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Gareth von Kallenbach (980 KP) rated Straight Outta Compton (2015) in Movies
Aug 6, 2019
The moment I heard they were making a film about N.W.A., I knew I had to see it. Like many, I didn’t listen to their music during their height of their popularity. Unlike many, I am willing to admit that. But it doesn’t mean that their music didn’t influence me in significant ways when I was in my teens. So naturally, I was excited about this movie. I only wish it would have lived up to my expectations.
Straight Outta Compton tells the story of N.W.A.’s formation, but it’s more than just that. It tells of the trials and tribulations the members of the group went through to become the icons they were. It tells of both the struggle with their oppressors, as well as each other. We start the film in 1986 with an introduction to the three main guys that everyone knows: Eazy-E (Jason Mitchell), Dr. Dre (Corey Hawkings) and Ice Cube (O’Shea Jackson, Jr.). They soon form Ruthless records putting out their first single, which gets the attention of Jerry Heller (Paul Giamatti), their future manager. The movie then tells of their rise to stardom, and ultimate falling out, all the way through to the passing of Eazy-E.
Straight Outta Compton sets out to do a lot of things, some of which it doesn’t get exactly right. Don’t get me wrong, the movie is good. It just felt… unnatural at times. The actors themselves did a great job portraying the real-life people they were representing, but I don’t think they had the chemistry as an ensemble. I noticed it really early on in the movie, when Ice Cube and Dr. Dre were at Dre’ aunt’s house. The flow of the conversation just didn’t feel comfortable. It didn’t feel like the natural conversations I had with my friends when I was around the same age, as they were putting clear distance (time) between each of the character’s lines, just so you can make out what they were saying. And Hawkings and Jackson, Jr. just seemed really awkward in delivering their lines to each other. I know that this is needed often in movies, but I have seen similar scenes in other movies where I didn’t have this feeling.
There were also many things that the movie put into your face, but then didn’t really finish telling you what it was about, or make you believe in the connection. For example, the movie starts with Dre having a girl and baby, and you see her for all of 10 seconds, and then you see her a little later when she is leaving him. Dre also has very minimal time with his brother in the beginning of the film, again a short time later they interact for a few moments on screen (over the phone), and then there is supposed to be a moving scene where Dre finds out his brother was killed. I say supposed to be because as with the film where Dre’s girl left him, you are supposed to feel something for the character here, but there wasn’t enough for you to go on. There wasn’t the emotional connection to the relationship between Dre and his girl/brother for you to feel connected to the movie and character. These are just a few examples, another could be a menacing threat to Jerry Heller at his home, but the movie never really wraps back around to it. Most people are supposed to know, or maybe you are supposed to infer from the plotline at the time, but it seemed a little abrupt to me. Now, I hear that the running time of this film, 147 minutes, is actually a far cry from the original 210 minutes. This could explain a lot of where I felt the film just kind of failed at follow through. Hopefully we get to see this on the home release.
Ultimately, this was a great movie. It was amazing to sit in the theater and listen to people sing along with the iconic songs that were released not only from the super group themselves, but even from Eazy-E, Ice Cube and others. Plus, there were many great easter eggs throughout the film, including appearances of the characters Snoop Dogg, Tupac, Warren G, Suge Knight and many others. There was plenty of humor, but still managing to portray the struggle they went through well. One of things I was worried about was O’Shea Jackson, Jr. I originally thought they only cast him as his father because of the looks, but he really did hold his own. I definitely see a future in acting, and possibly in music too, just like his father.
Should you go see it in theaters? If you are a super fan, then definitely. Even if you are not, definitely check it out as it tells a great story about what was considered at one point the most dangerous group in music. This is definitely one that will be added to my collection upon home release, especially if there is an uncut version.
Straight Outta Compton tells the story of N.W.A.’s formation, but it’s more than just that. It tells of the trials and tribulations the members of the group went through to become the icons they were. It tells of both the struggle with their oppressors, as well as each other. We start the film in 1986 with an introduction to the three main guys that everyone knows: Eazy-E (Jason Mitchell), Dr. Dre (Corey Hawkings) and Ice Cube (O’Shea Jackson, Jr.). They soon form Ruthless records putting out their first single, which gets the attention of Jerry Heller (Paul Giamatti), their future manager. The movie then tells of their rise to stardom, and ultimate falling out, all the way through to the passing of Eazy-E.
