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Lyndsey Gollogly (2893 KP) rated Witches of Bourbon Street (Jade Calhoun #2) in Books
Jul 21, 2020
129 of 200
Kindle
Witches of Bourbon street ( Jade Calhoun book 2)
By Deanna Chase
Jade Calhoun was never fond of her empath abilities. Now she’s discovered she has another gift she’d rather not unwrap—magic. But when her mentor, Bea, becomes gravely ill and insists Jade’s the only one who can help, she’s forced to embrace her witchy side.
It’s too bad she spent a decade shunning the magical community and never learned to harness her powers. Because time’s run out. A trapped spirit has revealed a clue to Jade’s long-lost mother. The resident angel has gone rogue and disappeared with Jade’s boyfriend, Kane. And if that wasn’t enough, her ex appears to be possessed.
To save any of them, Jade will need to find a way to control her inner white witch—without succumbing to black magic. Otherwise, she’ll lose everything…including her soul.
I think this series is brigand I love the author! I’ve always loved New Orleans and I’d just love to visit and reading good books like this makes me want to go more. We follow Jade facing yet more personal demons quite literally and she finally gets a few answers to others behaviour. Definitely recommended
Kindle
Witches of Bourbon street ( Jade Calhoun book 2)
By Deanna Chase
Jade Calhoun was never fond of her empath abilities. Now she’s discovered she has another gift she’d rather not unwrap—magic. But when her mentor, Bea, becomes gravely ill and insists Jade’s the only one who can help, she’s forced to embrace her witchy side.
It’s too bad she spent a decade shunning the magical community and never learned to harness her powers. Because time’s run out. A trapped spirit has revealed a clue to Jade’s long-lost mother. The resident angel has gone rogue and disappeared with Jade’s boyfriend, Kane. And if that wasn’t enough, her ex appears to be possessed.
To save any of them, Jade will need to find a way to control her inner white witch—without succumbing to black magic. Otherwise, she’ll lose everything…including her soul.
I think this series is brigand I love the author! I’ve always loved New Orleans and I’d just love to visit and reading good books like this makes me want to go more. We follow Jade facing yet more personal demons quite literally and she finally gets a few answers to others behaviour. Definitely recommended
Matthew Krueger (10051 KP) rated The Fugitive (1993) in Movies
May 14, 2020 (Updated May 14, 2020)
Cat and Mouse Chase
The Fugitive- a gripping action packed thriller with suspense and drama all the way up to the credits, not one moment is boring. The chemisty between Harrison Ford and Tommy Lee Jones is excellent.
The plot: Wrongfully accused of murdering his wife, Richard Kimble (Harrison Ford) escapes from the law in an attempt to find her killer and clear his name. Pursuing him is a team of U.S. marshals led by Deputy Samuel Gerard (Tommy Lee Jones), a determined detective who will not rest until Richard is captured. As Richard leads the team through a series of intricate chases, he discovers the secrets behind his wife's death and struggles to expose the killer before it is too late.
One thing that got me was when Harrison Ford charcter jumps off from a freaking dam and doesnt get injured or killed from it. That jump was high up, he should of gotting injured or killed, but nope he is perfectly fine, no marks, no broken bones, no nothing. Even tommy lee jones charcter says "he's dead. Their no way he survived that". Watch the sence and tell me he should of gotting injured or killed.
Other than that, this movie is excellent.
The plot: Wrongfully accused of murdering his wife, Richard Kimble (Harrison Ford) escapes from the law in an attempt to find her killer and clear his name. Pursuing him is a team of U.S. marshals led by Deputy Samuel Gerard (Tommy Lee Jones), a determined detective who will not rest until Richard is captured. As Richard leads the team through a series of intricate chases, he discovers the secrets behind his wife's death and struggles to expose the killer before it is too late.
One thing that got me was when Harrison Ford charcter jumps off from a freaking dam and doesnt get injured or killed from it. That jump was high up, he should of gotting injured or killed, but nope he is perfectly fine, no marks, no broken bones, no nothing. Even tommy lee jones charcter says "he's dead. Their no way he survived that". Watch the sence and tell me he should of gotting injured or killed.
Other than that, this movie is excellent.
