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Neon's Nerd Nexus (360 KP) rated BlacKkKlansman (2018) in Movies
May 14, 2019
Kkkracking
#blackkklansman is an incredible & #fun tribute to the #art of #blaxsploitation film making with a #powerful & very serious #message to tell. Although i found this movie extremely entertaining i left the #cinema feeling extremely #sad & #emotionally shook by it too. What #spikelee has made here is a film that feels very much like a commercial mainstream #comedy film but one thats injected with so much depth & real world drama/issues that its hard not to watch it like its an #educational trip back in time. It really has your #emotions running all over the place especially with its very current & real portrayals of #racism/hate & how it corrupts the weak minded/uneducated while also showing how hate inevitably leads to inhuman & diabolical acts of violence. Infact id say the release of #blackkklansman couldn't of come at a more important time especially with all the hate marches going on in the world & even in my hometown recently. Filmed in such a cool way with an amazing #soundtrack i felt instantly transported back in time & fully immersed from the get go. Lee also uses so many darkly lit, raw & intimate close ups & old filters it makes the viewer feel like we are really there beside the characters really getting to know each & every one of them too. Much like last years #detroit (which i actually prefer) the time period is very well recreated & the overall message here is also just as important & unavoidable too. While not being a film i could recommend to everyone (I think some people may miss the point or fail to see under the films accessible surface) but those who do see it will come away feeling not only entertained but extreamly moved.
#odeon #odeonlimitless #filmbuff #filmcritic #wednesdaywisdom #racist #klukluxklan #lovenothate #blacklivesmatter #empowerment #hate #love #adamdriver #johndavidwashington
#odeon #odeonlimitless #filmbuff #filmcritic #wednesdaywisdom #racist #klukluxklan #lovenothate #blacklivesmatter #empowerment #hate #love #adamdriver #johndavidwashington
Sophia (Bookwyrming Thoughts) (530 KP) rated Dragon Pearl in Books
Jan 23, 2020
<b><i>I received this book for free from Disney-Hyperion in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</b></i>
<i>Dragon Pearl</i> by Yoon Ha Lee is the latest in Rick Riordan Presents, an imprint under Disney that “highlights cultures and mythologies from around the world,” selected by author Rick Riordan. An #ownvoices novel based on Korean mythology and folklore, Lee’s novel follows a fox spirit named Min who runs off on a space adventure to find her missing brother and instead finds the highly sought-after Dragon Pearl to save the Thousand Worlds.
I found myself struggling with <i>Dragon Pearl</i> at times. There are moments the novel slows from the pace of the action, which could potentially drag the reader’s attention away from Min’s journey. Min’s quest to find her brother is easy, but it is expected as the novel is aimed at a middle-grade audience.
Ignore the slowness and the ease of the journey, however, and the story is a magical ride through the Thousand Worlds. I loved seeing Min encountering obstacles and working her way around them while figuring out her own magic. Most importantly, I enjoyed seeing how valuable her relationships are, both with her brother and with the developing friendships with the other cadets.
Fans of Rick Riordan’s novels who enjoy a journey through space with touches of mythology will love going on an adventure of their own with Min through Yoon Ha Lee’s <i>Dragon Pearl</i>.
<a href="https://60secondsmag.com/dragon-pearl-review/">This review is originally posted on 60 Seconds Online Magazine</a>
<i>Dragon Pearl</i> by Yoon Ha Lee is the latest in Rick Riordan Presents, an imprint under Disney that “highlights cultures and mythologies from around the world,” selected by author Rick Riordan. An #ownvoices novel based on Korean mythology and folklore, Lee’s novel follows a fox spirit named Min who runs off on a space adventure to find her missing brother and instead finds the highly sought-after Dragon Pearl to save the Thousand Worlds.
I found myself struggling with <i>Dragon Pearl</i> at times. There are moments the novel slows from the pace of the action, which could potentially drag the reader’s attention away from Min’s journey. Min’s quest to find her brother is easy, but it is expected as the novel is aimed at a middle-grade audience.
Ignore the slowness and the ease of the journey, however, and the story is a magical ride through the Thousand Worlds. I loved seeing Min encountering obstacles and working her way around them while figuring out her own magic. Most importantly, I enjoyed seeing how valuable her relationships are, both with her brother and with the developing friendships with the other cadets.
