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Jemaine Clement recommended Rushmore (1998) in Movies (curated)
Taika Waititi recommended The Graduate (1967) in Movies (curated)
Sarah (7798 KP) rated Isle of Dogs (2018) in Movies
Feb 4, 2019
Brilliantly done
I'll be honest, except for Grand Budapest I'm not a massive fan of Wes Anderson. So I wasn't particularly bothered about this, and even more so after seeing the trailer when it was first released at the cinema - it just looked a little too weird. However I'm pleased to say that this was a surprisingly good film.
The best thing about this film is the execution. The stop motion is absolutely superb and truly flawless, it's beautiful to see stop motion made like this. And the voice cast too are brilliant. Unlike a lot of animated films, the entire cast fits perfectly and there aren't any voices that don't fit. The plot itself is interesting, dark and definitely not a kids film. It's also surprisingly funny in parts. Some of this gets a little "talky" at times and despite the short run time, the film feels a lot longer than it actually is. But it's still worth a watch for the stop motion alone.
The best thing about this film is the execution. The stop motion is absolutely superb and truly flawless, it's beautiful to see stop motion made like this. And the voice cast too are brilliant. Unlike a lot of animated films, the entire cast fits perfectly and there aren't any voices that don't fit. The plot itself is interesting, dark and definitely not a kids film. It's also surprisingly funny in parts. Some of this gets a little "talky" at times and despite the short run time, the film feels a lot longer than it actually is. But it's still worth a watch for the stop motion alone.
Daniel Boyd (1066 KP) rated Isle of Dogs (2018) in Movies
Sep 20, 2018
Amazing animation (1 more)
Fantastic voice acting
Good Dog
In my opinion, Wes Anderson is pretty overrated. Other than Grand Budapest Hotel, I haven't been a big fan of anything else that he has done, yet critics and fans seem to adore everything he touches. This meant that I had hardly any hype going into Isle Of Dogs and only seen it because of some good reviews I had read online.
This film is great. It features an incredible cast, whose voices all work remarkably well for this story. The stop-motion animation is astonishing and beautiful at times and it tells an interesting, satisfying story.
There isn't much not to like here, the only thing that I will say is that although the animation style makes this sort of look like a kids movie, I would not recommend it for kids. There are some fairly adult themes present and a kid would probably get bored while watching too.
Overall, this film is definitely worth a watch, even if only to see the impressive stop-motion animation on show.
This film is great. It features an incredible cast, whose voices all work remarkably well for this story. The stop-motion animation is astonishing and beautiful at times and it tells an interesting, satisfying story.
There isn't much not to like here, the only thing that I will say is that although the animation style makes this sort of look like a kids movie, I would not recommend it for kids. There are some fairly adult themes present and a kid would probably get bored while watching too.
Overall, this film is definitely worth a watch, even if only to see the impressive stop-motion animation on show.
Troye Sivan recommended The Grand Budapest Hotel (2014) in Movies (curated)
Otway93 (567 KP) rated Asteroid City (2023) in Movies
Jun 24, 2023
Cast (3 more)
Story
Cinematography
Soundtrack
Flow (1 more)
Pointlessly random
Only the second time I've walked out of the cinema.
I had very high hopes for this film, with an outstanding cast, and cast, and the usually brilliant Wes Anderson behind the wheel.
But it doesn't matter how good a cast is, it needs to be a good film.
Asteroid City is a play within a film, but unfortunately it tells the story of the play, and of the lead up to its opening night. Unfortunately the dynamic of switching between the two different stories really disrupts the flow of what would likely be a an enjoyable story.
Secondly, I know his films can be quite random at points, but a lot of scenes seem to be random for the sake of being random, adding nothing to the film or the story.
Also, only a nitpicky thing, but some of the songs featured during the 1955 scenes (Last Train to San Fernando, Freight Train) were songs that weren't released until 1957.
Overall, a great idea but poorly executed.
But it doesn't matter how good a cast is, it needs to be a good film.
Asteroid City is a play within a film, but unfortunately it tells the story of the play, and of the lead up to its opening night. Unfortunately the dynamic of switching between the two different stories really disrupts the flow of what would likely be a an enjoyable story.
Secondly, I know his films can be quite random at points, but a lot of scenes seem to be random for the sake of being random, adding nothing to the film or the story.
Also, only a nitpicky thing, but some of the songs featured during the 1955 scenes (Last Train to San Fernando, Freight Train) were songs that weren't released until 1957.
Overall, a great idea but poorly executed.
LeftSideCut (3778 KP) rated Scream 4 (2011) in Movies
Nov 12, 2020
11 years after Scream 3 "graced" cinema screens, Wes Craven returned to his meta horror series in an era where the genre had gone into full remake mode.