Lyndsey Gollogly (2893 KP) rated Shadows of Bourbon Street ( Jade Calhoun 5) in Books
Oct 9, 2023
147 of 235
Kindle
Shadows of Bourbon Street ( Jade Calhoun 5)
By Deanna Chase
⭐️⭐️⭐️⭐️
Starting a new job is tough - especially when your boss thinks nothing of interrupting your wedding. After a year of battling ghosts and demons, white witch Jade Calhoun is finally marrying the man of her dreams. Or is she? Minutes before Jade and Kane say I do, the High Angel arrives with a job for the newly appointed shadow walkers. Another witch's life is on the line and it's up to Jade and Kane to save her. With a black magic user intent on destroying one of Jade's friends, more demons on the loose, and a hard to find incubus, can the almost newlyweds save the witch and get their own happy ending?
Oh I’ve missed Jade and Kane and boy was this a good book! I knew that wedding would never go as planned and now Kane is a new kick ass Incubus! So many happy endings in this one so you know the next one will be a kick in the teeth for them 😂 definitely a good supernatural series if this is what you love with witches, demons , angels and now incubus what’s next?
Kindle
Shadows of Bourbon Street ( Jade Calhoun 5)
By Deanna Chase
⭐️⭐️⭐️⭐️
Starting a new job is tough - especially when your boss thinks nothing of interrupting your wedding. After a year of battling ghosts and demons, white witch Jade Calhoun is finally marrying the man of her dreams. Or is she? Minutes before Jade and Kane say I do, the High Angel arrives with a job for the newly appointed shadow walkers. Another witch's life is on the line and it's up to Jade and Kane to save her. With a black magic user intent on destroying one of Jade's friends, more demons on the loose, and a hard to find incubus, can the almost newlyweds save the witch and get their own happy ending?
Oh I’ve missed Jade and Kane and boy was this a good book! I knew that wedding would never go as planned and now Kane is a new kick ass Incubus! So many happy endings in this one so you know the next one will be a kick in the teeth for them 😂 definitely a good supernatural series if this is what you love with witches, demons , angels and now incubus what’s next?
Kara Skinner (332 KP) rated The Band 4: The Air We Breathe in Books
Sep 10, 2019
Genre: Contemporary, Inspirational
Page Count: 324 pages (of nauseation)
Average Goodreads Rating: 3/5 stars (why, Goodreads? You’re usually so tough on books)
My Rating: 1.5/ 5 stars
Truthfully, this is actually a great story. Yeah. So great. It’s the perfect backstory for its horror sequel: The Martins Trump Manson on Body Count.
As a romance it fucking sucks.
I don’t even know where to begin. This book is so full of sugary sap that it makes pasta covered in maple and chocolate syrup and marshmallows look appetizing.
original
Still not as sweet as The Air We Breathe
Here’s the thing: I’m not actually a bitter and cynical person. I like sap and fluff. I smile and giggle during romance scenes, I’ve obsessively written cute and romantic fanfiction and my boyfriend and I were arguably the most nauseatingly cute couple to ever walk the halls of John Bapst Memorial High School.
But I gagged reading this book for the amount of love-doveyness.
Marguerite is on holiday in London, recovering from the sudden deaths of her parents which liberated her from 27 years of being suffocated and controlled by them. While there, she has a random chance encounter with Chase Martin, a depressed rock star exhausted from touring with his band. Chase and Marguerite are drawn together by a strange unknown force. They don’t know why they have such a strong connection to each other, but they do know that life without the other would not be living at all.
I actually really liked the beginning and thought that it would shape up to be an interesting and sweet romance. We see them before they meet in the coffee shop, miserable and depressed, and then while sipping her drink and reading her book, Marguerite feels Chase’s anxiety. So she buys him a decaf drink and gives it to him, saying she could feel his anxiety from across the shop. That’s great.
The two of them realize they’re drawn together and can find each other happiness and Marguerite ends up spending the night at Chase’s house just so they can find comfort in having another human being near them. That’s great, too.
The beginning is by far my favorite part because it has promise for a good story and has more vivid scenes than any other part of the book.
But then it moves too quickly from there.
From that moment on, the two of them are so deep in love they make Romeo and Juliet look reserved and cautious. They are constantly “blown away” by each other and moved to tears every minute by each other. They “get a kick out of” every little joke they make to each other, and they start living together immediately after they meet. After a week (that’s right, a flipping week), Chase proposes to her.
And if I had a pin for every time one of those quoted phrases appeared in this novel, I could pulverize a voodoo doll. The repeated phrases and excessive emotion of the characters is definitely the worst part.
I’m still not that aggravated with this book, yet. Yeah, the insta love irks me, but I figure there will be a great plot with lots of trouble between the two of them after they marry. After all, they barely know each other and they need to figure out what this psychic connection means. Maybe they’re the incarnated souls of Hawkgirl and Hawkman and they’re about to get killed by an immortal psychopath (did I mention I’m a huge nerd?).
