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Gareth von Kallenbach (980 KP) rated Cloverfield (2008) in Movies
Aug 14, 2019
Shrouded in mystery and riding a wave of fan hype, “Cloverfield” has at last arrived in theaters and delivers the goods. The film is produced by J.J. Abrams who is the mastermind behind “LOST”, “Alias”, “Mission Impossible 3”, and the next “Star Trek Film”. With a pedigree like this, it is clear that Abrams has a clear understanding of what fans want in their action/fantasy and he supplies it in droves.
The film cleverly tells the story through footage from a video camera that has been recovered in what used to be Central Park. The audience informed of this in the opening scenes when a series of coded missives against a Government warning indicates that this footage is now classified.
The footage in the camera is footage of a group of friends preparing a surprise party for their friend Rob (Michael Stahl-David), who is about to go to Japan as part of his new job as a V.P. of his company. The fact that such a young man has raised to such a prestigious position shows that Rob is clearly a motivated young man with a future, and based on the large turnout at his party, a very popular one at that.
Through footage that has been recorded over and pops up occasionally in the film, we learn that Rob and his friend Beth (Odette Yustman) had a recent physical relationship that has caused issues between them due to Rob’s pending departure for Japan. This becomes heated at the party, as amongst the throngs of well wishers, Rob and Beth have a fight that ends with Beth leaving and Rob verbally lashing out at her.
As his brother Jason (Mike Vogel), and best friend Hud (T.J. Miller), try to console Rob, the party is wracked by a sever jolt, that startles everyone in attendance. Thinking it is an earthquake, the guests are informed via television that there has been a platform overturned in the harbor, and before the guests know what hit them, there is an explosion followed by the head of the Statue of Liberty hurling through the streets.
Horrified by the noise and destruction about them, many of the guests as well as the local populace seek to exit the city, and make their way toward bridges out of Manhattan. Things go from bad to worse, and Rob, Hud, Jason, and their friends soon find themselves trapped.
Wracked by guilt over his conversation with Beth, Rob is surprised when she calls him saying that she is injured and trapped, which forces Rob to make a decision, as he and his friends, race back towards the carnage, in an effort to save Beth instead of seeking the safety before them.
Thus the stage is set for one of the more entertaining films of this genre in recent memory. The film moves along briskly, as with a running time of an hour and ten minutes, never becomes dull or overstays its welcome.
The action is intense as Rob and his friends are faced with a world gone mad, as what was once thought to be a terrorist attack goes madly astray when they see a giant creature wrecking havoc on Manhattan despite the best efforts of the military.
The intense action combined with the constant unknown as well as the suspense of the situation helps place the audience into the shoes of the characters, who unlike most genre films, come across as very real characters, despite little attention to their histories. This works very well, as we know what we need to about them as they are clearly close friends who when faced in an amazing situation, support and listen to each other without turning on one another.
Some may question the lack of answers in the film as many of the who, what, when, and why’s of the situation are not clearly explained, but the film works this in, as the audience learns and sees, only what the group of ordinary people see as they flee the streets. Since they are not high ranking military or government types, they are not given the answer, nor do they become fixated on finding them, as they are simply trying to survive.
Since the film is shot from a video camera, there are many scenes that are very herky-jerky, and some people exiting our screener mentioned that they were a bit dizzy from all of the motion. While it was at times difficult, it was also very realistic, and added to the immersion process, as you at times truly felt like you were right at Rob’s side with his friends. I did have to question how the camera, which was on constantly during the ordeal, never lost charge or needed to have the battery replaced, but in fantasy, suspension of belief is often a key criteria to propel the plot.
Much has been speculated as to the creature that is key to the plot of the film as very fan sites have run wild with speculation and claims to have the inside story. While I will not ruin the surprise, I will say that it turns out to be highly effective and engaging, and only adds to the mystery and horror of the situation. Once again, Abrams and company are to be applauded for taking an old formula of a creature on the loose in a large city, and making it fresh and invigorating.
“Cloverfield” is a solid and highly entertaining film, that would stand up with any of the past summer blockbusters and was a very welcome and refreshing way to kick off the 08 movie year, and a nice change from the comedies and dramas that usually dominate theaters this time of year.
The film cleverly tells the story through footage from a video camera that has been recovered in what used to be Central Park. The audience informed of this in the opening scenes when a series of coded missives against a Government warning indicates that this footage is now classified.
