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Debbiereadsbook (1110 KP) rated Common Powers Box Set in Books
Aug 14, 2019
good, but not great.
Indepedent reviewer for Archaeolibrarian, I was gifted my copy of this box set.
Four stories, of men coming together when they need each other the most.
Sammi is running away from being a sex slave, can Mitchell keep him safe?
Brian and Rush have chemistry, and they haven't even touched, but can Rush step out of the dark for Brian?
Edward is in town to visit his grandmother. The Chief of Police, Jack, is so NOT his type. So why is he drawn so badly to the man?
After a homophobic attack, Phillip finds himself taken in by Brian and Rush, and Phillip can only hope to have the kind of relationship they do.
For the most part, I did enjoy these four books, but maybe reading them back to back wasn't the best idea.
The general plot lines are very similar, and some dialogue is repaeted, particularly in the final book, when ALL four guys have a say, and it is especially when the guys are getting down and dirty! And they get down and dirty a LOT in that last book! And I'm not usually one to bawk at a lot of down and dirty but I did feel that it overshadowed Phillip's story.
I did enjoy the paranormal aspect: Sammi can read minds, Brian has premonitions, Rush can see in the dark, Edward can heal by touch and Phillip can influence by touch.
I liked that all the guys in the pairings have a say, so we hear from everyone and you know that makes me happy.
I did not like the SPEED at which things moved for the first three couples. Phillip's tale was a good deal slower, with everyone else having some thing to say. The previous three though?? Very quickly it went from attraction to love, for Sammi and Mitchell, it was the first chapter! I'm all for insta-love in places, but I did not like here, especailly for Sammi because of what he was running from. But equally, Jack and Rush are hiding, deep in their only personal hall closets, and you have expected there to be a bit more reluctancy to fall in love from those two (although they DID fight it, tooth and nail!) It was just too mcuh too soon.
It is explicit, heavily so; it also carries references to murder, rape and stalking and deals with the sex industry and being held against their will.
Still, a good read, just not a brilliant one.
3 GOOD stars
**same worded review will appear elewhere**
Four stories, of men coming together when they need each other the most.
Sammi is running away from being a sex slave, can Mitchell keep him safe?
Brian and Rush have chemistry, and they haven't even touched, but can Rush step out of the dark for Brian?
Edward is in town to visit his grandmother. The Chief of Police, Jack, is so NOT his type. So why is he drawn so badly to the man?
After a homophobic attack, Phillip finds himself taken in by Brian and Rush, and Phillip can only hope to have the kind of relationship they do.
For the most part, I did enjoy these four books, but maybe reading them back to back wasn't the best idea.
The general plot lines are very similar, and some dialogue is repaeted, particularly in the final book, when ALL four guys have a say, and it is especially when the guys are getting down and dirty! And they get down and dirty a LOT in that last book! And I'm not usually one to bawk at a lot of down and dirty but I did feel that it overshadowed Phillip's story.
I did enjoy the paranormal aspect: Sammi can read minds, Brian has premonitions, Rush can see in the dark, Edward can heal by touch and Phillip can influence by touch.
I liked that all the guys in the pairings have a say, so we hear from everyone and you know that makes me happy.
I did not like the SPEED at which things moved for the first three couples. Phillip's tale was a good deal slower, with everyone else having some thing to say. The previous three though?? Very quickly it went from attraction to love, for Sammi and Mitchell, it was the first chapter! I'm all for insta-love in places, but I did not like here, especailly for Sammi because of what he was running from. But equally, Jack and Rush are hiding, deep in their only personal hall closets, and you have expected there to be a bit more reluctancy to fall in love from those two (although they DID fight it, tooth and nail!) It was just too mcuh too soon.
It is explicit, heavily so; it also carries references to murder, rape and stalking and deals with the sex industry and being held against their will.
Still, a good read, just not a brilliant one.
3 GOOD stars
**same worded review will appear elewhere**
The Legacy of R. D. Laing: An Appraisal of His Contemporary Relevance
Book
The name R. D. Laing continues to be widely recognized by those in the psychotherapy community in...
Purple Phoenix Games (2266 KP) rated Dice Town: Cowboys in Tabletop Games
Jun 25, 2021
In the expansion review series, we take a look at a game expansion to discuss whether it is a necessary purchase/addition to one’s collection.
