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She's the One Who Cares Too Much (War Stories of the Seven Troublesome Sisters #2)
8.0
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Book
Coral, the second of seven sisters, has been hiding her affair with the perfect man until her older...
Historical Fantasy
The Queen of the Citadels (King's Germans #3)
Book
October 1793: The French border. Dunkirk was a disaster for the Duke of York’s army. The...
Historical Fiction Military
Rogue One: A Star Wars Story
7.8
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Book
As the shadows of the Empire loom ever larger across the galaxy, so do deeply troubling rumors. The...
Buddy Complex
8.2
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TV Show
When ordinary high school student Aoba Watase is suddenly targeted by a giant robot known as a...
Mecha Time Travel
The Letters of Richard Cobden: Volume IV: 1860-1865
Book
The Letters of Richard Cobden (1804-1865) provides, in four printed volumes, the first critical...
Gareth von Kallenbach (977 KP) rated Fury (2014) in Movies
Aug 6, 2019
To start, let me say that I’m a sucker for a good war movie. Growing up as a military brat, I have a profound respect for our nation’s veterans and history, especially those from the “greatest generation.” With that said, I approached David Ayer’s Fury with a bit of hesitation, after all, how will Fury be able to differentiate itself from so many other films in the genre? I am happy to say that, while Fury doesn’t show us anything we have not really seen before, strong performances by its ensemble cast help carry this story of a tank crew into a solid film.
Brad Pitt delivers a stellar performance as Don “Wardaddy” Collier. He is a war hardened Sergeant who struggles to keep the few shreds of his humanity while preparing his new “green” typist who was assigned to his tank after one of their battle brothers has fallen. Pitt takes the young Pvt. Norman Ellision (Logan Lerman) under his command and works to make him into war hardened soldier. Pitt knows that by doing so he will not only to save the young man’s life, but probably the lives of the other men in his care. This ensemble cast shines with solid performances from Michael Pena, Jon Bernthal and Shia LaBeouf. I want to take a moment to highlight LaBeouf especially. He has gained tons of negative press in recent months for several reasons and the promotion of this film has shown little of LaBeouf thus far. No doubt to protect itself from the backlash in his public life. But if you decide to not go and see this film because of him, you will miss out on a strong more dramatic performance we really haven’t seen from him often and one that will remind audiences that he is a good actor.
This action in this film is methodical and someone slow and somewhat cartoonish thanks to tracers on the gun and cannon fire that makes it look like “Star Wars” at times, however the intensity is constantly building from the opening sequence through the climax of the movie. Even in the middle of the film where we are seemingly in a safe place, the intensity is continues to build as we are unsure just how humane these characters are. This intensity leads us to care about these characters and search for relief in the climatic conclusion.
Brad Pitt delivers a stellar performance as Don “Wardaddy” Collier. He is a war hardened Sergeant who struggles to keep the few shreds of his humanity while preparing his new “green” typist who was assigned to his tank after one of their battle brothers has fallen. Pitt takes the young Pvt. Norman Ellision (Logan Lerman) under his command and works to make him into war hardened soldier. Pitt knows that by doing so he will not only to save the young man’s life, but probably the lives of the other men in his care. This ensemble cast shines with solid performances from Michael Pena, Jon Bernthal and Shia LaBeouf. I want to take a moment to highlight LaBeouf especially. He has gained tons of negative press in recent months for several reasons and the promotion of this film has shown little of LaBeouf thus far. No doubt to protect itself from the backlash in his public life. But if you decide to not go and see this film because of him, you will miss out on a strong more dramatic performance we really haven’t seen from him often and one that will remind audiences that he is a good actor.
This action in this film is methodical and someone slow and somewhat cartoonish thanks to tracers on the gun and cannon fire that makes it look like “Star Wars” at times, however the intensity is constantly building from the opening sequence through the climax of the movie. Even in the middle of the film where we are seemingly in a safe place, the intensity is continues to build as we are unsure just how humane these characters are. This intensity leads us to care about these characters and search for relief in the climatic conclusion.
Gareth von Kallenbach (977 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
OF
Over Fields of Fire: Flying the Sturmovik in Action on the Eastern Front 1942-45
Book
During the 1930s the Soviet Union launched a major effort to create a modern Air Force. That process...
Braddock's Defeat: The Battle of the Monongahela and the Road to Revolution
Book
On July 9, 1755, British and colonial troops under the command of General Edward Braddock suffered a...
Gareth von Kallenbach (977 KP) rated 12 Strong (2018) in Movies
Jul 8, 2019
In the direct aftermath of terrorist attacks of 09/11 the US military was tasked with assisting the people of Afghanistan in taking back control from the Taliban and Al-Qaeda. The one of the first objectives was to help The Northern Alliance, a group of warlords who opposed the Taliban rule, take the strategically critical city of Mazar-i-Sharif in Northern Afghanistan. A team of twelve Green Berets, code name Task Force Dagger, led by Captain Mitch Nelson (Chris Hemsworth) will have to help one of the warlords, General Dostum (Navid Negahban), overtake several Afghan villages before reaching Mazar-i-Sharif. Dostum leads about 200 soldiers and a varying number of militia. They have small arms are the only mode of transportation through the narrow mountain passes is by horse. The Taliban, led by Mullah Razzan (Numan Acar), have over 50,000 soldiers. They also have tanks, missiles, heavy machine guns and a supply line of more men and machinery coming in every day. Nelson and his team will have to go against these overwhelming odds in unknown terrain all on horseback. But these “Horse Soldiers” don’t hesitate and know that they have a job to and if they don’t terrorist will take control of the country and further terrorism will only escalate.
This true story is a well told and evenly paced film. It showed a moment in history and the immediate response by the military. It also told one of the more original stories of war. The Nicolai Fuglsig (Exfil) has some well-done action scenes and overall interesting cinematography. I enjoyed the story and for the most part the cast, which also includes Michael Shannon (The Shape of Water, Boardwalk Empire), Michael Pena (End of Watch, Crash) and Trevante Rhodes (Moonlight). Negahban as Dostum is good as the tough, untrusting warlord. I also enjoyed the mix of action and dialog on strategy. Where this film tends to fail is that for a true story it is made more like a typical action film. It is full of semi-cheesy one liners and poorly timed cliché a motivational moments. I really did enjoy the film but at times I found myself trying not to laugh out loud during what should have been serious plot points.
As far as an action film this was a fun story and brought the gun fights and explosions that you would definitely look for. It also shows some the strategic side of the war. At the end of the night I enjoyed the film even though I thought that it could have been a little more serious and a little less campy.
This true story is a well told and evenly paced film. It showed a moment in history and the immediate response by the military. It also told one of the more original stories of war. The Nicolai Fuglsig (Exfil) has some well-done action scenes and overall interesting cinematography. I enjoyed the story and for the most part the cast, which also includes Michael Shannon (The Shape of Water, Boardwalk Empire), Michael Pena (End of Watch, Crash) and Trevante Rhodes (Moonlight). Negahban as Dostum is good as the tough, untrusting warlord. I also enjoyed the mix of action and dialog on strategy. Where this film tends to fail is that for a true story it is made more like a typical action film. It is full of semi-cheesy one liners and poorly timed cliché a motivational moments. I really did enjoy the film but at times I found myself trying not to laugh out loud during what should have been serious plot points.
As far as an action film this was a fun story and brought the gun fights and explosions that you would definitely look for. It also shows some the strategic side of the war. At the end of the night I enjoyed the film even though I thought that it could have been a little more serious and a little less campy.