Search
Search results
Debbiereadsbook (1554 KP) rated Forged Futures (Tribal Spirits #4) in Books
May 30, 2019
my fav of the four!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book four in the Tribal Spirits series, and I would STRONGLY recommend you read books one through three first. There is an ongoing story arc that rears its ugly head again, and you need to know the devastation this has caused before now.
Lana’s husband was killed by the Landsliders last year, and she is existing. She isn’t surviving, or living, just existing. When those Landsliders come after Lana, Lucas, of the East Coast Tribe, is back in town to find out why. To get the shaman who has been at the right hand of the man who betrayed The Tribe. Having to stay in Lana’s house though, wasn’t in the plan but the tiger within Lucas demands he stay, to keep her safe. When they realise the Landsliders are looking for a device that Lana’s dead husband stole from them, the Red River and Silver Springs packs prepare for all-out war on the Landsliders. But what about after? Lucas will leave and Lana will be left alone again. Won’t they?
Like I said, book 4 in the series, and I think, maybe my favourite of the four so far. Can’t tell you why, though, but that’s my feeling and ya’ll know I’m ALL about the book feelings!
Lana is just about getting by. As a cat, she needs that physical connection and since her husband’s death, she gets it only from her friend, Ally. Which, while lovely, it doesn’t quite help, you know? Lana’s attraction to Lucas was as unexpected as it was unwanted. Lana feels guilty for cheating on her husband, even though he is gone. Once Gavin’s friends are made to see how much she needs this with Lucas, she jumps all in.
As Tribe, Lucas moves around, having only his family home as a base. Staying with Lana makes him see what he has been missing. Coming home to someone who gets him, on a deep level that no one, not even his Tribe mates, do. Lana SEES Lucas, she really does.
But what I particularly loved about this one, what made it stand out, was there was none of that MINE thing that usually comes with shifter mates. There was attraction, and feelings and emotions, yes, and these grew over time, but that immediate MINE moment? Nothing, not until they were fully mated, and it was a kind of “OH!” moment for Lana and Lucas and I really loved that. While they were taking comfort in each other, the mating bonds formed and neither realised til that moment. Loved that!
There are many secrets that come out here, and poor Lana bears the brunt of them.
Sierra and Dax; Jer and Raven play a huge part here, but Finn and Navi are only mentioned.
With one half of the head of the Landsliders now disposed of, lets hope in the next book they can get rid of them entirely. And I believe that Drew, the Landslider who turned against them, gets his story next. The bad boy does turn good here, fighting for the packs and there are some mahoosive clues (unless I’m totally dense and misread them totally wrong!) as to who might be Drew’s mate. I hope I did not read them wrong, cos the cat in question clearly has feelings for Drew and vice versa, and they are no clearer then when they are “stuck” So, please let it be her!
5 full and shiny stars.
**same worded review will appear elsewhere**
This is book four in the Tribal Spirits series, and I would STRONGLY recommend you read books one through three first. There is an ongoing story arc that rears its ugly head again, and you need to know the devastation this has caused before now.
Lana’s husband was killed by the Landsliders last year, and she is existing. She isn’t surviving, or living, just existing. When those Landsliders come after Lana, Lucas, of the East Coast Tribe, is back in town to find out why. To get the shaman who has been at the right hand of the man who betrayed The Tribe. Having to stay in Lana’s house though, wasn’t in the plan but the tiger within Lucas demands he stay, to keep her safe. When they realise the Landsliders are looking for a device that Lana’s dead husband stole from them, the Red River and Silver Springs packs prepare for all-out war on the Landsliders. But what about after? Lucas will leave and Lana will be left alone again. Won’t they?
Like I said, book 4 in the series, and I think, maybe my favourite of the four so far. Can’t tell you why, though, but that’s my feeling and ya’ll know I’m ALL about the book feelings!
Lana is just about getting by. As a cat, she needs that physical connection and since her husband’s death, she gets it only from her friend, Ally. Which, while lovely, it doesn’t quite help, you know? Lana’s attraction to Lucas was as unexpected as it was unwanted. Lana feels guilty for cheating on her husband, even though he is gone. Once Gavin’s friends are made to see how much she needs this with Lucas, she jumps all in.
As Tribe, Lucas moves around, having only his family home as a base. Staying with Lana makes him see what he has been missing. Coming home to someone who gets him, on a deep level that no one, not even his Tribe mates, do. Lana SEES Lucas, she really does.
But what I particularly loved about this one, what made it stand out, was there was none of that MINE thing that usually comes with shifter mates. There was attraction, and feelings and emotions, yes, and these grew over time, but that immediate MINE moment? Nothing, not until they were fully mated, and it was a kind of “OH!” moment for Lana and Lucas and I really loved that. While they were taking comfort in each other, the mating bonds formed and neither realised til that moment. Loved that!
There are many secrets that come out here, and poor Lana bears the brunt of them.
Sierra and Dax; Jer and Raven play a huge part here, but Finn and Navi are only mentioned.
With one half of the head of the Landsliders now disposed of, lets hope in the next book they can get rid of them entirely. And I believe that Drew, the Landslider who turned against them, gets his story next. The bad boy does turn good here, fighting for the packs and there are some mahoosive clues (unless I’m totally dense and misread them totally wrong!) as to who might be Drew’s mate. I hope I did not read them wrong, cos the cat in question clearly has feelings for Drew and vice versa, and they are no clearer then when they are “stuck” So, please let it be her!
5 full and shiny stars.
**same worded review will appear elsewhere**
Mothergamer (1598 KP) rated the PC version of Dragon Age II in Video Games
Apr 3, 2019
I finished Dragon Age 2 and let's just say I am feeling conflicted. I absolutely loved Origins and Awakening. The story was well thought out and throw in the factor of every choice you made had a consequence of being good, evil, or in a gray area, it really made you pay attention and think about what you wanted to do throughout the story line. There was also more to explore on the map, and there was some depth to the design, such as the forests of Ferelden, the Dalish elves camp, and Orzammar.
I was extremely excited about Dragon Age 2 and even got the signature edition. You get a lot of great items and cool downloadable content like The Black Emporium shop and The Exiled Prince quest. However, playing Dragon Age 2 I couldn't help but notice a lot of glaring flaws throughout it with the battle system and with some of the map designs. There are also for me, some issues with parts of the story and this does include some of Hawke's story.
First, let me start with why I had a problem with Hawke's story. There are parts of it that seem rather pointless, as if Hawke is going through the motions and not really driven the way the hero was in Origins and Awakening. There's a lack of intensity. There is also a glaring lack of tough choices. I love a great story and with Origins and Awakening, there were choices that could be made that would affect the story, take it down a different path, and everything you decided had consequences. With Dragon Age 2, it seems the story was only written one way and no matter what the player does or decides, they become the Champion the same way and go through the same events. It falls flat when you think about the intricacies and plot twists of the previous two games.
