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BankofMarquis (1832 KP) rated The Florida Project (2017) in Movies
Feb 18, 2018
Not Strong Enough To Keep My Attention
THE FLORIDA PROJECT is one of those "slice of life" films, shot on a low budget that doesn't really have a plot but exposes the audience to 2 hours of what it would be like to live the life of someone - usually a disaffected fringe group. There is no real plot, so the film needs to hang itself onto how interesting the characters - and the situation they find themselves - are.
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated The Lighthouse (2019) in Movies
Nov 7, 2019
Just when you thought it wasn't possible for Willem Dafoe's expressions to haunt you in your dreams they go and cast him as a crazed lighthouse keeper in a moody black and white film.
This won't be like any of my other reviews because honestly I'm mainly done with this film.
There's no denying that the look of the film was amazing and it captured an "authentic" oldie feel. The film was shot in 1.19:1 ratio which left you with an almost square frame. I have no problem with that as an idea but it's not like the rest of the screen disappears, if it was shown on that sized screen then fine but it's not, it's shown on modern wise screen and it's distracting.
Dafoe gave nothing less than you'd expect, though I don't know if I was sad or relieved to learn that they added his farts in post. Pattinson, despite that accent, gave a good performance and I honestly never thought I'd say that out loud.
Despite these great performnces I couldn't have cared less about the story and anything that happened. I'd say it felt pretentious but I really feel like this was a short that somehow got away with itself.
Two final things:
A24 have not managed to change my love/hate relationship with their movies.
Pattingson as Winslow does something that I think everyone in Bristol has thought about doing at least once with a seagull.
What you should do
I imagine you're all going to watch it regardless of what I say.
Movie thing you wish you could take home
You can take anything you want about this film, I don't want it.
This won't be like any of my other reviews because honestly I'm mainly done with this film.
There's no denying that the look of the film was amazing and it captured an "authentic" oldie feel. The film was shot in 1.19:1 ratio which left you with an almost square frame. I have no problem with that as an idea but it's not like the rest of the screen disappears, if it was shown on that sized screen then fine but it's not, it's shown on modern wise screen and it's distracting.
Dafoe gave nothing less than you'd expect, though I don't know if I was sad or relieved to learn that they added his farts in post. Pattinson, despite that accent, gave a good performance and I honestly never thought I'd say that out loud.
Despite these great performnces I couldn't have cared less about the story and anything that happened. I'd say it felt pretentious but I really feel like this was a short that somehow got away with itself.
Two final things:
A24 have not managed to change my love/hate relationship with their movies.
Pattingson as Winslow does something that I think everyone in Bristol has thought about doing at least once with a seagull.
What you should do
I imagine you're all going to watch it regardless of what I say.
Movie thing you wish you could take home
You can take anything you want about this film, I don't want it.
Gareth von Kallenbach (965 KP) rated Finding Nemo (2003) in Movies
Aug 7, 2019
“Finding Nemo” is the fifth Disney/Pixar film ever made and when it released in May of 2003, and it had the biggest opening weekend for an animated film. How could it not with a heartwarming story and an outstanding cast including; Albert Brooks (Marlin), Ellen DeGeneres (Dory), Willem Dafoe (Gill), and many other big names providing the voices. Like many other Disney/Pixar films, “Finding Nemo” has once again swam to the big screen in Disney Digital 3-D using digital projection to bring the audience along on the journey to help an overly cautious father and his forgetful sidekick find his son Nemo.
The Walt Disney studios along with Pixar studios have a great opportunity to bring in more box office dollars by giving movie-goers of all walks of life to either experience the story for the first time or for the millionth time but in a new and exciting way. A lot of people don’t like 3D technology and at times I am one of those people. Only when a film is filmed in 3D is it actually worth going to see in my opinion. Though I am about to contradict myself, I must say that I was amazed at how well the 3D effects had on the film as the conversion process was masterfully done. One of my favorite things about the film has always been the vibrant colors and attention to detail that the creators put in, all of which can be experienced to a higher extent with the 3D technology. If your doubtful when asking yourself “should I take the kids to see this?” don’t be. It is well worth the price of the ticket.
