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The Thing (1982)
The Thing (1982)
1982 | Horror, Sci-Fi
I've actually been meaning to see this movie. The death of Wilford Brimley caused me to watch it in honor of his illustrious career.

When watching this film for the first time in the 21st century, you absolutely must accept and understand that the visual representations that are made are circa 1982. At times, that is a difficult thing to remember.

The story told in the movie is quite a good one. A trope that would become a classic. A mysterious chain of events takes place that leads to an arctic crew coming to terms with the fact that they are not alone. As if that wasn't hard enough to come to terms with, they come to understand that this being is attempting to literally "become" one of them. The acting is good for the time of production. Fans of the genre and fans of films from the era should definitely be able to enjoy this movie without effort.
  
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Tobin Bell recommended The Firm (1993) in Movies (curated)

 
The Firm (1993)
The Firm (1993)
1993 | Drama, Mystery, Thriller

"The Firm, which was a film that I got a chance to be in, and got a chance to work with Sydney [Pollack] and really rub shoulders with Gene Hackman for the first time. Well, actually, I had been with Gene in Mississippi Burning. But I got to work with Gene Hackman and Tom Cruise and Holly Hunter and Gary Busey and Wilford Brimley. But Sydney Pollack had a great career as a director and I always admired his approach to things. Jeanne Tripplehorn was in The Firm also, did a great job as Tom’s wife. I love the music in The Firm. Dave Grusin wrote the music. I thought the film was very well put together, and when you take a novel, sometimes the film doesn’t match up, and I thought The Firm did match up. I read the novel and was very impressed with the scary Nordic guy who was sort of shadowing Tom Cruise’s character throughout the novel. He was just scary. And then, I’d say it was a year or two years later that my agents got a call from Pollack. I think he knew my work from the Actor’s Studio in New York, because Sydney was always very involved with the studio, and I think he was also a fan of Mississippi Burning and had seen that film. That took its own wings, and he just offered the role of the Nordic, and I thought, “Wow, that’d be great.” So I got to go to Memphis, Tennessee, the home of rock ‘n’ roll."

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