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LoganCrews (2861 KP) rated The Circle (2017) in Movies
Sep 20, 2020
Totally watchable. Before 2020 this would have played as a cockamamie exercise in "in-what-universe-would-this-actually-happen-?" filmmaking (and believe me this still pushes it), but after the anti-mask protests and general shrugging off of the coronavirus pandemic I'd now believe you stupid mfs would do *anything*. I'm not saying this is all brainless - there are some really sturdy ideas in here that aren't all executed terribly. The way it portrays big ticket corporations sliding their hands into every pocket they can find by way of offering up a "likable mascot" rather than a "founder" (played perfectly by Hanks as a clear riff on [a more likable and somehow less disingenuous] Steve Jobs - but what a waste of a perfectly good Oswalt) and "quotable quips" rather than "talking points" so they don't even have to attempt to hide it is sound. The scene where Hanks straightup manipulates Watson's bland cypher *on* stage to the point of tracking down live human beings to an adoring crowd is horrifying - but this is all still rather diluted, clunky, and bizarre in translation from the book. Looks phenomenal though, and is a notable return to form for Danny Elfman (in general every piece of music here slaps). Fine dumb fun imo, cheesy and laughable but not without some wit. But as a final defense - speaking as someone who has spent months in these cliquey millennial tech circles - the fact that no one acts like a live human being here would be way too on the nose if holy mother of God did they not actually act like this. The extended segment of those two overbearing recruiter types indirectly-but-very-directly pushing that "optional" and "extracurricular" really means "mandatory" is pure nightmare fuel because I have been in those situations - in spades - firsthand irl. Moments like that save this still moment-to-moment entertaining diet pulp when it actively refuses to explore anything else it offers up. Doesn't really have enough oomf but still miles better than your average "Black Mirror" episode.
Movie Metropolis (309 KP) rated Logan (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Third time lucky?
The X-Men franchise is as convoluted as Spaghetti Junction. Littered with constantly changing timelines, it has become the epitome of tiring and fans are getting exasperated too. With every great film (X2, X-Men: Days of Future Past), the series has followed it with some truly awful movies (X-Men: Origins Wolverine, X-Men: Apocalypse).
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
Lucy Buglass (45 KP) rated Ghost Stories (2018) in Movies
Jun 20, 2019
For years, mankind has pondered over the existence of ghosts, demons and the paranormal. Many have claimed to have experienced it firsthand, while others dedicate their lives and careers to debunking those experiences. It seems to be a question that no one has been able to answer or prove one way or the other, and this fear of the unknown has been the basis of a number of popular horror stories.
Based on the stage play of the same name, ‘Ghost Stories’ follows skeptic Professor Phillip Goodman’s (Nyman) investigation of three unsolved cases, each one detailing a different haunting. After meeting with his idol and fellow skeptic Charles Cameron, and feeling deflated when he begins to question his lifelong skepticism, Goodman meets with former night watchman Tony Matthews (Whitehouse), teenager Simon Rifkind (Lawther), and businessman Mike Priddle (Freeman) to learn about their firsthand experiences with the supernatural. The film is split into three segments, allowing each character to explain their case through the use of flashbacks where we get to see exactly what happened to the characters.
Throughout these flashbacks, Nyman and Dyson have utilised a number of popular horror techniques that will make you jump out of your seat, or hide behind your hands. There’s a serious feeling of unease throughout the entire film, and you have no idea what’s going to happen next. Even as an avid fan of the genre, I found myself genuinely terrified during a large portion of the film. ‘Ghost Stories’ knows exactly how to pace a horror film, and how to leave an audience uncomfortable yet unable to look away from the screen. Whilst the jump scare is inevitable, the film doesn’t overuse these and instead finds ways to build tension and fear, which actually heightens the experience because you find yourself trying to predict when something’s going to pop out at you. It leaves you on edge for the entire ninety minutes, which in my mind, is exactly what a horror film should do.
The stories told by each of the men are gripping, and the actors all do exceptional jobs of portraying their characters. Each of the men interviewed by Goodman are very different in their class backgrounds, beliefs and personalities, but are united in their adamancy that they did experience hauntings and that they left them completely shaken up afterwards. This reinforces the idea that the supernatural can target anyone, and leave anyone feeling helpless. Particular praise has to be given to Alex Lawther; after seeing him in season 3 of ‘Black Mirror’ I had high hopes, and he delivered. He’s certainly one to watch and I look forward to seeing what he gets up to next.
