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The Magnificent Seven (1960)
The Magnificent Seven (1960)
1960 | Action, Adventure, Western

"My fondness for the western has probably got to be included in here, but it can’t be something like Hombre, which is kind of silly. You know, I’d probably go Magnificent Seven, truthfully, if I’m going five, because seeing Charles Bronson, seeing Steve McQueen come into his own and just sit there and steal focus is kind of awesome. It’s one of those movies that has a pretty simple story, like a lot of great westerns, and I love simple storytelling. I think it’s so powerful. And I think The Magnificent Seven’s very simple storytelling and seeing that crazy group of guys – Yul Brynner, Bronson, across the board – all on horseback, sort of wondering what it was like shooting that, to me, as an actor, that always fascinates me. Knowing the amount of egos and the points in their careers when they had to shoot that movie, that, to me, as an adult, makes me put that on this list. When you watch the McQueen documentary about him, it breaks down how, whereas Paul Newman always seemed so relaxed and cool on set, McQueen was a fighter. He was an orphan who was constantly fighting for validation, you know? And they would talk about how, if you were in a scene with him, forget it. He was going to steal focus. In one scene, I think he’s reloading his gun, and it’s not even his scene, and it’s like, forget it. He wants you to just stare him in the eyes. [laughs] It’s pretty great."

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Dread Nation
Dread Nation
Justina Ireland | 2018 | Science Fiction/Fantasy, Young Adult (YA)
6
7.6 (8 Ratings)
Book Rating
I read Dread Nation a few months ago and I thought it was just ok. I had been looking forward to it for some time before I read it so maybe because of my high expectations I didn't give it a fair shot, idk.

I did like the analogous way Ireland tackled the race and social issues for the most part but the plot was basically a mess. It just didn't flow well from the events in Maryland to being sent out west and some parts felt more like random filler than relevant to the plot. I'm generally a fan of longer books but this one could have easily been 100 pages shorter without really losing anything, at least in my opinion.

The world building wasn't anything special. I felt like she had the chance to do something truly original here but instead it relies on preconceived notions of the old south and the wild west as depicted in old westerns, just with the addition of zombies.

With the exception of Jane, I didn't really think the characters were as well developed as they could have been. Jane's sass was great, I enjoyed how clearly her personality comes through in the writing but I did find her kind of 'know-it-all,' smarter than everyone around her type of attitude a bit grating at times. I was hoping to see something more than just the enemies to friends trope with Jane and Katherine as well.

Overall, I was a little disappointed with Dread Nation. I expected it to be so much more original than it turned out to be as far as a piece of spec fiction. As commentary on slavery, racism, and social injustice issues I thought it was done well.

I'll most likely pick up the sequel though, as I believe this series will continue to improve.
  
Retribution (A Claire Whitcomb Western #1)
Retribution (A Claire Whitcomb Western #1)
D.V. Berkom | 2020 | Crime, Thriller
8
8.0 (1 Ratings)
Book Rating
I am lucky enough to be a part of D.V. Berkom's advance reader team and I was sent a copy of this prior to it's release on 20-Nov-2020 for which I will be eternally grateful because what we have here is an introduction to what I believe will be another excellent series featuring a strong female character.

I am not normally one for reading westerns, in fact I usually give them a wide berth and don't even bother reading the blurb but given I have read several of D.V. Berkom's books featuring the excellent Leine Basso, when I was asked if I would like to receive an advance copy, I thought why the heck not and I was so pleased I did.

Claire, her husband Josiah and 3 children move to the Wild West in search of a new life however, tragedy strikes when Josiah and the children are brutally killed and Claire is left alone. It soon transpires that Claire is being accused of the murders and so she teams up with Mart and Thomas to clear her name and seek revenge.

This is a fast paced read with excellent characters, great setting and exciting plot. If I have one complaint, it's that it's over way too quickly; I was left wanting to read more now ... oh well, I will just have to wait to see what scrapes and adventures Claire finds herself mixed up in and how her character develops as she roams the Wild West on her trusty steed, Rose.