The footage in the camera is footage of a group of friends preparing a surprise party for their friend Rob (Michael Stahl-David), who is about to go to Japan as part of his new job as a V.P. of his company. The fact that such a young man has raised to such a prestigious position shows that Rob is clearly a motivated young man with a future, and based on the large turnout at his party, a very popular one at that.
Through footage that has been recorded over and pops up occasionally in the film, we learn that Rob and his friend Beth (Odette Yustman) had a recent physical relationship that has caused issues between them due to Rob’s pending departure for Japan. This becomes heated at the party, as amongst the throngs of well wishers, Rob and Beth have a fight that ends with Beth leaving and Rob verbally lashing out at her.
As his brother Jason (Mike Vogel), and best friend Hud (T.J. Miller), try to console Rob, the party is wracked by a sever jolt, that startles everyone in attendance. Thinking it is an earthquake, the guests are informed via television that there has been a platform overturned in the harbor, and before the guests know what hit them, there is an explosion followed by the head of the Statue of Liberty hurling through the streets.
Horrified by the noise and destruction about them, many of the guests as well as the local populace seek to exit the city, and make their way toward bridges out of Manhattan. Things go from bad to worse, and Rob, Hud, Jason, and their friends soon find themselves trapped.
Wracked by guilt over his conversation with Beth, Rob is surprised when she calls him saying that she is injured and trapped, which forces Rob to make a decision, as he and his friends, race back towards the carnage, in an effort to save Beth instead of seeking the safety before them.
Thus the stage is set for one of the more entertaining films of this genre in recent memory. The film moves along briskly, as with a running time of an hour and ten minutes, never becomes dull or overstays its welcome.
The action is intense as Rob and his friends are faced with a world gone mad, as what was once thought to be a terrorist attack goes madly astray when they see a giant creature wrecking havoc on Manhattan despite the best efforts of the military.
The intense action combined with the constant unknown as well as the suspense of the situation helps place the audience into the shoes of the characters, who unlike most genre films, come across as very real characters, despite little attention to their histories. This works very well, as we know what we need to about them as they are clearly close friends who when faced in an amazing situation, support and listen to each other without turning on one another.
Some may question the lack of answers in the film as many of the who, what, when, and why’s of the situation are not clearly explained, but the film works this in, as the audience learns and sees, only what the group of ordinary people see as they flee the streets. Since they are not high ranking military or government types, they are not given the answer, nor do they become fixated on finding them, as they are simply trying to survive.
Since the film is shot from a video camera, there are many scenes that are very herky-jerky, and some people exiting our screener mentioned that they were a bit dizzy from all of the motion. While it was at times difficult, it was also very realistic, and added to the immersion process, as you at times truly felt like you were right at Rob’s side with his friends. I did have to question how the camera, which was on constantly during the ordeal, never lost charge or needed to have the battery replaced, but in fantasy, suspension of belief is often a key criteria to propel the plot.
Much has been speculated as to the creature that is key to the plot of the film as very fan sites have run wild with speculation and claims to have the inside story. While I will not ruin the surprise, I will say that it turns out to be highly effective and engaging, and only adds to the mystery and horror of the situation. Once again, Abrams and company are to be applauded for taking an old formula of a creature on the loose in a large city, and making it fresh and invigorating.
“Cloverfield” is a solid and highly entertaining film, that would stand up with any of the past summer blockbusters and was a very welcome and refreshing way to kick off the 08 movie year, and a nice change from the comedies and dramas that usually dominate theaters this time of year.
Goddess in the Stacks (553 KP) rated Six of Crows in Books
Jan 11, 2018
Amazing duology
Six of Crows and Crooked Kingdom are a duology set in Leigh Bardugo's Grishaverse. Grisha being the magic users in her world. I haven't read the rest of the Grishaverse (Shadow and Bone, Siege and Storm, and Ruin and Rising) - but I will definitely be doing so, because Crows and Crooked Kingdom are AMAZING.
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Goddess in the Stacks (553 KP) rated Crooked Kingdom in Books
Jan 11, 2018
Amazing duology
Six of Crows and Crooked Kingdom are a duology set in Leigh Bardugo's Grishaverse. Grisha being the magic users in her world. I haven't read the rest of the Grishaverse (Shadow and Bone, Siege and Storm, and Ruin and Rising) - but I will definitely be doing so, because Crows and Crooked Kingdom are AMAZING.
