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Debbiereadsbook (1182 KP) rated Let Me Show You in Books
May 30, 2019
super sweet but so bloody good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Carter finds himself stuck, and naked, when construction worker, Tanner comes to price up some renovations on his home. Tanner immediately takes a shine to the sexy but very shy vet. When Carter has problems at work, and when they go out, Tanner goes all alpha-male-MINE on Carter, and Carter thinks FINALLY! Tanner’s best friend needs him though, it’s why he moved to town. Can Tanner commit to Carter the way Carter wants, and needs?
OH, SO very stinking cute, this one! AND warm and fuzzies! I really kinda fell into this one, and it was SOOOOO good!
Carter isn’t looking for love, it kinda finds him and knocks him for six. Tanner is a breath of fresh air, and after weeks of flirting they FINALLY get down and dirty. I mean, I was waiting, and waiting and bloody WAITING for them to get their act together and give in to the attraction but it takes them FOREVER!!!
BUT!!!
I LOVED that it did! The tension between builds over time, and I really did appreciate being made to wait for the main event.
It’s not overly dramatic, with no real drama, just a guy in a bad place taking it out on Carter at work. It’s not especially explicit, but it IS so bloody sexy. It’s not too complicated a plot to follow and there is no real violence.
There is, though, a lotta love! A lot of people love Carter and Tanner, together and separately. And they make no bones about what they want for their friends, which is for Carter and Tanner to be together.
It’s well written, from both Carter and Tanner’s point of view, in the first person. Each voice is clear and distinctive, and each change of voice occurs as the chapter changes and is clearly headed. I saw no spelling or editing errors to spoil my reading.
It’s one of those books you just FALL into, you know. You can lose a couple of hours on a wet and windy Tuesday morning, after all the chores are done, you sit down with a cuppa tea, and read a bit, and before you know it, the book is finished!
It really was far too stinking cute for its own good, and you know what?? I wrote four stars at the top of the page, but I can’t figure out why, so changing my mind, and giving it the full..
5 stars
**same worded review will appear elsewhere**
Carter finds himself stuck, and naked, when construction worker, Tanner comes to price up some renovations on his home. Tanner immediately takes a shine to the sexy but very shy vet. When Carter has problems at work, and when they go out, Tanner goes all alpha-male-MINE on Carter, and Carter thinks FINALLY! Tanner’s best friend needs him though, it’s why he moved to town. Can Tanner commit to Carter the way Carter wants, and needs?
OH, SO very stinking cute, this one! AND warm and fuzzies! I really kinda fell into this one, and it was SOOOOO good!
Carter isn’t looking for love, it kinda finds him and knocks him for six. Tanner is a breath of fresh air, and after weeks of flirting they FINALLY get down and dirty. I mean, I was waiting, and waiting and bloody WAITING for them to get their act together and give in to the attraction but it takes them FOREVER!!!
BUT!!!
I LOVED that it did! The tension between builds over time, and I really did appreciate being made to wait for the main event.
It’s not overly dramatic, with no real drama, just a guy in a bad place taking it out on Carter at work. It’s not especially explicit, but it IS so bloody sexy. It’s not too complicated a plot to follow and there is no real violence.
There is, though, a lotta love! A lot of people love Carter and Tanner, together and separately. And they make no bones about what they want for their friends, which is for Carter and Tanner to be together.
It’s well written, from both Carter and Tanner’s point of view, in the first person. Each voice is clear and distinctive, and each change of voice occurs as the chapter changes and is clearly headed. I saw no spelling or editing errors to spoil my reading.
It’s one of those books you just FALL into, you know. You can lose a couple of hours on a wet and windy Tuesday morning, after all the chores are done, you sit down with a cuppa tea, and read a bit, and before you know it, the book is finished!
It really was far too stinking cute for its own good, and you know what?? I wrote four stars at the top of the page, but I can’t figure out why, so changing my mind, and giving it the full..