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
Phillip McSween (751 KP) rated The Grand Budapest Hotel (2014) in Movies
Apr 3, 2020
Highly Entertaining
The Grand Budapest Hotel recounts the story of M. Gustave (Ralph Fiennes) and his adventures during a battle for an enormous family fortune. I have been avoiding this movie like the plague because the trailers didn’t really grab me. As it turns out, not only is the movie phenomenal, but it quickly became one of my favorites.
Acting: 10
Ralph Fiennes really makes this movie pop as Gustave. His wit is a huge part of his charm and impacts the way he acts out each scene. Characters like his are refreshing and hook you into the movie. I enjoyed Tony Revolori’s role as well playing bellhop Zero Moustafa. The two work so well together and enhance the movie as a result.
Beginning: 10
The beginning isn’t perfect, but I gave it a perfect score because it’s extremely intriguing. By the closing of the first ten minutes, I had a strong feeling I was in for a treat the rest of the way through. I was right.
Characters: 10
Cinematography/Visuals: 10
Director Wes Anderson is known for a specific style that’s so different from anything else out there and The Grand Budapest Hotel is no exception. Colors pop and images jump out at you in exactly the way he is trying to convey. His style, hard to explain at times, is hard not to appreciate and enjoy. When you watch a movie like this, you truly feel like you are getting a full-on cinematic experience.
Conflict: 10
There is a scene towards the back half of the movie that I call “The Escape”. It is action-packed yet has some subtle nuances at the same time. Definitely one of my favorite scenes in the movie, but not the only one hinging on conflict. Despite a comedic overtone, the film relies on a number of different points of tension to drive the plot.
Entertainment Value: 9
Memorability: 10
Gustave and Zero are easily one of my favorite duos since Jack and Rose in Titanic. They have a strange relationship, one that contributes to making the movie unforgettable. There are so many moments that stand out (the reading of the will comes to mind) making this a movie hard not to think about. It’s a movie you can watch a number of times and see something new each time.
Pace: 10
Plot: 10
Flawless storytelling. Magical and original. Enough said.
Resolution: 4
Overall: 93
2014 is one of my all-time favorite years for movies and it’s because of movies like The Grand Budapest Hotel. It takes storytelling to new heights with a crisp, original way of looking at filmmaking. This movie definitely made me a believer and a fan of Wes Anderson.
Acting: 10
Ralph Fiennes really makes this movie pop as Gustave. His wit is a huge part of his charm and impacts the way he acts out each scene. Characters like his are refreshing and hook you into the movie. I enjoyed Tony Revolori’s role as well playing bellhop Zero Moustafa. The two work so well together and enhance the movie as a result.
Beginning: 10
The beginning isn’t perfect, but I gave it a perfect score because it’s extremely intriguing. By the closing of the first ten minutes, I had a strong feeling I was in for a treat the rest of the way through. I was right.
Characters: 10
Cinematography/Visuals: 10
Director Wes Anderson is known for a specific style that’s so different from anything else out there and The Grand Budapest Hotel is no exception. Colors pop and images jump out at you in exactly the way he is trying to convey. His style, hard to explain at times, is hard not to appreciate and enjoy. When you watch a movie like this, you truly feel like you are getting a full-on cinematic experience.
Conflict: 10
There is a scene towards the back half of the movie that I call “The Escape”. It is action-packed yet has some subtle nuances at the same time. Definitely one of my favorite scenes in the movie, but not the only one hinging on conflict. Despite a comedic overtone, the film relies on a number of different points of tension to drive the plot.
Entertainment Value: 9
Memorability: 10
Gustave and Zero are easily one of my favorite duos since Jack and Rose in Titanic. They have a strange relationship, one that contributes to making the movie unforgettable. There are so many moments that stand out (the reading of the will comes to mind) making this a movie hard not to think about. It’s a movie you can watch a number of times and see something new each time.
Pace: 10
Plot: 10
Flawless storytelling. Magical and original. Enough said.
Resolution: 4
Overall: 93
2014 is one of my all-time favorite years for movies and it’s because of movies like The Grand Budapest Hotel. It takes storytelling to new heights with a crisp, original way of looking at filmmaking. This movie definitely made me a believer and a fan of Wes Anderson.
LoganCrews (2861 KP) rated Gentlemen Broncos (2009) in Movies
Jul 4, 2021
I get a lot of the disdain but honestly, this is pretty much the exact natural evolution of 𝘕𝘢𝘱𝘰𝘭𝘦𝘰𝘯 𝘋𝘺𝘯𝘢𝘮𝘪𝘵𝘦 - for better and for worse. Am I proving the (brilliant) point of this film - portraying the intrinsic merits of an original idea over that same idea bastardized by greedy agencies and/or people who claim to be supportive while in the same breath spitefully swearing 'their version' is inherently better - in suggesting that if Hess would have restrained his weird Hess-isms just a smidge, that this downright compelling premise would have built up a bit more crucial meat which would have made this the great film it deserves to be? Then again, if that were the case this would have also missed out on its deliriously kooky atmosphere which provides such unforgettable nuance. I don't get much out of the main characters here but the supporting ones are next-level delish - Sam Rockwell and Jemaine Clement are fully game for this ravishing surrealism and it shows. Has some funny fuckin' moments but - as with most of the director's work - I admit that it strains from time to time. It also happens to be both gorgeous design-fetishism *and* has a dope soundtrack - Jared Hess is essentially Wes Anderson if he was obsessed with gradeschool potty humor.