Straight Outta Compton sets out to do a lot of things, some of which it doesn’t get exactly right. Don’t get me wrong, the movie is good. It just felt… unnatural at times. The actors themselves did a great job portraying the real-life people they were representing, but I don’t think they had the chemistry as an ensemble. I noticed it really early on in the movie, when Ice Cube and Dr. Dre were at Dre’ aunt’s house. The flow of the conversation just didn’t feel comfortable. It didn’t feel like the natural conversations I had with my friends when I was around the same age, as they were putting clear distance (time) between each of the character’s lines, just so you can make out what they were saying. And Hawkings and Jackson, Jr. just seemed really awkward in delivering their lines to each other. I know that this is needed often in movies, but I have seen similar scenes in other movies where I didn’t have this feeling.
There were also many things that the movie put into your face, but then didn’t really finish telling you what it was about, or make you believe in the connection. For example, the movie starts with Dre having a girl and baby, and you see her for all of 10 seconds, and then you see her a little later when she is leaving him. Dre also has very minimal time with his brother in the beginning of the film, again a short time later they interact for a few moments on screen (over the phone), and then there is supposed to be a moving scene where Dre finds out his brother was killed. I say supposed to be because as with the film where Dre’s girl left him, you are supposed to feel something for the character here, but there wasn’t enough for you to go on. There wasn’t the emotional connection to the relationship between Dre and his girl/brother for you to feel connected to the movie and character. These are just a few examples, another could be a menacing threat to Jerry Heller at his home, but the movie never really wraps back around to it. Most people are supposed to know, or maybe you are supposed to infer from the plotline at the time, but it seemed a little abrupt to me. Now, I hear that the running time of this film, 147 minutes, is actually a far cry from the original 210 minutes. This could explain a lot of where I felt the film just kind of failed at follow through. Hopefully we get to see this on the home release.
Ultimately, this was a great movie. It was amazing to sit in the theater and listen to people sing along with the iconic songs that were released not only from the super group themselves, but even from Eazy-E, Ice Cube and others. Plus, there were many great easter eggs throughout the film, including appearances of the characters Snoop Dogg, Tupac, Warren G, Suge Knight and many others. There was plenty of humor, but still managing to portray the struggle they went through well. One of things I was worried about was O’Shea Jackson, Jr. I originally thought they only cast him as his father because of the looks, but he really did hold his own. I definitely see a future in acting, and possibly in music too, just like his father.
Should you go see it in theaters? If you are a super fan, then definitely. Even if you are not, definitely check it out as it tells a great story about what was considered at one point the most dangerous group in music. This is definitely one that will be added to my collection upon home release, especially if there is an uncut version.
Gareth Michael Lewis (6 KP) rated Star Trek: Discovery in TV
Feb 26, 2018
Not the Star Trek we've come to know...
Contains spoilers, click to show
I did not have high hopes for this new series. I read every snippet of news about reshoots, cast changes, problems, etc. and I really could not see this new series living up to the ideals of all the Treks gone by. That said, I sat and watched it each week on Netflix and tried, really tried, to keep an open mind.
To begin, this series IS Star Trek. It has the ships. It has the Federation. It has the USS Enterprise (mentioned and seen). So why all the fuss?
Well, firstly, we have the Klingons. They look nothing like their predecessors in any other show. Alright, in The Original Series (TOS) they looked like fake-tanned, mustachioed humans and then they had forehead ridges in The Motion Picture and Next Generation (TNG) and we got over that quickly enough (they even explained why the ridgless Klingons existed in Star Trek Enterprise). Why the hostility towards the new Klingons in STD? Is it because they took an iconic villian and remade them for a more modern audience? Changing the appearance of ships, costumes and make-up along the way? Apparently so. But what series hasn't updated their villains as technology allows them to? Doctor Who's TARDIS has changed appearance more than once as have the Daleks. Didn't Battlestar Galactica face similar issues with the rebooted series? Of course. But we Trekkies can be an unforgiving bunch. Move past the updates to ships, uniforms and even aliens and judge the show on its own merits.
That leads us to the next bit.