‘Ghost Stories’ is incredibly British in nature, mixing the right amount of dry humour and satire into what is an utterly terrifying experience overall. Other critics have said it’s the best British horror film in years, and I couldn’t agree more. It’s an incredibly gripping story that has a lot of twists and turns, and tugs at all of your heartstrings. Alongside the characters, I went through a number of emotions and felt fully invested in their lives. These are all characters that feel familiar, they’re your average human, which throws realism into the mix. Being able to identify with characters in a horror film makes your fear 100 times worse.
This film is best experienced with as little context as possible, if you walk into it completely blind, I believe you’ll get maximum enjoyment out of it. The trailers have done a great job at keeping it as vague as possible, which was a bonus. There’s nothing worse than trailers giving everything away in a few seconds. ‘Ghost Stories’ does have a twist ending, but I thought this was done brilliantly and I personally was unable to predict it. Nyman and Dyson have put so much effort into crafting an intense, thrilling, mysterious story and it’s seriously paid off. I’m now hoping ‘Ghost Stories’ will be returning to the stage soon, because I’ll be first in line for a ticket!
https://jumpcutonline.co.uk/ghost-stories/
Based on the stage play of the same name, ‘Ghost Stories’ follows skeptic Professor Phillip Goodman’s (Nyman) investigation of three unsolved cases, each one detailing a different haunting. After meeting with his idol and fellow skeptic Charles Cameron, and feeling deflated when he begins to question his lifelong skepticism, Goodman meets with former night watchman Tony Matthews (Whitehouse), teenager Simon Rifkind (Lawther), and businessman Mike Priddle (Freeman) to learn about their firsthand experiences with the supernatural. The film is split into three segments, allowing each character to explain their case through the use of flashbacks where we get to see exactly what happened to the characters.
Throughout these flashbacks, Nyman and Dyson have utilised a number of popular horror techniques that will make you jump out of your seat, or hide behind your hands. There’s a serious feeling of unease throughout the entire film, and you have no idea what’s going to happen next. Even as an avid fan of the genre, I found myself genuinely terrified during a large portion of the film. ‘Ghost Stories’ knows exactly how to pace a horror film, and how to leave an audience uncomfortable yet unable to look away from the screen. Whilst the jump scare is inevitable, the film doesn’t overuse these and instead finds ways to build tension and fear, which actually heightens the experience because you find yourself trying to predict when something’s going to pop out at you. It leaves you on edge for the entire ninety minutes, which in my mind, is exactly what a horror film should do.
The stories told by each of the men are gripping, and the actors all do exceptional jobs of portraying their characters. Each of the men interviewed by Goodman are very different in their class backgrounds, beliefs and personalities, but are united in their adamancy that they did experience hauntings and that they left them completely shaken up afterwards. This reinforces the idea that the supernatural can target anyone, and leave anyone feeling helpless. Particular praise has to be given to Alex Lawther; after seeing him in season 3 of ‘Black Mirror’ I had high hopes, and he delivered. He’s certainly one to watch and I look forward to seeing what he gets up to next.
‘Ghost Stories’ is incredibly British in nature, mixing the right amount of dry humour and satire into what is an utterly terrifying experience overall. Other critics have said it’s the best British horror film in years, and I couldn’t agree more. It’s an incredibly gripping story that has a lot of twists and turns, and tugs at all of your heartstrings. Alongside the characters, I went through a number of emotions and felt fully invested in their lives. These are all characters that feel familiar, they’re your average human, which throws realism into the mix. Being able to identify with characters in a horror film makes your fear 100 times worse.
This film is best experienced with as little context as possible, if you walk into it completely blind, I believe you’ll get maximum enjoyment out of it. The trailers have done a great job at keeping it as vague as possible, which was a bonus. There’s nothing worse than trailers giving everything away in a few seconds. ‘Ghost Stories’ does have a twist ending, but I thought this was done brilliantly and I personally was unable to predict it. Nyman and Dyson have put so much effort into crafting an intense, thrilling, mysterious story and it’s seriously paid off. I’m now hoping ‘Ghost Stories’ will be returning to the stage soon, because I’ll be first in line for a ticket!
https://jumpcutonline.co.uk/ghost-stories/
Natacha (374 KP) rated The Rose and the Thorn (The Riyria Chronicles, #2) in Books
Oct 19, 2019
As soon as I finished the first book I immediately order this book. I couldn't wait to dive back into this world and follow Hadrian's and Royce's adventures. And as you can tell by my rating I didn't like it as much as the first one.
[Warning this review contain spoilers]
Things I liked:
-It was so nice to be back with the boys, their dynamic and their friendship. I can't get enough of it.
