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Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Bulletstorm: Full Clip Edition in Video Games
Jun 19, 2019
When it was first released in 2011; Bulletstorm earned solid reviews and became a cult hit in large part to the over the top action and winning mix of characters, settings, and humor. Sadly though the game never did sell that well which made it a commercial failure and pretty much ended any hopes for a sequel.
Thankfully the developer People Can Fly has teamed with Gearbox to bring us Bulletstorm: Full Clip Edition which returns the game with upgraded graphics and framerates to let it take advantage of the new generation of gaming platforms, as well as the ability to play the campaign and online content as Duke Nukem.
Bulletstorm: Full Clip Edition combines action, humor, and enjoyable gameplay to create a winning product. The game was tells the story of privateer Grayson Hunt who has spent the last ten years of his life on a mission of revenge against a corrupt general who has wronged him and his crew. When the opportunity for revenge arises, Grayson crashes his own ship in order to bring the generals ship down which strands them on the hostile world of Stygia. Stygia used to be a resort world and now scores of mutants, monsters, dangerous plants, and more roam the landscape making short work of all they encounter.
With his friend Sato in need of medical care following the crash, Grayson and Sato set out to find the general in order to get off the planet and to get Sato proper medical care less his cyborg implants take over his body. Along the way Grayson and Sato must face many challenges and battle against never ending hordes of bad guys. Thankfully they have some awesome firepower at their disposal ranging from shotguns to assault rifles as well as sniper rifles and rocket launchers. The game requires players to purchase new weapons and ammo as well as the ability to upgrade your weapons from dropships which are scattered throughout the landscape.
The more bad guys you dispatch and the more creative you are with your kills earns you more points to spend on your arsenal. One of my favorite weapons is the sniper rifle which allows you to steer your fired shot into your enemies, which comes in handy considering how much cover they like to take. Should you run out of ammo, you can always send a bad guy flying, thanks to a kick from Grayson who has no issue with kicking hordes of bad guys into various obstacles. The game awards you for being creative with your kills like kicking someone to impale them on an object which gets you a Voodoo Doll reward as does sending an enemy into an electrical field or sending them into the jaws of a deadly plant.
There are so many ways to take out enemies half the fun is finding out new ways to do so. I also liked being able to supercharge my weapon and vaporize any underlings that got in my way. The game also allows players a leash which fires an electrical tether to manipulate objects. I love latching onto enemies and pulling them into harms way, or towards me so I could kick them into harms way, or unleash a fury of bullets upon them.
The graphics of the game are solid as the Unreal engine has taken what was a great looking game and made it look even better and has brought it up to modern standards even in areas where the graphics may seem a bit dated. From scenic landscapes to epic monsters the game deftly handles them all. An early chase from a gigantic mining wheel is still awesome as it encompasses the depth of the landscape and surroundings of Stygia. The language in the game is very sharp. Characters will unleash salvos of profanity that would make a drill sergeant cringe, but they are often done in very funny and unique combinations.
The multiplay modes of the game shine as well. You can really enjoy teaming up for unique kills. The control system of the game is good as I was easily able to move between movement and fire modes without any issues which allowed me to concentrate on the game and its challenges rather than having to fight a control system. Bulletstorm is also very clever with the locations of the game as one minute I am flying in an airship taking on a gigantic creature whereas another time I was guiding a giant robotic dinosaur through an amusement park to dispatch the bad guys. I also enjoy playing the Echoes mode which requires players to complete various locales and creatively dispatching enemies to earn points which will unlock new levels.
Being able to play as Duke Nukem in both the campaign and online was fun as it allowed me to experience the game from a new perspective and it is always great to see Duke in action.
From the winning mix of action and humor to the numerous variations the gameplay offers Bulletstorm is a winner from top to bottom. Some may find the solo play campaign a bit short and may say that some of the boss battles were overly tricky. I prefer to see the game as a great action romp which is set up perfectly for a sequel and is still one of the best action shooters in recent history.
http://sknr.net/2017/04/10/bulletstorm-full-cliip-edition/
Thankfully the developer People Can Fly has teamed with Gearbox to bring us Bulletstorm: Full Clip Edition which returns the game with upgraded graphics and framerates to let it take advantage of the new generation of gaming platforms, as well as the ability to play the campaign and online content as Duke Nukem.
Bulletstorm: Full Clip Edition combines action, humor, and enjoyable gameplay to create a winning product. The game was tells the story of privateer Grayson Hunt who has spent the last ten years of his life on a mission of revenge against a corrupt general who has wronged him and his crew. When the opportunity for revenge arises, Grayson crashes his own ship in order to bring the generals ship down which strands them on the hostile world of Stygia. Stygia used to be a resort world and now scores of mutants, monsters, dangerous plants, and more roam the landscape making short work of all they encounter.