Nope. The two of them agree on everything, right down to how to decorate the house and the new rule that shoes are off upon entering. And things continue to be hunky dory for practically forever. All of Chase’s friends, and their girlfriends, love Marguerite and nobody questions their whirlwind romance. Yeah, because a severely depressed person getting engaged after a week of dating isn’t a cry for help or anything.
And there is so much to dislike about Chase’s and Marguerite’s decisions. Marguerite is forced to quit her job so she can move to London to be with Chase.
Never mind that she liked her job in Pennsylvania and didn’t express any wish to be a housewife. Never mind that Chase was getting tired of touring and thinking about quitting the band anyway. It’s her life that gets turned upside down.
Also, so much for her newfound freedom following her parents’ deaths! Now she’s shadowed by a bodyguard wherever she goes, needs to sneak into the backs of restaurant when she wants to eat out, and can’t even walk to the store for fear of being accosted by her husbands’ fans.
Yes, Chase’s life gets changed too. He now has a wife that cooks meals for him, cleans for him, furnishes and decorates his house for him, and hands him a cold towel when he walks off stage. He made some real damn sacrifices when he married Marguerite.
bitch_please_by_teslapunk-d32znko
But life goes on. With a lot of summary and over thirty years, it goes on.
Aside from dialogues and scenes peppered here and there, the book is mostly sweet and sappy summary of their lives. Dark things happen now and then but they’re glossed over and smothered in fluff.
If this storyline was done by a competent writer, this actually could have been an entertaining series about the Martin family. There is actually plenty of material between the psychic connection, Marguerite’s tragic background, a miscarriage, a huge celebrity drugging conspiracy, two sets of twins, a near death experience, and a baby on the doorstep.
But somehow it becomes boring and plotless when it’s all crammed into one book that seems to drag on forever. During all of this my main concern, the psychic connection, was never explained. It’s just a gift from God. One that turns their “perfect” (as in creepily well behaved and mature) children into kids from The Shining. Because they also have a psychic connection. They can “feel” each other and their parents. Oh, and talk to their dead sister, apparently, when their dead sister wants to tell them about babies being left on their doorstep.
“This is Baby Sarah,” Matt said.
“Baby Sarah?” Marguerite asked.
(Both sets of twins) said “Yes. We knew she was coming.”
Chase asked, “How did you know?”
“Baby Margaret told us,” Mark said.
Also, when Chase and Marguerite choose Sarah’s full name, all four children, in a different room, wake up from a dead sleep, sit up in unison, and announce that the baby is named.
May I present the newest additions to the Martin family?
If you want to read a rockstar romance, I recommend Love’s Rhythm by Lexxie Couper, which isn’t perfectly crafted, but leagues beyond The Band 4: The Air We Breathe.
Page Count: 324 pages (of nauseation)
Average Goodreads Rating: 3/5 stars (why, Goodreads? You’re usually so tough on books)
My Rating: 1.5/ 5 stars
Truthfully, this is actually a great story. Yeah. So great. It’s the perfect backstory for its horror sequel: The Martins Trump Manson on Body Count.
As a romance it fucking sucks.
I don’t even know where to begin. This book is so full of sugary sap that it makes pasta covered in maple and chocolate syrup and marshmallows look appetizing.
original
Still not as sweet as The Air We Breathe
Here’s the thing: I’m not actually a bitter and cynical person. I like sap and fluff. I smile and giggle during romance scenes, I’ve obsessively written cute and romantic fanfiction and my boyfriend and I were arguably the most nauseatingly cute couple to ever walk the halls of John Bapst Memorial High School.
But I gagged reading this book for the amount of love-doveyness.
Marguerite is on holiday in London, recovering from the sudden deaths of her parents which liberated her from 27 years of being suffocated and controlled by them. While there, she has a random chance encounter with Chase Martin, a depressed rock star exhausted from touring with his band. Chase and Marguerite are drawn together by a strange unknown force. They don’t know why they have such a strong connection to each other, but they do know that life without the other would not be living at all.
I actually really liked the beginning and thought that it would shape up to be an interesting and sweet romance. We see them before they meet in the coffee shop, miserable and depressed, and then while sipping her drink and reading her book, Marguerite feels Chase’s anxiety. So she buys him a decaf drink and gives it to him, saying she could feel his anxiety from across the shop. That’s great.