I did like the interactions with the members of your party and there were even characters I genuinely liked. I found that my top three were Varric, Fenris, and Isabela. Hawke has a voice, so some of these interactions had a little more emotion to them, but frankly it seemed like the companions were far more interesting and witty. Even their quests and stories were more interesting to me. There was one part of Hawke's story that really had me going and to the person who wrote that, I say great job. As for the rest, it just felt dull. Sure, the ending has a fantastic pivotal point to the story line, but it felt like a chore to get to it at certain points in the game.
Overall, I had no problem with the battle system. It was much easier to navigate, the action is fast and fluid, and the AI is pretty spot on when it comes to the other party members, making for a pretty exciting furious battle. Yet, there was a problem. Let me be clear with all my friends who told me I could change the difficulty setting to casual if a battle was too hard, I DID. I then tried various tactics and party set ups and got annihilated eight times or more. I'll give everyone a moment to let that sink in. Now, maybe it's a crazy concept, but the casual setting on a video game means you don't have lots of dead party members and game over screens. Yes, it's still a battle, but not quite so difficult. When a battle is hard on the EASY setting, that's a huge problem for me. Factor in the 30 second cool down timer for healing potions, and healing spells, it borders on ridiculous.
While I understand that the gist of this idea was it makes you plan out and think carefully about strategies for quests, boss battles, and random fights a 30 second heal timer does not work. I could understand having a timer, but 30 seconds can make or break a quest or story oriented battle in Dragon Age 2. I played as a rogue for the first play through, and I found myself kiting things a hell of a lot waiting for the timer to be up and hoping I wouldn't die before I could heal. Needless to say, it got incredibly frustrating quite a few times!
Finally, we have the sheer laziness of the map and dungeon designs. It was as if there was just one prototype for everything when it came to the buildings in Kirkwall. The "poor house" design, and the "rich mansion" design came across as bland and was a telling sign of how rushed this game was. There's also one map for the sewers, the Deep Roads, one mine, one mountain, and one cave. You basically go back and forth with five different locations on the world map. Compared to the other maps in the Dragon Age games, this is shameful. The map is ridiculously tiny, but it's as if they were lazy and couldn't be bothered with making the locations stand out and be unique from each other.
I liked Dragon Age 2, but I didn't love it the way I did Origins and Awakening. I can honestly say, it's a good game, but not a great one. There's too many predictable points in some of the story telling and it's quite obvious to see where certain things were rushed especially with certain cut scenes where the characters were blinking in and out of frame. I can not in good conscience give Dragon Age 2 a stellar review as an amazing game, because it isn't. Believe me, that kills me because I absolutely love the Dragon Age series, but with that many flaws, it's not worth full price.
I was extremely excited about Dragon Age 2 and even got the signature edition. You get a lot of great items and cool downloadable content like The Black Emporium shop and The Exiled Prince quest. However, playing Dragon Age 2 I couldn't help but notice a lot of glaring flaws throughout it with the battle system and with some of the map designs. There are also for me, some issues with parts of the story and this does include some of Hawke's story.
First, let me start with why I had a problem with Hawke's story. There are parts of it that seem rather pointless, as if Hawke is going through the motions and not really driven the way the hero was in Origins and Awakening. There's a lack of intensity. There is also a glaring lack of tough choices. I love a great story and with Origins and Awakening, there were choices that could be made that would affect the story, take it down a different path, and everything you decided had consequences. With Dragon Age 2, it seems the story was only written one way and no matter what the player does or decides, they become the Champion the same way and go through the same events. It falls flat when you think about the intricacies and plot twists of the previous two games.
I did like the interactions with the members of your party and there were even characters I genuinely liked. I found that my top three were Varric, Fenris, and Isabela. Hawke has a voice, so some of these interactions had a little more emotion to them, but frankly it seemed like the companions were far more interesting and witty. Even their quests and stories were more interesting to me. There was one part of Hawke's story that really had me going and to the person who wrote that, I say great job. As for the rest, it just felt dull. Sure, the ending has a fantastic pivotal point to the story line, but it felt like a chore to get to it at certain points in the game.
Overall, I had no problem with the battle system. It was much easier to navigate, the action is fast and fluid, and the AI is pretty spot on when it comes to the other party members, making for a pretty exciting furious battle. Yet, there was a problem. Let me be clear with all my friends who told me I could change the difficulty setting to casual if a battle was too hard, I DID. I then tried various tactics and party set ups and got annihilated eight times or more. I'll give everyone a moment to let that sink in. Now, maybe it's a crazy concept, but the casual setting on a video game means you don't have lots of dead party members and game over screens. Yes, it's still a battle, but not quite so difficult. When a battle is hard on the EASY setting, that's a huge problem for me. Factor in the 30 second cool down timer for healing potions, and healing spells, it borders on ridiculous.
While I understand that the gist of this idea was it makes you plan out and think carefully about strategies for quests, boss battles, and random fights a 30 second heal timer does not work. I could understand having a timer, but 30 seconds can make or break a quest or story oriented battle in Dragon Age 2. I played as a rogue for the first play through, and I found myself kiting things a hell of a lot waiting for the timer to be up and hoping I wouldn't die before I could heal. Needless to say, it got incredibly frustrating quite a few times!
Finally, we have the sheer laziness of the map and dungeon designs. It was as if there was just one prototype for everything when it came to the buildings in Kirkwall. The "poor house" design, and the "rich mansion" design came across as bland and was a telling sign of how rushed this game was. There's also one map for the sewers, the Deep Roads, one mine, one mountain, and one cave. You basically go back and forth with five different locations on the world map. Compared to the other maps in the Dragon Age games, this is shameful. The map is ridiculously tiny, but it's as if they were lazy and couldn't be bothered with making the locations stand out and be unique from each other.
I liked Dragon Age 2, but I didn't love it the way I did Origins and Awakening. I can honestly say, it's a good game, but not a great one. There's too many predictable points in some of the story telling and it's quite obvious to see where certain things were rushed especially with certain cut scenes where the characters were blinking in and out of frame. I can not in good conscience give Dragon Age 2 a stellar review as an amazing game, because it isn't. Believe me, that kills me because I absolutely love the Dragon Age series, but with that many flaws, it's not worth full price.
Purple Phoenix Games (2266 KP) rated Canvas in Tabletop Games
Feb 3, 2021
I do not have any natural talent for art. That doesn’t stop me from enjoying it, though! Whether it’s coloring, painting, or crafting, I like to let my artistic side run free. So imagine my surprise as I was perusing Kickstarter one day and happened upon Canvas. A game about ‘painting’ and creating unique, brilliant, and one-of-a-kind pieces of artwork, all without having to worry about my lack of actual artistic talent?? I was immediately sold! Now that I have the game in hand and have gotten the opportunity to play it, will it withstand the test of time, like a classic masterpiece?
Canvas is a game of card drafting and set collection in which players are trying to layer their cards to create unique pieces of artwork that will earn them Ribbons (VP) at the local art festival. To begin, set up the canvas mat, 4 random Scoring Cards, Ribbon tokens, and Art cards in their corresponding locations in the play area. Each player receives 3 sleeved Background cards and 4 Inspiration tokens. Select a starting player, and the game is ready to begin!