-The book was a little more focused on Royce this time instead of Hadrian. I tend to have a little soft spot for the "broken" man trope, hence I love Royce (I need to point out that I don't like the "broken" man trope that uses his past as an excuse to be a d*ck and borderline abusive to his love interest). And do you know what I like even more than the "broken" man trope? The "broken" man that put his guard down for the woman he loves. I like that Royce was sweet and nice to Gwen and to her only, and then take his knives out and cut anyone that dares to hurt her. I loved seeing him trying to hide his feeling and yet being so obvious. My heart melted.
-Reuben was also a sweetheart. I like his character overall and his arc. The mystery around his mother kept me guessing
-I was pleasantly surprised to see the relationship between Reuben and the Price being genuine. When this subplot started I would have bet that the Price will end up being a jerk to Reuben and use him for his own purposes but it didn't go that way.
-The plot was interesting and fast pace. There were twists I guessed from the get-go and others I didn't see it coming. Also from what I gathered from other reviews and discussions in this book, we have a lot of characters that are also present in the original series The Riyria Revelations and I think readers who have read the first series will appreciate that.
Things I didn't like:
Unfortunately, there were two major points that kind of ruined my enjoyment a little.
-I picked this book because I wanted more Hadrian and Royce adventures. But this story felt very, very much Reuben's once instead. We spent so many pages following him that I was counting the chapters until we go back to my two beloved characters. I felt like their story was just a subplot.
-Because the story of Hadrian and Royce felt like a subplot I was expecting at the end the two stories to connect in an epic way that will redeem the fact that I spent so little time with them. But it didn't. In the end, although the stories where connected (Hadrian and Royce looking for Rose and Reuben I knew were Rose was) it didn't matter. No matter what Hadrian and Royce did it barely affected the story main story. [SPOILER] They didn't save Rose and they didn't kill the guy that killed her. The only thing they did is scared another character and force him to protect Gwen and her business. What? That's it? If you take them out of the book it will make no difference and won't really affect Reuben's story. I don't know, maybe I missed something but I was left disappointed.
[Warning this review contain spoilers]
Things I liked:
-It was so nice to be back with the boys, their dynamic and their friendship. I can't get enough of it.
-The book was a little more focused on Royce this time instead of Hadrian. I tend to have a little soft spot for the "broken" man trope, hence I love Royce (I need to point out that I don't like the "broken" man trope that uses his past as an excuse to be a d*ck and borderline abusive to his love interest). And do you know what I like even more than the "broken" man trope? The "broken" man that put his guard down for the woman he loves. I like that Royce was sweet and nice to Gwen and to her only, and then take his knives out and cut anyone that dares to hurt her. I loved seeing him trying to hide his feeling and yet being so obvious. My heart melted.
-Reuben was also a sweetheart. I like his character overall and his arc. The mystery around his mother kept me guessing
-I was pleasantly surprised to see the relationship between Reuben and the Price being genuine. When this subplot started I would have bet that the Price will end up being a jerk to Reuben and use him for his own purposes but it didn't go that way.
-The plot was interesting and fast pace. There were twists I guessed from the get-go and others I didn't see it coming. Also from what I gathered from other reviews and discussions in this book, we have a lot of characters that are also present in the original series The Riyria Revelations and I think readers who have read the first series will appreciate that.
Things I didn't like:
Unfortunately, there were two major points that kind of ruined my enjoyment a little.
-I picked this book because I wanted more Hadrian and Royce adventures. But this story felt very, very much Reuben's once instead. We spent so many pages following him that I was counting the chapters until we go back to my two beloved characters. I felt like their story was just a subplot.
-Because the story of Hadrian and Royce felt like a subplot I was expecting at the end the two stories to connect in an epic way that will redeem the fact that I spent so little time with them. But it didn't. In the end, although the stories where connected (Hadrian and Royce looking for Rose and Reuben I knew were Rose was) it didn't matter. No matter what Hadrian and Royce did it barely affected the story main story. [SPOILER] They didn't save Rose and they didn't kill the guy that killed her. The only thing they did is scared another character and force him to protect Gwen and her business. What? That's it? If you take them out of the book it will make no difference and won't really affect Reuben's story. I don't know, maybe I missed something but I was left disappointed.
BookwormMama14 (18 KP) rated An Inconvenient Beauty in Books
Jan 2, 2019
Kristi's debut series is beyond fabulous and she wraps it all up perfectly with Griffith's story! With several laugh out loud moments and an equal number of touching scenes that will tug at your heart, you will want to read this book in one sitting. (If only that were a reality in my household.) Griffith has been my favorite since the first book, A Noble Masquerade. And he completely lived up to (and quite possibly exceeded) my expectations that I have held on to. Especially picturing him as Chris Hemsworth...