The two of them realize they’re drawn together and can find each other happiness and Marguerite ends up spending the night at Chase’s house just so they can find comfort in having another human being near them. That’s great, too.
The beginning is by far my favorite part because it has promise for a good story and has more vivid scenes than any other part of the book.
But then it moves too quickly from there.
From that moment on, the two of them are so deep in love they make Romeo and Juliet look reserved and cautious. They are constantly “blown away” by each other and moved to tears every minute by each other. They “get a kick out of” every little joke they make to each other, and they start living together immediately after they meet. After a week (that’s right, a flipping week), Chase proposes to her.
And if I had a pin for every time one of those quoted phrases appeared in this novel, I could pulverize a voodoo doll. The repeated phrases and excessive emotion of the characters is definitely the worst part.
I’m still not that aggravated with this book, yet. Yeah, the insta love irks me, but I figure there will be a great plot with lots of trouble between the two of them after they marry. After all, they barely know each other and they need to figure out what this psychic connection means. Maybe they’re the incarnated souls of Hawkgirl and Hawkman and they’re about to get killed by an immortal psychopath (did I mention I’m a huge nerd?).
Nope. The two of them agree on everything, right down to how to decorate the house and the new rule that shoes are off upon entering. And things continue to be hunky dory for practically forever. All of Chase’s friends, and their girlfriends, love Marguerite and nobody questions their whirlwind romance. Yeah, because a severely depressed person getting engaged after a week of dating isn’t a cry for help or anything.
And there is so much to dislike about Chase’s and Marguerite’s decisions. Marguerite is forced to quit her job so she can move to London to be with Chase.
Never mind that she liked her job in Pennsylvania and didn’t express any wish to be a housewife. Never mind that Chase was getting tired of touring and thinking about quitting the band anyway. It’s her life that gets turned upside down.
Also, so much for her newfound freedom following her parents’ deaths! Now she’s shadowed by a bodyguard wherever she goes, needs to sneak into the backs of restaurant when she wants to eat out, and can’t even walk to the store for fear of being accosted by her husbands’ fans.
Yes, Chase’s life gets changed too. He now has a wife that cooks meals for him, cleans for him, furnishes and decorates his house for him, and hands him a cold towel when he walks off stage. He made some real damn sacrifices when he married Marguerite.
bitch_please_by_teslapunk-d32znko
But life goes on. With a lot of summary and over thirty years, it goes on.
Aside from dialogues and scenes peppered here and there, the book is mostly sweet and sappy summary of their lives. Dark things happen now and then but they’re glossed over and smothered in fluff.
If this storyline was done by a competent writer, this actually could have been an entertaining series about the Martin family. There is actually plenty of material between the psychic connection, Marguerite’s tragic background, a miscarriage, a huge celebrity drugging conspiracy, two sets of twins, a near death experience, and a baby on the doorstep.
But somehow it becomes boring and plotless when it’s all crammed into one book that seems to drag on forever. During all of this my main concern, the psychic connection, was never explained. It’s just a gift from God. One that turns their “perfect” (as in creepily well behaved and mature) children into kids from The Shining. Because they also have a psychic connection. They can “feel” each other and their parents. Oh, and talk to their dead sister, apparently, when their dead sister wants to tell them about babies being left on their doorstep.
“This is Baby Sarah,” Matt said.
“Baby Sarah?” Marguerite asked.
(Both sets of twins) said “Yes. We knew she was coming.”
Chase asked, “How did you know?”
“Baby Margaret told us,” Mark said.
Also, when Chase and Marguerite choose Sarah’s full name, all four children, in a different room, wake up from a dead sleep, sit up in unison, and announce that the baby is named.
May I present the newest additions to the Martin family?
If you want to read a rockstar romance, I recommend Love’s Rhythm by Lexxie Couper, which isn’t perfectly crafted, but leagues beyond The Band 4: The Air We Breathe.
156Reviews (7 KP) rated Extra Ordinary (2019) in Movies
May 1, 2020 (Updated May 1, 2020)
Ghosts, hell demons, possessed animals, sex, a car chase, people exploding, ware-wolves (Kind of), Extra Ordinary has it all. Is it some kind of Hollywood blockbuster staring Benedict Cumberbatch? No, it's a small independent Irish comedy staring little known actors, and Will Forte of course.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
Cet (105 KP) rated Solo: A Star Wars Story - Soundtrack by John Powell in Music
Jul 15, 2018 (Updated Jul 15, 2018)
Has a Star Wars Feel but not quite memorable
I received a gift copy for this review.