Fans of Rick Riordan’s novels who enjoy a journey through space with touches of mythology will love going on an adventure of their own with Min through Yoon Ha Lee’s <i>Dragon Pearl</i>.
<a href="https://60secondsmag.com/dragon-pearl-review/">This review is originally posted on 60 Seconds Online Magazine</a>
Charlie Cobra Reviews (1840 KP) rated Good Boys (2019) in Movies
Jul 7, 2020
South Park Meets Super Bad In This Summer Comedy
Good Boys is a 2019 comedy movie directed by Gene Stupnitsky and written by Stupnitsky and Lee Eisenberg. Seth Rogen and Evan Goldberg served as producers under their Point Grey Pictures production company. It was also produced by Good Universe and Quantity Entertainment and distributed by Universal Pictures. The film stars Jacob Tremblay, Keith L. Williams, and Brady Noon.
Entering 6th grade and dealing with their own personal problems, friends Max, Thor and Lucas are presented with the opportunity to attend a party thrown by the popular kids. However nervous that this will be their first "kissing" party, Max and his friends lose his dad's valuable drone while spying on his neighbor Hannah to learn more about kissing. And their journey to get it back is full of chaos and shenanigans they likes of which they are not prepared for.
Now this movie was really funny and had me laughing. Man it got me reminiscing about how my friends and I were pretty much our own version of the gang from South Park. What I enjoyed the most was that the movie had a great way of showing the kids struggle to understand things that you would think they would know because of how they act older by cussing and talking about other adult stuff. I really liked their group dynamic and the acting from them was really top notch. This movie really made me laugh but also made me miss my group of friends that I grew up with and used to hang out with all the time. I give this movie an 8/10 and say that if you are looking for something to make you laugh, then you need to check out this movie.
Entering 6th grade and dealing with their own personal problems, friends Max, Thor and Lucas are presented with the opportunity to attend a party thrown by the popular kids. However nervous that this will be their first "kissing" party, Max and his friends lose his dad's valuable drone while spying on his neighbor Hannah to learn more about kissing. And their journey to get it back is full of chaos and shenanigans they likes of which they are not prepared for.
Now this movie was really funny and had me laughing. Man it got me reminiscing about how my friends and I were pretty much our own version of the gang from South Park. What I enjoyed the most was that the movie had a great way of showing the kids struggle to understand things that you would think they would know because of how they act older by cussing and talking about other adult stuff. I really liked their group dynamic and the acting from them was really top notch. This movie really made me laugh but also made me miss my group of friends that I grew up with and used to hang out with all the time. I give this movie an 8/10 and say that if you are looking for something to make you laugh, then you need to check out this movie.
Jordan Binkerd (567 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
The cast (3 more)
The score
Realistic science
Beautiful VFX
Anticlimactic/possibly unreliable ending (3 more)
Awkward voiceover
Pacing? Some would disagree....
Action scenes are kind of shoehorned in
Beautiful and haunting
First off, you've got to see this in the theater if you're going to see it. The sparse lunar and Martian vistas, not to mention the star-strewn expanses of space, will be so much less impressive on your living room television. The cast is amazing, though there's not nearly enough Tommy Lee Jones or Donald Sutherland. The tone is haunting and uncomfortable, aided by a subdued score that at times seems to pay tribute to the soundless vacuum in which parts of the film are set. The science is up to date, in that it accurately reflects the fact that after getting sidetracked for a decade or four, we're back to using rockets to explore the solar system. The plot is at heart an exploration of humanity, our needs, drives, relationships and obsessive stubbornness, and dips somewhat into questions of sanity and mental health, again sometimes uncomfortably, though the slow-burn pacing is not for everyone. There are occasional action sequences, but they often feel disconnected and shoehorned in. The ending was a little anti-climactic, and I'm not entirely sure it actually happened - it's barely a spoiler to suggest that the protagonist is in danger as the ending nears, and everything that follows his return to Earth could easily be a dream or dying hallucination (and in fact if argue that this would be a stronger ending). The voiceover was a bit awkward, and would have benefitted from an in-story justification such as the character journalling or leaving a sealed log of some sort. Basically, I think it was worth seeing, but it's not going to be for everyone.