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Haley Mathiot (9 KP) rated The Fire Lord's Lover (The Elven Lords, #1) in Books
Apr 27, 2018
Dominic has spent years perfecting his rock-hard shell, keeping his human heart under lock and key, for fear of getting hurt again. His brutal horrible father has tortured him for his softness and lack of black fire magic for years, and Dominic can’t handle any more. So he isn’t prepared for a kind, sweet, tender-hearted wife…
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
graveyardgremlin (7194 KP) rated Obsessed (Lizzy Gardner, #4) in Books
Feb 15, 2019
Boo! That ending?! BOOOOOO!!! >_< What kind of thing is that to do to your faithful readers, Ragan? Meanie.
Now onto an actual review:
<b>Obsessed</b> is a turning point in the series. Not only is it set two years after [b:A Dark Mind|17061185|A Dark Mind (Lizzy Gardner #3)|T.R. Ragan|https://d.gr-assets.com/books/1367696244s/17061185.jpg|23398072], but the bad guy hadn't been killing until something happens in this book. Plus, he has a name and we sorta know who is is. The first seventy or so pages were rough going for me. I felt such a disconnect to the characters and stories involved. After that though, it suddenly clicked and I flew through the rest of the book.
The plot is interesting, and as always, keeps to a steady and fast pace. I liked how Ragan switched it up in this book, so it wasn't the same ol' serial killer trope. As for the characters, I miss that Jessica isn't in it much, but do think Kitally brings a fresh and quirky vibe. Lizzy feels mostly the same, but I still felt as I did with the last book that she should be in it more. She's moving foward in her life and I want to move with her. While I always appreciate the fact that the relationship between Lizzy and Jared never takes up much of the story, I could have screamed when he suggested that maybe it was time Lizzy hung up the P.I. business. What the heck? Why don't you give up your fancy-smancy F.B.I. job instead? That attitude should have gone out in the 80s and it really seemed out of character for him. Anyway, Hayley keeps self-destructing but I'm glad to have seem some kind of movement or growth (in a way) in this book. Her self-destruction continues, and while the semi-ending seems a bit forboding, I still have hopes she might start to heal in a future book. Now for that ending. Oh, that ending! A cliff-hanger? So cruel. Afer reading the first four in a fairly quick manner, I was going to take a bit of a break, but now, yeah, don't think that's going to happen. Grr.
In a nutshell, this series has been compulsively readable and this entry is no different. <b>Obsessed</b> is just as good as the first, a smidge better than the first, but maybe not a good as the third.
Received courtesy of the Amazon Vine Program.
Now onto an actual review:
<b>Obsessed</b> is a turning point in the series. Not only is it set two years after [b:A Dark Mind|17061185|A Dark Mind (Lizzy Gardner #3)|T.R. Ragan|https://d.gr-assets.com/books/1367696244s/17061185.jpg|23398072], but the bad guy hadn't been killing until something happens in this book. Plus, he has a name and we sorta know who is is. The first seventy or so pages were rough going for me. I felt such a disconnect to the characters and stories involved. After that though, it suddenly clicked and I flew through the rest of the book.
The plot is interesting, and as always, keeps to a steady and fast pace. I liked how Ragan switched it up in this book, so it wasn't the same ol' serial killer trope. As for the characters, I miss that Jessica isn't in it much, but do think Kitally brings a fresh and quirky vibe. Lizzy feels mostly the same, but I still felt as I did with the last book that she should be in it more. She's moving foward in her life and I want to move with her. While I always appreciate the fact that the relationship between Lizzy and Jared never takes up much of the story, I could have screamed when he suggested that maybe it was time Lizzy hung up the P.I. business. What the heck? Why don't you give up your fancy-smancy F.B.I. job instead? That attitude should have gone out in the 80s and it really seemed out of character for him. Anyway, Hayley keeps self-destructing but I'm glad to have seem some kind of movement or growth (in a way) in this book. Her self-destruction continues, and while the semi-ending seems a bit forboding, I still have hopes she might start to heal in a future book. Now for that ending. Oh, that ending! A cliff-hanger? So cruel. Afer reading the first four in a fairly quick manner, I was going to take a bit of a break, but now, yeah, don't think that's going to happen. Grr.
In a nutshell, this series has been compulsively readable and this entry is no different. <b>Obsessed</b> is just as good as the first, a smidge better than the first, but maybe not a good as the third.
Received courtesy of the Amazon Vine Program.
Ashley Valencia (5 KP) rated Beauty and the Beast (2017) in Movies
Apr 13, 2019
I Wanted to Like It
The animated Beauty and the Beast is one of my favorite movies to this day so i really wanted to like this film and tried to go in with no expectations.