One of the aspects that stood out to me in this story, is discerning God's direction for our lives. Especially when it comes to thinking that we don't deserve happiness, or a second chance, or forgiveness. These blinders can distract us from the GOOD that God wants to give to us.
I.LOVE.GRIFFITH. That is all...actually, I could go on about him for hours. So, what I want to highlight is his protective nature. His family is more important to him than anything, and he would go to any lengths to keep them safe and cared for. However, that means he puts their needs before his own. And this sacrificial love hasn't left much room for him to worry about his own future. BUT, when love strikes, things change. You could say his "world is turned upside down." He is adorable and hilarious!
Isabella is my new favorite woman in the Hawthorne Series. Even though she has secrets to hide, it is impossible to ignore her pure heart. And Uncle Percy, can only be described as the opposite of pure. The bitterness that stemmed from a heartbreaking loss has turned into a vendetta.
Four books, five if you include the novella, a slew of Hawthornes, romance, kidnappings, adventures, foiled plans, and upstanding and *ahem* SWOONY gentlemen...while my heart is sad that this series has ended. I am so thankful for the friends that I found within these pages.
I received a complimentary copy of An Inconvenient Beauty. I was not required to write a positive review. All opinions expressed are mine alone.
One of the aspects that stood out to me in this story, is discerning God's direction for our lives. Especially when it comes to thinking that we don't deserve happiness, or a second chance, or forgiveness. These blinders can distract us from the GOOD that God wants to give to us.
I.LOVE.GRIFFITH. That is all...actually, I could go on about him for hours. So, what I want to highlight is his protective nature. His family is more important to him than anything, and he would go to any lengths to keep them safe and cared for. However, that means he puts their needs before his own. And this sacrificial love hasn't left much room for him to worry about his own future. BUT, when love strikes, things change. You could say his "world is turned upside down." He is adorable and hilarious!
Isabella is my new favorite woman in the Hawthorne Series. Even though she has secrets to hide, it is impossible to ignore her pure heart. And Uncle Percy, can only be described as the opposite of pure. The bitterness that stemmed from a heartbreaking loss has turned into a vendetta.
Four books, five if you include the novella, a slew of Hawthornes, romance, kidnappings, adventures, foiled plans, and upstanding and *ahem* SWOONY gentlemen...while my heart is sad that this series has ended. I am so thankful for the friends that I found within these pages.
I received a complimentary copy of An Inconvenient Beauty. I was not required to write a positive review. All opinions expressed are mine alone.
Lyndsey Gollogly (2893 KP) rated Fearless (Scarlet Suffragette #1) in Books
Apr 21, 2021
54 of 250
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!
Purple Phoenix Games (2266 KP) rated Labyrinthos in Tabletop Games
Feb 10, 2021
Greek mythology has always fascinated me. The adventures are awesome, the heroes are mighty, and the creatures are awe-inspiring. I often wonder what it would have been like to live in those ancient times, hearing those stories firsthand, and experiencing the excitement associated with such feats. Well, I may not have a time machine. But I do have a board game table. And on it is Labyrinthos.
Disclaimer: I do not intend to rehash the entire rulebook in this review, but rather provide an overview of the rules and game flow. -L
Labyrinthos is a game of action and adventure in which players are exploring the famed Labyrinth of Daedalus, searching for the 4 secret keys that will let them escape! All this while avoiding traps, their competitors, and the deadly Minotaur who seemingly lurks around every corner. To setup for a game, create the Labyrinth as described in the rules – in the end it will be a 7×7 tile grid. Each player receives a Player Board, Standee, 4 Desperation cards, 7 Action tokens (3 Hand tokens and 4 Feet tokens for the first turn). The remaining Desperation cards and tokens are placed to the side of the play area, along with the Key tokens. Select a starting player, and the game is ready to begin!
Over a series of rounds, players will take turns performing various actions, exploring the Labyrinth, searching for Keys, and avoiding the Minotaur. On your turn, you will be spending Action tokens to perform various actions, like: Move (to an adjacent tile), Explore (flip over an adjacent face-down tile and move to it), Discover Key (gain the corresponding Key token to your Player board), Desperate Action (play a Desperation card), and a handful of other actions. Each action has a token cost associated with it, and you must pay it in order to perform the action. Each different Player Board also has a unique Special Ability that is active during the game. Once you have taken as many actions as you can/want to take, you will return any unused Action tokens to the supply, and then choose a combination of 7 new Action tokens to be used on your next turn. Then, you will refresh your hand – drawing or discarding Desperation cards so your hand limit is 4 minus the number of Key tokens you possess.