Thank you to D.V. Berkom for writing another absolute cracker, for giving me the opportunity to broaden my horizons and for introducing me to another genre ... now hurry up and get the next one finished 😉
  
Inglourious Basterds (2009)
Inglourious Basterds (2009)
2009 | War
Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.

“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.

Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.

While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.

The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.

“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.

Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
  
John Wick: Chapter 3 - Parabellum (2019)
John Wick: Chapter 3 - Parabellum (2019)
2019 | Action, Crime, Thriller
Dantes Inferno
#johnwick3 is an adrenalin shot to the #heart, delivering on almost all of its promises to be bigger, better & smarter than its previous instalments. #johnwick films have always risen above the generic & mundane action films we get bombarded with nowadays as they seem to understand what makes action thrilling as well as learning from the best action #classics of the past & #johnwick3parabellum is no exception to this either. JW3 (like John Wick the character himself) shows just how much its evolved, learnt new skills & matured as a film realising that action its self is too an art form just as graceful, elegant & smooth flowing as a #ballet. In fact the comparison to ballet, #dance & #theatre is present during most #action scenes making them a beautifully choreographed, atmospheric & visually stunning display of bullet barrages & swooping movement. Comparisons dont end there either i was thrilled to see John compared to #Dante (from #DantesInferno) & there are countless scenes inspired by or paying homage to old #westerns, #90s action films, #Korean #revenge films & old #kungfu/#Japanese mob films which was #respectful & added to the films #charm too. World building is expanded on more in this one also as are some characters stories & I absolutely #loved seeing John evolve & learn from each fight to help him progress/gain an edge over his opponents. #Fights are thrilling, wincingly #violent & so exhilarating that I once again found my #heart racing with highlights being a #knife in an old shop & gunfight involving attack #dogs which was incredibly fresh & intense. Cinematography is ravishing always especially when smoke, #neon & rain is being pumped out all across the screen with #electrifying & mood drenching effect. Sadly I do have some negatives, I found the last act shoddy compared to the intelligence, thrill & beauty of the first two. In this act an odd #humour creeps in that felt a bit off, #action feels subpar compared to what we've just already seen, the ending a little silly & i also found the main #villain under used & under developed. That being said its still a fantastically made, must see showstopper thats learnt from the best. #keanureeves #matrix
  
At Love's Command (Hanger's Horsemen, #1)
10
10.0 (1 Ratings)
Book Rating
Have you ever read a book by Karen Witemeyer? If not, you are missing out on some of the best fiction books out there. At Love’s Command is the first book in a new 3 (or 4) book series and wowzah what a fun start to the series it book was. Even if you do not like westerns, I can guarantee that you will like this one. Karen Witmeyer has a similar writing style to that of Mary Connealy, and Ronie Kendig.

I think I smiled within the first few pages of At Love’s Command as Karen Witemeyer brought forth her character's fun wit and charm. I loved their believable personalities and their willingness to be strong in their beliefs. Matthew is now one of my favorite male characters ever. He showed humility, leadership, love, and most of all a deep trust in turning to God with any problem that came his way. Dr. Josephine was also a most likable character, I loved her “10-dollar words”, and the verbal sparring she sis with Matthew and others from The Horsemen gang. She was also a strong independent woman, but she was humble and showed wisdom when she knew others had better knowledge of the situation than she did. I will say it again, I LOVED this combination of characters.

The storyline pulled me in right from the very beginning, as I said, I was smiling from some of the interactions within the first few pages. It was so believable, combined with the bits of history thrown in, interwoven with some good action, and the theme of turning to God in every situation made this book so enjoyable for me. I will definitely be reading the rest of the books in this series. <br/>I give this book 5 out of 5 stars for the great characters, the intriguing storyline (that I am so looking forward to reading more of), and for the characters continually pointing back to God as their source of strength and wisdom. I HIGHLY recommend this book.