Gareth von Kallenbach (965 KP) rated Isle of Dogs (2018) in Movies
Jul 8, 2019
When an outbreak of “dog-flu” and other dog diseases ravish Japan. Mayor Kobayashi (Kunichi Nomura voice) signs an order to banish all dogs to Trash Island, aka the Isle of Dogs. The island is now home to thousands of dogs who are all scavenging for food. Groups of dogs’ band together to fight for scraps of trash and survive. Then all one day a plane crashes on the island. A boy, Atari (Koyu Rankin voice), has come to the island to find his dog best friend Spots (Liev Schreiber voice). Five dogs find Atari injured buy the crash. The lone stray in the group, Chief (Bryan Cranston voice), has no use for masters and wants to leave the boy. But the rest of the group, Rex (Edward Norton voice), King (Bob Balaban voice), Duke (Jeff Goldblum voice) and Boss (Bill Murray voice) all want help the boy find his best friend. Out voted by the domesticated dogs in the group Chief agrees and they set out on a journey to find Atari’s lost dog on an island full of dogs.
This stop-motion animated film is the latest written and directed film by Wes Anderson (Fantastic Mr. Fox, Moonrise Kingdom, and The Royal Tenenbaums). Anderson’s unique film style and dialog are very present in this Japanese based tale. The stop motion animation is very well done and highlighted throughout the film. From the dogs’ hair moving with the animals to flower petals floating through the air the small details are not missed and expertly done. The dialog was also very much staying with Andersons unique style. It is fast paced and full of subtle comedy. The story is original and fun but also full of meaning and heart. The star studded cast does well in providing their voices to the animated film. The sound track really fits the film well.
The film was not without its struggles. At the beginning of the film it was pointed out that the humans would speak their native language, in most cases Japanese, and the dogs barks had been translated to English. This provides some fun moments throughout the film as there are translators to press conferences and the dog interpreting what the humans say to other dogs. But at times it seemed to me that the humans could understand what the dogs were saying, barking. So it was a little inconsistent. Also one character put into the movie presumably to aid in translation in the film as an American exchange student, Tracy Walker (Greta Gerwig voice). Other than translating parts of the film I don’t know why this character had to be American and could not have been Japanese. It definitely helped the overall theme of the movie to have her there to describe what was happening, given the fact there were no subtitles, but did seem a little forced.
I am definitely a fan of Wes Anderson’s film making and one of a kind style. That comes with certain expectations, which in this case were met. But I also understand that as someone reviewing the film it may make me a little bias. As noted above there a few minor issues I had with the film in general but overall I enjoyed the film and thing fans of Anderson will not be disappointed and neither will those who are just looking for a fun movie. I think overall this is a beautifully made and fun film.
This stop-motion animated film is the latest written and directed film by Wes Anderson (Fantastic Mr. Fox, Moonrise Kingdom, and The Royal Tenenbaums). Anderson’s unique film style and dialog are very present in this Japanese based tale. The stop motion animation is very well done and highlighted throughout the film. From the dogs’ hair moving with the animals to flower petals floating through the air the small details are not missed and expertly done. The dialog was also very much staying with Andersons unique style. It is fast paced and full of subtle comedy. The story is original and fun but also full of meaning and heart. The star studded cast does well in providing their voices to the animated film. The sound track really fits the film well.
The film was not without its struggles. At the beginning of the film it was pointed out that the humans would speak their native language, in most cases Japanese, and the dogs barks had been translated to English. This provides some fun moments throughout the film as there are translators to press conferences and the dog interpreting what the humans say to other dogs. But at times it seemed to me that the humans could understand what the dogs were saying, barking. So it was a little inconsistent. Also one character put into the movie presumably to aid in translation in the film as an American exchange student, Tracy Walker (Greta Gerwig voice). Other than translating parts of the film I don’t know why this character had to be American and could not have been Japanese. It definitely helped the overall theme of the movie to have her there to describe what was happening, given the fact there were no subtitles, but did seem a little forced.
I am definitely a fan of Wes Anderson’s film making and one of a kind style. That comes with certain expectations, which in this case were met. But I also understand that as someone reviewing the film it may make me a little bias. As noted above there a few minor issues I had with the film in general but overall I enjoyed the film and thing fans of Anderson will not be disappointed and neither will those who are just looking for a fun movie. I think overall this is a beautifully made and fun film.