TL;DR It belongs in Star Wars but not memorable enough to make it Star Wars. In other words I doubt you'll hear any of these themes in any fan films.
Let's face it John Williams won't be with us forever. He's closing in on 90 and I've read Episode IX will be his last with Star Wars. Lucas Films getting him to work with other composers is the best thing they could do. However why John Powell? This is not a young buck. Lucas Films needs to get their act together in keeping some regulars. Especially on the tech department.
Now to the review.
I've listened to this soundtrack 3 or so times. To John Powell's credit every track belongs in the star wars universe. However no composition here including the scores by Williams is memorable. We don't have a Duel of Fates, Across the Stars, or my favorite Binary Sunset. These themes if you don't know them by title you will know them by sound, and you will immediately have a visual to go with it.
There are a few tracks that conjure certain scenes from the movie. I'm not sure if that's due to the title of the theme or credit to Powell. The Corellia chase for one is catchy. Capturing an old west feel and Han's gun slinging, and hijacking of a land speeder. However when I watched the movie I don't even recall this theme. I had to listen to the composition while writing this paragraph. So although fitting for the character and setting it's forgettable.
When I stated there isn't any music here that's memorable, that's not entirely true. Around 20 seconds into The Adventures of Han begins a beautiful arrangement. It's short sweet and even repeats 29 seconds in Corellia Chase, and 1 minute 24 seconds into Break Out. This short 10 second snippet should've been treated like Indiana Jones. A recurring theme that we could've linked to Han Solo himself.
On the other hand perhaps the writing and the visual of the movie also holds the music back. I'm fairly sure the above arrangement appears in a few other songs. The movie was 2 hours of action packed scenes. There was no tension due to the fact we knew what was coming. The few characters that I got attached to didn't have their own theme. They should've capitalized more on Vos, Beckett, and even the romance with Qi'ra. None of these characters had a theme.
The music here belongs in Star Wars. It's hard to imagine them anywhere else. In previous Star Wars films the music was just as memorable as the scenes though. If I were to compare it to anything else it would be The Avengers. I couldn't hum any of the compositions, but if I heard em i'd probably recognize where it's from. A image wouldn't go with it, and that's just not Star Wars enough.
TL;DR It belongs in Star Wars but not memorable enough to make it Star Wars. In other words I doubt you'll hear any of these themes in any fan films.
Let's face it John Williams won't be with us forever. He's closing in on 90 and I've read Episode IX will be his last with Star Wars. Lucas Films getting him to work with other composers is the best thing they could do. However why John Powell? This is not a young buck. Lucas Films needs to get their act together in keeping some regulars. Especially on the tech department.
Now to the review.
I've listened to this soundtrack 3 or so times. To John Powell's credit every track belongs in the star wars universe. However no composition here including the scores by Williams is memorable. We don't have a Duel of Fates, Across the Stars, or my favorite Binary Sunset. These themes if you don't know them by title you will know them by sound, and you will immediately have a visual to go with it.
There are a few tracks that conjure certain scenes from the movie. I'm not sure if that's due to the title of the theme or credit to Powell. The Corellia chase for one is catchy. Capturing an old west feel and Han's gun slinging, and hijacking of a land speeder. However when I watched the movie I don't even recall this theme. I had to listen to the composition while writing this paragraph. So although fitting for the character and setting it's forgettable.
When I stated there isn't any music here that's memorable, that's not entirely true. Around 20 seconds into The Adventures of Han begins a beautiful arrangement. It's short sweet and even repeats 29 seconds in Corellia Chase, and 1 minute 24 seconds into Break Out. This short 10 second snippet should've been treated like Indiana Jones. A recurring theme that we could've linked to Han Solo himself.
On the other hand perhaps the writing and the visual of the movie also holds the music back. I'm fairly sure the above arrangement appears in a few other songs. The movie was 2 hours of action packed scenes. There was no tension due to the fact we knew what was coming. The few characters that I got attached to didn't have their own theme. They should've capitalized more on Vos, Beckett, and even the romance with Qi'ra. None of these characters had a theme.
The music here belongs in Star Wars. It's hard to imagine them anywhere else. In previous Star Wars films the music was just as memorable as the scenes though. If I were to compare it to anything else it would be The Avengers. I couldn't hum any of the compositions, but if I heard em i'd probably recognize where it's from. A image wouldn't go with it, and that's just not Star Wars enough.