Playing over a series of rounds, players will take turns either Taking an Art Card or Completing a Painting. If you choose to Take an Art Card, you select an Art Card from the canvas mat and take it into your hand. The card furthest from the draw deck is free, but subsequent cards must be ‘purchased’ by spending Inspiration. Place 1 Inspiration token on every card preceding the one you take into hand. If you select an Art Card that has an Inspiration token on it, you collect that token for future use!
If you have at least 3 Art Cards, or a maximum of 5 Art Cards in hand, you must Complete a Painting. You will select 3 of your Art Cards to be sleeved with one of your starting Background cards. You may layer the Art Cards in any order you choose – but remember, only visible icons are used for scoring! Once you have Completed a Painting, you immediately score that piece. Compare the visible icons on your final painting to the Scoring Cards, taking any corresponding Ribbon tokens for successfully meeting their requirements. Play continues in this manner until all players have completed their 3 paintings. Players count up their cumulative scores from all paintings, and the player with the most points is the winner!
The gameplay seems simple enough, right? Yes! It is very straightforward since you only have 2 options for each turn. Either draft a card, or complete a painting. Teaching time is minimal and the gameplay can move quickly. But THAT is where the simplicity ends, my friends. The heart of Canvas is in its strategy. Each game has 4 random Scoring Cards, which define how you will earn points. And each transparent Art Card has a number of icons at the bottom that will affect how you resolve each Scoring Card. By layering your Art Cards, you will cover some icons, while letting others remain visible. The possibilities are truly endless when it comes to how to layer your cards, but are you clever enough to layer them for maximum points? Admittedly, the various layering possibilities coupled with 4 different Scoring Cards can lead to some analysis paralysis, as players try to figure out every combination they have to see what could earn the most points. But all in all, I have found the that the gameplay is never really at a standstill, because as one player is taking their turn, all others can be strategizing with their own cards.
Let’s talk about components. First off, I love the canvas mat – it really brings the theme to life and is good quality! The Art Cards are colorful and sturdy, and they really are clear enough to see even when layered upon each other. (I should say that I did remove the plastic film from the manufacturing process.) The Scoring and Background cards are nice, big, and easy to read and understand. My deluxe copy of Canvas has Wooden Ribbons and Inspiration tokens instead of the standard cardboard, and they are nice, chunky, and fun to play with. There are even 5 small wooden easels on which players can display their masterpieces! All in all, the deluxe components are great quality and really elevate the gameplay. AND the game box literally has a hole in the back so it can be hung on the wall, like a real piece of art! Such a creative and immersive approach to the game, that just puts a smile on my face.
If you’ve read this far in my review, I think you can tell that I really love Canvas. The theme is creative, the gameplay is simple, but extremely strategic, and the high quality components really make it feel deluxe. Is there anything I don’t like about it? Maybe that it makes my brain hurt sometimes when trying to figure out the best layering combo of my Art Cards. But seriously, this game is a new and unique twist on some of my favorite mechanics. Canvas is quickly making its way towards my Top 10 list, and this is one I will definitely be pulling out at game nights pretty often. Purple Phoenix Games gives this one an eccentric 11 / 12. Give it a shot, I don’t think you’ll be disappointed.
Canvas is a game of card drafting and set collection in which players are trying to layer their cards to create unique pieces of artwork that will earn them Ribbons (VP) at the local art festival. To begin, set up the canvas mat, 4 random Scoring Cards, Ribbon tokens, and Art cards in their corresponding locations in the play area. Each player receives 3 sleeved Background cards and 4 Inspiration tokens. Select a starting player, and the game is ready to begin!
Playing over a series of rounds, players will take turns either Taking an Art Card or Completing a Painting. If you choose to Take an Art Card, you select an Art Card from the canvas mat and take it into your hand. The card furthest from the draw deck is free, but subsequent cards must be ‘purchased’ by spending Inspiration. Place 1 Inspiration token on every card preceding the one you take into hand. If you select an Art Card that has an Inspiration token on it, you collect that token for future use!
If you have at least 3 Art Cards, or a maximum of 5 Art Cards in hand, you must Complete a Painting. You will select 3 of your Art Cards to be sleeved with one of your starting Background cards. You may layer the Art Cards in any order you choose – but remember, only visible icons are used for scoring! Once you have Completed a Painting, you immediately score that piece. Compare the visible icons on your final painting to the Scoring Cards, taking any corresponding Ribbon tokens for successfully meeting their requirements. Play continues in this manner until all players have completed their 3 paintings. Players count up their cumulative scores from all paintings, and the player with the most points is the winner!
The gameplay seems simple enough, right? Yes! It is very straightforward since you only have 2 options for each turn. Either draft a card, or complete a painting. Teaching time is minimal and the gameplay can move quickly. But THAT is where the simplicity ends, my friends. The heart of Canvas is in its strategy. Each game has 4 random Scoring Cards, which define how you will earn points. And each transparent Art Card has a number of icons at the bottom that will affect how you resolve each Scoring Card. By layering your Art Cards, you will cover some icons, while letting others remain visible. The possibilities are truly endless when it comes to how to layer your cards, but are you clever enough to layer them for maximum points? Admittedly, the various layering possibilities coupled with 4 different Scoring Cards can lead to some analysis paralysis, as players try to figure out every combination they have to see what could earn the most points. But all in all, I have found the that the gameplay is never really at a standstill, because as one player is taking their turn, all others can be strategizing with their own cards.
Let’s talk about components. First off, I love the canvas mat – it really brings the theme to life and is good quality! The Art Cards are colorful and sturdy, and they really are clear enough to see even when layered upon each other. (I should say that I did remove the plastic film from the manufacturing process.) The Scoring and Background cards are nice, big, and easy to read and understand. My deluxe copy of Canvas has Wooden Ribbons and Inspiration tokens instead of the standard cardboard, and they are nice, chunky, and fun to play with. There are even 5 small wooden easels on which players can display their masterpieces! All in all, the deluxe components are great quality and really elevate the gameplay. AND the game box literally has a hole in the back so it can be hung on the wall, like a real piece of art! Such a creative and immersive approach to the game, that just puts a smile on my face.
If you’ve read this far in my review, I think you can tell that I really love Canvas. The theme is creative, the gameplay is simple, but extremely strategic, and the high quality components really make it feel deluxe. Is there anything I don’t like about it? Maybe that it makes my brain hurt sometimes when trying to figure out the best layering combo of my Art Cards. But seriously, this game is a new and unique twist on some of my favorite mechanics. Canvas is quickly making its way towards my Top 10 list, and this is one I will definitely be pulling out at game nights pretty often. Purple Phoenix Games gives this one an eccentric 11 / 12. Give it a shot, I don’t think you’ll be disappointed.
Emma @ The Movies (1786 KP) rated The King (2019) in Movies
Oct 29, 2019
There has been a lot of talk about The King, it's not one that I would necessarily have picked but I do enjoy historical films and who doesn't like a good battle scene? With Timothée Chalamet in the lead and Robert Pattinson in a supporting role I had my doubts, I'm not a fan of either one particularly but in the end it changed my opinion... partly. What surprised me was that this was a Netflix film, from all the hype I had been expecting a general release and I think it would have done incredibly well at the cinema, but we shall see how it fairs online.