The final step of your turn is to roll the Minotaur die and resolve his movement/actions. The movement of the Minotaur is similar to the movement rules of players, and some results on the Minotaur die activate special abilities. If the Minotaur ever enters a tile occupied by a player, he immediately Attacks! The controlling player rolls the Blood die, and the attacked hero gains that number of Wounds to their Player Board. A Wound on your Player Board will cover one of your turn actions, prohibiting you from performing that action until you spend Action tokens to Heal. Certain tiles of the Maze have special symbols that will immediately affect the gameplay. For example, any time a player moves onto a Trap tile, they immediately take a Wound. When a player is on a Hide tile, they cannot be Attacked by the Minotaur. Play continues in this fashion, alternating turns, until a player has collected all 4 Key tokens and made their way back to the starting Door tile. That player has successfully escaped, and all others remain trapped in the Labyrinth!
I know that may seem like a lot, but the gameplay itself is actually pretty streamlined and intuitive. The action descriptions on the Player Boards are clear and concise, acting as a player reference sheet in a way. I appreciate the Player Boards SO much because it keeps me from having to continually refer to the rulebook for any action questions. The action options themselves are simple to understand and perform, but the strategy required for overall success is trickier to master. This truly is an exploration game – the 7×7 grid is created anew every game, and chances are you will never play with the same grid layout twice. The Key tiles could be anywhere, and you have to try to get to them before your opponents. The different tile symbols offer some risk/reward decisions. Do you risk turning over an undiscovered tile in hopes that it gets you across this gap? It could be a Trap! Or it could be a Secret Passage that allows you to move elsewhere. You’ll never know if you don’t try it!
I also really like the mechanic of the Minotaur in this game. At the end of your turn, you roll the Minotaur die and resolve it. That means the Minotaur is essentially controlled by all players. It becomes a sort of tug-of-war, if you will, as players try to get the Minotaur to attack opponents, while hopefully also staying out of his range for the next player’s turn. Another neat thing about Labyrinthos is that when you collect a Key token, it actually provides you with an action and is added to your Player Board, covering an existing action. Through the use of actions and Desperation cards, you could be able to move Keys around on your Player Board too. Maybe its initial placement doesn’t fit the situation anymore, and you need that covered power back! The opportunities to strategize with your actions are endless, and that keeps the gameplay engaging. One last cool thing I want to mention is the selection of new Action tokens at the end of each turn. Certain actions require Hand, Feet, or both types of tokens, and having the ability to choose the combination of those for yourself feels pretty powerful. It could also quickly backfire, if suddenly you find yourself needing Feet tokens, but you only have Hands left! It’s another layer to the strategy, and it helps up the excitement of play.
Components. The components of this game are great. The maze tiles are nice and sturdy, the symbolism clean and clear. The Desperation cards have some cool flavor text, and their actions are straightforward. All of the Standees, tokens, and dice are good quality that will hold up to lots of handling. All in all, great production quality!
I am extremely happy that I decided to back Labyrinthos on Kickstarter. For being a seemingly simple game of maze exploration and movement, there is definitely a lot more to it than meets the eye. Players have to manage resources and plan ahead for what they need in subsequent turns. Desperation cards can affect the gameplay, and can sometimes even be used during an opponent’s turn. The ability of Key tokens to cover existing abilities really makes players think about what their strategy is moving forward. All of these aspects put into one game make for a fun and immersive experience. Purple Phoenix Games gives it an a-maze-ing 10 / 12. Also, special shout-out to the all-female team behind this great game!! It is really cool to see how women are moving up in the gaming industry, and becoming prominent players across game design, art, production, and media content realms within this hobby. Kudos to you ladies! I am very much looking forward to supporting your games in the future!
Disclaimer: I do not intend to rehash the entire rulebook in this review, but rather provide an overview of the rules and game flow. -L
Labyrinthos is a game of action and adventure in which players are exploring the famed Labyrinth of Daedalus, searching for the 4 secret keys that will let them escape! All this while avoiding traps, their competitors, and the deadly Minotaur who seemingly lurks around every corner. To setup for a game, create the Labyrinth as described in the rules – in the end it will be a 7×7 tile grid. Each player receives a Player Board, Standee, 4 Desperation cards, 7 Action tokens (3 Hand tokens and 4 Feet tokens for the first turn). The remaining Desperation cards and tokens are placed to the side of the play area, along with the Key tokens. Select a starting player, and the game is ready to begin!