Chris Sawin (602 KP) rated Ambulance (2022) in Movies
Apr 18, 2022
Repetitive drone camera work (2 more)
Cringey humor and dialogue
An outdated and juvenile screenplay
Ambulance Review: Action At Its Dumbest And Gaudiest
Ambulance is a remake of a 2005 Danish film of the same name. Michael Bay’s version of the film follows former Marine Will Sharp (Yahya Abdul-Mateen II) as he struggles to find a job and support his family; his wife requires an experimental surgery that their health insurance won’t pay for.
Will turns to his estranged yet wealthy adopted brother Danny (Jake Gyllenhaal). Danny wants Will to participate in a bank heist worth $32 million. Will takes the job out of desperation, but when the heist goes sideways the two brothers hijack an ambulance and take a wounded cop along with a paramedic named Cam (Elza Gonzalez) as hostages.
The performances from Yahya Abdul-Mateen II and Jake Gyllenhall save Ambulance from being nothing more than an explosive, gyrating mess of a film. You don’t necessarily walk out of the theater feeling sympathy for Will, but you understand why the character turns to robbing a bank after serving his country through the heartfelt actions of Abdul-Mateen’s performance.
Jake Gyllenhaal is a memorable psychopath as Danny Sharp. Gyllenhaal has a ton of charisma as the character and can be incredibly likeable at times, but he has a temper that ignites without warning. Gyllenhaal is able to become intense and unhinged whenever Danny loses control of the situation, which is quite often over the course of 136-minutes.
The action thriller is dripping with what has either made you a fan of Michael Bay’s work or made you despise the Los Angeles born filmmaker for the majority of his career. The editing of the film is spastic and frenetic. There doesn’t seem to be a single sequence that lasts longer than eight seconds before cutting to another angle.
There are several references to other Michael Bay films in Ambulance; The Rock, 13 Hours, Armageddon, and Pearl Harbor. There’s also stuff you’d expect to find in a Michael Bay film like countless explosions and extravagant car wrecks. The film also seems to recycle the rotating camera Bay utilized in Bad Boys to highlight intense conversations between Will and Danny when they’re not confined to being inside the ambulance.
Despite working with a screenwriter whose first screenwriting credit is this film, Ambulance has writing that feels like it was something Bay produced over a decade ago. The dialogue feels extremely outdated and juvenile as characters walk this thin line between cringey humor and being downright sexist or racist. It feels like Bay was trying to feature a strong, independent woman in Ambulance with Cam. She's a competent single woman who is good at her job and doesn’t have to rely on anyone for anything. But the reveal of why she’s cold and remorseless is entirely cliché. The male characters have no real character development either though as their defining quality is that they all want to fight each other any chance they possibly get.
The Will character is also written in a way that is insulting and kind of offensive. So because he served his country he can get away with robbing a bank, shooting a cop, and participating in and driving the getaway vehicle during a massive car chase? He has a wife and daughter and his wife needs “experimental surgery” for an undisclosed illness and we’re supposed to root for this guy? Are we really this dumb?
It couldn’t be a film set in Los Angeles without someone making a reference to how terrible drivers are in LA. The secondary storylines don’t make sense or are just a complete waste of time. That conversation Danny has with his assistant about futbol/soccer and the lawn flamingos was obviously something extremely relevant to the overall story of the film. A cop also tries to ask out a bank teller while the bank is being robbed and literally doesn’t notice. We also have these other massively relevant and not pointless at all story points; bringing a dog to a car chase, Danny joking about walking around with herpes, and performing surgery in the back of an ambulance while stopping the bleeding with a hair clip.
Revoke Michael Bay’s license to utilize drones in his films. Every outside sequence seemed to have the same establishing shot of the camera flying up into the air turning around and zooming back down towards the ground. The camera in this film never stops moving. That combined with the film’s brutal rapid fire editing style will have you wanting to barf long before Danny calls upon the cartel for back up.
Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling action film. Jake Gyllenhaal is a cashmere obsessed lunatic that you can’t help but love, but Ambulance is a gaudy and sloppy excuse of an action film otherwise.
Will turns to his estranged yet wealthy adopted brother Danny (Jake Gyllenhaal). Danny wants Will to participate in a bank heist worth $32 million. Will takes the job out of desperation, but when the heist goes sideways the two brothers hijack an ambulance and take a wounded cop along with a paramedic named Cam (Elza Gonzalez) as hostages.