My historical knowledge is terrible, luckily the evening I saw this I was meeting a friend for dinner who would be my phone a friend for all things historical so I picked his brain. We compared notes and it seems like they haven't messed with the actual history of it too much, though he did admit to not being an expert on this period. Do let me know in the comments how it stands up against documented history if you're up to speed on the topic.
The film does a good job of keeping the timeline clear, it doesn't jump around unnecessarily and despite the obvious long time frame of real life the scenes capture and condense everything quite nicely.
I'm going to start covering the acting by talking about Robert Pattinson. I have never heard such a unanimous reaction to a performance in my life. From the sheer volume in the Odean Luxe I believe that as soon as he spoke everyone broke out laughing. It wasn't just the one time either, it was every time. I don't know anything about The Dauphin of France but perhaps he did have the stereotypical accent... I don't know if I want to give RPat the benefit of the doubt. Almost every scene he was in had a rather tragic comedy element, mostly that was the accent but later there's a scene that would have sat well in a silent black and white comedy skit, I did laugh, but it really didn't fit the tone of any part of the film that he wasn't in.
Timothée Chalamet hasn't made much of an impression on me so far in his acting career. Beautiful Boy wasn't my cup of tea and his parts in Lady Bird and Hostiles clearly didn't either as I only remembered them when skimming IMDb. In The King though I found him to be excellent, I didn't make a single negative note about his performance. Every scene, every emotion, every moment in battle landed perfectly. This really did turn my opinion of him around and I'll be looking forward to his next role a lot more.
Joel Edgerton as Sir John Falstaff is the comic relief this film needed, his moments were light and broke the tension in the perfect way. He's a very consistent actor whose a pleasure to watch on screen and he's a multi-talented fella to boot... writer, producer and actor in this, well played sir, well played.
Sean Harris will also be a familiar face to most of us, and I suspect the main go to for people would be the MI franchise though he's got over 50 acting credits including the UK actors' traditional stint on The Bill. Yet another great actor in the mix and he managed to bring the characteristics of William out with great effect in his performance.
Overall the cast was excellent, though a couple of performances may have been a little on the irritating side for me, that did feel more intentional than anything else when you took the scenes into consideration.
It's difficult to know whether I'm spoiling something or not, but this is based on historical fact so I'm going to say not... The build up to the battle seemed fitting and yet somehow understated for what was to follow. The sound and the visuals are stunning, I'm getting goosebumps just remembering it. The rumble of the horses, the arrows... the sound in the cinema was so powerful and it makes me a little sad that this is going straight to Netflix where that part won't meet its full potential for most of its streams.
The other worry is that the battle won't get the same impact on a smaller screen. The camera work in The King is amazing, you got the sense of claustrophobia and the crush of the fight as we were brought into the mob of actors. I was in awe watching it. I genuinely don't know how they successfully managed to film that whole sequence in what was essentially a pool of mud. It makes my mind boggle.
While I can't really get on board with Robert Pattinson in this film everyone else was a joy to watch. It's a shame it's a Netflix film, I commend them for making something this impressive but it really deserves a cinema experience, I'm thankful to LFF for giving me that honour.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-king-movie-review.html
My historical knowledge is terrible, luckily the evening I saw this I was meeting a friend for dinner who would be my phone a friend for all things historical so I picked his brain. We compared notes and it seems like they haven't messed with the actual history of it too much, though he did admit to not being an expert on this period. Do let me know in the comments how it stands up against documented history if you're up to speed on the topic.
The film does a good job of keeping the timeline clear, it doesn't jump around unnecessarily and despite the obvious long time frame of real life the scenes capture and condense everything quite nicely.
I'm going to start covering the acting by talking about Robert Pattinson. I have never heard such a unanimous reaction to a performance in my life. From the sheer volume in the Odean Luxe I believe that as soon as he spoke everyone broke out laughing. It wasn't just the one time either, it was every time. I don't know anything about The Dauphin of France but perhaps he did have the stereotypical accent... I don't know if I want to give RPat the benefit of the doubt. Almost every scene he was in had a rather tragic comedy element, mostly that was the accent but later there's a scene that would have sat well in a silent black and white comedy skit, I did laugh, but it really didn't fit the tone of any part of the film that he wasn't in.
Timothée Chalamet hasn't made much of an impression on me so far in his acting career. Beautiful Boy wasn't my cup of tea and his parts in Lady Bird and Hostiles clearly didn't either as I only remembered them when skimming IMDb. In The King though I found him to be excellent, I didn't make a single negative note about his performance. Every scene, every emotion, every moment in battle landed perfectly. This really did turn my opinion of him around and I'll be looking forward to his next role a lot more.
Joel Edgerton as Sir John Falstaff is the comic relief this film needed, his moments were light and broke the tension in the perfect way. He's a very consistent actor whose a pleasure to watch on screen and he's a multi-talented fella to boot... writer, producer and actor in this, well played sir, well played.
Sean Harris will also be a familiar face to most of us, and I suspect the main go to for people would be the MI franchise though he's got over 50 acting credits including the UK actors' traditional stint on The Bill. Yet another great actor in the mix and he managed to bring the characteristics of William out with great effect in his performance.
Overall the cast was excellent, though a couple of performances may have been a little on the irritating side for me, that did feel more intentional than anything else when you took the scenes into consideration.
It's difficult to know whether I'm spoiling something or not, but this is based on historical fact so I'm going to say not... The build up to the battle seemed fitting and yet somehow understated for what was to follow. The sound and the visuals are stunning, I'm getting goosebumps just remembering it. The rumble of the horses, the arrows... the sound in the cinema was so powerful and it makes me a little sad that this is going straight to Netflix where that part won't meet its full potential for most of its streams.
The other worry is that the battle won't get the same impact on a smaller screen. The camera work in The King is amazing, you got the sense of claustrophobia and the crush of the fight as we were brought into the mob of actors. I was in awe watching it. I genuinely don't know how they successfully managed to film that whole sequence in what was essentially a pool of mud. It makes my mind boggle.
While I can't really get on board with Robert Pattinson in this film everyone else was a joy to watch. It's a shame it's a Netflix film, I commend them for making something this impressive but it really deserves a cinema experience, I'm thankful to LFF for giving me that honour.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-king-movie-review.html
Heather Cranmer (2721 KP) rated Pudge & Prejudice in Books
Jan 31, 2021
I'm not big on romance novels, but when I saw the cover and synopsis of Pudge & Prejudice by A.K. Pittman, I knew that this was one book I had to read. It just seemed so relatable. I'm so happy that I did get a chance to read this book because I have become totally smitten with it!