Over a series of rounds, players will take turns performing various actions, exploring the Labyrinth, searching for Keys, and avoiding the Minotaur. On your turn, you will be spending Action tokens to perform various actions, like: Move (to an adjacent tile), Explore (flip over an adjacent face-down tile and move to it), Discover Key (gain the corresponding Key token to your Player board), Desperate Action (play a Desperation card), and a handful of other actions. Each action has a token cost associated with it, and you must pay it in order to perform the action. Each different Player Board also has a unique Special Ability that is active during the game. Once you have taken as many actions as you can/want to take, you will return any unused Action tokens to the supply, and then choose a combination of 7 new Action tokens to be used on your next turn. Then, you will refresh your hand – drawing or discarding Desperation cards so your hand limit is 4 minus the number of Key tokens you possess.
The final step of your turn is to roll the Minotaur die and resolve his movement/actions. The movement of the Minotaur is similar to the movement rules of players, and some results on the Minotaur die activate special abilities. If the Minotaur ever enters a tile occupied by a player, he immediately Attacks! The controlling player rolls the Blood die, and the attacked hero gains that number of Wounds to their Player Board. A Wound on your Player Board will cover one of your turn actions, prohibiting you from performing that action until you spend Action tokens to Heal. Certain tiles of the Maze have special symbols that will immediately affect the gameplay. For example, any time a player moves onto a Trap tile, they immediately take a Wound. When a player is on a Hide tile, they cannot be Attacked by the Minotaur. Play continues in this fashion, alternating turns, until a player has collected all 4 Key tokens and made their way back to the starting Door tile. That player has successfully escaped, and all others remain trapped in the Labyrinth!
I know that may seem like a lot, but the gameplay itself is actually pretty streamlined and intuitive. The action descriptions on the Player Boards are clear and concise, acting as a player reference sheet in a way. I appreciate the Player Boards SO much because it keeps me from having to continually refer to the rulebook for any action questions. The action options themselves are simple to understand and perform, but the strategy required for overall success is trickier to master. This truly is an exploration game – the 7×7 grid is created anew every game, and chances are you will never play with the same grid layout twice. The Key tiles could be anywhere, and you have to try to get to them before your opponents. The different tile symbols offer some risk/reward decisions. Do you risk turning over an undiscovered tile in hopes that it gets you across this gap? It could be a Trap! Or it could be a Secret Passage that allows you to move elsewhere. You’ll never know if you don’t try it!
I also really like the mechanic of the Minotaur in this game. At the end of your turn, you roll the Minotaur die and resolve it. That means the Minotaur is essentially controlled by all players. It becomes a sort of tug-of-war, if you will, as players try to get the Minotaur to attack opponents, while hopefully also staying out of his range for the next player’s turn. Another neat thing about Labyrinthos is that when you collect a Key token, it actually provides you with an action and is added to your Player Board, covering an existing action. Through the use of actions and Desperation cards, you could be able to move Keys around on your Player Board too. Maybe its initial placement doesn’t fit the situation anymore, and you need that covered power back! The opportunities to strategize with your actions are endless, and that keeps the gameplay engaging. One last cool thing I want to mention is the selection of new Action tokens at the end of each turn. Certain actions require Hand, Feet, or both types of tokens, and having the ability to choose the combination of those for yourself feels pretty powerful. It could also quickly backfire, if suddenly you find yourself needing Feet tokens, but you only have Hands left! It’s another layer to the strategy, and it helps up the excitement of play.
Components. The components of this game are great. The maze tiles are nice and sturdy, the symbolism clean and clear. The Desperation cards have some cool flavor text, and their actions are straightforward. All of the Standees, tokens, and dice are good quality that will hold up to lots of handling. All in all, great production quality!
I am extremely happy that I decided to back Labyrinthos on Kickstarter. For being a seemingly simple game of maze exploration and movement, there is definitely a lot more to it than meets the eye. Players have to manage resources and plan ahead for what they need in subsequent turns. Desperation cards can affect the gameplay, and can sometimes even be used during an opponent’s turn. The ability of Key tokens to cover existing abilities really makes players think about what their strategy is moving forward. All of these aspects put into one game make for a fun and immersive experience. Purple Phoenix Games gives it an a-maze-ing 10 / 12. Also, special shout-out to the all-female team behind this great game!! It is really cool to see how women are moving up in the gaming industry, and becoming prominent players across game design, art, production, and media content realms within this hobby. Kudos to you ladies! I am very much looking forward to supporting your games in the future!
Gareth von Kallenbach (971 KP) rated the PlayStation 4 version of Prey in Video Games
Jun 19, 2019
Bethesda and Arkane Studios have combined again on another highly successful and deeply compelling game. After the first two Dishonored games the bar was set exceptionally high and when it was announced that they would be rebooting and reimagining PREY, many gamers were curious to see what would come next.