With his friend Sato in need of medical care following the crash, Grayson and Sato set out to find the general in order to get off the planet and to get Sato proper medical care less his cyborg implants take over his body. Along the way Grayson and Sato must face many challenges and battle against never ending hordes of bad guys. Thankfully they have some awesome firepower at their disposal ranging from shotguns to assault rifles as well as sniper rifles and rocket launchers. The game requires players to purchase new weapons and ammo as well as the ability to upgrade your weapons from dropships which are scattered throughout the landscape.
The more bad guys you dispatch and the more creative you are with your kills earns you more points to spend on your arsenal. One of my favorite weapons is the sniper rifle which allows you to steer your fired shot into your enemies, which comes in handy considering how much cover they like to take. Should you run out of ammo, you can always send a bad guy flying, thanks to a kick from Grayson who has no issue with kicking hordes of bad guys into various obstacles. The game awards you for being creative with your kills like kicking someone to impale them on an object which gets you a Voodoo Doll reward as does sending an enemy into an electrical field or sending them into the jaws of a deadly plant.
There are so many ways to take out enemies half the fun is finding out new ways to do so. I also liked being able to supercharge my weapon and vaporize any underlings that got in my way. The game also allows players a leash which fires an electrical tether to manipulate objects. I love latching onto enemies and pulling them into harms way, or towards me so I could kick them into harms way, or unleash a fury of bullets upon them.
The graphics of the game are solid as the Unreal engine has taken what was a great looking game and made it look even better and has brought it up to modern standards even in areas where the graphics may seem a bit dated. From scenic landscapes to epic monsters the game deftly handles them all. An early chase from a gigantic mining wheel is still awesome as it encompasses the depth of the landscape and surroundings of Stygia. The language in the game is very sharp. Characters will unleash salvos of profanity that would make a drill sergeant cringe, but they are often done in very funny and unique combinations.
The multiplay modes of the game shine as well. You can really enjoy teaming up for unique kills. The control system of the game is good as I was easily able to move between movement and fire modes without any issues which allowed me to concentrate on the game and its challenges rather than having to fight a control system. Bulletstorm is also very clever with the locations of the game as one minute I am flying in an airship taking on a gigantic creature whereas another time I was guiding a giant robotic dinosaur through an amusement park to dispatch the bad guys. I also enjoy playing the Echoes mode which requires players to complete various locales and creatively dispatching enemies to earn points which will unlock new levels.
Being able to play as Duke Nukem in both the campaign and online was fun as it allowed me to experience the game from a new perspective and it is always great to see Duke in action.
From the winning mix of action and humor to the numerous variations the gameplay offers Bulletstorm is a winner from top to bottom. Some may find the solo play campaign a bit short and may say that some of the boss battles were overly tricky. I prefer to see the game as a great action romp which is set up perfectly for a sequel and is still one of the best action shooters in recent history.
http://sknr.net/2017/04/10/bulletstorm-full-cliip-edition/
Daniel Boyd (1066 KP) rated The Beatles: Eight Days A Week - The Touring Years (2016) in Movies
Oct 24, 2017
Four Lads Who Shook The World
Last night the Ron Howard directed Beatles documentary, Eight Days A Week: The Touring Years, premiered in London. As much as I would have loved to attend the premier, I have just started a new year at university and couldn’t afford to go both financially and educationally. Therefore I had to settle for going to see it in my local cinema, but it was still an awesome experience. From six o’clock, the cinema streamed the premier in London, hosted by John Bishop and Edith Bowman and featuring interviews from Ron Howard, Paul and Ringo. Then the cinema auctioned off a poster for the film for charity, (which went for £100 if you are curious,) then finally the film started.
It is a fantastic insight into what went on during the years of Beatlemania while the Beatles were on tour and what they were like as people in those more innocent days. The music is of course fantastic, but even for someone who isn’t a massive Beatles fan I think that this documentary is still relevant and tells of an important piece of recent history in an exciting, stylish way.