Network executives seem to think that a more modern audience needs something edgier to keep them interested. So STD contains bloody violence, torture, f-words, naked Klingon sex (I did not need to see Klingon, armour-plated boobs) and is clearly made for an "adult" audience. My introduction to Star Trek was TNG, and I went back to TOS because I loved it. Then onto DS9 and Voyager. Even Enterprise, which played with established canon like a child in a sandpit, felt like something I'd let my kids watch. STD is like Game of Thrones in space, just with less incest. My kids will not be allowed to see this until they are much, much older.
The show itself is very pretty to look at, acted capably by almost everyone who has screentime and has characters I grew to genuinely like, but the writing was lazy. We were promised a Federation/Klingon war then somehow missed the whole thing by the final episode. The final episode itself seemed like an exercise in "how to end a season quickly and in the least satisfying way possible".
I wanted to give this series a higher score, I really did. I moved it from 7 to 6 and back to 7 again and again until I stuck with 6 because, although it has moments of brilliance, these moments are telegraphed so far in advance of happening you just can't bring yourself to be surprised by any of it. Almost every plot twist is so obvious that the writers seem to be waiting for a pat on the back at how cleverly they revealed the twist to you rather than trying to genuinely amaze you. It had such potential, it really did. The opening credits are beautiful, the music perfect. The ships are great (I play Star Trek Online so updated ships don't faze me that much). The crew are awesome, with dynamics that shift wonderfully and made me want to see more. But... alas.
If you want to watch a Star Trek series that pushes sci-fi, political and societal boundaries then go back and watch TOS, TNG, DS9 or even Voyager. If you want to watch a "Star Trek" series that does all of that for a modern audience... watch The Orville.
To begin, this series IS Star Trek. It has the ships. It has the Federation. It has the USS Enterprise (mentioned and seen). So why all the fuss?
Well, firstly, we have the Klingons. They look nothing like their predecessors in any other show. Alright, in The Original Series (TOS) they looked like fake-tanned, mustachioed humans and then they had forehead ridges in The Motion Picture and Next Generation (TNG) and we got over that quickly enough (they even explained why the ridgless Klingons existed in Star Trek Enterprise). Why the hostility towards the new Klingons in STD? Is it because they took an iconic villian and remade them for a more modern audience? Changing the appearance of ships, costumes and make-up along the way? Apparently so. But what series hasn't updated their villains as technology allows them to? Doctor Who's TARDIS has changed appearance more than once as have the Daleks. Didn't Battlestar Galactica face similar issues with the rebooted series? Of course. But we Trekkies can be an unforgiving bunch. Move past the updates to ships, uniforms and even aliens and judge the show on its own merits.
That leads us to the next bit.
Network executives seem to think that a more modern audience needs something edgier to keep them interested. So STD contains bloody violence, torture, f-words, naked Klingon sex (I did not need to see Klingon, armour-plated boobs) and is clearly made for an "adult" audience. My introduction to Star Trek was TNG, and I went back to TOS because I loved it. Then onto DS9 and Voyager. Even Enterprise, which played with established canon like a child in a sandpit, felt like something I'd let my kids watch. STD is like Game of Thrones in space, just with less incest. My kids will not be allowed to see this until they are much, much older.
The show itself is very pretty to look at, acted capably by almost everyone who has screentime and has characters I grew to genuinely like, but the writing was lazy. We were promised a Federation/Klingon war then somehow missed the whole thing by the final episode. The final episode itself seemed like an exercise in "how to end a season quickly and in the least satisfying way possible".
I wanted to give this series a higher score, I really did. I moved it from 7 to 6 and back to 7 again and again until I stuck with 6 because, although it has moments of brilliance, these moments are telegraphed so far in advance of happening you just can't bring yourself to be surprised by any of it. Almost every plot twist is so obvious that the writers seem to be waiting for a pat on the back at how cleverly they revealed the twist to you rather than trying to genuinely amaze you. It had such potential, it really did. The opening credits are beautiful, the music perfect. The ships are great (I play Star Trek Online so updated ships don't faze me that much). The crew are awesome, with dynamics that shift wonderfully and made me want to see more. But... alas.
If you want to watch a Star Trek series that pushes sci-fi, political and societal boundaries then go back and watch TOS, TNG, DS9 or even Voyager. If you want to watch a "Star Trek" series that does all of that for a modern audience... watch The Orville.