Playing as Morgan Yu, gamers find themselves aboard the massive Talos I space station during an outbreak of a shape changing enemy known as Typhoids.
The typhoid can mimic any object from a coffee mug to a chair which adds to a high degree of peril facing players as they attempt to survive. Along the way players will be free to explore and take on multiple side quests but resources including precious ammunition are in short supply therefore players will have to gather, recycle, and craft needed materials in order to survive.
The lavish and complex details of the station are impressive but what really makes the game stand out is the multiple ways that players can play the game and complete various objectives. Players are also free to ignore various side quests and select multiple paths to an ending which allows for an incredible amount of replay value.
The enemies are numerous and thanks to a limited amount of ammunition, running and gunning will not work as there are times to fight, run, hide, and you should gray matter in order to survive. At times it can be frustratingly difficult but successfully completing the game does give you a sense of accomplishment which made me think of the first two Dead Space games in terms of their difficulty.
Players will also have the opportunity to enhance their weapons and their abilities ranging from strengthening firearms to being able to mimic the morphing abilities of the Typhoid.
One of my favorites was the Kinetic blast which enabled me to send a powerful shock wave into enemies. This is highly effective but limited due to the amount of kinetic shots and power that a player has at any given time.
Over the numerous hours that I played the game I found myself being drawn further and further into the story line. When multiple mission options arose I often had to face moral choices such as helping fellow survivors or leaving them to their fate so that I may live to complete a mission which ultimately would lead toward completion of the game.
PREY is about choices as the game is crafted to allow players to operate in a morally ambiguous area. You are not required to be the matinee hero nor are you required to be the mustache twirling villain; rather you are free to take advantage of situations as they arise.
One such example saw me take several items of food that had been collected by a group of survivors. I rationalize that with a big battle coming most of them would not survive and that it was up to me to prevail so that I may continue on with the numerous objectives I had before me. This may essentially lead to you having to turn and perhaps kill a fellow survivor which indeed was referenced down the road. The numerous and varied enemies complement the incredibly detailed and massive station which allows for players to take advantage of the zero gravity situations and navigate the outside of the station rather than go through the densely populated core of the station. Of course this only works if various airlocks are indeed open for you to access from the exterior of the station, but this is the type of freedom that players have.
While the difficulty of the game can be a bit frustrating players are able to adjust the difficulty settings and with the multiple gameplay options available to them, patience and persistence will pay off in the end.
The game is a real triumph and is already one of the more impressive titles of 2017. I look forward to seeing what is next for the franchise as PREY is an impressive achievement that will provide countless hours of gaming to even the most hard-core gamer.
http://sknr.net/2017/05/10/prey-3/
Playing as Morgan Yu, gamers find themselves aboard the massive Talos I space station during an outbreak of a shape changing enemy known as Typhoids.
The typhoid can mimic any object from a coffee mug to a chair which adds to a high degree of peril facing players as they attempt to survive. Along the way players will be free to explore and take on multiple side quests but resources including precious ammunition are in short supply therefore players will have to gather, recycle, and craft needed materials in order to survive.
The lavish and complex details of the station are impressive but what really makes the game stand out is the multiple ways that players can play the game and complete various objectives. Players are also free to ignore various side quests and select multiple paths to an ending which allows for an incredible amount of replay value.
The enemies are numerous and thanks to a limited amount of ammunition, running and gunning will not work as there are times to fight, run, hide, and you should gray matter in order to survive. At times it can be frustratingly difficult but successfully completing the game does give you a sense of accomplishment which made me think of the first two Dead Space games in terms of their difficulty.
Players will also have the opportunity to enhance their weapons and their abilities ranging from strengthening firearms to being able to mimic the morphing abilities of the Typhoid.
One of my favorites was the Kinetic blast which enabled me to send a powerful shock wave into enemies. This is highly effective but limited due to the amount of kinetic shots and power that a player has at any given time.
Over the numerous hours that I played the game I found myself being drawn further and further into the story line. When multiple mission options arose I often had to face moral choices such as helping fellow survivors or leaving them to their fate so that I may live to complete a mission which ultimately would lead toward completion of the game.
PREY is about choices as the game is crafted to allow players to operate in a morally ambiguous area. You are not required to be the matinee hero nor are you required to be the mustache twirling villain; rather you are free to take advantage of situations as they arise.
One such example saw me take several items of food that had been collected by a group of survivors. I rationalize that with a big battle coming most of them would not survive and that it was up to me to prevail so that I may continue on with the numerous objectives I had before me. This may essentially lead to you having to turn and perhaps kill a fellow survivor which indeed was referenced down the road. The numerous and varied enemies complement the incredibly detailed and massive station which allows for players to take advantage of the zero gravity situations and navigate the outside of the station rather than go through the densely populated core of the station. Of course this only works if various airlocks are indeed open for you to access from the exterior of the station, but this is the type of freedom that players have.