This breakdown is for the push-your-luck dice and take-that game Dice Town’s expansion Cowboys.
This expansion adds a new board overlay to placed between Town Hall and Doc Badluck, 21 cow minis, some General Store cards to be shuffled with the base game, 12 Cowboy card, and four Rodeo cards. The Rodeo cards are 10 VP cards that are earned once a player owns a Cowboy card in each suit. Cowboy cards are recruited by the player who rolls the most Aces. They have the choice of recruiting a Cowboy or Stealing Cows (first from the new Prairie Board overlay, but if empty, then from other players). Cowboy cards can offer various abilities to be used or can be saved to earn a Rodeo VP card. Cow minis can be kept in a loose herd in front of the player or can be added on top of a Deed card in order to keep the Deed card and cows from being stolen by other players. If a Deed card shows, for example, a value of 4 then four cows will need to be added to the Deed card. Once the Deed card has its herd of cows upon it, the card is now worth an extra VP. Also at game end the player with the largest herd of cows will earn 10 additional bonus VP. Yee haw!
So here’s the thing: I love Dice Town as is. But adding in this expansion just adds another layer of strategic complexity and increases the enjoyment for me by tons. Having little cows in my play area and using them to graze upon my land deeds is quite satisfying. Being able to sprinkle in some of the Cowboy cards and hopefully earn a Rodeo card as well just boosts the ol’ final score by a significant amount. So the addition of this expansion is all about those VP gainz.
Official recommendation: I think any gamer who owns and enjoys Dice Town should definitely pick up the Cowboys expansion. It adds very important components to the base game and offers more choices for great rolls. And what gamer doesn’t appreciate more choices? This is a definite must-buy for me, but I wouldn’t turn down a chance to play just the base game either.
This breakdown is for the push-your-luck dice and take-that game Dice Town’s expansion Cowboys.
This expansion adds a new board overlay to placed between Town Hall and Doc Badluck, 21 cow minis, some General Store cards to be shuffled with the base game, 12 Cowboy card, and four Rodeo cards. The Rodeo cards are 10 VP cards that are earned once a player owns a Cowboy card in each suit. Cowboy cards are recruited by the player who rolls the most Aces. They have the choice of recruiting a Cowboy or Stealing Cows (first from the new Prairie Board overlay, but if empty, then from other players). Cowboy cards can offer various abilities to be used or can be saved to earn a Rodeo VP card. Cow minis can be kept in a loose herd in front of the player or can be added on top of a Deed card in order to keep the Deed card and cows from being stolen by other players. If a Deed card shows, for example, a value of 4 then four cows will need to be added to the Deed card. Once the Deed card has its herd of cows upon it, the card is now worth an extra VP. Also at game end the player with the largest herd of cows will earn 10 additional bonus VP. Yee haw!
So here’s the thing: I love Dice Town as is. But adding in this expansion just adds another layer of strategic complexity and increases the enjoyment for me by tons. Having little cows in my play area and using them to graze upon my land deeds is quite satisfying. Being able to sprinkle in some of the Cowboy cards and hopefully earn a Rodeo card as well just boosts the ol’ final score by a significant amount. So the addition of this expansion is all about those VP gainz.
Official recommendation: I think any gamer who owns and enjoys Dice Town should definitely pick up the Cowboys expansion. It adds very important components to the base game and offers more choices for great rolls. And what gamer doesn’t appreciate more choices? This is a definite must-buy for me, but I wouldn’t turn down a chance to play just the base game either.
medici.tv, music with vision
Music and Photo & Video
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The world's leading classical music channel, medici.tv has offered access to the best of classical...
Phillip McSween (751 KP) rated Sixteen Candles (1984) in Movies
May 3, 2018
Fun 80's Comedy
Samantha's (Molly Ringwald) family is busy, so busy in fact that they forgot her sixteenth birthday. Samantha has to cope with this while dealing with various misadventures surrounding her life. It's an innocent 80's comedy that takes you on a fun ride from beginning to end.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
BankofMarquis (1832 KP) rated Holmes and Watson (2018) in Movies
Apr 27, 2020
They can't all be winners
Well...they can't all be winners.
I know that Will Ferrell is an "acquired taste" - either you like the "all in" comedy of this man, or you don't. I happen to like Ferrell, his comedy has aged on me like a fine wine. I find that some of his most recent films like THE OTHER GUYS and THE HOUSE are very funny (maybe not as funny as ANCHORMAN...but what is). I think this comedian still has his fastball.