5 stars
**same worded review will appear elsewhere**
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Emma @ The Movies (1786 KP) rated Overlord (2018) in Movies
Sep 25, 2019
You say zombie and I'm sold. No matter how serious they are they're still pretty funny, usually unintentionally. I'm not sure what it says about me when I laugh at someone fighting a zombie to the death/re-death but I can't help it... it's too daft not to!
I thought the trailer for Overlord was very good. Specifically the point where Boyce looks into that hole in the wall. We all knew there was something freaky in there and yet they didn't try and scare us with it. It certainly left me intrigued, but my main hope for this was that it would be better than Red-Con 1.
I enjoyed the retro feel opening sequence with the voice over. It really did go a long way to making the time period of the movie come across. But my joy was short lived because of the sheer volume of what came next. I could feel it in my stomach. Technically it was quite effective as I imagine it resembles the feeling of being in the plane quite well, but my god did it make me feel queasy. What then developed in this scene was incredibly difficult to watch, again, on point for what was happening but not ideal for the viewer. Almost everything happening on screen was rendered obsolete by the chaos.
This is then followed by a mid-air sequence that basically feels like audience participation. Boyce is in freefall. It's strange and fake... yes, I know it IS fake, but I've seen enough films do that sort of airborn story line to know it can produce great results.
Despite those issues his eventual arrival on solid ground rounds out the beginning of the film nicely.
Overlord does show one of my favourite movie character faux pas. Never have dreams. Bad things will happen to you. If you're in a life threatening situation give up on every hope you have for your future and just focus on making it through the next 2 hours of your life.
The supernatural side of the film presents you with two very different types of zombies. Chloe's aunt is a classic wheezing zombie, mooching around just being a little creepy, and the ones we encounter in the bunker are much more rage filled. Being that they are mostly born of experiments it makes me wonder if calling this a zombie movie is entirely accurate.
There is what I would call a classic take from a B-movie hidden within the German bunker. Part of me hopes that somewhere within the magic of movie timelines that this is actually the pre-cursor to Fiend Without A Face. But to be making any suggestions that this itself is a B-movie would be entirely misplaced.
The effects are generally well done. We see a transformation brought about by the German's serum which is the first time the characters have witnessed it. The only thing that let the scene down for me was the change of the character's actual character. That felt more unnatural than what happened to them.
Where there's good, there's also bad. The effect's are tainted by Two-Face. He makes a very creepy inclusion but because of the extent of the damage it looks a tad ridiculous in the action sequences. There were ways around it, they could have given him a different injury or a mask, but the latter would have possibly taken you into Captain America and Wonder Woman territory.
One thing I seriously think about this film is that they should make a second one. Not a sequel. Make this a second film. Keep Overlord as it is but also make a war film. Everything up until the creepy bits was a really solid start. It would only need a few tweaks to the bunker scenes to make them less sci-fi and the whole thing would make a great 15 certificate production.
What you should do
It's not a bad watch, probably more of a lad's night out sort of thing. (I'm not trying to be sexist there, it was literally me and 14 blokes watching it.) It certainly doesn't feel like you completely wasted your time seeing it, so give it a go sometime.
Movie thing you wish you could take home
When it comes to zombies I'd much rather have Ed from Shaun Of The Dead than any of these ones, so if it's possible to get that serum concoction for super strength without the creepy side effects then I'll go for that please.
I thought the trailer for Overlord was very good. Specifically the point where Boyce looks into that hole in the wall. We all knew there was something freaky in there and yet they didn't try and scare us with it. It certainly left me intrigued, but my main hope for this was that it would be better than Red-Con 1.
I enjoyed the retro feel opening sequence with the voice over. It really did go a long way to making the time period of the movie come across. But my joy was short lived because of the sheer volume of what came next. I could feel it in my stomach. Technically it was quite effective as I imagine it resembles the feeling of being in the plane quite well, but my god did it make me feel queasy. What then developed in this scene was incredibly difficult to watch, again, on point for what was happening but not ideal for the viewer. Almost everything happening on screen was rendered obsolete by the chaos.
