor, and Debbie Reynold transcend time, holding strong an amazing 65 years later!
Reynolds was my favorite as (Kathy Selden). Her charm and humor are effortless and natural. Not only did she hold her own in her every scene, but she made every scene outstanding. I can't believe I am just now learning to appreciate this woman's greatness. I suppose that's what my Movies 365 quest is all about.
Beginning: 9
I suppose I should chime in here as this received my lowest score. Singin' In the Rain gets off to a very solid start as it grabs my attention right from the beginning. It's intriguing and I wasn't quite sure where they were going after the first ten minutes. Did I really enjoy the first ten minutes of the film? Absolutely. Does it compare to some of the best starts in film history. Sadly, not quite, but not far off either. Consider it a minor boo-boo that didn't even require a band-aid.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Compared to other musicals out there, you can't even mention the genre without thinking Singin' In the Rain. The musical numbers are extravagant and phenomenal. What's more, the film doesn't rely just on the music to succeed as the scripted dialogue is every bit as strong. La La Land astounded me. This film blew me away.
Memorability: 10
Pace: 10
Sometimes this can be hard to manage in a musical whether there's too much singing and not enough dialogue scenes or vice versa. This film does an excellent job of seamlessly blending the two. Every song had its purpose and each number is active and fun, keeping you engaged throughout the film. It never got slow at any point.
Plot: 10
The story was an evolving creation. You think something is going to happen then the film takes an entirely different turn. Just when you think you have it all figured out, they throw another surprise in. The plot is clever, intriguing, and unique. I have yet to see anything like it.
Resolution: 10
Overall: 99
I went into this film wondering what all the hype was about and, after watching, I can say it's not hype. Not by a long shot, not by any means. Singin' In the Rain is amazing today and it's going to be wonderful thirty years from now. It gets all the little things perfectly right like the classic scene where Don is having a conversation about the film as they're walking past different set pieces. Timeless.
<i>I received this book for free through Goodreads First Reads.</i>
“Dreams come true. So do nightmares.” Dea Donahue has spent her entire life travelling from one state to another, starting school after school… and walking other people’s dreams in order to survive. Dea, like her mother, is a dream walker, but she must keep this a secret from everyone else. She must follow the rules: don’t walk a person’s dream more than once, don’t let the dreamer see you; otherwise the monsters will find you. Or so Dea’s eccentric mother says.
Dea’s mother is a very paranoid person, afraid of many things particularly mirrors, and has a strange obsession for clocks. At any moment she may decide they need to pack up and leave, but Dea has had enough. Especially now that she has met Connor, the first boy to ever treat her nicely, the first boy she could call a friend. But when Dea’s mother goes missing, Dea needs to take a closer look at her mother’s obscure fears in order to track her down. At the same time there are rumours going around suggesting that Connor may not be the nice guy Dea thinks he is.
<i>Dreamland</i> is both a fantasy novel and murder mystery. It is as though Robert L. Anderson has written two different stories and then seamlessly merged them together. The main narrative focuses on Dea’s predicament but Connor’s life is constantly present underneath it. The real life quality to the story line makes the incidents Dea experiences all the more creepy.
Part three of the book becomes more fantasy-like which is a little confusing and difficult to see the setting in the way the author perceives it, however the narrative soon returns to the real world and progresses on with Connor’s story. It is not until this point that the reader realizes that <i>Dreamland</i> is part murder mystery.
As a whole, <i>Dreamland</i> is a gripping read that is difficult to put down. Readers are plagued with questions and anticipations as they wait to find out why Dea can dream walk, what the significance of the mirrors and clocks are, and what happened to Dea’s mother. Once these are resolved a whole bunch of new questions crop up.
The ending is mostly satisfying although it is not completely clear what happens next. Although the reader knows where Dea and Connor both end up, it is largely up to our own interpretation as to what their lives are like once the story ends.
<i>Dreamland</i> is definitely a worthy young adult book to read. It is different to other novels in the genre and brings a whole new concept to the table. I expect this book to rise in popularity rather quickly – and if it does not? Well, lots of people are missing out!
“Dreams come true. So do nightmares.” Dea Donahue has spent her entire life travelling from one state to another, starting school after school… and walking other people’s dreams in order to survive. Dea, like her mother, is a dream walker, but she must keep this a secret from everyone else. She must follow the rules: don’t walk a person’s dream more than once, don’t let the dreamer see you; otherwise the monsters will find you. Or so Dea’s eccentric mother says.