I knew we were in trouble when Emma Watson started her first song of the film HEAVILY autotuned. The practice used to be that if an actor couldnt sing, they would lip sync and have someone else do the singing voice. This was also common practice for the animated films, one actor for singing and another for spoken lines. I wish they would've gone this route. The autotuning is just so heavy I found it cringey.
The film is gorgeous, a lot of pleasing visuals and effects but the Beast just looks, strange. Not really animalistic. Honestly more like if his face was carved out of a tree.
Despite the singing issue I do think the cast was well chosen. They all do a good job with what they have. Especially the actor playing Gaston. It seemed clear that they weren't 100% sure what to do with the character. At a few points it seemed like they were going to try to make him sympathetic but then they'd fall back on him just being awful. Still the actor did an amazing job and really sold it.
For the most part the plot sticks close to the original film though there are a few new elements, some background on Belle's mom, and new songs.
A few weeks before the film's release the director announced that there was definitely a gay character in the film. There are a few implications that there might be but that's it. I think honestly it would've come across better, he would've been given more credit, if he'd just let it be instead of making a big announcement and patting himself on the back. It would've seemed like a subtle nod to the lgbtq community instead of the false disappointing promise it turned out to be. He wanted the credit without actually putting in the work and it shows.
Overall I just didn't care for it. It's fine. Nothing spectacular. The animated film was definitely better. So I'd say stick with the classic however it is worth watching just to see the different interpretation of the story.
If you want a live action version I would recommend La Belle et la Bete, the 2014 French-Germanic version instead. It's a more interesting and visually stunning version of the story.
I knew we were in trouble when Emma Watson started her first song of the film HEAVILY autotuned. The practice used to be that if an actor couldnt sing, they would lip sync and have someone else do the singing voice. This was also common practice for the animated films, one actor for singing and another for spoken lines. I wish they would've gone this route. The autotuning is just so heavy I found it cringey.
The film is gorgeous, a lot of pleasing visuals and effects but the Beast just looks, strange. Not really animalistic. Honestly more like if his face was carved out of a tree.
Despite the singing issue I do think the cast was well chosen. They all do a good job with what they have. Especially the actor playing Gaston. It seemed clear that they weren't 100% sure what to do with the character. At a few points it seemed like they were going to try to make him sympathetic but then they'd fall back on him just being awful. Still the actor did an amazing job and really sold it.
For the most part the plot sticks close to the original film though there are a few new elements, some background on Belle's mom, and new songs.
A few weeks before the film's release the director announced that there was definitely a gay character in the film. There are a few implications that there might be but that's it. I think honestly it would've come across better, he would've been given more credit, if he'd just let it be instead of making a big announcement and patting himself on the back. It would've seemed like a subtle nod to the lgbtq community instead of the false disappointing promise it turned out to be. He wanted the credit without actually putting in the work and it shows.
Overall I just didn't care for it. It's fine. Nothing spectacular. The animated film was definitely better. So I'd say stick with the classic however it is worth watching just to see the different interpretation of the story.
If you want a live action version I would recommend La Belle et la Bete, the 2014 French-Germanic version instead. It's a more interesting and visually stunning version of the story.
Sassy Brit (97 KP) rated In The Silence in Books
Jun 5, 2019
In The Silence has a blurb so enticing, I just had to read it, and author M. R. Mackenzie did not disappoint.
Anna Scovalini has finally come home; a place she avoided for several years only to find herself involved in a murder case, up close and personal. At first she doesn’t mean to get involved, but when she feels the police aren’t taking things seriously enough curiosity gets the better of her and once she has a poke around for answers she uncovers much more than she bargained for, and inadvertently puts herself into trouble, too.
Throughout this story I found myself intrigued by some of the serious issues discussed, from femicide, rape to gang mentality, and this was all played out by some great characterisation and an exciting plot, where the more I read the quicker the pace sped up until it reached the final reveal of who the killer actually was!
I found the unravelling of the secret surrounding the reason why people were getting killed really enjoyable. Mix this with those paragraphs where there’s a hooded figure tracking people down that literally sent shivers down my spine and made my blood run cold. Is that corny? Maybe. But true!
A word on the dialect. For an East Anglian, born and bred, I thought the Scottish dialect was actually quite fun to read. When I tried the words out loud I actually could do a very good impression of a Glaswegian! On one hand I always find this a little distracting as it does take you out of the story as you’re experimenting with how the words sound on your tongue, but on the other hand it was not full-on throughout the book, and I quickly got used to it.