*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.

https://travelingwife4life.wordpress.com/2020/06/26/at-loves-command-bethany-house
  
The Magnificent Seven (2016)
The Magnificent Seven (2016)
2016 | Action, Drama, Western
8
7.4 (33 Ratings)
Movie Rating
A Hornery Exit.
As a big fan of the original – a staple of many Bank Holiday afternoons in my youth – I was prepared to be sniffy about this remake and came to the film on my high-horse (I left that tied to the rail outside the cinema by the way). But I was surprised to have my expectations reset.
 
Possibly on the basis that Trump has been given the Mexican’s a good bashing lately, the villain of the piece in this film is updated from Mexican bandit Calvera to Sacremento based land-snatcher and all round bad-egg Bartholomew Bogue (an expressionless Peter Sarsgaard). After ripping through some of the inhabitants of Rose Creek in a brutal pre-title sequence, widowed sharp-shooter Emma Cullen (Haley Bennett, “The Equalizer”) heads into the West on a recruiting mission for hired guns. She first recruits the bounty hunter Chisholm (sing “Chisum, John Chisum…”… no, sorry different Western) played by Denzel Washington. Washington matches Yul Brynner’s famous black outfit, and unlike Brynner is obviously able to finish off the ensemble naturally!

They recruit another six (who’d have thought it?) including wise-guy gambler Faraday (Chris “Guardians of the Galaxy” Pratt); famed confederate sniper Goodnight Robicheaux (Ethan Hawke); his nifty knife throwing Asian sidekick (but good for the Far East box office) Billy Rocks (Bjung-hun Lee, from Terminator: Genisys); and religious bear-of-a-man Indian-hunter Jack Horne (Vincent D’Onofrio, “Jurassic World”). After trying to whip the incompetent townsfolk into shape, and setting some Home-Alone style surprises, the stage is set for a showdown as Bogue whips up an army to re-take “his” town.

I like classic Westerns, with John Ford’s Rio Bravo being a particular favourite. In my view the problem with many modern Westerns is that they try too hard to shock (Tarentino’s recent “Hateful 8” was a case in point: a promising start ruined by gratuitous over-the-top violence). “The Magnificent Seven” doesn’t make that mistake, and while the squib-master and blood-bag boy are heavily employed throughout, nothing is too excessive: in fact, my view – and I don’t often tend in this direction – is that the censors rather over-egged the UK 12A rating on this one and could have gone with a 12. Director Antoine Fuqua has produced a film that is highly respectful of its heritage: perhaps to the point where many scenes might be deemed to be clichéd. But I personally warmed to that.

Denzel Washington was born to be in a Western like this and the emerging Chris Pratt does his star potential no harm by turning in a stellar performance adding both levity – with some whip-sharp lines – and screen presence in the role made famous by Steve McQueen. (Although no one comes close to the screen presence of McQueen…. Look up “real man” in the dictionary and his picture is there!) Also effective is Ethan Hawke in the nearest thing to the Robert Vaughan character in this film.

Where the adapted script by Richard Wenk and Nik Pizzolatto falters somewhat is in the motivations of the characters, which come across as superficial and unconvincing. (Perhaps “selling” was a whole lot easier in the Old West?) It is even unclear at the end of the film whether the survivors (and I hate to be the bearer of bad news, but the seven don’t all make it!) actually take their payment, or even a “share of the gold” that the town is sitting on. It makes for an unsatisfactory closure. The degree of racial harmony present in the film is also difficult to buy into, and the script could have made something more of this.

The film soundtrack marks the swan-song of the late James Horner, so tragically killed in a plane crash last year at the age of just 61. As the natural successor to the great John Williams and the late Jerry Goldsmith, Horner’s loss was a terrible one. The film is dedicated to him. Although the soundtrack was completed by Simon Franglen, there are flourishes of classic Horner, most notably in the first Rose Creek showdown scene. There is also a treat to the ears over the closing credits which is very welcome.

Although the film draws natural comparison with its 5* classic predecessor, this is a good film in its own right – a genuinely pleasant surprise. Perhaps its done well enough that we might get to now see a remake of “The Return of the Seven”. I hope so… “the Western is dead… long live the Western”!