There are some gripes I have with the movie though, the first one being a case of some revisionist history. The only talk about the group taking any form of drugs was a blink and you’ll miss it mention of them smoking dope on the set of Help, there was no mention of them smoking a joint in the toilets in Buckingham Palace while waiting to receive their MBE’s, there was also no mention of the fact that John returned his MBE and they didn’t even mention the amount of acid they took whilst in India and in the later days. Also, all of John’s more offensive behaviour has been vastly censored and toned down. There is footage of the Beatles first American concert at the Coliseum in Washington D.C, where Paul introduces the band and asks the audience to ‘clap their hands and stomp their feet,’ as Paul is saying this John appears to be impersonating a handicapped person doing exaggerated clapping and stomping movements, which is something he did repeatedly during their first American tour, but in the film they cut away to the audience during this to avoid showing John being offensive. We also never see the footage from their Royal Variety performance, when John told the people in the poor seats to clap their hands and the rich people, including the Royal family, to just rattle their jewellery. I don’t know why they are trying to make John look like an innocent saint when he was never like that, he was always rebellious and cheeky and was never afraid to say what was on his mind. The second gripe I have is more of a personal one in that us hardcore Beatles fans were promised a story that had never been told and while there was some footage that I hadn’t seen before, I wasn’t exactly mind blown by the story that the footage told as there was very little in the film that I didn’t already know about. However despite these minor gripes the movie is fantastic, an immense story told by a master filmmaker about the greatest band in history, what’s not to love?
It is a fantastic insight into what went on during the years of Beatlemania while the Beatles were on tour and what they were like as people in those more innocent days. The music is of course fantastic, but even for someone who isn’t a massive Beatles fan I think that this documentary is still relevant and tells of an important piece of recent history in an exciting, stylish way.
There are some gripes I have with the movie though, the first one being a case of some revisionist history. The only talk about the group taking any form of drugs was a blink and you’ll miss it mention of them smoking dope on the set of Help, there was no mention of them smoking a joint in the toilets in Buckingham Palace while waiting to receive their MBE’s, there was also no mention of the fact that John returned his MBE and they didn’t even mention the amount of acid they took whilst in India and in the later days. Also, all of John’s more offensive behaviour has been vastly censored and toned down. There is footage of the Beatles first American concert at the Coliseum in Washington D.C, where Paul introduces the band and asks the audience to ‘clap their hands and stomp their feet,’ as Paul is saying this John appears to be impersonating a handicapped person doing exaggerated clapping and stomping movements, which is something he did repeatedly during their first American tour, but in the film they cut away to the audience during this to avoid showing John being offensive. We also never see the footage from their Royal Variety performance, when John told the people in the poor seats to clap their hands and the rich people, including the Royal family, to just rattle their jewellery. I don’t know why they are trying to make John look like an innocent saint when he was never like that, he was always rebellious and cheeky and was never afraid to say what was on his mind. The second gripe I have is more of a personal one in that us hardcore Beatles fans were promised a story that had never been told and while there was some footage that I hadn’t seen before, I wasn’t exactly mind blown by the story that the footage told as there was very little in the film that I didn’t already know about. However despite these minor gripes the movie is fantastic, an immense story told by a master filmmaker about the greatest band in history, what’s not to love?
Daniel Boyd (1066 KP) rated Russian Doll in TV
Feb 5, 2019 (Updated Feb 5, 2019)
Natasha Lyonne carries this entire series phenomenally (2 more)
Good, tight script full of quick, witty dialogue
Short and sweet
Death Becomes Her
I watched Netflix's latest series Russian Doll over the past weekend and I loved it. Natasha Lyonne stars as a woman who on the night of her 36th birthday party, is suddenly hit by a car and dies. She then comes to and finds herself again standing in the bathroom in front of the sink back at her birthday party without a scratch. Then after dying a few more times and returning to the same spot in the bathroom, she realises that she is unable to stay dead and is going to be stuck in this loop indefinitely.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
Heather Cranmer (2721 KP) rated The Revenge of Praying Mantis (Hattori Hachi, #1) in Books
Jun 7, 2018
(As featured on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk/2012/09/review-of-revenge-of-praying-mantis.html">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> )
I've never read a book about ninjas or anything ninja related before. It never really interested me. However, I am glad I came across Revenge of Praying Mantis by Jane Prowse. I found it to be extremely interesting, and not once did my attention waver!
Revenge of the Praying Mantis is the first book in the series of Hattori Hachi, a fifteen year old girl whose mother goes missing under suspicious circumstances. Hattie must learn ninjutsu if she wishes to find out what happened to her mother. She also must learn who to trust.
I loved loved loved the characters in Revenge. I felt they were all very well developed especially those of Hattie, Mad Dog, and Yazuki. I loved the fact that finally a mixed race person was the main character of a book as you don't often see that. I also loved the fact that Hattie could hold her own. She didn't act like a damsel in distress either. She was a kick butt girl!! I found Mad Dog to be a perfect gentlemen. He didn't try to overshadow Hattie at all, and he was always willing to do his own thing. I also loved the fact that he was always willing to risk his life for Hattie. Yazuki was definitely my favourite character. I found her to be a very strong character throughout the book. She says and does some very funny things, but she is very wise. Yazuki becomes Hattie's mentor and friend. I'm really hoping Yazuki will be featured in all of the books because she feels like part of my family for some reason.
