"Like The Chameleons, they should be playing stadiums, or should've at their time. This album is one of the standards of great American music. Some of the songs here are up there with some Frank Sinatra tracks, some Bing Crosby moments. Like 'Unsatisfied', for instance, that's a pop standard worthy of Billie Holiday. Again, they couldn't seem to get out of their own way for a period of time. The thing with The Replacements is if you ask Wayne Coyne, Michael Stipe or J Mascis, they were the ones that would say: ""The Replacements, that would be the band to be in."" They were everybody's band before they made their own band. They almost would have been what The Velvet Underground was at the time for the bands around them. They also had that catalysing effect of being crazy - they had a nonchalance that most could only dream of. At times they had a recklessness, which put them a few steps behind where they should've been, but that was The Replacements. And it was the first time that the bands we loved actually made a real record. Their songs were going to stand the test of time, songs that we were all going to cover. I know it was like that being around a lot of the bands during the mid-'80s. They had that magnetism Sonic Youth had, but had songs we could all cover, sing and play. Now you hear stories of them playing to 200 people at Coachella and you can't believe how it didn't translate to the younger generation."

"I go by my original story – greatest album ever made. It’s incredible, beautiful. ‘Killing Moon’ is genius – the best song ever written. It was the first song we recorded before we went to Paris to do the full album, and the chorus came to me. I woke up one morning and I know it was sunny, and I sat upright with words that God had given to me in my sleep. It wasn’t like a dream, I just woke up with the words, and that has never happened before or since. I legged it to find a guitar to get the chords down, and obviously to write the words down. Divine inspiration, and that was it. I haven’t really credited Our Lord with the lyrics before. Would I change anything about the album? I like my voice better now, but having said that, most people would disagree, so no, not really. I think it’s a complete thing. ‘The Yo-Yo Man’ is not my favourite, but it sets it up right for that album. I always used to do the first track and last tracks of the two sides as the core songs. People were familiar with ‘Killing Moon’ by then anyway, but imagine if they’d got to the album without hearing it – it would have been like, “Whoa, what the fuck?” And then ‘Ocean Rain’ - the closer of closers. All in under 40 minutes – it’s like a Sixties record. It wasn’t the easiest album to sell to America, but it certainly inspired other people in bands in America to go on and reap more rewards than we did. I’m surprised that Warners didn’t press the button [and promote it properly in the US]. In those days you’d hire a plugger. Wayne Coyne thinks it’s the best album ever, but it just didn’t have the exposure. And we weren’t really a band that toured for long periods - I’d miss Liverpool too much. More European influences I suppose. But then we were the best band in the world and we’d just created that… and you’re not going to bribe people?"