Dea’s mother is a very paranoid person, afraid of many things particularly mirrors, and has a strange obsession for clocks. At any moment she may decide they need to pack up and leave, but Dea has had enough. Especially now that she has met Connor, the first boy to ever treat her nicely, the first boy she could call a friend. But when Dea’s mother goes missing, Dea needs to take a closer look at her mother’s obscure fears in order to track her down. At the same time there are rumours going around suggesting that Connor may not be the nice guy Dea thinks he is.
<i>Dreamland</i> is both a fantasy novel and murder mystery. It is as though Robert L. Anderson has written two different stories and then seamlessly merged them together. The main narrative focuses on Dea’s predicament but Connor’s life is constantly present underneath it. The real life quality to the story line makes the incidents Dea experiences all the more creepy.
Part three of the book becomes more fantasy-like which is a little confusing and difficult to see the setting in the way the author perceives it, however the narrative soon returns to the real world and progresses on with Connor’s story. It is not until this point that the reader realizes that <i>Dreamland</i> is part murder mystery.
As a whole, <i>Dreamland</i> is a gripping read that is difficult to put down. Readers are plagued with questions and anticipations as they wait to find out why Dea can dream walk, what the significance of the mirrors and clocks are, and what happened to Dea’s mother. Once these are resolved a whole bunch of new questions crop up.
The ending is mostly satisfying although it is not completely clear what happens next. Although the reader knows where Dea and Connor both end up, it is largely up to our own interpretation as to what their lives are like once the story ends.
<i>Dreamland</i> is definitely a worthy young adult book to read. It is different to other novels in the genre and brings a whole new concept to the table. I expect this book to rise in popularity rather quickly – and if it does not? Well, lots of people are missing out!
Scott Tostik (389 KP) rated 3 From Hell (2019) in Movies
Oct 21, 2019
Some things are better left alone.
Contains spoilers, click to show
I'm gonna go on record and say this first...
The movie business lost one of the greatest talents it had ever seen when Sid Haig passed away. I just wanted to say thank you to him for, not only the horror nemories, but for all the amazing characters he played over the past 60 years. Now, let the final curtain close on a phenomenal career.
Okay, now that thats over, lets review this shit show.
Rob fucking Zombie... Have I got a bone to pick with you.
Have you ever heard the saying "he went to the well too many times,"?
Such as the case woth this final installment of the Firefly films.
There was no chemisty between Bill Moseley and Richard Brake... Maybe a little... It flashed through here and there, but it never came to pass.
Sherri Moon Zombie floats along as a calmer more....medicated Baby. But she just doesnt seem to be in to it like she was previously.
Before people get on me about Zombie, I am a fan. I love his music, movies and artwork. I have always been oneof his biggest supporters. When he "destroyed" Halloween. I was there, sticking up for him until my ears bled. When people said Lords of Salem was a shitty art house movie... I was there... Holding my banner high saying "Everyone makes an art flick once in a while... Hell, Argento made a career of it. When 31 came a long... I painted my face white and punched myself til i bled out my nose and mouth... Metaphorically of course... Im not certifiable...
My point is I have stuck up for R0b Zombie for most of his directing and writing lifetime... But I can no longer do so.
This movie fell a part not too long after it started. From Otis walking the ramps of courthouses and jails spouting off lime Manson... Too Baby appearing to be more off her rocker than usual, reminding me of Aileen Wournos...
Seeing Captain Spaulding for the brief few minutes made the film worth it for me. Listening to Baby and Otis talk about him in the 2nd act nearly brought the waterfalls from the eyes... But i refrained.
Here we have a movie that could've been something special had it been made 10 years ago.
I am saddened not only by the passing of Mr. Haig, but that this movie was a let down... It had its moments of over the top gore and killer dialogue. And it has a scene that will forever be engrained in my brain. But I just can't give it apassing grade.
Never fear Mr. Zombie, I still have your back... Abd I always will. But this time I'm standing in front of you... Telling you, honestly, I didn't like it.
The movie business lost one of the greatest talents it had ever seen when Sid Haig passed away. I just wanted to say thank you to him for, not only the horror nemories, but for all the amazing characters he played over the past 60 years. Now, let the final curtain close on a phenomenal career.