I thought the plot for Pudge & Prejudice was very well written. It's 1984, and fifteen year old Elyse (nicknamed "Pudge" by her older sister) and her family have just moved to Texas. It's a bit of a culture shock at first, but Elyse learns the ropes quickly. While her beautiful, older sister Jayne has no trouble fitting in at high school, Elyse's body issues complicate things especially when it comes to guys like Billy Fritz. Will Elyse ever be able to get over her looks or will the way she thinks of herself be her downfall?
The plot for Pudge & Prejudice is such a cute one, and it's one I can semi-relate too. (I never had a crush on any of the football players at my school, but I was a chubby teen like Elyse.) Pittman does an excellent job of making the small Texas town that Elyse lives in come to life. I could picture every sight, taste, and smell throughout the book. I just had to open my book, and I was instantly transported. The pacing for Pudge & Prejudice was spot on. I found myself not wanting to put this book down. It held my interest from the very first page. I loved the 1980's references, and I was glad that they weren't overdone like some other books. One thing that I did enjoy about Pudge & Prejudice is that the romance isn't all in your face. It's hard for me to describe, but although there was some romance, it wasn't what the whole book was about. I didn't spot any plot twists, but Pudge & Prejudice is such a fantastic book that it didn't need any plot twists. There was a minor cliffhanger at the end of the book which mentions the summer after Elyse's sophomore year. I'm hoping this will turn into a series because I would love to see what happened to Elyse and her sister Jayne that summer. (I was so sad when the book ended.) I will say that I did find some of the book a bit unrealistic as to who crushes on Elyse. I have never known something like that to happen. Maybe it happens to a small minority, but I never knew it to happen at any school I had ever known. However, this was such a sweet and fun read that I didn't mind. I liked seeing how the story would progress.
Kudos to A.K. Pittman for writing such fantastic well fleshed out characters! I think I knew someone like each character mentioned when I was in school. I could picture each character in Pudge & Prejudice as if they were someone I knew in real life. Elyse was the most relatable character for me. I was her in high school (minus the crush on a football player). I sympathized with her more than any other character I've ever came across in a book. Pittman's portrayal of an overweight teen struggling with self esteem issues was perfect. I loved how sweet Jayne, Elyse's older sister, was. I loved the relationship between between Jayne and Elyse. The way they looked out for each other was really sweet. Charlie was also a really nice guy, and it was interesting to read about his and Jayne's relationship especially when the problem of sports came up. Billy was an interesting character. He's the only one that I couldn't imagine knowing in real life. Perhaps they are unicorns at exist somewhere, but I had never known anyone like Billy when I was a teen (and even now). However, Billy was a complex and great character. I did enjoy reading about him. Lottie was well fleshed out, but she seemed a bit too snobby for my liking. She was way too blunt and what she said about her boyfriend really irked me. She treated her boyfriend horribly. If I was Elyse, I wouldn't have been friends with her for very long, but I understand how hard it was for Elyse to make friends. Unfortunately, I did know people like Lottie in my school. Lydia (Elyse's younger sister) was fun to read about as was Gage although I never really trusted Gage for some reason.
Trigger warnings for Pudge & Prejudice include minor kissing, a mention of sex, a mention of punching someone, cheating, and body issues.
All in all, Pudge & Prejudice is such a cute and fun read. It's got such a relatable plot and a cast full of characters that everyone can relate to. This is one book that I could definitely picture as a successful Netflix series. (I know I'd binge watch for sure!) I would definitely recommend Pudge & Prejudice by A.K. Pittman to everyone aged 13+ that are after a sweet and fun read. This is one book that will leave you smiling long after you've read it.
--
(A special thank you to Lone Star Literary Life for providing me with a paperback copy of Pudge & Prejudice by A.K. Pittman in exchange for an honest and unbiased review.)
I thought the plot for Pudge & Prejudice was very well written. It's 1984, and fifteen year old Elyse (nicknamed "Pudge" by her older sister) and her family have just moved to Texas. It's a bit of a culture shock at first, but Elyse learns the ropes quickly. While her beautiful, older sister Jayne has no trouble fitting in at high school, Elyse's body issues complicate things especially when it comes to guys like Billy Fritz. Will Elyse ever be able to get over her looks or will the way she thinks of herself be her downfall?
The plot for Pudge & Prejudice is such a cute one, and it's one I can semi-relate too. (I never had a crush on any of the football players at my school, but I was a chubby teen like Elyse.) Pittman does an excellent job of making the small Texas town that Elyse lives in come to life. I could picture every sight, taste, and smell throughout the book. I just had to open my book, and I was instantly transported. The pacing for Pudge & Prejudice was spot on. I found myself not wanting to put this book down. It held my interest from the very first page. I loved the 1980's references, and I was glad that they weren't overdone like some other books. One thing that I did enjoy about Pudge & Prejudice is that the romance isn't all in your face. It's hard for me to describe, but although there was some romance, it wasn't what the whole book was about. I didn't spot any plot twists, but Pudge & Prejudice is such a fantastic book that it didn't need any plot twists. There was a minor cliffhanger at the end of the book which mentions the summer after Elyse's sophomore year. I'm hoping this will turn into a series because I would love to see what happened to Elyse and her sister Jayne that summer. (I was so sad when the book ended.) I will say that I did find some of the book a bit unrealistic as to who crushes on Elyse. I have never known something like that to happen. Maybe it happens to a small minority, but I never knew it to happen at any school I had ever known. However, this was such a sweet and fun read that I didn't mind. I liked seeing how the story would progress.
Kudos to A.K. Pittman for writing such fantastic well fleshed out characters! I think I knew someone like each character mentioned when I was in school. I could picture each character in Pudge & Prejudice as if they were someone I knew in real life. Elyse was the most relatable character for me. I was her in high school (minus the crush on a football player). I sympathized with her more than any other character I've ever came across in a book. Pittman's portrayal of an overweight teen struggling with self esteem issues was perfect. I loved how sweet Jayne, Elyse's older sister, was. I loved the relationship between between Jayne and Elyse. The way they looked out for each other was really sweet. Charlie was also a really nice guy, and it was interesting to read about his and Jayne's relationship especially when the problem of sports came up. Billy was an interesting character. He's the only one that I couldn't imagine knowing in real life. Perhaps they are unicorns at exist somewhere, but I had never known anyone like Billy when I was a teen (and even now). However, Billy was a complex and great character. I did enjoy reading about him. Lottie was well fleshed out, but she seemed a bit too snobby for my liking. She was way too blunt and what she said about her boyfriend really irked me. She treated her boyfriend horribly. If I was Elyse, I wouldn't have been friends with her for very long, but I understand how hard it was for Elyse to make friends. Unfortunately, I did know people like Lottie in my school. Lydia (Elyse's younger sister) was fun to read about as was Gage although I never really trusted Gage for some reason.
Trigger warnings for Pudge & Prejudice include minor kissing, a mention of sex, a mention of punching someone, cheating, and body issues.
All in all, Pudge & Prejudice is such a cute and fun read. It's got such a relatable plot and a cast full of characters that everyone can relate to. This is one book that I could definitely picture as a successful Netflix series. (I know I'd binge watch for sure!) I would definitely recommend Pudge & Prejudice by A.K. Pittman to everyone aged 13+ that are after a sweet and fun read. This is one book that will leave you smiling long after you've read it.