The Walt Disney studios along with Pixar studios have a great opportunity to bring in more box office dollars by giving movie-goers of all walks of life to either experience the story for the first time or for the millionth time but in a new and exciting way. A lot of people don’t like 3D technology and at times I am one of those people. Only when a film is filmed in 3D is it actually worth going to see in my opinion. Though I am about to contradict myself, I must say that I was amazed at how well the 3D effects had on the film as the conversion process was masterfully done. One of my favorite things about the film has always been the vibrant colors and attention to detail that the creators put in, all of which can be experienced to a higher extent with the 3D technology. If your doubtful when asking yourself “should I take the kids to see this?” don’t be. It is well worth the price of the ticket.
Daniel Boyd (1066 KP) rated Aquaman (2018) in Movies
Jan 8, 2019 (Updated Jan 8, 2019)
Wishy Washy
I was excited to see this movie after hearing the glowing reviews and praise it was getting. I am also a fan of Jason Momoa and James Wan, so I was really hoping for this to be at least as good as Wonder Woman. Also, being a long time fan of DC Comics, I really want to see them find their footing cinematically and I thought that this could finally be the start of that. Unfortunately I left the cinema feeling pretty underwhelmed.
The movie opens by telling the story of how Aquaman's parents came to meet and fall in love, even though they are from vastly different worlds. This whole sequence is brilliant and I was totally on-board for what was to come afterwards. Sadly, this opening sequence is by far the best part of the entire movie. From this point on it descends into a mediocre action adventure flick with story elements very reminiscent of Thor and Black Panther, (two movies that are vastly superior to this one.)
From a direction standpoint, it is clear that James Wan knows how to visually capture a scene in the most beautiful and intriguing way possible, which is especially evident during the trench sequence. His direction during all of the action sequences is great, with Nicole Kidman's trident work in the opening scene and the rooftop sequence with Black Manta, Mera and Aquaman being the highlights. I don't think that my issue with this movie is due to the direction lacking in any aspect. The only questionable choice in my opinion, was the choice to shoot the big Black Manta scene in broad daylight. It just looked slightly naff and would have came across much better if shot in darker conditions at night.
Nor do I think that it is the fault of any of the cast members. I think that Momoa does a great job in the title role and he looks incredible in the full on Aquaman suit, (which I don't think many other actors could legitimately pull off.) I think that Patrick Wilson did a decent job as the evil slightly cheesy power hungry half brother of Aquaman. I also enjoyed Willem Dafoe, Dolph Lundgren and Nicole Kidman in each of their scenes.
I think that the major culprit in this movie feeling a bit forced at times, is the lazy script that the actors had to work with. Almost every scene plays out in the exact same way; with the characters that we are following turning up to a new location, meeting up with a character, (usually Willem Dafoe,) listening to them spout a bunch of expositional dialogue and then mid sentence bad guys will attack and an explosion will go off cutting the conversation short. Then we will get a well shot action sequence with super dynamic cinematography, then the characters will figure out where they need to go next, they will go to the next location and the process will be rinsed and repeated for the duration of the movie.
Overall, Aquaman is not a bad superhero movie, there is a lot of fun to be had here with the badass action sequences. Unfortunately the lazy script holds the movie back from being as good as the glowing reviews told me it would be and out of the DC solo movies, - this, Man of Steel and Wonder Woman, - this is probably the worst of the three.
PS. Although I don't think that the movie in general was up to the highest level of quality, the CGI is objectively breath-taking in every scene and I totally agree with James Wan that it is nothing short of an atrocity that the SFX team on this movie have been snubbed for this year's Oscars ceremony.
The movie opens by telling the story of how Aquaman's parents came to meet and fall in love, even though they are from vastly different worlds. This whole sequence is brilliant and I was totally on-board for what was to come afterwards. Sadly, this opening sequence is by far the best part of the entire movie. From this point on it descends into a mediocre action adventure flick with story elements very reminiscent of Thor and Black Panther, (two movies that are vastly superior to this one.)
From a direction standpoint, it is clear that James Wan knows how to visually capture a scene in the most beautiful and intriguing way possible, which is especially evident during the trench sequence. His direction during all of the action sequences is great, with Nicole Kidman's trident work in the opening scene and the rooftop sequence with Black Manta, Mera and Aquaman being the highlights. I don't think that my issue with this movie is due to the direction lacking in any aspect. The only questionable choice in my opinion, was the choice to shoot the big Black Manta scene in broad daylight. It just looked slightly naff and would have came across much better if shot in darker conditions at night.