Returning to characterisation, I loved how Anna (now a criminology lecturer living in Rome) and her best friend Zoe, (who like me has never left her home county) seem to have lives which are worlds apart, and when they get back together they’re instantly best pals again. But under the stress of the investigation even Anna has to think twice about Zoe.
What happened back in the past, that caused so many people in one town to have so many secrets? For me, uncovering the truth made this story for me. For a debut book, I’m exited to see what this author writes next!
An intriguing, fast read that had me guessing who the killer was throughout, with a satisfying, final conclusion.
Anna Scovalini has finally come home; a place she avoided for several years only to find herself involved in a murder case, up close and personal. At first she doesn’t mean to get involved, but when she feels the police aren’t taking things seriously enough curiosity gets the better of her and once she has a poke around for answers she uncovers much more than she bargained for, and inadvertently puts herself into trouble, too.
Throughout this story I found myself intrigued by some of the serious issues discussed, from femicide, rape to gang mentality, and this was all played out by some great characterisation and an exciting plot, where the more I read the quicker the pace sped up until it reached the final reveal of who the killer actually was!
I found the unravelling of the secret surrounding the reason why people were getting killed really enjoyable. Mix this with those paragraphs where there’s a hooded figure tracking people down that literally sent shivers down my spine and made my blood run cold. Is that corny? Maybe. But true!
A word on the dialect. For an East Anglian, born and bred, I thought the Scottish dialect was actually quite fun to read. When I tried the words out loud I actually could do a very good impression of a Glaswegian! On one hand I always find this a little distracting as it does take you out of the story as you’re experimenting with how the words sound on your tongue, but on the other hand it was not full-on throughout the book, and I quickly got used to it.
Returning to characterisation, I loved how Anna (now a criminology lecturer living in Rome) and her best friend Zoe, (who like me has never left her home county) seem to have lives which are worlds apart, and when they get back together they’re instantly best pals again. But under the stress of the investigation even Anna has to think twice about Zoe.
What happened back in the past, that caused so many people in one town to have so many secrets? For me, uncovering the truth made this story for me. For a debut book, I’m exited to see what this author writes next!
An intriguing, fast read that had me guessing who the killer was throughout, with a satisfying, final conclusion.
Dana (24 KP) rated Wyrd Sisters (Discworld, #6; Witches #2) in Books
Mar 23, 2018
I am giving this book a 3.5 stars, so I will explain why later on in the review. Again, as always, there will most likely be spoilers, so read at your own peril.
This was my very first Terry Pratchett book! My friend Grace let me borrow her copy of the book and said I would probably like it because Macbeth is one of my all-time favorite Shakespearean plays!
I enjoyed this book. Don't let the 3.5 star review throw you.
I liked how the plot moved along fairly quickly and everything was interconnected. That was something I don't really see too often in novels, so it was great to experience that. I am wondering how all of the other twenty-seven or so books will connect together, but I can't say that I will be reading them too soon. I have far too many other books I need to read right now, but maybe next year!
The characters were pretty fun as well. I loved the three witches, they were so fun and snippy! All the sarcasm and arguments made them even more lovable, and we all know that I love me a good witch character. I think I loved Margat the most out of the three witches because she was so "modern"' as opposed to Nanny and Granny. Nanny, however, is such a spitfire and I love how violent she can get in her temper.
I do have to say, however, that the story line did get kinda convoluted at times which is one of the reasons I am giving it a lower rating. The timeline, while it was supposed to go a bit wonky, had me all turned around at times.
I also wasn't a big fan of there not being any chapter breaks. While there were some line breaks to show the shift in the narrator, it wasn't enough to really show breaks in what was happening in the story. I am not saying that this is always a bad thing, not having chapter breaks, but I, personally, appreciate them.
The world was very well built, though the rules of the world were not fully explained. I loved all of the little footnotes and interjections from the narrator. They made the time pass so much more quickly.
Overall, it was a pretty good book. It took some getting used to the writing style and the world itself, but I enjoyed it. I am excited to see what comes next in the series!
This was my very first Terry Pratchett book! My friend Grace let me borrow her copy of the book and said I would probably like it because Macbeth is one of my all-time favorite Shakespearean plays!
I enjoyed this book. Don't let the 3.5 star review throw you.
I liked how the plot moved along fairly quickly and everything was interconnected. That was something I don't really see too often in novels, so it was great to experience that. I am wondering how all of the other twenty-seven or so books will connect together, but I can't say that I will be reading them too soon. I have far too many other books I need to read right now, but maybe next year!