The performances from Yahya Abdul-Mateen II and Jake Gyllenhall save Ambulance from being nothing more than an explosive, gyrating mess of a film. You don’t necessarily walk out of the theater feeling sympathy for Will, but you understand why the character turns to robbing a bank after serving his country through the heartfelt actions of Abdul-Mateen’s performance.
Jake Gyllenhaal is a memorable psychopath as Danny Sharp. Gyllenhaal has a ton of charisma as the character and can be incredibly likeable at times, but he has a temper that ignites without warning. Gyllenhaal is able to become intense and unhinged whenever Danny loses control of the situation, which is quite often over the course of 136-minutes.
The action thriller is dripping with what has either made you a fan of Michael Bay’s work or made you despise the Los Angeles born filmmaker for the majority of his career. The editing of the film is spastic and frenetic. There doesn’t seem to be a single sequence that lasts longer than eight seconds before cutting to another angle.
There are several references to other Michael Bay films in Ambulance; The Rock, 13 Hours, Armageddon, and Pearl Harbor. There’s also stuff you’d expect to find in a Michael Bay film like countless explosions and extravagant car wrecks. The film also seems to recycle the rotating camera Bay utilized in Bad Boys to highlight intense conversations between Will and Danny when they’re not confined to being inside the ambulance.
Despite working with a screenwriter whose first screenwriting credit is this film, Ambulance has writing that feels like it was something Bay produced over a decade ago. The dialogue feels extremely outdated and juvenile as characters walk this thin line between cringey humor and being downright sexist or racist. It feels like Bay was trying to feature a strong, independent woman in Ambulance with Cam. She's a competent single woman who is good at her job and doesn’t have to rely on anyone for anything. But the reveal of why she’s cold and remorseless is entirely cliché. The male characters have no real character development either though as their defining quality is that they all want to fight each other any chance they possibly get.
The Will character is also written in a way that is insulting and kind of offensive. So because he served his country he can get away with robbing a bank, shooting a cop, and participating in and driving the getaway vehicle during a massive car chase? He has a wife and daughter and his wife needs “experimental surgery” for an undisclosed illness and we’re supposed to root for this guy? Are we really this dumb?
It couldn’t be a film set in Los Angeles without someone making a reference to how terrible drivers are in LA. The secondary storylines don’t make sense or are just a complete waste of time. That conversation Danny has with his assistant about futbol/soccer and the lawn flamingos was obviously something extremely relevant to the overall story of the film. A cop also tries to ask out a bank teller while the bank is being robbed and literally doesn’t notice. We also have these other massively relevant and not pointless at all story points; bringing a dog to a car chase, Danny joking about walking around with herpes, and performing surgery in the back of an ambulance while stopping the bleeding with a hair clip.
Revoke Michael Bay’s license to utilize drones in his films. Every outside sequence seemed to have the same establishing shot of the camera flying up into the air turning around and zooming back down towards the ground. The camera in this film never stops moving. That combined with the film’s brutal rapid fire editing style will have you wanting to barf long before Danny calls upon the cartel for back up.
Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling action film. Jake Gyllenhaal is a cashmere obsessed lunatic that you can’t help but love, but Ambulance is a gaudy and sloppy excuse of an action film otherwise.
Ronyell (38 KP) rated The Thief and the Cobbler (1993) in Movies
Aug 4, 2020
Richard Williams' Aladdin Story
I will admit that when I first heard about this movie, I wasn't that interested in it because I was a little freaked out by the character designs. But, after watching this movie, I ended up enjoying it a lot more because of the creativity being put into this film! Now, I know a lot of people had complained about this movie being too similar to Disney's Aladdin, but in all honesty, the idea of this movie actually surfaced WAY before Disney's Aladdin came along (it was established in the 1960s actually)! The sad story behind it though was that the film didn't get released until the 1990s and by then, there were a lot of changes to the movie that differed heavily from the original vision (luckily, there's a recobbled version of this film out there, that I will hopefully see soon)! The voice acting was very well done in this version of the original script, especially with Jonathan Winters providing inner quips for the thief himself and I also loved the character designs, as they were quite bizarre yet creative to look at! Probably, one of my most favorite scenes in the movie was the famous chase scene between the thief and Tack as it shows just how bizarre this film can get at times!
My biggest issue with this version of the movie was that there seems to be too much narration and inner monologues with the characters in places that they don't really need to talk and that distracted me from the movie at certain points.
Overall, "The Thief and the Cobbler (Miramax Version)" is a treat to check out if you are looking for a more fun loving version of Richard Williams' original classic!