Chris Sawin (602 KP) rated Where the Wild Things Are (2009) in Movies
Jun 22, 2019
Max is a boy who possesses something that fades away for most as they grow older and that's a young child's incredible imagination. His only dilemma is that he doesn't really have any friends of his own. He builds an igloo out of snow and tries to share it with his older sister, Claire, who seems more interested in hanging out with her friends. Max's mom embraces Max's imagination and even asks him to tell her stories, but everything falls apart when Max tries to save his mom a seat in the fort he just built that would save them from hot lava while she's on a date. Things quickly spiral out of control and Max winds up running away. He finds a boat by the water and takes it out into the sea. As he explores the open water, he becomes astray while he succumbs to the relentless weather and crashing waves of the ocean. That is until he stumbles upon an island where an incandescent glow of a small fire catches his eye. He finds that the island is inhabited by large, hairy, horned creatures. He's discovered where the wild things are and he will be their king.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
Julie (77 KP) rated A Court of Wings and Ruin in Books
Sep 16, 2017
My review: "Okay, so I have some major mixed feelings about this lovely book. If you read my reviews for A Court of Thorns and Roses and A Court of Mist and Fury, then you’ll know that I loved both; especially ACoMaF. For some reason though, I had a hard time getting through this book.
Don’t get me wrong, I did like it. But let me explain some things I did not like. The beginning was slow and honestly, I was a bit bored. Eventually it picked up, but if I hadn’t been so invested in the series, I might have stopped reading. (And I’m glad I continued, btw) Though the pace picked up, I still found myself forcing myself to push through the story. That’s my biggest reason for maybe, kinda, just a little bit- not liking it. The end also seemed a bit rushed. Maybe that’s just me. But I felt like maybe there should be… MORE.
In the first book, I was very much into Tamlin and Feyre. The second book I was drooling over Rhys and totally shipped him and Feyre. Yes, they have a couple steamy scenes in this book, but it didn’t do much for me like the previous book. This time, I was hooked on Cassian. I don’t know what it was, but he stole the show for me. I also thought Lucien and Elaine were super cute, despite things being so strained. But really, can I just have Rhys and Cassian for myself? Please, please, please." Read my entire review here: https://thenerdybookwormsite.wordpress.com/2017/09/16/a-court-of-wings-and-ruin-by-sarah-j-maas/
Don’t get me wrong, I did like it. But let me explain some things I did not like. The beginning was slow and honestly, I was a bit bored. Eventually it picked up, but if I hadn’t been so invested in the series, I might have stopped reading. (And I’m glad I continued, btw) Though the pace picked up, I still found myself forcing myself to push through the story. That’s my biggest reason for maybe, kinda, just a little bit- not liking it. The end also seemed a bit rushed. Maybe that’s just me. But I felt like maybe there should be… MORE.
In the first book, I was very much into Tamlin and Feyre. The second book I was drooling over Rhys and totally shipped him and Feyre. Yes, they have a couple steamy scenes in this book, but it didn’t do much for me like the previous book. This time, I was hooked on Cassian. I don’t know what it was, but he stole the show for me. I also thought Lucien and Elaine were super cute, despite things being so strained. But really, can I just have Rhys and Cassian for myself? Please, please, please." Read my entire review here: https://thenerdybookwormsite.wordpress.com/2017/09/16/a-court-of-wings-and-ruin-by-sarah-j-maas/
Molly J (Cover To Cover Cafe) (106 KP) rated A Distant Melody (Wings of Glory, #1) in Books
Feb 25, 2019
Sarah Sundin has a new fan---me!!! I absolutely adored this book. It was humorous, romantic, sad, and filled with God through out the whole story. It even has a bit of a suspenseful twist to it, making this a book that immediately pulled me in.
I did not want to put this book done for anything! I wanted to turn page after page until I got the very last one to find out what happened to Allie, Baxter and the lovable Walt Novak! Although, I must say, I was not fond of Baxter. He wasn't charming at all! But Allie and Walt and their friends, they all captured my heart, and helped to over look the not so charming Baxter! I really loved the WWII era that Sundin used to create this story. I love WWII movies, so I knew this book wouldn't disappoint. I loved how Sundin was very detailed with the descriptions in this book.