But, sometimes, wine doesn't age well, it turns into vinegar. And for Ferrell, this vinegar is the comedic dud that is HOLMES & WATSON.
Partnering with familiar on-screen partner John C. Reilly (who paired with Ferrell in films like STEP BROTHERS and TALLEDEGA NIGHTS) this film is a parody of the multitude of Sherlock Holmes films - this time showing that not only is Holmes and idiot but so is Watson. But, somehow, they manage to solve the crime and save the day anyway.
Ferrell is (typically) over-the-top and obtuse as Holmes. Usually, this combination works for him (see ANCHORMAN) but it just falls flat here. Same thing for John C. Reilly's Watson - he is just as over-the-top and obtuse and (I think) that's the beginning of the problem here. The two just bounce off each other without the joke landing on either of them - nor does it land of the audience.
Ralph Fiennes (Moriarty), Rebecca Hall (potential girlfriend), Rob Brydon (Inspector Lestrade) and Kelly Macdonald (Mrs. Hudson) all fair poorly with poor material to work with.
Writer/Director Etan (that's Etan, not Ethan) Cohen (IDIOCRACY) does nothing to help things here with either his writing or his direction. My only thought here is that he thought that Ferrell and Reilly could improvise themselves into a good film.
It didn't happen.
Letter Grade: C (because I guffawed out loud - despite myself - a couple of times)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I know that Will Ferrell is an "acquired taste" - either you like the "all in" comedy of this man, or you don't. I happen to like Ferrell, his comedy has aged on me like a fine wine. I find that some of his most recent films like THE OTHER GUYS and THE HOUSE are very funny (maybe not as funny as ANCHORMAN...but what is). I think this comedian still has his fastball.
But, sometimes, wine doesn't age well, it turns into vinegar. And for Ferrell, this vinegar is the comedic dud that is HOLMES & WATSON.
Partnering with familiar on-screen partner John C. Reilly (who paired with Ferrell in films like STEP BROTHERS and TALLEDEGA NIGHTS) this film is a parody of the multitude of Sherlock Holmes films - this time showing that not only is Holmes and idiot but so is Watson. But, somehow, they manage to solve the crime and save the day anyway.
Ferrell is (typically) over-the-top and obtuse as Holmes. Usually, this combination works for him (see ANCHORMAN) but it just falls flat here. Same thing for John C. Reilly's Watson - he is just as over-the-top and obtuse and (I think) that's the beginning of the problem here. The two just bounce off each other without the joke landing on either of them - nor does it land of the audience.
Ralph Fiennes (Moriarty), Rebecca Hall (potential girlfriend), Rob Brydon (Inspector Lestrade) and Kelly Macdonald (Mrs. Hudson) all fair poorly with poor material to work with.
Writer/Director Etan (that's Etan, not Ethan) Cohen (IDIOCRACY) does nothing to help things here with either his writing or his direction. My only thought here is that he thought that Ferrell and Reilly could improvise themselves into a good film.
It didn't happen.
Letter Grade: C (because I guffawed out loud - despite myself - a couple of times)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Tops Supermarket
Shopping and Lifestyle
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We are the largest supermarket chain in operation since 1996. Only the freshest products are offered...
I Feel So Good: The Life and Times of Big Bill Broonzy
Peter Guralnick, Bob Riesman and Pete Townshend
Book
A major figure in American blues and folk music, Big Bill Broonzy (1903-58) left his Arkansas Delta...
Wine Tourism Around the World: Development, Management and Markets
C. Michael Hall, Brock Cambourne, Liz Sharples and Niki Macionis
Book
Wine tourism is a rapidly growing field of industry and academic interest with changes in the...
After the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and she has no choice but to head back to Lake Hall, the aristocratic home she shared with her parents when growing up. It's a far cry from California where she lived with Chris and Ruby, escaping a stifling childhood with her mother. Jo's happiest childhood memories involve her nanny, Hannah, but Hannah disappeared suddenly one summer when Jo was seven. Her mother blamed Jo, and the two never repaired their relationship. Back now, thirty years later, Jo must deal with her mother and their fractured relationship. And when she and Ruby find a skull in the lake behind the house, she begins to wonder exactly what happened to Hannah. Jo isn't sure of anything anymore, or who she can trust, even her own memories.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.