This is then followed by a mid-air sequence that basically feels like audience participation. Boyce is in freefall. It's strange and fake... yes, I know it IS fake, but I've seen enough films do that sort of airborn story line to know it can produce great results.
Despite those issues his eventual arrival on solid ground rounds out the beginning of the film nicely.
Overlord does show one of my favourite movie character faux pas. Never have dreams. Bad things will happen to you. If you're in a life threatening situation give up on every hope you have for your future and just focus on making it through the next 2 hours of your life.
The supernatural side of the film presents you with two very different types of zombies. Chloe's aunt is a classic wheezing zombie, mooching around just being a little creepy, and the ones we encounter in the bunker are much more rage filled. Being that they are mostly born of experiments it makes me wonder if calling this a zombie movie is entirely accurate.
There is what I would call a classic take from a B-movie hidden within the German bunker. Part of me hopes that somewhere within the magic of movie timelines that this is actually the pre-cursor to Fiend Without A Face. But to be making any suggestions that this itself is a B-movie would be entirely misplaced.
The effects are generally well done. We see a transformation brought about by the German's serum which is the first time the characters have witnessed it. The only thing that let the scene down for me was the change of the character's actual character. That felt more unnatural than what happened to them.
Where there's good, there's also bad. The effect's are tainted by Two-Face. He makes a very creepy inclusion but because of the extent of the damage it looks a tad ridiculous in the action sequences. There were ways around it, they could have given him a different injury or a mask, but the latter would have possibly taken you into Captain America and Wonder Woman territory.
One thing I seriously think about this film is that they should make a second one. Not a sequel. Make this a second film. Keep Overlord as it is but also make a war film. Everything up until the creepy bits was a really solid start. It would only need a few tweaks to the bunker scenes to make them less sci-fi and the whole thing would make a great 15 certificate production.
What you should do
It's not a bad watch, probably more of a lad's night out sort of thing. (I'm not trying to be sexist there, it was literally me and 14 blokes watching it.) It certainly doesn't feel like you completely wasted your time seeing it, so give it a go sometime.
Movie thing you wish you could take home
When it comes to zombies I'd much rather have Ed from Shaun Of The Dead than any of these ones, so if it's possible to get that serum concoction for super strength without the creepy side effects then I'll go for that please.
Jessica - Where the Book Ends (15 KP) rated All the Bright Places in Books
Jan 30, 2019
First let me start by saying that though I try to do spoiler free reviews I don’t know if I can do that with this one, so read this review at your own risk. People may not like my review of this book, and that’s okay. To be honest I don’t really like my review of this book, but it’s how I feel and I can’t change that. I desperately wanted to love these characters, but I didn’t. So, lets start with what I did like…
I loved the premise of the story. I loved the feels that the circumstances the characters dealt with gave me. But that’s about it…
For me, the characters were flat. They didn’t show enough emotion given the situations that they dealt with in their lives. Violet doesn’t show much emotion around the death of her sister, the death of Finch, the way her family doesn’t talk about Elenore, the way her friends treat her or Finch. Finch is just as bad, he doesn’t show much emotion over the demise of his family, or the way his dad treats him, and not about the fact that his mom is just a shell who drinks wine and doesn’t care about her children. They bottle it up and that leaves the reader with nothing to relate to, or feel. Feelings your characters have is a way for you to reach out to your reader and pull them in. Make them want more. Essentially, you’re their feels dealer and you must give them the first hit to pull them in and keep them coming back for more. In order for you to do that you have to have some emotion for the reader.
There is so much going on with these characters and I don’t feel like the author even touches it. I understand that teen suicide is the main focus of the story, but there is more to it than that. The bipolar disorder, and anxiety, depression, they are just mentioned almost as a way to explain how the characters may have gotten to that point. The book just kind of ends and there is no epilogue to tie up how the characters are doing. Finches parents, where did Violet go to school, did her online magazine take off. There was so much I was left wondering.