Along with the wonderful characters that I mentioned above, Sarah Sundin also adds a wonderful, strong message of being honest. She shows that honesty is the most important factor in a friendship, or a romance for that matter! Between that message and God, this was a beautifully written, 5 star historical novel that will be permenantly on my shelf as the start of a great series collection! It has something for everyone, so grab a copy today, sit back and get ready for an adverturous flight back in time--you'll be glad you did! I can't wait for Wings of Glory #2--A Memory Between Us, due out September 2010!
I did not want to put this book done for anything! I wanted to turn page after page until I got the very last one to find out what happened to Allie, Baxter and the lovable Walt Novak! Although, I must say, I was not fond of Baxter. He wasn't charming at all! But Allie and Walt and their friends, they all captured my heart, and helped to over look the not so charming Baxter! I really loved the WWII era that Sundin used to create this story. I love WWII movies, so I knew this book wouldn't disappoint. I loved how Sundin was very detailed with the descriptions in this book.
Along with the wonderful characters that I mentioned above, Sarah Sundin also adds a wonderful, strong message of being honest. She shows that honesty is the most important factor in a friendship, or a romance for that matter! Between that message and God, this was a beautifully written, 5 star historical novel that will be permenantly on my shelf as the start of a great series collection! It has something for everyone, so grab a copy today, sit back and get ready for an adverturous flight back in time--you'll be glad you did! I can't wait for Wings of Glory #2--A Memory Between Us, due out September 2010!
Fred (860 KP) rated Justice League (2017) in Movies
Jul 26, 2018
Flash, Wonder Woman, Batman, Superman, Aquaman, Cyborg (3 more)
Steppenwolf is great!
Action was great
Story was good
Horrendous special effects. Cyborg looks terrible. (1 more)
Dialogue was iffy
Was surprised by this one. It's good!
I have to admit. Most time I avoid reviews of movies, because quite frankly, they may affect my feelings towards a film. However, I heard only bad things about Justice League & was totally going to skip it, considering what I did hear about it & my disappointment with the recent string of superhero films. So, when a friend of mine said it was actually good, I gave it a shot. I'm happy I did.
The film is very good. Not great, but when put up against Wonder Woman, Black Panther & Superman v Batman, it shines.
The chemistry between the actors is great. They really come across as a team, unlike the Avengers. The new guys are great! Flash is funny, as he should be. Aquaman is a badass, because if he wasn't, he'd be boring "Superfriends" Aquaman. And Cyborg, well...Cyborg let's just say, is a great character & acted well, but special effects that bring his body to life aren't so...special. He looks out of place, like a cartoon put against a real background. When he moves his head, it floats around on his neck. It's not just one time, but every time. And the end battle takes place in a CGI town that looks worse than the first season of Beast Wars:Transformers.
But I can overlook that, because besides the flaws, we got a fun film to watch. And stay after the credits. You won't be disappointed.
The film is very good. Not great, but when put up against Wonder Woman, Black Panther & Superman v Batman, it shines.
The chemistry between the actors is great. They really come across as a team, unlike the Avengers. The new guys are great! Flash is funny, as he should be. Aquaman is a badass, because if he wasn't, he'd be boring "Superfriends" Aquaman. And Cyborg, well...Cyborg let's just say, is a great character & acted well, but special effects that bring his body to life aren't so...special. He looks out of place, like a cartoon put against a real background. When he moves his head, it floats around on his neck. It's not just one time, but every time. And the end battle takes place in a CGI town that looks worse than the first season of Beast Wars:Transformers.
But I can overlook that, because besides the flaws, we got a fun film to watch. And stay after the credits. You won't be disappointed.
Caffeinated Fae (464 KP) rated The Travelling Cat Chronicles in Books
Aug 14, 2018
Characters (1 more)
Story
Simple and Beatuful
When I received an email about this book, I knew I had to read it. I took a chance and requested a copy and I was lucky enough to get a physical Advanced Reader Copy of this book. The cover is absolutely adorable and there's just something special about reading the physical book. I knew from the description that this book would be right up my alley and it was exactly as I expected. It was beautiful, simple, and heart wrenching at moments.