Jordan Binkerd (567 KP) rated Men in Black International (2019) in Movies
Sep 14, 2019
Chris Hemsworth (2 more)
Tessa Thompson
Pawny
The two twists are visible a mile away (1 more)
No Will Smith, no Tommy Lee Jones
Not as good as the original, but still excellent
I see a lot of derogatory reviews for this one, and I don't really understand that. Is it as good as the original? No. Neither were the other two sequels. I can only think of two sequels in the history of movies that were as good or better than the original: Terminator 2 - Judgement Day and Star Wars - The Empire Strikes Back. Okay, three, I forgot about The Road Warrior. My point stands. It's an unfair expectation to put on this film, which was perfectly enjoyable and managed to move the MiB franchise outside New York City for a change.
Agent M is our protagonist, a woman who witnessed MiB in action as a girl and escaped being Neuralized. After tracking down MiB, she's sent to London and partnered with Agent H, a legend in the agency who seems to have lost what made him a competent agent. Together, they must ferret out a mole in the Men in Black....
While they're no Smith and Jones, Hemsworth and Thompson have excellent chemistry as evidenced by their repeatedly being paired with each other. Emma Thompson and Liam Neeson are incapable of failing to entertain, especially in material as bonkers as MiB, and Pawny was hilarious. The storyline is a bit cliche, and you see the twists coming miles away, but on the whole I greatly enjoyed the film. It's exactly what I expected it to be, exactly what it wanted to be. The reason for H's change in character is left a little bit ambiguous and unexplained, but should be clear enough on further consideration. I'd be down for a couple more with this cast, honestly....
Agent M is our protagonist, a woman who witnessed MiB in action as a girl and escaped being Neuralized. After tracking down MiB, she's sent to London and partnered with Agent H, a legend in the agency who seems to have lost what made him a competent agent. Together, they must ferret out a mole in the Men in Black....
While they're no Smith and Jones, Hemsworth and Thompson have excellent chemistry as evidenced by their repeatedly being paired with each other. Emma Thompson and Liam Neeson are incapable of failing to entertain, especially in material as bonkers as MiB, and Pawny was hilarious. The storyline is a bit cliche, and you see the twists coming miles away, but on the whole I greatly enjoyed the film. It's exactly what I expected it to be, exactly what it wanted to be. The reason for H's change in character is left a little bit ambiguous and unexplained, but should be clear enough on further consideration. I'd be down for a couple more with this cast, honestly....
Mark @ Carstairs Considers (2103 KP) rated Cozy Up to Blood in Books
Oct 29, 2021
Hiding Out on an Island with…Vampires?
Murray Lee has wandered onto the island of Belfry off the coast of Oregon just as the rains wash away the bridge connecting it to the mainland. He’s just in time for the annual festival dedicated to the movies in the Evenfall series, a popular vampire themed series of books and movies which were filmed on the island. This means there are plenty of outsiders posing as vampires around town. Someone is taking advantage of the crowds by attacking some of the locals, stealing from them, and biting their necks. The local police think that Murray is a good suspect since he is new to town but obviously not part of the Evenfall crowd. But Murray doesn’t want the police looking into him or his past. He has a secret. And it might have something to do with the motorcycle gang sitting on the other side of the bridge waiting for the water to recede. Can he clear his name without revealing his past? Will he even get off the island alive?
There is a part of me that enjoyed the book despite the flaws. I do enjoy Murray’s character, and I want to see him succeed and be happy. The Evenfall books and movies, clearly a spoof on Twilight, were always funny when they were the focus of the story. And yet, the mystery of the book was weak, almost more a sub-plot in the middle of everything else. I’ve always struggled a bit with the overall premise of the series, but this time, it was extremely unbelievable. I am still hoping we get another book, especially since the ending set up another adventure. If you are interested in the series, I suggest you wait until you can get them cheaply.
There is a part of me that enjoyed the book despite the flaws. I do enjoy Murray’s character, and I want to see him succeed and be happy. The Evenfall books and movies, clearly a spoof on Twilight, were always funny when they were the focus of the story. And yet, the mystery of the book was weak, almost more a sub-plot in the middle of everything else. I’ve always struggled a bit with the overall premise of the series, but this time, it was extremely unbelievable. I am still hoping we get another book, especially since the ending set up another adventure. If you are interested in the series, I suggest you wait until you can get them cheaply.