Okay, now that thats over, lets review this shit show.
Rob fucking Zombie... Have I got a bone to pick with you.
Have you ever heard the saying "he went to the well too many times,"?
Such as the case woth this final installment of the Firefly films.
There was no chemisty between Bill Moseley and Richard Brake... Maybe a little... It flashed through here and there, but it never came to pass.
Sherri Moon Zombie floats along as a calmer more....medicated Baby. But she just doesnt seem to be in to it like she was previously.
Before people get on me about Zombie, I am a fan. I love his music, movies and artwork. I have always been oneof his biggest supporters. When he "destroyed" Halloween. I was there, sticking up for him until my ears bled. When people said Lords of Salem was a shitty art house movie... I was there... Holding my banner high saying "Everyone makes an art flick once in a while... Hell, Argento made a career of it. When 31 came a long... I painted my face white and punched myself til i bled out my nose and mouth... Metaphorically of course... Im not certifiable...
My point is I have stuck up for R0b Zombie for most of his directing and writing lifetime... But I can no longer do so.
This movie fell a part not too long after it started. From Otis walking the ramps of courthouses and jails spouting off lime Manson... Too Baby appearing to be more off her rocker than usual, reminding me of Aileen Wournos...
Seeing Captain Spaulding for the brief few minutes made the film worth it for me. Listening to Baby and Otis talk about him in the 2nd act nearly brought the waterfalls from the eyes... But i refrained.
Here we have a movie that could've been something special had it been made 10 years ago.
I am saddened not only by the passing of Mr. Haig, but that this movie was a let down... It had its moments of over the top gore and killer dialogue. And it has a scene that will forever be engrained in my brain. But I just can't give it apassing grade.
Never fear Mr. Zombie, I still have your back... Abd I always will. But this time I'm standing in front of you... Telling you, honestly, I didn't like it.
Gareth von Kallenbach (980 KP) rated Ben-Hur (2016) in Movies
Jul 15, 2019
Published in 1880, Ben-Hur: A Tale of the Christ is considered one of the most influential Christian books of the nineteenth century. The success of the novel led to film adaptations, most notably the 1955 academy award winning version of the film string Charlton Heston. Fast forward to 2016 and MGM and Paramount Pictures hope to see continue the success of this proven story with their newest film adaptation Ben-Hur.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
Gareth von Kallenbach (980 KP) rated I, Tonya (2017) in Movies
Jul 8, 2019
Most people when they hear the name Tonya Harding immediately have images of Nancy Kerrigan holding her knee and crying out “Why?” over and over again come to their minds. They may even think of Harding herself crying to a panel of judges about the state of the laces on her skates during Olympic competition. Her name and image became a point of ridicule and shame. She became the butt of jokes throughout the 90s and a never-ending punchline. People were not sympathetic to her and were not willing to hear her story. She was condemned to being the monster that we convinced ourselves that she was. The film I, Tonya sheds light onto who this woman was in demonstrating the complexities of her upbringing, years of abuse at the hands of her mother and later her husband. Margot Robbie (Suicide Squad, Wolf of Wall Street) stars as Tonya Harding, the disgraced Olympic figure skater.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
Sophia (Bookwyrming Thoughts) (530 KP) rated Indigo Incite (Indigo Trilogy, #1) in Books
Jan 23, 2020
Well, in a few words, Indigo Incite was quite the snooze fest. It has an interesting premise, yes, but quite DULL. There's nothing much going on. Nothing!
It started out interesting, of course, with all those seriously cool powers but over the course of the book, there really was nothing going on. I was really just hoping it would slowly build up and end with a good pow.
It honestly didn't. It was like Nikita in walking through very deep snow motion, and I actually like Nikita. It's certainly not as interesting as Grimm though. I'm not even surprised by the end. It's obvious and doesn't exactly take brains to figure out the most logical answer.
Then again, I could be surprised by the second book, but I'm pretty sure I won't be surprised. I probably won't be surprised on what may happen at the end of the trilogy either, but that's yet to be seen. *doesn't really plan on reading further on the series unless things spice up a notch in action*
<blockquote>A few different people some good, some not so good. Do you have time to talk? My name is Sarah, by the way.</blockquote>
Essentially it's a repeat of "Hi, I'm so and so. Can we talk?" in a different style. I stress SLOW. Too much talking. Less talking, more action. I have a semi-short attention span and I have other books on my review queue to read that are most likely more interesting than a bunch of dialogue. >_<
Let me backtrack a little. Indigo Incite isn't full of dialogue, but it simply felt like it's all talk and no action, if you know what I mean?