--
(A special thank you to Lone Star Literary Life for providing me with a paperback copy of Pudge & Prejudice by A.K. Pittman in exchange for an honest and unbiased review.)
Connor Sheffield (293 KP) rated Pirates of the Caribbean: On Stranger Tides (2011) in Movies
May 31, 2017
Blackbeard (Ian McShane) (2 more)
New cast members relieve us of the same old faces
It's not the usual PotC film, but still recognizable
New lore and a Great cast
This is actually one of my favourite installments of the franchise. I loved the first film for its humour and charm, the second was awesome with good action and a sense of fantasy, the third had great action but not enough charm in my opinion, and this fourth installment is able to mix all three of those films, but not quite to the full extent as I'd hoped.
When I heard Blackbeard was coming into the franchise I was happy but cautious. Then when I heard that Ian McShane was to portray the role, I was happier because he is a great actor! He did not disappoint either. His portrayal of Blackbeard was menacing, with the looks alone, you could believe that this was Blackbeard, the most feared pirate during his time. Then there was the fantasy element of his power to control ships with his sword, or his dabbling in voodoo magic as well as being able to capture ships and place them into bottles, which includes Jack's beloved Black Pearl.
Whilst Will (Orlando Bloom) and Elizabeth (Keira Knightley) do not make an appearance in this film (due to not being paid enough I believe) the film does not lack in replacing them with other great actors and characters. The character of Angelica replaces Elizabeth and honestly, I prefer Angelica. She's strong, keeps Jack on his toes, and is as fearsome as Blackbeard herself when she needs to be. It would have been nice to have seen her in Salazar's Revenge after what happens in this film's finale, which I won't spoil here.
Philip (Sam Claflin) seems to replace Will in this film, but as a more innocent character who falls in love with a mermaid.....did I mention this film has mermaids? This film has mermaids!
I should warn you though, these mermaid don't wish to sing jolly songs for pleasure, they sing to lure sailors to their death. These are the mermaids of legend, also known as sirens, who sing beautiful songs and lure sailors over the side of the ship, before dragging them to the depths for reasons often debated. Some say to mate with before eating them, others just say to eat them, but either way, being dragged to the bottom of the sea is not something you'd want either way. I loved this aspect as we had never seen mermaids in this franchise until now and it was great to see more and more historical lore being brought into the franchise with the fantasy aspect of the film.
The film doesn't quite make it to the top of my favourite films lists, but it's certainly in my top favourite pirate media lists. (I've not seen enough films to just make it a film list so I include film, TV, books and games). I would recommend this to any Pirate fan, and to anyone who has not yet seen it due to it's lesser reviews by critics.
Here's a tip for any film....don't listen to critics. If their is a film you want to see, but it's got a low rating by critics on Rotten Tomatoes or in the film magazines, then by all means read them, but do it after you see the film, because if you read it before, you're going to pick the film apart and it ruins the experience in my opinion.
When I heard Blackbeard was coming into the franchise I was happy but cautious. Then when I heard that Ian McShane was to portray the role, I was happier because he is a great actor! He did not disappoint either. His portrayal of Blackbeard was menacing, with the looks alone, you could believe that this was Blackbeard, the most feared pirate during his time. Then there was the fantasy element of his power to control ships with his sword, or his dabbling in voodoo magic as well as being able to capture ships and place them into bottles, which includes Jack's beloved Black Pearl.
Whilst Will (Orlando Bloom) and Elizabeth (Keira Knightley) do not make an appearance in this film (due to not being paid enough I believe) the film does not lack in replacing them with other great actors and characters. The character of Angelica replaces Elizabeth and honestly, I prefer Angelica. She's strong, keeps Jack on his toes, and is as fearsome as Blackbeard herself when she needs to be. It would have been nice to have seen her in Salazar's Revenge after what happens in this film's finale, which I won't spoil here.
Philip (Sam Claflin) seems to replace Will in this film, but as a more innocent character who falls in love with a mermaid.....did I mention this film has mermaids? This film has mermaids!
I should warn you though, these mermaid don't wish to sing jolly songs for pleasure, they sing to lure sailors to their death. These are the mermaids of legend, also known as sirens, who sing beautiful songs and lure sailors over the side of the ship, before dragging them to the depths for reasons often debated. Some say to mate with before eating them, others just say to eat them, but either way, being dragged to the bottom of the sea is not something you'd want either way. I loved this aspect as we had never seen mermaids in this franchise until now and it was great to see more and more historical lore being brought into the franchise with the fantasy aspect of the film.
The film doesn't quite make it to the top of my favourite films lists, but it's certainly in my top favourite pirate media lists. (I've not seen enough films to just make it a film list so I include film, TV, books and games). I would recommend this to any Pirate fan, and to anyone who has not yet seen it due to it's lesser reviews by critics.
Here's a tip for any film....don't listen to critics. If their is a film you want to see, but it's got a low rating by critics on Rotten Tomatoes or in the film magazines, then by all means read them, but do it after you see the film, because if you read it before, you're going to pick the film apart and it ruins the experience in my opinion.
Haley Mathiot (9 KP) rated Crescendo (Hush, Hush, #2) in Books
Apr 27, 2018
Crescendo by Becca Fitzpatrick
Genre: YA
ISBN: 9781416989431
Publication date: October 19th 2010 by Simon & Schuster Children's Publishing
Rating: 5
(No summary, to keep spoilers out!)
Ok. Crescendo definitely wasn’t what I expected. I definitely liked it—maybe loved it. But I can’t say I enjoyed reading it. I won’t spoil it, but we’ll just say there were times when I wanted to wring the characters necks. It was wonderful, and it was miserable.
And Patch. Oh Patch.
Ok. Can’t say anything else about Patch.
I admire a book that surprises the crap out of me. Crescendo did that. I had absolutely no idea of who was the bad guy until the very last page, and it was nothing but wishful thinking that kept the hero in his position. Although the tension, both romantic and emotional, made it difficult to read at times, I tore through it and couldn't put it down.
So here are the things that made it wonderful:
1. The plot was woven perfectly, intricately, and complexly, and it surprised me. There was so much to it, that it might take a while for me to completely wrap my head around it. It did not have plot overkill, thank goodness, but it would have if it hadn’t been organized and written so well.
2. The emotional turmoil was very real… reading it was almost depressing… if I hadn’t had so much faith in Patch… Wow. Having faith in Patch isn’t a good thing, is it?
3. Not only was the plot complicated, but it was fast paced the entire time. There was no down-time, there was nothing simple.
As far as the writing, I have nothing great to say about it. It was every-day satisfyingly mediocre writing style and vocabulary, but it wasn’t bad.
And of course, the characters… well they don’t have that many redeeming qualities, do they? I mean, really. Name five things about Patch that make him a worth-while guy, besides being sexy and smelling delicious. And yes, sometimes I wanted to yell at Nora to forget about her pride and just “do it!” (no not that! you’ll understand when you read it!)