While the difficulty of the game can be a bit frustrating players are able to adjust the difficulty settings and with the multiple gameplay options available to them, patience and persistence will pay off in the end.
The game is a real triumph and is already one of the more impressive titles of 2017. I look forward to seeing what is next for the franchise as PREY is an impressive achievement that will provide countless hours of gaming to even the most hard-core gamer.
http://sknr.net/2017/05/10/prey-3/
Merissa (11805 KP) rated Illumined Shadows (Treble and the Lost Boys #3) in Books
Jan 7, 2019
Illumined Shadows (Treble and the Lost Boys #3) by G.R. Lyons
Illumined Shadows is the third and final book in the Treble and the Lost Boys series, and we finally get Vic's story. You know something big is behind him, due to how he was with Ryley, however, in this book you get the full tragedy of just what exactly happened.
Everything is brought back to Vic when he rescues Colby from the 'Bad Man'. This was a perfect example of how monsters can hide in the light, when Colby only felt safe in the dark. These two have one helluva road to travel, and the rest of the Treble gang are there to help whenever needed.
This book has a trigger warning for a reason! This is a dark story, that doesn't hold its punches, so be warned. However, it is also excellently written, being descriptive enough to get the full horror, without being gratuitous.
I have loved this series, and have no hesitation in recommending it. I will say the only reason this is a 4-star book is simply because I couldn't quite get my head around Colby's age. Due to his lack of growth, he was small for his age (Vic is able to carry him around on his hip!). Due to his lack of education, and the atrocities that happened to him, his mindset is slightly child-like. Couple this with Vic calling him 'My sweet boy', and it became slightly uncomfortable for me to read. I had to keep reminding myself he was actually 22-years-old.
On the whole, this is a fantastic book that finishes off this series with aplomb. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Everything is brought back to Vic when he rescues Colby from the 'Bad Man'. This was a perfect example of how monsters can hide in the light, when Colby only felt safe in the dark. These two have one helluva road to travel, and the rest of the Treble gang are there to help whenever needed.
This book has a trigger warning for a reason! This is a dark story, that doesn't hold its punches, so be warned. However, it is also excellently written, being descriptive enough to get the full horror, without being gratuitous.
I have loved this series, and have no hesitation in recommending it. I will say the only reason this is a 4-star book is simply because I couldn't quite get my head around Colby's age. Due to his lack of growth, he was small for his age (Vic is able to carry him around on his hip!). Due to his lack of education, and the atrocities that happened to him, his mindset is slightly child-like. Couple this with Vic calling him 'My sweet boy', and it became slightly uncomfortable for me to read. I had to keep reminding myself he was actually 22-years-old.
On the whole, this is a fantastic book that finishes off this series with aplomb. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (11805 KP) rated End of Ever After: A Cinderella Retelling in Books
Nov 14, 2018
End of Ever After A Cinderella Retelling by E.L. Tenenbaum
End of Ever After is the first in a series of fairy tale re-tellings by E.L. Tenenbaum. After reading this one about CinderElla, I can only say that I WILL be reading the others. This was a fantastic re-telling of the original story, rather than the Disney version. I loved how it was played out, told as past and present tense intermingle, giving you hints of what is to come without knowing the full details.
I thought the names given to the characters were excellent, and I thoroughly enjoyed putting the descriptions of the characters and their new names to the ones I already know. Some of the characters hide their truths, others wear them as a shield. Either way, this book is full of characters to love or loathe. I will say from the start that Matteus was a favourite of mine, and I only hope for a HEA in his future! As for the ending here? Sheer perfection for the story. I couldn't envisage it any other way, and don't want to either.
With no editing or grammatical errors that disrupted my reading, I found this book to be wonderfully paced, giving a rich story without too many or not enough embellishments. I loved this world, and can't wait to return to it. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I thought the names given to the characters were excellent, and I thoroughly enjoyed putting the descriptions of the characters and their new names to the ones I already know. Some of the characters hide their truths, others wear them as a shield. Either way, this book is full of characters to love or loathe. I will say from the start that Matteus was a favourite of mine, and I only hope for a HEA in his future! As for the ending here? Sheer perfection for the story. I couldn't envisage it any other way, and don't want to either.
With no editing or grammatical errors that disrupted my reading, I found this book to be wonderfully paced, giving a rich story without too many or not enough embellishments. I loved this world, and can't wait to return to it. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!