Throughout the book, I felt like I was being taught ninjutsu as well. It is very obvious throughout the book that Ms Prowse has definitely done her research in ninjutsu. I loved how each chapter started out with a saying about ninjutsu.
I found the pacing to be absolutely perfect. It wasn't too fast that I didn't understand what was going on, nor was it too slow where I got bored. Every chapter held my interest, and I was desperate to know what would happen in the next chapter.
The dialogue is very easy to understand especially as this is a YA book. It's not condescending either. I felt it used the right dialogue that would appeal to pre-teens, teens and adults alike.
Okay, I have to mention the cover now. I love it, and I find it very appealing! The cover definitely matches the story of the book especially with the shadow on the front. I like the fact that the cover is very simple yet beautiful. It's not cluttered like a lot of covers sometimes are.
Overall, I thoroughly enjoyed this book. I believe it appeals to both boys and girls, young and old. I'd definitely recommend this book to anyone and everyone even if martial arts aren't your thing as there's so much more going on in this book!!
The Revenge of Praying Mantis (Hattori Hachi #1) by Jane Prowse gets a 5 out of 5 from me.
I've never read a book about ninjas or anything ninja related before. It never really interested me. However, I am glad I came across Revenge of Praying Mantis by Jane Prowse. I found it to be extremely interesting, and not once did my attention waver!
Revenge of the Praying Mantis is the first book in the series of Hattori Hachi, a fifteen year old girl whose mother goes missing under suspicious circumstances. Hattie must learn ninjutsu if she wishes to find out what happened to her mother. She also must learn who to trust.
I loved loved loved the characters in Revenge. I felt they were all very well developed especially those of Hattie, Mad Dog, and Yazuki. I loved the fact that finally a mixed race person was the main character of a book as you don't often see that. I also loved the fact that Hattie could hold her own. She didn't act like a damsel in distress either. She was a kick butt girl!! I found Mad Dog to be a perfect gentlemen. He didn't try to overshadow Hattie at all, and he was always willing to do his own thing. I also loved the fact that he was always willing to risk his life for Hattie. Yazuki was definitely my favourite character. I found her to be a very strong character throughout the book. She says and does some very funny things, but she is very wise. Yazuki becomes Hattie's mentor and friend. I'm really hoping Yazuki will be featured in all of the books because she feels like part of my family for some reason.
Throughout the book, I felt like I was being taught ninjutsu as well. It is very obvious throughout the book that Ms Prowse has definitely done her research in ninjutsu. I loved how each chapter started out with a saying about ninjutsu.
I found the pacing to be absolutely perfect. It wasn't too fast that I didn't understand what was going on, nor was it too slow where I got bored. Every chapter held my interest, and I was desperate to know what would happen in the next chapter.
The dialogue is very easy to understand especially as this is a YA book. It's not condescending either. I felt it used the right dialogue that would appeal to pre-teens, teens and adults alike.
Okay, I have to mention the cover now. I love it, and I find it very appealing! The cover definitely matches the story of the book especially with the shadow on the front. I like the fact that the cover is very simple yet beautiful. It's not cluttered like a lot of covers sometimes are.
Overall, I thoroughly enjoyed this book. I believe it appeals to both boys and girls, young and old. I'd definitely recommend this book to anyone and everyone even if martial arts aren't your thing as there's so much more going on in this book!!
The Revenge of Praying Mantis (Hattori Hachi #1) by Jane Prowse gets a 5 out of 5 from me.
My rating 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
Louise (64 KP) rated Thirteen Reasons Why in Books
Jul 2, 2018
Thirteen reason why is told from Clays perspective but mostly about Hannah, the girl who committed suicide 2 weeks ago. Hannah has sent out tapes to thirteen people who she believes contributed to her death some way or the other and Clay is one of them.
This book is set in chapters and each one is a side of the cassette is about a particular person and what they did or didn’t do. The audio tapes where Hannah is speaking is written in italics and intertwined with her dialogue we have Clay and what he is thinking or feeling at that particular time. The writing in this book is very easy to read and is a quick book to finish. I was hooked from the start and I read it in less than a day. I needed to find out how Clay was involved in the stories.
When I started reading the stories I was thinking that I don’t think that these reasons are really enough to warrant killing yourself over, but one reason leads to another and they get worse and you could see that these things that happened to Hannah could be plausible and that when all of these troubles and worries keep being added to the pile, it can be crushing and for some people just too much to cope with.