Maybe it's the random commas that just felt really out of place. I really thought that was the main reason for the slow going of things. I eventually ignored them, but still... nothing interesting going on. Zzzzz. *yawns*
<blockquote>Come on, boys. Henry waved the gun toward the door. Lets walk. First, Ill take that disc off your hands.</blockquote>
What happens next? ATTENTION: SPOILER ALERT! Hellooo, the police barge in. -_-
Typical bad guy gets caught by the authorities and real life stuffy. -_-
I thought Tyler and Toby would go all Jackie Chan on Henry and things will finally have some SPICE. I adore spices. Particularly cinnamon and does gingerbread marshmallows count? It contains ginger and they're delicious. Quite cheap right after Christmas too. I don't mean those Asian herbs that look like alien fingers, though for all I know they're the same thing. :D
--------------------
Review copy provided by author for review on the blog tour
Original Rating: 2.5 out of 5 Owls
Formatting has been removed due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/review-indigo-incite-by-jacinda-buchmann.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
It started out interesting, of course, with all those seriously cool powers but over the course of the book, there really was nothing going on. I was really just hoping it would slowly build up and end with a good pow.
It honestly didn't. It was like Nikita in walking through very deep snow motion, and I actually like Nikita. It's certainly not as interesting as Grimm though. I'm not even surprised by the end. It's obvious and doesn't exactly take brains to figure out the most logical answer.
Then again, I could be surprised by the second book, but I'm pretty sure I won't be surprised. I probably won't be surprised on what may happen at the end of the trilogy either, but that's yet to be seen. *doesn't really plan on reading further on the series unless things spice up a notch in action*
<blockquote>A few different people some good, some not so good. Do you have time to talk? My name is Sarah, by the way.</blockquote>
Essentially it's a repeat of "Hi, I'm so and so. Can we talk?" in a different style. I stress SLOW. Too much talking. Less talking, more action. I have a semi-short attention span and I have other books on my review queue to read that are most likely more interesting than a bunch of dialogue. >_<
Let me backtrack a little. Indigo Incite isn't full of dialogue, but it simply felt like it's all talk and no action, if you know what I mean?
Maybe it's the random commas that just felt really out of place. I really thought that was the main reason for the slow going of things. I eventually ignored them, but still... nothing interesting going on. Zzzzz. *yawns*
<blockquote>Come on, boys. Henry waved the gun toward the door. Lets walk. First, Ill take that disc off your hands.</blockquote>
What happens next? ATTENTION: SPOILER ALERT! Hellooo, the police barge in. -_-
Typical bad guy gets caught by the authorities and real life stuffy. -_-
I thought Tyler and Toby would go all Jackie Chan on Henry and things will finally have some SPICE. I adore spices. Particularly cinnamon and does gingerbread marshmallows count? It contains ginger and they're delicious. Quite cheap right after Christmas too. I don't mean those Asian herbs that look like alien fingers, though for all I know they're the same thing. :D
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Review copy provided by author for review on the blog tour
Original Rating: 2.5 out of 5 Owls
Formatting has been removed due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/review-indigo-incite-by-jacinda-buchmann.html">Bookwyrming Thoughts</a>
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Sophia (Bookwyrming Thoughts) (530 KP) rated Seizure (Virals, #2) in Books
Jan 23, 2020
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2013/03/review-seizure-by-kathy-reichs.html">Bookwyrming Thoughts</a>
Formatting may be lost due to copy and paste
I had no clue why the title was Seizure. For all I knew, seizure meant something to do with a stroke or a heart attack and could possibly result in death if not fixed ASAP. I could be wrong with that definition as well. What I never knew however, was the other definition. The Dictionary enlightened me:
<img src="http://2.bp.blogspot.com/-2czRrDxmYY8/UUEOb7ipebI/AAAAAAAABKE/7MBpVauz380/s320/Seizure+Definition.JPG"; />
I guess I was partially right. Apparently there goes proof I'm not a walking/talking dictionary. Living proof. I'm honestly better off as a spellchecker any day. I must be bored if I did know the definition for every word that exists. Extremely bored. To the point of desperation. Which isn't happening any day until the zombie apocalypse at the least.