Now for my favorite part: The end. It was good and bad: Good because I got the end that I wanted in the first place (!!!) and bad because at the very end, the last paragraph, I read it and freaked out… SERIOUSLY? BECCA, THAT’S NOT AN ENDING! It was worse than Catching Fire. But the rest was wonderful! *swoons*
So. I absolutely recommend Crescendo. I recommend reading it when you have all day to devote to it, because you won’t want to stop and leave yourself feeling angry and depressed. Because really, the whole mood of this book is angry, sad, and depressing. But it was ok that way.
Then again… you may want to wait to read it until book 3 comes out. Because there will definitely be a book 3. And I definitely want it right now.
And that’s all I have to say about that.
Content/recommendation: Ages 16+ for some sensuality. And you have to read Hush, Hush first or none of it will make any sense.
By the way, I got my ARC of Hush Hush at ARC swap. So head over there to see if there are any goodies you’d like to swap for. Last I checked, there was an ARC of Fallout, Tyger Tyger, Party, Perchance to Dream, and quite a few more. http://arcswap.webs.com
Genre: YA
ISBN: 9781416989431
Publication date: October 19th 2010 by Simon & Schuster Children's Publishing
Rating: 5
(No summary, to keep spoilers out!)
Ok. Crescendo definitely wasn’t what I expected. I definitely liked it—maybe loved it. But I can’t say I enjoyed reading it. I won’t spoil it, but we’ll just say there were times when I wanted to wring the characters necks. It was wonderful, and it was miserable.
And Patch. Oh Patch.
Ok. Can’t say anything else about Patch.
I admire a book that surprises the crap out of me. Crescendo did that. I had absolutely no idea of who was the bad guy until the very last page, and it was nothing but wishful thinking that kept the hero in his position. Although the tension, both romantic and emotional, made it difficult to read at times, I tore through it and couldn't put it down.
So here are the things that made it wonderful:
1. The plot was woven perfectly, intricately, and complexly, and it surprised me. There was so much to it, that it might take a while for me to completely wrap my head around it. It did not have plot overkill, thank goodness, but it would have if it hadn’t been organized and written so well.
2. The emotional turmoil was very real… reading it was almost depressing… if I hadn’t had so much faith in Patch… Wow. Having faith in Patch isn’t a good thing, is it?
3. Not only was the plot complicated, but it was fast paced the entire time. There was no down-time, there was nothing simple.
As far as the writing, I have nothing great to say about it. It was every-day satisfyingly mediocre writing style and vocabulary, but it wasn’t bad.
And of course, the characters… well they don’t have that many redeeming qualities, do they? I mean, really. Name five things about Patch that make him a worth-while guy, besides being sexy and smelling delicious. And yes, sometimes I wanted to yell at Nora to forget about her pride and just “do it!” (no not that! you’ll understand when you read it!)
Now for my favorite part: The end. It was good and bad: Good because I got the end that I wanted in the first place (!!!) and bad because at the very end, the last paragraph, I read it and freaked out… SERIOUSLY? BECCA, THAT’S NOT AN ENDING! It was worse than Catching Fire. But the rest was wonderful! *swoons*
So. I absolutely recommend Crescendo. I recommend reading it when you have all day to devote to it, because you won’t want to stop and leave yourself feeling angry and depressed. Because really, the whole mood of this book is angry, sad, and depressing. But it was ok that way.
Then again… you may want to wait to read it until book 3 comes out. Because there will definitely be a book 3. And I definitely want it right now.
And that’s all I have to say about that.
Content/recommendation: Ages 16+ for some sensuality. And you have to read Hush, Hush first or none of it will make any sense.
By the way, I got my ARC of Hush Hush at ARC swap. So head over there to see if there are any goodies you’d like to swap for. Last I checked, there was an ARC of Fallout, Tyger Tyger, Party, Perchance to Dream, and quite a few more. http://arcswap.webs.com
BankofMarquis (1832 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Dec 1, 2018
Come for Ralph and Vanelope, stay for the Disney Princesses
I'm pretty sure that this is going to be the only review of WRECK-IT RALPH 2: RALPH BREAKS THE INTERNET that will draw a comparison between Ralph2 and DEADPOOL 2.
Like, DP2, Ralph2 suffers in the first 1/2 hour of the film with an issue - it tries too hard to repeat what was successful in the first film. I spent the first portion of both films thinking "you did this - better - in the first film". But, like DP2, Ralph2 finds it's footing - and it's own voice - after a fashion and becomes a very entertaining film.
And you can thank the Disney Princesses for that.
Without giving too much away, the plot of Ralph2 has Wreck-it Ralph (John C. Reilly) and Vanelope (Sarah Silverman) heading to the Internet (notably E:BAY) to find a replacement part for her game. The main theme of this film is "finding the place where you belong" and along this journey Vanelope enters in the world of Disney and encounters all of the Disney Princesses backstage.
Kudos to The Walt Disney Company - and Disney Animation Studios - for having a sense of humor and poking fun at themselves. These versions of the princesses are funny and don't take themselves too seriously, by taking themselves very seriously (if that makes any sense) - every character acts (and reacts) ways that make sense. It's a tribute to this extended bit that EVERY original voice of these characters (at least the ones that are still alive) agreed to contribute their voice talents to this bit. The funniest bit was the way Disney Animation handled the character of Princess Merida from BRAVE - a Pixar film.
As for the film proper - it is fine enough. John C. Reilly (as Ralph) and Sarah Silverman (as Vanelope) reprise their roles and they are winning enough to hold our attention throughout (though Ralph is sidelined for long stretches as this is really Vanelope's story). Jacks McBrayer's Fix-It Felix is back (for small bits in the beginning and end) as is the great Jane Lynch's Calhoun character. I get that these 2 characters are not really in service to the story - and I applaud the filmmakers for not trying to shoehorn them in - but I can't believe ANY conversation that starts "We have Jane Lynch, so we're going to push her in the background and use very little of her."
As for the other voice cast, Alan Tudyk (the voice of the King Candy in the first Wreck-It Ralph) is back as the voice of an overly-aggressive search engine. Tudyk is this generation's "Man of a Thousand Voices" and I had no idea it was him until the credits, which was fun (for me). Joining the fun this time around - and acquitting herself quite well - is Gal Gadot as an on-line game Race Car Drive that becomes Big Sister/mentor to Vanelope.
One final mention, there are 2 credits scene. The first one is fun enough (and is a callback to the first film), but the 2nd one (at the very end of the credits) had me chuckling - and I was glad I stayed for it.
Come for Ralph and Vanelope, stay for the Disney Princesses. You'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Like, DP2, Ralph2 suffers in the first 1/2 hour of the film with an issue - it tries too hard to repeat what was successful in the first film. I spent the first portion of both films thinking "you did this - better - in the first film". But, like DP2, Ralph2 finds it's footing - and it's own voice - after a fashion and becomes a very entertaining film.
And you can thank the Disney Princesses for that.