Hannah’s reason for killing her self is not clear-cut, because it wasn’t solely because she lost a loved one or was abused etc etc. But the forms of bullying that she received, the guilt that was heavy on her shoulders and being sexually targeted by her peers lead her to believe that no-one cared and she took her own life. This book really is an eye opener and proves to the reader no matter how small our actions are they can have a massive effect on others.
Clay is shocked when he finds a box of tapes on his doorstep, no-one uses this ancient format of audio anymore surely. When he hears Hannah’s voice telling him that she has reasons as to why she committed suicide and that he was involved some way or another sickens him. He has always loved Hannah from afar, never really having the guts to speak to her due to shyness. He is such a nice character and doesn’t really have anything bad to say about anybody. He is clearly traumatized about the reasons and always thinking how he could have prevented it from happening even though it’s too late.
Hannah blackmails the thirteen people involved, if they don’t listen to her reasons and forward the tapes onto the next person, there is a second set of tapes that will be sent to police/newspapers and there will be consequences. Hannah appears to be angry and somewhat morbid, however she is at the point of accepting that she is going to end her life.
This book is gripping, compelling and emotional read. To write a story about suicide and do it well is a hard feat, however Asher seems to have done it. It is a very realistic portrayal in suicide in teenagers and what they have to deal with on a day-to-day basis.
Overall I rated this 4 out of stars
This book is set in chapters and each one is a side of the cassette is about a particular person and what they did or didn’t do. The audio tapes where Hannah is speaking is written in italics and intertwined with her dialogue we have Clay and what he is thinking or feeling at that particular time. The writing in this book is very easy to read and is a quick book to finish. I was hooked from the start and I read it in less than a day. I needed to find out how Clay was involved in the stories.
When I started reading the stories I was thinking that I don’t think that these reasons are really enough to warrant killing yourself over, but one reason leads to another and they get worse and you could see that these things that happened to Hannah could be plausible and that when all of these troubles and worries keep being added to the pile, it can be crushing and for some people just too much to cope with.
Hannah’s reason for killing her self is not clear-cut, because it wasn’t solely because she lost a loved one or was abused etc etc. But the forms of bullying that she received, the guilt that was heavy on her shoulders and being sexually targeted by her peers lead her to believe that no-one cared and she took her own life. This book really is an eye opener and proves to the reader no matter how small our actions are they can have a massive effect on others.
Clay is shocked when he finds a box of tapes on his doorstep, no-one uses this ancient format of audio anymore surely. When he hears Hannah’s voice telling him that she has reasons as to why she committed suicide and that he was involved some way or another sickens him. He has always loved Hannah from afar, never really having the guts to speak to her due to shyness. He is such a nice character and doesn’t really have anything bad to say about anybody. He is clearly traumatized about the reasons and always thinking how he could have prevented it from happening even though it’s too late.
Hannah blackmails the thirteen people involved, if they don’t listen to her reasons and forward the tapes onto the next person, there is a second set of tapes that will be sent to police/newspapers and there will be consequences. Hannah appears to be angry and somewhat morbid, however she is at the point of accepting that she is going to end her life.
This book is gripping, compelling and emotional read. To write a story about suicide and do it well is a hard feat, however Asher seems to have done it. It is a very realistic portrayal in suicide in teenagers and what they have to deal with on a day-to-day basis.
Overall I rated this 4 out of stars
BookblogbyCari (345 KP) rated Sapiens: A Brief History of Humankind in Books
Aug 5, 2018
This book was chosen to be the first book read and discussed in an online non-fiction book club I recently joined – and I’m glad we did choose this one!
The book is an overview of homo-sapiens as a species, and how we have changed over the ages, and what we have done, before finally touching on where we are going. As such the book is a cross-pollination of history, sociology, and economics.
As you may expect from a book with such a broad scope, there are some sweeping statements, and rather than being a neutral dispassionate account, Harari makes his opinions very evident. However rather than being irritating, I feel this makes for a more entertaining read.
The book begins by introducing the theme of homo-sapiens in the context of the presence of the other human species that used to exist. He then goes on to describe the cognitive and agricultural revolutions. Then it’s the establishment of patriarchal social hierarchies across the world, largely based on historical conventions. Next Harari states that the purpose of religion is to unify fragile societies with superhuman legitimacy.
Harari then moves on to the scientific revolution, describing how an admission of ignorance by Europeans, along with a desire to discover and conquer new lands was key to the movement.
The conversation moves swiftly then to economics, using the fact that a bank can loan £10 for every £1 it has, to argue that our economics is based on trust in the future. Harari states that a country’s credit rating is more important than its actual resources. Harari describes capitalism and consumerism as being 2 sides of the same coin with two commandments: rich must invest, rest of us must buy. Consumerism, he says, aims to convince people that indulgence is good and frugality is self-oppression.