This book follows the cat Nana and his owner Satoru throughout their lives. The simplistic narrative just adds to the story. Nana is able to capture the moment without bogging it down with complexity. Each chapter brings new characters into the story that reminded me of my childhood. They were relatable and realistic. It's always refreshing to read realistic characters which is why this book resounded with me.
What I loved the most about this book is the simplistic nature. It reminded me of the simplicity of Parnassus on Wheels. It was beautiful in its simplicity. Even with the simplicity of the story, Hiro Arikawa was able to truly capture the moments in the stories and it made me feel for Satoru & Nana. I was an emotional wreck at moments. I was frustrated with Nana at times, heartbroken for him too. I am not ashamed to admit that I cried at moments. Honestly, if a book can evoke an emotional response in me, it means that the author did their job and did their job well.
If you're on the fence about this book, I highly suggest you read it.
This book follows the cat Nana and his owner Satoru throughout their lives. The simplistic narrative just adds to the story. Nana is able to capture the moment without bogging it down with complexity. Each chapter brings new characters into the story that reminded me of my childhood. They were relatable and realistic. It's always refreshing to read realistic characters which is why this book resounded with me.
What I loved the most about this book is the simplistic nature. It reminded me of the simplicity of Parnassus on Wheels. It was beautiful in its simplicity. Even with the simplicity of the story, Hiro Arikawa was able to truly capture the moments in the stories and it made me feel for Satoru & Nana. I was an emotional wreck at moments. I was frustrated with Nana at times, heartbroken for him too. I am not ashamed to admit that I cried at moments. Honestly, if a book can evoke an emotional response in me, it means that the author did their job and did their job well.
If you're on the fence about this book, I highly suggest you read it.
Eleanor (1463 KP) rated Along Came a Spider (Alex Cross, #1) in Books
Jul 1, 2019
Good start to Long Running Crime Series
7.5 for me, rounded up for an enjoyable audio experience.
I listened to the unabridged audio book of this narrated by Charles Turner who did a good job of reading this long crime thriller. I had a poor experience with my first Patterson but this was a good recovery for me.
This book introduces us to Alex Cross (there are A LOT of Cross books) and I think I can see why. Cross is a likeable cop and psychologist, dedicated both to his job and two children what he is raising motherless with the help of his no nonsense grandmother (Nana Moma.) He’s got a lot going on, although besides Cross and Nana the rest of the characters were fairly bland and oddly not a lot of time seemed to be spent working with his partner.
The book gets off to a nice quick paced start and really gets you motoring through it. Cross is redirected from a multiple murder investigation in a poor area of the city to assist in the case of the kidnapping of some rich kids which sets a feeling of tension. There is a theme throughout of white / black tension which despite this book been 25 years old still seems all too relevant.
I did find the book to stall somewhat in the middle; especially when it came to some dull courtroom antics. The ending picked up for me and I was left satisfied. Although there was a tad too much relationship stuff for my liking it wasn’t completely over the top.
Willing to carry on with this series and see where we go with Cross next.
I listened to the unabridged audio book of this narrated by Charles Turner who did a good job of reading this long crime thriller. I had a poor experience with my first Patterson but this was a good recovery for me.
This book introduces us to Alex Cross (there are A LOT of Cross books) and I think I can see why. Cross is a likeable cop and psychologist, dedicated both to his job and two children what he is raising motherless with the help of his no nonsense grandmother (Nana Moma.) He’s got a lot going on, although besides Cross and Nana the rest of the characters were fairly bland and oddly not a lot of time seemed to be spent working with his partner.
The book gets off to a nice quick paced start and really gets you motoring through it. Cross is redirected from a multiple murder investigation in a poor area of the city to assist in the case of the kidnapping of some rich kids which sets a feeling of tension. There is a theme throughout of white / black tension which despite this book been 25 years old still seems all too relevant.
I did find the book to stall somewhat in the middle; especially when it came to some dull courtroom antics. The ending picked up for me and I was left satisfied. Although there was a tad too much relationship stuff for my liking it wasn’t completely over the top.
Willing to carry on with this series and see where we go with Cross next.
Blackout: Remembering the Things I Drank to Forget
Book
A raw, vivid and ultimately uplifting memoir of addiction and recovery from the Salon.com personal...