Seizure is the second novel in the Virals series (first book is Virals, but my review for it never existed on this planet because my book blogging life never existed at the time) written by Kathy Reichs. It's been awhile after the Virals have transformed from a super-virus. Due to financial problems, Loggerhead Island is at risk to be shut down, and the Virals may have to separate, facing the super-virus on their own. At least until Tory Brennan hears about Anne Bonny's legend. It's said that her treasure is buried right in Charles Town, but no one has succeeded in finding it for around 3 centuries.
What I like about Seizure is the storyline. It's creative, and it twists a legend (I don't know the actual legend though) to fit in with what's going on with the Virals after their transformation. I also love how the characters have changed a lot from the first novel, or at least, most of them, and how there are new characters introduced. Whitney's still as annoying as before (just get out of Tory's hair already! Dx) and Chance hasn't changed much. As for everyone else? Well, I can't say. I can say they changed, but I can't say how. I might as well tape an index card on my forehead with the words SPOILER.
What I dislike? My prediction (always. I fear I'm aiming correctly... even though I have terrible accuracy). I sense a love triangle coming soon. And as typical as it goes with love triangles in YA, it might get ugly with the tension. The best part about that though? I might be off the mark. Or I may be bull's eye (I hope not!). Don't take my prediction for granted. It's just a thought. I might be wrong, or I might be right. I guess we'll see.
Speaking of which, the third book in the series, Code, came out last Wednesday, March 12. Who's excited for a new Virals adventure? :D
Formatting may be lost due to copy and paste
I had no clue why the title was Seizure. For all I knew, seizure meant something to do with a stroke or a heart attack and could possibly result in death if not fixed ASAP. I could be wrong with that definition as well. What I never knew however, was the other definition. The Dictionary enlightened me:
<img src="http://2.bp.blogspot.com/-2czRrDxmYY8/UUEOb7ipebI/AAAAAAAABKE/7MBpVauz380/s320/Seizure+Definition.JPG"; />
I guess I was partially right. Apparently there goes proof I'm not a walking/talking dictionary. Living proof. I'm honestly better off as a spellchecker any day. I must be bored if I did know the definition for every word that exists. Extremely bored. To the point of desperation. Which isn't happening any day until the zombie apocalypse at the least.
Seizure is the second novel in the Virals series (first book is Virals, but my review for it never existed on this planet because my book blogging life never existed at the time) written by Kathy Reichs. It's been awhile after the Virals have transformed from a super-virus. Due to financial problems, Loggerhead Island is at risk to be shut down, and the Virals may have to separate, facing the super-virus on their own. At least until Tory Brennan hears about Anne Bonny's legend. It's said that her treasure is buried right in Charles Town, but no one has succeeded in finding it for around 3 centuries.
What I like about Seizure is the storyline. It's creative, and it twists a legend (I don't know the actual legend though) to fit in with what's going on with the Virals after their transformation. I also love how the characters have changed a lot from the first novel, or at least, most of them, and how there are new characters introduced. Whitney's still as annoying as before (just get out of Tory's hair already! Dx) and Chance hasn't changed much. As for everyone else? Well, I can't say. I can say they changed, but I can't say how. I might as well tape an index card on my forehead with the words SPOILER.
What I dislike? My prediction (always. I fear I'm aiming correctly... even though I have terrible accuracy). I sense a love triangle coming soon. And as typical as it goes with love triangles in YA, it might get ugly with the tension. The best part about that though? I might be off the mark. Or I may be bull's eye (I hope not!). Don't take my prediction for granted. It's just a thought. I might be wrong, or I might be right. I guess we'll see.
Speaking of which, the third book in the series, Code, came out last Wednesday, March 12. Who's excited for a new Virals adventure? :D
JT (287 KP) rated World War Z (2013) in Movies
Mar 10, 2020
Zombies, they’ve been around for a while now in all shapes and sizes, yet like the walking undead the genre shows no signs of dying out. Director Marc Forster teams up with Brad Pitt for a zombie horror (if you can really call it that) which travels the world in search of a vaccine that will stop the world’s population being wiped out.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
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