Harari also argues that, now, instead of relying on local communities the individual relies on the market or the state. Parental authority no longer sacred, he says, and state intervenes. And so when Harari asks if we are any happier now than when we were hunter-gatherers, he argues that our rise of wealth is offset by the disintegration of community life.
Harari also speaks of ecological degradation and our tendency to treat other species as a means to an end, for example, the farming of cow's and chickens has cut years off the lives of both, since they are killed as soon as they reach their maximum weight.
In the final chapter, Harari speculates on the future of mankind. With improvements in medical knowledge comes new ethical conundrums, he says. How will we handle the options of genetic engineering? What will the advent of artificial intelligence mean for humanity?
In my book club, we found that the book generated a lot of talking points. What would the world be like now, had the other species of humans survived? Why have so many cultures across history and the world had patriarchal hierarchies? Can societies improve over time, or is one style better than another? Can communism be considered a religion? Are human rights really just a figment of our collective imagination?
Whilst not everyone in my book club enjoyed the book equally, I would say that it’s as enlightening as it is thought provoking. By the end, it was hard to argue with the author's conclusion that homo-sapiens are like dissatisfied and irresponsible gods.
The book is an overview of homo-sapiens as a species, and how we have changed over the ages, and what we have done, before finally touching on where we are going. As such the book is a cross-pollination of history, sociology, and economics.
As you may expect from a book with such a broad scope, there are some sweeping statements, and rather than being a neutral dispassionate account, Harari makes his opinions very evident. However rather than being irritating, I feel this makes for a more entertaining read.
The book begins by introducing the theme of homo-sapiens in the context of the presence of the other human species that used to exist. He then goes on to describe the cognitive and agricultural revolutions. Then it’s the establishment of patriarchal social hierarchies across the world, largely based on historical conventions. Next Harari states that the purpose of religion is to unify fragile societies with superhuman legitimacy.
Harari then moves on to the scientific revolution, describing how an admission of ignorance by Europeans, along with a desire to discover and conquer new lands was key to the movement.
The conversation moves swiftly then to economics, using the fact that a bank can loan £10 for every £1 it has, to argue that our economics is based on trust in the future. Harari states that a country’s credit rating is more important than its actual resources. Harari describes capitalism and consumerism as being 2 sides of the same coin with two commandments: rich must invest, rest of us must buy. Consumerism, he says, aims to convince people that indulgence is good and frugality is self-oppression.
Harari also argues that, now, instead of relying on local communities the individual relies on the market or the state. Parental authority no longer sacred, he says, and state intervenes. And so when Harari asks if we are any happier now than when we were hunter-gatherers, he argues that our rise of wealth is offset by the disintegration of community life.
Harari also speaks of ecological degradation and our tendency to treat other species as a means to an end, for example, the farming of cow's and chickens has cut years off the lives of both, since they are killed as soon as they reach their maximum weight.
In the final chapter, Harari speculates on the future of mankind. With improvements in medical knowledge comes new ethical conundrums, he says. How will we handle the options of genetic engineering? What will the advent of artificial intelligence mean for humanity?
In my book club, we found that the book generated a lot of talking points. What would the world be like now, had the other species of humans survived? Why have so many cultures across history and the world had patriarchal hierarchies? Can societies improve over time, or is one style better than another? Can communism be considered a religion? Are human rights really just a figment of our collective imagination?
Whilst not everyone in my book club enjoyed the book equally, I would say that it’s as enlightening as it is thought provoking. By the end, it was hard to argue with the author's conclusion that homo-sapiens are like dissatisfied and irresponsible gods.
Gareth von Kallenbach (980 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Jun 19, 2019
Attempting to continue the phenomenal literary and cinematic successes of the Harry Potter series of books and films is a daunting task for anyone to undertake. Even when series creator J.K. Rowling Rowling is involved, many would shy away from such a monumental taak.
However when you consider the books, movies, and merchandise have become a billion dollar industry and that rabid fans cannot get enough of the word that Rowlings created, it is not surprising that Rowlings and Warner Brothers have created a new cinematic series inspired by a story contained within the original book series.
In “Fantastic Beasts and Where to Find Them”, audiences are introduced to Newt Scamander (Eddie Redmayne), who is just embarking on his adventures which will later be turned into books that Harry and his friends will read some seventy years onward.
Set in 1926 New York amongst the secret community of wizards and witches; the film follows the arrival of Newt in America as he has come with a suitcase filled with magical creatures. When a non-magic user named Jacob Kowalski (Dan Fogler), accidentally mistakes the suitcase for his own and unleashes some of the creatures, chaos follows.