I was told by several people that this book was a must read and that I would love it. I guess my over-all thoughts were that for me this book was lacking. I expected and wanted so much more from this book and these characters, and at the end of the day it just didn’t do it for me. So, I’m giving this a 3 star rating. This is a subject that should be read about and should more prevalent. There needs to be an awareness amongst teens about suicide. They need to be told about the signs and what to do if you think someone you know is contemplating suicide.
Most importantly remember if you’re ever in crisis and you need someone to talk to just text 741741 which is the number for the Crisis Text Line. You will be able to speak with a trained Crisis Counselor.
I loved the premise of the story. I loved the feels that the circumstances the characters dealt with gave me. But that’s about it…
For me, the characters were flat. They didn’t show enough emotion given the situations that they dealt with in their lives. Violet doesn’t show much emotion around the death of her sister, the death of Finch, the way her family doesn’t talk about Elenore, the way her friends treat her or Finch. Finch is just as bad, he doesn’t show much emotion over the demise of his family, or the way his dad treats him, and not about the fact that his mom is just a shell who drinks wine and doesn’t care about her children. They bottle it up and that leaves the reader with nothing to relate to, or feel. Feelings your characters have is a way for you to reach out to your reader and pull them in. Make them want more. Essentially, you’re their feels dealer and you must give them the first hit to pull them in and keep them coming back for more. In order for you to do that you have to have some emotion for the reader.
There is so much going on with these characters and I don’t feel like the author even touches it. I understand that teen suicide is the main focus of the story, but there is more to it than that. The bipolar disorder, and anxiety, depression, they are just mentioned almost as a way to explain how the characters may have gotten to that point. The book just kind of ends and there is no epilogue to tie up how the characters are doing. Finches parents, where did Violet go to school, did her online magazine take off. There was so much I was left wondering.
I was told by several people that this book was a must read and that I would love it. I guess my over-all thoughts were that for me this book was lacking. I expected and wanted so much more from this book and these characters, and at the end of the day it just didn’t do it for me. So, I’m giving this a 3 star rating. This is a subject that should be read about and should more prevalent. There needs to be an awareness amongst teens about suicide. They need to be told about the signs and what to do if you think someone you know is contemplating suicide.
Most importantly remember if you’re ever in crisis and you need someone to talk to just text 741741 which is the number for the Crisis Text Line. You will be able to speak with a trained Crisis Counselor.
Ivana A. | Diary of Difference (1171 KP) rated Quietus in Books
Oct 2, 2020
Sometimes, we don’t search for a particular book to read. It just finds us. That happened to me with “Quietus”. One of the best books I’ve read this year. I connected to Nick immediately, and the story was appealing, so it was a struggle to close the book. This is one of the books that you read in one breath. I could connect with all the characters, with Nick, with Carrie, even with Sophie.
The description about them made me like them in a different way, all of them, yes, even Sophie. The author describes not only the physical part, but also their thoughts and how their mind works, and before you even realize it, you have this strong bond with every single one of them.
The personality of Sophie is so well described, that’s it’s almost unbelievable. All the sociopathic characteristics, the whole building of this character is so appealing to read, it makes you want to know what’s wrong and how it can be fixed, and it is told by Nick, by someone who has affection towards this person and it tells both sides of the story, how a person can make you like them and make you hate them at the same time.
The scenes are so realistic, that I felt like I was there. Each chapter is left unfinished, and it only makes you want to read more and more. The whole death-life thing made this book special to me. It made me think way deeper than just how the scene are put, or how was the description of the characters. Maybe I didn’t get the point of the story… I just wonder now. It will bother me for days, that’s for sure. It will haunt me and make me think again and again, deeper and deeper about what was the character’s purpose in this book. Why they were exactly where they were, and why did Nick went to Jersey right after his death in the first place.