BankofMarquis (1832 KP) rated Everything Everywhere All At Once (2022) in Movies
Apr 15, 2022
A fun ride - with heart
The first recommendation when watching EVERYTHING EVERYWHERE ALL AT ONCE is to not try to figure out what is going on in this movie during the first 1/2 hour to 45 minutes. This will drive you mad. Just sit back and enjoy the mind-bending experience you are having.
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated Lincoln (2012) in Movies
Aug 7, 2019
The history of this country is steeped in mystery and intrigue, but it’s fuzzy on the details. We cling to heroes of the past because we are jaded by the present. Lincoln, a new film from Steven Spielberg, comes to us at a time when there seems to be even more political strife than usual. (Or perhaps that’s just me getting older and actually paying attention.) Either way, I think this movie’s arrival on the silver screen is very timely, given the recent election.
Daniel Day Lewis, a man revered for his choice of films and roles, as well as his ability to portray characters with so much emotion and conviction, has done it once again. As the title character for this film, Lewis portrays one of the U.S.A’s greatest leaders and pioneers in a way that few other men could. Surrounded by some of the best actors in Hollywood (including Tommy Lee Jones), this star-studded film has a laundry list of very recognizable faces from all corners of Hollywood. The red carpet was clearly rolled out for this film.
The story starts amid the death and destruction of the American Civil War, an event that is both a fixed point of the story and a constant backdrop. Seeing the fighting and killing made me wonder how gritty this movie would get, but as it turns out, they kept the level of gore pretty low.
The film goes on to set the stage for the final footsteps into the southern theater that was the Civil War. In tandem, it follows the highly controversial 13th amendment, which was barely passed at the time due to racism and the belief that one color of human should be slave to another color. The absurdity of this notion is highlighted, but it’s also familiar in the way it parallels issues we face today: legalizing pot, gay marriage, prostitution, the right to bear arms, etc. Perhaps our grandchildren will watch a film in the future about these struggles, and regard it as we do a film about the Civil War. As I sat and watched this movie, I was nearly in tears at the thought of how African-Americans were once regarded as lesser beings. Will our grandchildren cry at the ridiculousness of our beliefs?
The cinematography was amazingly crisp. Many of the characters are introduced in such a way that they have a grand entrance through the mystique created by camera angles. I have to truly applaud Spielberg for what might be his best film yet. The camera work was immensely effective, relying heavily on the contrast between shadow and light. Coupled with richly detailed sets, it made everything staggeringly realistic, and absolutely convincing.
I will say this for Lincoln: I haven’t been so moved and taken aback by a period film in my life. This is a must see for everyone.
The dialog is highly political, and sometimes goes along at quite a clip; be prepared to miss a few things the first time around. However, watching it a second time surely won’t be a sin. The humor alone merits a second viewing. There are many good laughs to be had.
Lincoln is a work of art.
Daniel Day Lewis, a man revered for his choice of films and roles, as well as his ability to portray characters with so much emotion and conviction, has done it once again. As the title character for this film, Lewis portrays one of the U.S.A’s greatest leaders and pioneers in a way that few other men could. Surrounded by some of the best actors in Hollywood (including Tommy Lee Jones), this star-studded film has a laundry list of very recognizable faces from all corners of Hollywood. The red carpet was clearly rolled out for this film.
The story starts amid the death and destruction of the American Civil War, an event that is both a fixed point of the story and a constant backdrop. Seeing the fighting and killing made me wonder how gritty this movie would get, but as it turns out, they kept the level of gore pretty low.
The film goes on to set the stage for the final footsteps into the southern theater that was the Civil War. In tandem, it follows the highly controversial 13th amendment, which was barely passed at the time due to racism and the belief that one color of human should be slave to another color. The absurdity of this notion is highlighted, but it’s also familiar in the way it parallels issues we face today: legalizing pot, gay marriage, prostitution, the right to bear arms, etc. Perhaps our grandchildren will watch a film in the future about these struggles, and regard it as we do a film about the Civil War. As I sat and watched this movie, I was nearly in tears at the thought of how African-Americans were once regarded as lesser beings. Will our grandchildren cry at the ridiculousness of our beliefs?
The cinematography was amazingly crisp. Many of the characters are introduced in such a way that they have a grand entrance through the mystique created by camera angles. I have to truly applaud Spielberg for what might be his best film yet. The camera work was immensely effective, relying heavily on the contrast between shadow and light. Coupled with richly detailed sets, it made everything staggeringly realistic, and absolutely convincing.