The timing of this mishap could not be worse for the magic community as magic users have lived in secret and the arrival of Nate and his creatures threatens to expose them and make a bad situational even worse. Further complicating matters are a series of events that have caused destruction in the city which has given rise to a group who are convinced that witches are amongst them and must be destroyed at all cost.
Being an unregistered magic user; Newt, is soon taken in by an agent in New York named Porpentina Goldstein (Katherine Waterston), who herself has fallen out of favor within her community of magic users. In time; Newt is taken into custody by Percival Graves (Collin Farrell), who not only seems to have a disdain for Newt, but is working with a member of the anti-witch group for his own ambitions.
Newt and his friends soon find themselves on the run as they attempt to gather the missing creatures and get to the bottom of a much bigger and more dangerous menace that threatens their community as well as the people of New York. What follows is a journey filled with magic, comedy, and danger that will delight fans.
The film is a pure delight and the Potter magic has continued in this highly-entertaining new series. The cast and characters are very enjoyable and the visual magic is wonderful to behold.
The story is filled with charm and humor but has a few nods to the previous films as well as a few surprises along the way.
I was easily swept up by the madcap adventure and cast that all gave solid performances. Never once did the characters let the dazzling array of visual effects overshadow the fact that this is a character driven story.
Redmayne and Fogler work very well with one another and the innocent fish out of water story that they both embark on makes them easily endearing to the audience.
It will be very interesting to see where the future films will go, but if this one is any indication of what is in store, there is plenty of magic left in this world and I cannot wait to see what comes next.
http://sknr.net/2016/11/15/fantastic-beasts-find/
However when you consider the books, movies, and merchandise have become a billion dollar industry and that rabid fans cannot get enough of the word that Rowlings created, it is not surprising that Rowlings and Warner Brothers have created a new cinematic series inspired by a story contained within the original book series.
In “Fantastic Beasts and Where to Find Them”, audiences are introduced to Newt Scamander (Eddie Redmayne), who is just embarking on his adventures which will later be turned into books that Harry and his friends will read some seventy years onward.
Set in 1926 New York amongst the secret community of wizards and witches; the film follows the arrival of Newt in America as he has come with a suitcase filled with magical creatures. When a non-magic user named Jacob Kowalski (Dan Fogler), accidentally mistakes the suitcase for his own and unleashes some of the creatures, chaos follows.
The timing of this mishap could not be worse for the magic community as magic users have lived in secret and the arrival of Nate and his creatures threatens to expose them and make a bad situational even worse. Further complicating matters are a series of events that have caused destruction in the city which has given rise to a group who are convinced that witches are amongst them and must be destroyed at all cost.
Being an unregistered magic user; Newt, is soon taken in by an agent in New York named Porpentina Goldstein (Katherine Waterston), who herself has fallen out of favor within her community of magic users. In time; Newt is taken into custody by Percival Graves (Collin Farrell), who not only seems to have a disdain for Newt, but is working with a member of the anti-witch group for his own ambitions.
Newt and his friends soon find themselves on the run as they attempt to gather the missing creatures and get to the bottom of a much bigger and more dangerous menace that threatens their community as well as the people of New York. What follows is a journey filled with magic, comedy, and danger that will delight fans.
The film is a pure delight and the Potter magic has continued in this highly-entertaining new series. The cast and characters are very enjoyable and the visual magic is wonderful to behold.
The story is filled with charm and humor but has a few nods to the previous films as well as a few surprises along the way.
I was easily swept up by the madcap adventure and cast that all gave solid performances. Never once did the characters let the dazzling array of visual effects overshadow the fact that this is a character driven story.
Redmayne and Fogler work very well with one another and the innocent fish out of water story that they both embark on makes them easily endearing to the audience.
It will be very interesting to see where the future films will go, but if this one is any indication of what is in store, there is plenty of magic left in this world and I cannot wait to see what comes next.
http://sknr.net/2016/11/15/fantastic-beasts-find/
Kayleigh (12 KP) rated Dead Letter Office in Books
Jan 2, 2019
Before I start, please note that this book was given to me free by the publisher in exchange for a review. What I have written is my honest opinion.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
Bob Mann (459 KP) rated The Beatles: Eight Days A Week - The Touring Years (2016) in Movies
Sep 29, 2021
A film worth getting into your life.
Reviewing documentaries is always a bit tricky, since it is often difficult to separate the quality of the film making from your emotional attachment to the subject material. In my case, my early life was saturated with Beatlemania. Although I was only 2 year’s old in 1963 at the start of it all, I had three older siblings who ramped up the excitement so much that it permeated my young mind. I still remember being vehemently “Sssshhed” since I was making too much noise during the live and ground-breaking “All you need is Love” telecast!