All in all, this indeed was a story that has a deep meaning behind her, that reaches into people’s minds and hearts and certainly stays there for a while, like I’m certain it will stay in mine too. It is a story that makes us realize things about life, and then ask ourselves if what we believed in up until now is really true. It made me think how sometimes dead people can influence us, like Carrie influenced Nick, and Nick influenced Sophie. It makes me think how, in fact, it isn’t the dead people that influence us, but just us ourselves.
When you think about it deeper, you’ll realize we don’t change because someone is influencing, but we change because someone woke up some thoughts in us, and it’s us that realize it all and then change. Did Sophie kill herself, or they were actually there, because the whole trip was their imagination. Did they influence her, or it was only Sophie herself? I guess I’ll never answer some of those questions, but I still do think sometimes it’s us ourselves that realize some things, even though Nick and Carrie’s deaths had a purpose too. If there wasn’t a Carrie, there wouldn’t be an imaginary trip to Sophie’s hospital. And if there wasn’t a Nick, we’d never realize that she’s a sociopath.
The description about them made me like them in a different way, all of them, yes, even Sophie. The author describes not only the physical part, but also their thoughts and how their mind works, and before you even realize it, you have this strong bond with every single one of them.
The personality of Sophie is so well described, that’s it’s almost unbelievable. All the sociopathic characteristics, the whole building of this character is so appealing to read, it makes you want to know what’s wrong and how it can be fixed, and it is told by Nick, by someone who has affection towards this person and it tells both sides of the story, how a person can make you like them and make you hate them at the same time.
The scenes are so realistic, that I felt like I was there. Each chapter is left unfinished, and it only makes you want to read more and more. The whole death-life thing made this book special to me. It made me think way deeper than just how the scene are put, or how was the description of the characters. Maybe I didn’t get the point of the story… I just wonder now. It will bother me for days, that’s for sure. It will haunt me and make me think again and again, deeper and deeper about what was the character’s purpose in this book. Why they were exactly where they were, and why did Nick went to Jersey right after his death in the first place.
All in all, this indeed was a story that has a deep meaning behind her, that reaches into people’s minds and hearts and certainly stays there for a while, like I’m certain it will stay in mine too. It is a story that makes us realize things about life, and then ask ourselves if what we believed in up until now is really true. It made me think how sometimes dead people can influence us, like Carrie influenced Nick, and Nick influenced Sophie. It makes me think how, in fact, it isn’t the dead people that influence us, but just us ourselves.
When you think about it deeper, you’ll realize we don’t change because someone is influencing, but we change because someone woke up some thoughts in us, and it’s us that realize it all and then change. Did Sophie kill herself, or they were actually there, because the whole trip was their imagination. Did they influence her, or it was only Sophie herself? I guess I’ll never answer some of those questions, but I still do think sometimes it’s us ourselves that realize some things, even though Nick and Carrie’s deaths had a purpose too. If there wasn’t a Carrie, there wouldn’t be an imaginary trip to Sophie’s hospital. And if there wasn’t a Nick, we’d never realize that she’s a sociopath.
Haley Mathiot (9 KP) rated Glorious in Books
Apr 27, 2018
It's really hard to say if I liked Glorious or not. I liked it in some ways, in some ways it was good but I could not like it, and in other ways I disliked it.
One of the reasons I did like it, was the writing. McFadden has an interesting writing style: She writes like people think. You get asked a question and you have a million things you want to say, and a million thoughts go through your head at light speed, but all you say is a short quick answer that has no significance to the person who asked, but has monumental significance to you because of your thoughts behind all of it? That's what reading Glorious feels like, and that's how McFadden writes. It's beautiful and insightful.
Glorious is really hard to enjoy, even if you do like it, because of the things that happen. It's a tragic time period, and a lot of horrible things happen to poor Easter. She witnesses families being torn apart by abuse and rape, she sees people die, she commits sins, she gets wrapped up with the wrong people. There are good parts, wonderful parts that make you smile and sigh and say "thank God something good is finally happening to the poor girl." But then there are other parts that say "oh will it ever end for poor Easter?" It's hard to enjoy stuff like rape and murder and lynching. Glorious is a wakeup call, reminding us what life was like for Black Americans (respectively) after they got their freedom, but before they gained equality with Whites.