Without giving too much away, the plot of Ralph2 has Wreck-it Ralph (John C. Reilly) and Vanelope (Sarah Silverman) heading to the Internet (notably E:BAY) to find a replacement part for her game. The main theme of this film is "finding the place where you belong" and along this journey Vanelope enters in the world of Disney and encounters all of the Disney Princesses backstage.
Kudos to The Walt Disney Company - and Disney Animation Studios - for having a sense of humor and poking fun at themselves. These versions of the princesses are funny and don't take themselves too seriously, by taking themselves very seriously (if that makes any sense) - every character acts (and reacts) ways that make sense. It's a tribute to this extended bit that EVERY original voice of these characters (at least the ones that are still alive) agreed to contribute their voice talents to this bit. The funniest bit was the way Disney Animation handled the character of Princess Merida from BRAVE - a Pixar film.
As for the film proper - it is fine enough. John C. Reilly (as Ralph) and Sarah Silverman (as Vanelope) reprise their roles and they are winning enough to hold our attention throughout (though Ralph is sidelined for long stretches as this is really Vanelope's story). Jacks McBrayer's Fix-It Felix is back (for small bits in the beginning and end) as is the great Jane Lynch's Calhoun character. I get that these 2 characters are not really in service to the story - and I applaud the filmmakers for not trying to shoehorn them in - but I can't believe ANY conversation that starts "We have Jane Lynch, so we're going to push her in the background and use very little of her."
As for the other voice cast, Alan Tudyk (the voice of the King Candy in the first Wreck-It Ralph) is back as the voice of an overly-aggressive search engine. Tudyk is this generation's "Man of a Thousand Voices" and I had no idea it was him until the credits, which was fun (for me). Joining the fun this time around - and acquitting herself quite well - is Gal Gadot as an on-line game Race Car Drive that becomes Big Sister/mentor to Vanelope.
One final mention, there are 2 credits scene. The first one is fun enough (and is a callback to the first film), but the 2nd one (at the very end of the credits) had me chuckling - and I was glad I stayed for it.
Come for Ralph and Vanelope, stay for the Disney Princesses. You'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated A Quiet Place: Part II (2021) in Movies
Jun 3, 2021
A Good, Maybe Very Good, But Not Great Sequel
Did you enjoy the first A QUIET PLACE film? This horror/thriller from 2018 was unique in that it emphasized the suspense portion of the horror genre while relying, heavily, on sound (or the lack thereof).
The inevitable sequel picks up right where the first film ends, following the survivors of the first film as they make their way to a new “Quiet Place”…and, while not as unique as the first film, certainly holds its own as an entertainment and if you enjoyed the first one, you’ll enjoy this, the 2nd of what is promised to be a Trilogy.
Written and Directed by John Krasinski (who wrote and directed the first one) A QUIET PLACE PART II has an opening sequence (pre-credits) that is as good of an opening sequence as I have seen for quite some time (maybe all the way back to SAVING PRIVATE RYAN - it’s that good of an opening sequence). Again, Krasinski infuses sound (and the lack thereof) as he changes the focus of this opening scene from a deaf character (with the lack of sound) to non-deaf characters (with LOTS of sound). It is this juxtaposition of sound (and not sound) that makes an indelible impression. This opening scene is worth the price of admission all by itself.
And…that’s important… for the rest of the film is good, maybe even very good, but not great. Emily Blunt returns and is a formidable screen presence, but since this film focuses as much (if not more) on the 2 kids (Noah Jupe and Millicent Simmonds - more on them later), Blunt is relegated to a co-starring (and maybe a supporting) role, which is too little Emily Blunt in this film for my taste.
The always dependable Cillian Murphy is along for the ride this time around as a fellow survivor who has to work through some cowardice issues. While, at first, it looked like Murphy was putting in a “workmanlike, but unspectacular” performance, by the end of the film it becomes much, much better. A good, maybe even very good, but not great, performance.
As for the kids, Noah Jupe does a good, maybe even very good (but not great) performance, but that might be because Millicent Simmonds as the deaf child (she is a deaf actress herself) is REMARKABLE in her role - and this is needed for a large portion of this film follows her journey - and it is a journey worth watching. I hope this young actress gets a ton more work after these series of movies. I am going to be very interested in seeing her do other things.
Director Krasinski pulls many of the right levers in stringing out the audience - and the tension - throughout the film (though, as is often the case in these types of films, I wanted to yell at the screen a couple of times when characters did stupid things that you knew were gonna end up poorly for them). He, again, relies on suspense (and not gore) in scaring his audience and succeeds much more than he fails in this flim.
All-in-all, a movie that would be a wise choice to bring you back into the Cineplex. The (albeit small) crowd that saw the film in the theater I watched it in had more than 1 time where we all jumped and screamed together - and I realized that I had missed that.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The inevitable sequel picks up right where the first film ends, following the survivors of the first film as they make their way to a new “Quiet Place”…and, while not as unique as the first film, certainly holds its own as an entertainment and if you enjoyed the first one, you’ll enjoy this, the 2nd of what is promised to be a Trilogy.
Written and Directed by John Krasinski (who wrote and directed the first one) A QUIET PLACE PART II has an opening sequence (pre-credits) that is as good of an opening sequence as I have seen for quite some time (maybe all the way back to SAVING PRIVATE RYAN - it’s that good of an opening sequence). Again, Krasinski infuses sound (and the lack thereof) as he changes the focus of this opening scene from a deaf character (with the lack of sound) to non-deaf characters (with LOTS of sound). It is this juxtaposition of sound (and not sound) that makes an indelible impression. This opening scene is worth the price of admission all by itself.
And…that’s important… for the rest of the film is good, maybe even very good, but not great. Emily Blunt returns and is a formidable screen presence, but since this film focuses as much (if not more) on the 2 kids (Noah Jupe and Millicent Simmonds - more on them later), Blunt is relegated to a co-starring (and maybe a supporting) role, which is too little Emily Blunt in this film for my taste.
The always dependable Cillian Murphy is along for the ride this time around as a fellow survivor who has to work through some cowardice issues. While, at first, it looked like Murphy was putting in a “workmanlike, but unspectacular” performance, by the end of the film it becomes much, much better. A good, maybe even very good, but not great, performance.
As for the kids, Noah Jupe does a good, maybe even very good (but not great) performance, but that might be because Millicent Simmonds as the deaf child (she is a deaf actress herself) is REMARKABLE in her role - and this is needed for a large portion of this film follows her journey - and it is a journey worth watching. I hope this young actress gets a ton more work after these series of movies. I am going to be very interested in seeing her do other things.
Director Krasinski pulls many of the right levers in stringing out the audience - and the tension - throughout the film (though, as is often the case in these types of films, I wanted to yell at the screen a couple of times when characters did stupid things that you knew were gonna end up poorly for them). He, again, relies on suspense (and not gore) in scaring his audience and succeeds much more than he fails in this flim.
All-in-all, a movie that would be a wise choice to bring you back into the Cineplex. The (albeit small) crowd that saw the film in the theater I watched it in had more than 1 time where we all jumped and screamed together - and I realized that I had missed that.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