I will say this for Lincoln: I haven’t been so moved and taken aback by a period film in my life. This is a must see for everyone.
The dialog is highly political, and sometimes goes along at quite a clip; be prepared to miss a few things the first time around. However, watching it a second time surely won’t be a sin. The humor alone merits a second viewing. There are many good laughs to be had.
Lincoln is a work of art.
JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Gareth von Kallenbach (971 KP) rated The Haunted Mansion (2003) in Movies
Jul 28, 2023
Welcome Foolish Mortals to the latest adaptation of the popular Disney attraction as Haunted Mansion has materialized for audiences to enjoy.
This time around the film follows a single mother named Gabbie (RosarioDawson), and her son Travis (Chase W. Dillon).
The family has moved into an abandoned mansion near New Orleans as they look to start over but find that their new abode is haunted.
Despite their best efforts to flee, the ghosts force them to return to the
mansion and they seek help in the form of a Priest named Father Kent (Owen Wilson), and Ben Matthias (LaKeith Stanfield) who has been reduced to doing Ghost Tours following a personal tragedy that saw his lofty skills and career vanish in the aftermath.
When the help finds themselves able to leave the mansion without an
otherworldly escort, they bring in a Medium named Harriet (Tiffany
Haddish) and in time the mysterious Madame Leota (Jamie Lee Curtis).
It is learned that a dangerous ghost is striking fear into the other 999
haunts that inhabit the locale and should he collect his 1000th soul, he
will unleash a new level of terror on the world.
Things become even more complicated with a local professor named Bruce (Danny DeVito) arrives and creates a new Wild Card to the situation.
The movie does a great job of capturing the look and tone of the
attraction as one of the great joys was seeing things ranging from the
pictures to stretching room and other factors big and small from the
attraction portrayed on the big screen.
The cast is great and works well with one another but the movie does take
some time getting ramped up and I did find it dragging in various places.
The audience laughed frequently but for me many of the jokes did not work which I attributed to the focus being on a a younger audience as I found them more amusing than funny.
The FX in the film are solid and Jared Leto’s character is so well done
you cannot recognize him as he has disappeared so deeply into the
character aided by some great visual work.
As a big fan of the attraction it was nice to see a much better take on
the source material than previous efforts.
In the end despite the flaws, there is enough happy nostalgia to keep fans
entertained and hopefully the audience will want to visit the mansion enough that a new franchise is on the way.
3 stars out of 5
This time around the film follows a single mother named Gabbie (RosarioDawson), and her son Travis (Chase W. Dillon).
The family has moved into an abandoned mansion near New Orleans as they look to start over but find that their new abode is haunted.
Despite their best efforts to flee, the ghosts force them to return to the
mansion and they seek help in the form of a Priest named Father Kent (Owen Wilson), and Ben Matthias (LaKeith Stanfield) who has been reduced to doing Ghost Tours following a personal tragedy that saw his lofty skills and career vanish in the aftermath.
When the help finds themselves able to leave the mansion without an
otherworldly escort, they bring in a Medium named Harriet (Tiffany
Haddish) and in time the mysterious Madame Leota (Jamie Lee Curtis).
It is learned that a dangerous ghost is striking fear into the other 999
haunts that inhabit the locale and should he collect his 1000th soul, he
will unleash a new level of terror on the world.
Things become even more complicated with a local professor named Bruce (Danny DeVito) arrives and creates a new Wild Card to the situation.
The movie does a great job of capturing the look and tone of the
attraction as one of the great joys was seeing things ranging from the
pictures to stretching room and other factors big and small from the
attraction portrayed on the big screen.
The cast is great and works well with one another but the movie does take
some time getting ramped up and I did find it dragging in various places.
The audience laughed frequently but for me many of the jokes did not work which I attributed to the focus being on a a younger audience as I found them more amusing than funny.
The FX in the film are solid and Jared Leto’s character is so well done
you cannot recognize him as he has disappeared so deeply into the
character aided by some great visual work.
As a big fan of the attraction it was nice to see a much better take on
the source material than previous efforts.
In the end despite the flaws, there is enough happy nostalgia to keep fans
entertained and hopefully the audience will want to visit the mansion enough that a new franchise is on the way.
3 stars out of 5