I got to Chapter 23, about 2/3 of the way through, when I stopped reading. It didn't feel like anything was happening. I mean, lots of things happened to Easter, but nothing was happening in the story. It was just her life written out, and it was too broad. There was no main plot, it was all subplot.
I "enjoyed" (or maybe appreciated is a better word) the part that I read, however I don't think I should read something unless I feel urged to continue.
Content: Adult content. Language, violence, rape, etc. Has some homosexuality
Recommendation: Ages 18+
One of the reasons I did like it, was the writing. McFadden has an interesting writing style: She writes like people think. You get asked a question and you have a million things you want to say, and a million thoughts go through your head at light speed, but all you say is a short quick answer that has no significance to the person who asked, but has monumental significance to you because of your thoughts behind all of it? That's what reading Glorious feels like, and that's how McFadden writes. It's beautiful and insightful.
Glorious is really hard to enjoy, even if you do like it, because of the things that happen. It's a tragic time period, and a lot of horrible things happen to poor Easter. She witnesses families being torn apart by abuse and rape, she sees people die, she commits sins, she gets wrapped up with the wrong people. There are good parts, wonderful parts that make you smile and sigh and say "thank God something good is finally happening to the poor girl." But then there are other parts that say "oh will it ever end for poor Easter?" It's hard to enjoy stuff like rape and murder and lynching. Glorious is a wakeup call, reminding us what life was like for Black Americans (respectively) after they got their freedom, but before they gained equality with Whites.
I got to Chapter 23, about 2/3 of the way through, when I stopped reading. It didn't feel like anything was happening. I mean, lots of things happened to Easter, but nothing was happening in the story. It was just her life written out, and it was too broad. There was no main plot, it was all subplot.
I "enjoyed" (or maybe appreciated is a better word) the part that I read, however I don't think I should read something unless I feel urged to continue.
Content: Adult content. Language, violence, rape, etc. Has some homosexuality
Recommendation: Ages 18+
Emma @ The Movies (1786 KP) rated The Upside (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
After a bit of a bleak start to January I was looking forward to something with a little humour and The Upside did not disappoint.
Kevin Hart is always one of those actors that strikes me as an acquired taste. I enjoy lots of his roles but they do have a tendency to grate a little. Dell made a wonderful change though, it really suited him. This is probably the most serious role I've seen him in and I'm hoping that this is going to lead to more things along this line.
The other actors make good work of their parts. Kidman's role is rather small and a little predictable but entertaining nevertheless. I'd be hard pushed to tell you what I've ever seen Cranston in apart from Malcolm In The Middle, I can't say I was as impressed with him as I was Hart but he made for a good partner in crime.
There's one thing that confused me though was the very opening of the film. The first scene shows you events from further down the timeline but there doesn't seem to be any reason for it. I've been contemplating possibilities, potentially to show that the main character of the film isn't just Dell, but that becomes evident on it's own. I'm really shrugging my shoulders about its inclusion, it's quickly forgotten and doesn't really have any impact there and probably detracted from its inclusion later on.
The Upside is a remake of the French film Untouchable (original title Intouchables) which in turn was inspired by the real life story of Philippe Pozzo di Borgo and Abdel Sellou. It's a charming story, delightfully amusing, and quite incredible to discover is inspired by true events. It certainly gives you something to stop and think about, and the fact that there are stories out there like this does give you back a little faith in humanity.
What you should do
It's well worth a watch, I think I'm even going to say that the money on a cinema ticket would not feel like a waste.
Movie thing you wish you could take home
A collection of sports cars would be quite nice, and the money to keep myself insured on them!
Kevin Hart is always one of those actors that strikes me as an acquired taste. I enjoy lots of his roles but they do have a tendency to grate a little. Dell made a wonderful change though, it really suited him. This is probably the most serious role I've seen him in and I'm hoping that this is going to lead to more things along this line.