Ron Howard’s film focuses on “the touring years” which as depicted were truly manic, spanning from 1963 to 1966 before then skipping forward to 1969 for their final rooftop concert. This was in a time when airline travel was not the more comfortable and smoke-free environment it is today, so these worldwide trips much have been seriously grueling, even without the adoration that reached dangerous proportions when they reached their destinations.
Howard has clearly had his research team scour the world for archive clips since – whilst sensitively skipping some of the more ‘commonly seen’ materials, like the “jewelry shaking” clip – the film shows concert action I certainly had never seen before.
The film is also nicely interlaced with celebrity cameos recalling their linkage to the Fab Four’s performances (often moving, like Whoopi Goldberg’s) and the group’s “legacy” effect on modern-day art (in Richard Curtis’s case rather less convincing). One of the most striking of these is that of Sigourney Weaver recounting her attendance as a pre-teen at the Beatle’s Rose Bowl performance in LA. There, in the newsreel footage of adoring fans, is the unmistakable face of the ‘before she was famous’ actress: at least I hope it really was her (as the clip’s timing implied) and not a lookalike, since that would be really disappointing!
Also featuring – although not enough for my liking – are Paul McCartney and Ringo Starr, recounting their feelings about the events and what happened behind the closed doors of hotel rooms or – most notably – a meat truck.
What shines through is the honesty and intelligence of Lennon and McCartney, typified by the idiotic questioning of journalists, some of who had done so little homework they didn’t even know there wasn’t a Beatle called Eric! Some of the group’s off the cuff responses were priceless: “What is the secret of your success?” asks one journo. “We don’t know” quips John. “If we knew we’d form another group and be managers.”
While the film has enormous energy in its first two thirds, it rather runs out of momentum in its final reel…. a bit like the Beatles did in fact. It also has elements of gimmickry like the smoke rising from photo cigarettes which gets a tad tiresome after the tenth occurrence.
But this is a very watchable and enjoyable rock down memory lane for 50-somethings and for any fans old and young of the Fab Four’s music. Highly Recommended. Note that the documentary itself is about 90 minutes in length, with another 30 minutes of live concert music tagged onto the end post-titles (which for travel reasons I was unfortunately unable to stay for so can’t comment on).
Ron Howard’s film focuses on “the touring years” which as depicted were truly manic, spanning from 1963 to 1966 before then skipping forward to 1969 for their final rooftop concert. This was in a time when airline travel was not the more comfortable and smoke-free environment it is today, so these worldwide trips much have been seriously grueling, even without the adoration that reached dangerous proportions when they reached their destinations.
Howard has clearly had his research team scour the world for archive clips since – whilst sensitively skipping some of the more ‘commonly seen’ materials, like the “jewelry shaking” clip – the film shows concert action I certainly had never seen before.
The film is also nicely interlaced with celebrity cameos recalling their linkage to the Fab Four’s performances (often moving, like Whoopi Goldberg’s) and the group’s “legacy” effect on modern-day art (in Richard Curtis’s case rather less convincing). One of the most striking of these is that of Sigourney Weaver recounting her attendance as a pre-teen at the Beatle’s Rose Bowl performance in LA. There, in the newsreel footage of adoring fans, is the unmistakable face of the ‘before she was famous’ actress: at least I hope it really was her (as the clip’s timing implied) and not a lookalike, since that would be really disappointing!
Also featuring – although not enough for my liking – are Paul McCartney and Ringo Starr, recounting their feelings about the events and what happened behind the closed doors of hotel rooms or – most notably – a meat truck.
What shines through is the honesty and intelligence of Lennon and McCartney, typified by the idiotic questioning of journalists, some of who had done so little homework they didn’t even know there wasn’t a Beatle called Eric! Some of the group’s off the cuff responses were priceless: “What is the secret of your success?” asks one journo. “We don’t know” quips John. “If we knew we’d form another group and be managers.”
While the film has enormous energy in its first two thirds, it rather runs out of momentum in its final reel…. a bit like the Beatles did in fact. It also has elements of gimmickry like the smoke rising from photo cigarettes which gets a tad tiresome after the tenth occurrence.
But this is a very watchable and enjoyable rock down memory lane for 50-somethings and for any fans old and young of the Fab Four’s music. Highly Recommended. Note that the documentary itself is about 90 minutes in length, with another 30 minutes of live concert music tagged onto the end post-titles (which for travel reasons I was unfortunately unable to stay for so can’t comment on).