The characters were pretty fun as well. I loved the three witches, they were so fun and snippy! All the sarcasm and arguments made them even more lovable, and we all know that I love me a good witch character. I think I loved Margat the most out of the three witches because she was so "modern"' as opposed to Nanny and Granny. Nanny, however, is such a spitfire and I love how violent she can get in her temper.
I do have to say, however, that the story line did get kinda convoluted at times which is one of the reasons I am giving it a lower rating. The timeline, while it was supposed to go a bit wonky, had me all turned around at times.
I also wasn't a big fan of there not being any chapter breaks. While there were some line breaks to show the shift in the narrator, it wasn't enough to really show breaks in what was happening in the story. I am not saying that this is always a bad thing, not having chapter breaks, but I, personally, appreciate them.
The world was very well built, though the rules of the world were not fully explained. I loved all of the little footnotes and interjections from the narrator. They made the time pass so much more quickly.
Overall, it was a pretty good book. It took some getting used to the writing style and the world itself, but I enjoyed it. I am excited to see what comes next in the series!
Kayleigh (12 KP) rated Changeling (Order of Darkness, #1) in Books
Jan 2, 2019
I knew I had to read this book after this <a href="http://busyteacher.wordpress.com/2013/02/16/changeling-by-philippa-gregory-book-review/">review</a>; alerted me to Philippa Gregory’s foray into YA literature. I’m definitely a fan of her writing, having read a couple of her books, the most impressive, in my opinion, being The Other Boleyn Girl. I am a complete history geek, and had really high hopes, as I’m usually kept transfixed.
For the most part, I enjoyed it. I liked the mysteries that seemed difficult to explain, and the sense of injustice felt at Isolde’s plight (a very plausible situation, back then) kept me interested throughout the book at what would become of her. It was also good when various characters (and not just Luca) were able to shed some light on the piece of the puzzle – it made it seem a little more realistic. I really liked the character of Freize, and how he reacts around pretty much everyone!
However, there was some sort of sparkle missing, especially given my expectations of the author. I couldn’t put my finger on what it was this morning, when I finished the book, but I think I’ve got the gist now. This may be my natural cynicism, but it seemed as though Luca and Isolde were both a little too perfect – they’re both great looking and have sexual chemistry, which, given that it’s supposed to be staying relatively historically accurate, doesn’t seem entirely appropriate, unless in later books they manage to resist each other.
Then, there are some moments that are only half-arsedly explained. <spoiler>Firstly, it is suggested that Freize did not, as he said, release them from the dungeon, but no reason is given for this. Then, the werewolf is given as a little boy lost years before. All well and good, but can a wild child really be mistaken for an animal? I must admit, it stretched my imagination a little far!</spoiler>
Despite my criticism though, it wasn’t a bad book, and I probably would read the other books in the series. The Changeling aspect was barely touched upon, which is odd considering it’s the title of the book! The plot was good, and if the character development gets a little better, I will probably be rating them higher than this one!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>;. If you liked it, please check it out!
For the most part, I enjoyed it. I liked the mysteries that seemed difficult to explain, and the sense of injustice felt at Isolde’s plight (a very plausible situation, back then) kept me interested throughout the book at what would become of her. It was also good when various characters (and not just Luca) were able to shed some light on the piece of the puzzle – it made it seem a little more realistic. I really liked the character of Freize, and how he reacts around pretty much everyone!
However, there was some sort of sparkle missing, especially given my expectations of the author. I couldn’t put my finger on what it was this morning, when I finished the book, but I think I’ve got the gist now. This may be my natural cynicism, but it seemed as though Luca and Isolde were both a little too perfect – they’re both great looking and have sexual chemistry, which, given that it’s supposed to be staying relatively historically accurate, doesn’t seem entirely appropriate, unless in later books they manage to resist each other.
Then, there are some moments that are only half-arsedly explained. <spoiler>Firstly, it is suggested that Freize did not, as he said, release them from the dungeon, but no reason is given for this. Then, the werewolf is given as a little boy lost years before. All well and good, but can a wild child really be mistaken for an animal? I must admit, it stretched my imagination a little far!</spoiler>
Despite my criticism though, it wasn’t a bad book, and I probably would read the other books in the series. The Changeling aspect was barely touched upon, which is odd considering it’s the title of the book! The plot was good, and if the character development gets a little better, I will probably be rating them higher than this one!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>;. If you liked it, please check it out!
LeftSideCut (3776 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 21, 2019
Please stop now
Contains spoilers, click to show
Where to begin...
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.