The other actors make good work of their parts. Kidman's role is rather small and a little predictable but entertaining nevertheless. I'd be hard pushed to tell you what I've ever seen Cranston in apart from Malcolm In The Middle, I can't say I was as impressed with him as I was Hart but he made for a good partner in crime.
There's one thing that confused me though was the very opening of the film. The first scene shows you events from further down the timeline but there doesn't seem to be any reason for it. I've been contemplating possibilities, potentially to show that the main character of the film isn't just Dell, but that becomes evident on it's own. I'm really shrugging my shoulders about its inclusion, it's quickly forgotten and doesn't really have any impact there and probably detracted from its inclusion later on.
The Upside is a remake of the French film Untouchable (original title Intouchables) which in turn was inspired by the real life story of Philippe Pozzo di Borgo and Abdel Sellou. It's a charming story, delightfully amusing, and quite incredible to discover is inspired by true events. It certainly gives you something to stop and think about, and the fact that there are stories out there like this does give you back a little faith in humanity.
What you should do
It's well worth a watch, I think I'm even going to say that the money on a cinema ticket would not feel like a waste.
Movie thing you wish you could take home
A collection of sports cars would be quite nice, and the money to keep myself insured on them!
Emma @ The Movies (1786 KP) rated The Girl in the Spider's Web (2018) in Movies
Sep 25, 2019
I'm not sure whether you need to watch the other films in this series being that this is number four in the sequence. I did buy them before this came out but never got round to them. I don't think I've missed out of anything, but you can never be sure.
We get a lot of striking black and white (sort of) shots throughout the film. The snow and dark buildings are very effective. As were the action sequences. You can see a snippet of the home invasion in the trailer and the slow motion leap. I do wonder how many films put them in just because they think it's the done thing. But the whole piece worked well.
I don't really know what it is about her but I'm not a fan of Claire Foy. This is the third film with her in this year and none of them have hit the spot. Out of the three this one in my favourite, there's something a little less irritating about her on-screen presence. Perhaps it's that the character of Lisbeth is naturally awkward.
When I saw Stephen Merchant in the trailer I'm not going to lie, I was a little concerned. I find him amusing and generally enjoy his hop across the pond to movies and TV. Those have mostly got a comedic lean to them though. This roll however had none and I'm not really sure it suited him. He's still got those slightly oddball characteristics that don't really fit in such a serious movie.
Sadly I don't feel like there's much more I want to say about The Girl In The Spider's Web apart from mentioning the James Bond vibes you get from everything from the opening credits to, well, the general feel of the whole thing.
What you should do
It's certainly not a waste of time watching it, definitely catch it when it hits streaming or the TV.
Movie thing you wish you could take home
Some amazing IT/hacking skills wouldn't go amiss in my day to day life.
We get a lot of striking black and white (sort of) shots throughout the film. The snow and dark buildings are very effective. As were the action sequences. You can see a snippet of the home invasion in the trailer and the slow motion leap. I do wonder how many films put them in just because they think it's the done thing. But the whole piece worked well.
I don't really know what it is about her but I'm not a fan of Claire Foy. This is the third film with her in this year and none of them have hit the spot. Out of the three this one in my favourite, there's something a little less irritating about her on-screen presence. Perhaps it's that the character of Lisbeth is naturally awkward.
When I saw Stephen Merchant in the trailer I'm not going to lie, I was a little concerned. I find him amusing and generally enjoy his hop across the pond to movies and TV. Those have mostly got a comedic lean to them though. This roll however had none and I'm not really sure it suited him. He's still got those slightly oddball characteristics that don't really fit in such a serious movie.
Sadly I don't feel like there's much more I want to say about The Girl In The Spider's Web apart from mentioning the James Bond vibes you get from everything from the opening credits to, well, the general feel of the whole thing.
What you should do
It's certainly not a waste of time watching it, definitely catch it when it hits streaming or the TV.
Movie thing you wish you could take home
Some amazing IT/hacking skills wouldn't go amiss in my day to day life.
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