My biggest issue with this version of the movie was that there seems to be too much narration and inner monologues with the characters in places that they don't really need to talk and that distracted me from the movie at certain points.
Overall, "The Thief and the Cobbler (Miramax Version)" is a treat to check out if you are looking for a more fun loving version of Richard Williams' original classic!
Billie Wichkan (118 KP) rated Bitter Edge (DI Kelly Porter #4) in Books
May 22, 2019
With thanks to Netgalley and Canelo for this ARC in exchange for an open and honest review.
DI Kelly Porter is back, but so is an old foe and this time he won’t back down...
When a teenage girl flings herself off a cliff in pursuit of a gruesome death, DI Kelly Porter is left asking why. Ruled a suicide, there’s no official reason for Kelly to chase answers, but as several of her team’s cases converge on the girl’s school, a new, darker story emerges. One which will bring Kelly face-to-face with an old foe determined to take back what is rightfully his – no matter the cost.
This is another DI Kelly Porter and is no less exciting than the others. I thoroughly enjoyed the story and the plot twist was very unexpected. The setting is in the beautiful Lake District and the author does a great job with the descriptions.
The characters are very well developed and the story flows so well and fast paced.
The story line has different threads which are never dropped and weave nicely together, is written with empathy towards teenagers and the pressures they are under in this social media/digital age. This is a very different direction from the previous 3 she has written.
I'm not going to give any of the plot away.
I loved the book and highly recommend.
DI Kelly Porter is back, but so is an old foe and this time he won’t back down...
When a teenage girl flings herself off a cliff in pursuit of a gruesome death, DI Kelly Porter is left asking why. Ruled a suicide, there’s no official reason for Kelly to chase answers, but as several of her team’s cases converge on the girl’s school, a new, darker story emerges. One which will bring Kelly face-to-face with an old foe determined to take back what is rightfully his – no matter the cost.
This is another DI Kelly Porter and is no less exciting than the others. I thoroughly enjoyed the story and the plot twist was very unexpected. The setting is in the beautiful Lake District and the author does a great job with the descriptions.
The characters are very well developed and the story flows so well and fast paced.
The story line has different threads which are never dropped and weave nicely together, is written with empathy towards teenagers and the pressures they are under in this social media/digital age. This is a very different direction from the previous 3 she has written.
I'm not going to give any of the plot away.
I loved the book and highly recommend.
LeftSideCut (3778 KP) rated I Know What You Did Last Summer (1997) in Movies
Mar 2, 2021
I Know What You Did Last Summer opens with the Type O Negative cover of Summer Breeze, which is always going to be a winner in my book.
This film is rightly considered a bit of a classic these days, and there's really not a whole bunch to complain about. It has well written characters, a decent cast, a visually creepy villain, an engaging whodunit plot, one of the best chase scenes in slasher movie history (that's right), and still manages to stand on its own two feet in a world where it's constantly compared to Scream.
I find this to be an unfair comparison. Beyond the 90s setting, teen characters, slasher tropes, and shared writer in Kevin Williamson, there's not much else that ties them together. Scream is of course a fantastic horror, but relishes in being satire, whereas IKWYDLS is a straight shooting horror. Its the exact kind of film that Scream takes aim at, but it still manages to be a decent slasher without feeling silly, and delivers some well earned jump scares for good measure. I also really enjoy it's fishing town setting and the hole movie is accompanied by a hilariously epic score courtesy of John Debney. It's great.
I will always have a lot of time for IKWYDLS, overshadowed by some of its contemporaries, but a hugely satisfying and entertaing horror in its own right.
This film is rightly considered a bit of a classic these days, and there's really not a whole bunch to complain about. It has well written characters, a decent cast, a visually creepy villain, an engaging whodunit plot, one of the best chase scenes in slasher movie history (that's right), and still manages to stand on its own two feet in a world where it's constantly compared to Scream.
I find this to be an unfair comparison. Beyond the 90s setting, teen characters, slasher tropes, and shared writer in Kevin Williamson, there's not much else that ties them together. Scream is of course a fantastic horror, but relishes in being satire, whereas IKWYDLS is a straight shooting horror. Its the exact kind of film that Scream takes aim at, but it still manages to be a decent slasher without feeling silly, and delivers some well earned jump scares for good measure. I also really enjoy it's fishing town setting and the hole movie is accompanied by a hilariously epic score courtesy of John Debney. It's great.
I will always have a lot of time for IKWYDLS, overshadowed by some of its contemporaries, but a hugely satisfying and entertaing horror in its own right.