Nor do I think that it is the fault of any of the cast members. I think that Momoa does a great job in the title role and he looks incredible in the full on Aquaman suit, (which I don't think many other actors could legitimately pull off.) I think that Patrick Wilson did a decent job as the evil slightly cheesy power hungry half brother of Aquaman. I also enjoyed Willem Dafoe, Dolph Lundgren and Nicole Kidman in each of their scenes.
I think that the major culprit in this movie feeling a bit forced at times, is the lazy script that the actors had to work with. Almost every scene plays out in the exact same way; with the characters that we are following turning up to a new location, meeting up with a character, (usually Willem Dafoe,) listening to them spout a bunch of expositional dialogue and then mid sentence bad guys will attack and an explosion will go off cutting the conversation short. Then we will get a well shot action sequence with super dynamic cinematography, then the characters will figure out where they need to go next, they will go to the next location and the process will be rinsed and repeated for the duration of the movie.
Overall, Aquaman is not a bad superhero movie, there is a lot of fun to be had here with the badass action sequences. Unfortunately the lazy script holds the movie back from being as good as the glowing reviews told me it would be and out of the DC solo movies, - this, Man of Steel and Wonder Woman, - this is probably the worst of the three.
PS. Although I don't think that the movie in general was up to the highest level of quality, the CGI is objectively breath-taking in every scene and I totally agree with James Wan that it is nothing short of an atrocity that the SFX team on this movie have been snubbed for this year's Oscars ceremony.
BankofMarquis (1832 KP) rated Aquaman (2018) in Movies
Jan 10, 2019
Momoa saves it from being a complete disaster
I have been a defender of the darker DC Universe films. While not as popular (nor, generally, as good) as their Marvel counterparts, they all do have their good points - until now.
AQUAMAN is not a very good film and I could really only come up with 1 good point - Jason Momoa as Aquaman. Some are calling him "the next Rock" and he certainly has the physique, the screen presence and the charm to pull this off. This movie ALMOST worked because of Momoa's presence on the screen.
Almost.
Director James Wan (Furious 7, The Conjuring) certainly had the "chops" to Direct a film like this, unfortunately, I found his Direction to be choppy. What I mean by that is that this film never really settled into a good flow. It cut back and forth - both in content and in tone - to such an extent that I, the movie-goer, could never settle back into my seat and enjoy the ride. I'm sure Mr. Wan would call this movie a "roller-coaster ride", but if it is, it is an old, wooden, rickety roller coaster, jarring the riders as they go.
As for the cast, they are "fine". From Patrick Wilson to Amber Heard to Willem DaFoe to Dolph Lundgren(!) to good ol' Nicole Kidman. They all do decent, professional jobs with what they are given, but what they are given is weak and disjointed.
I would like to point out Yahya Abdul-Mateen as the sub-villain of this piece, Black Manta. This is the most incompetent Super-Villain in any Super Hero movie to date. His Black Manta was there, obviously, to give Aquaman someone to beat. And he beats him...again...and again...and again.
All I wanted to do was "beat feet" out of the theater.
Letter Grade: C+ (for Momoa's efforts)
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
AQUAMAN is not a very good film and I could really only come up with 1 good point - Jason Momoa as Aquaman. Some are calling him "the next Rock" and he certainly has the physique, the screen presence and the charm to pull this off. This movie ALMOST worked because of Momoa's presence on the screen.
Almost.
Director James Wan (Furious 7, The Conjuring) certainly had the "chops" to Direct a film like this, unfortunately, I found his Direction to be choppy. What I mean by that is that this film never really settled into a good flow. It cut back and forth - both in content and in tone - to such an extent that I, the movie-goer, could never settle back into my seat and enjoy the ride. I'm sure Mr. Wan would call this movie a "roller-coaster ride", but if it is, it is an old, wooden, rickety roller coaster, jarring the riders as they go.
As for the cast, they are "fine". From Patrick Wilson to Amber Heard to Willem DaFoe to Dolph Lundgren(!) to good ol' Nicole Kidman. They all do decent, professional jobs with what they are given, but what they are given is weak and disjointed.
I would like to point out Yahya Abdul-Mateen as the sub-villain of this piece, Black Manta. This is the most incompetent Super-Villain in any Super Hero movie to date. His Black Manta was there, obviously, to give Aquaman someone to beat. And he beats him...again...and again...and again.
All I wanted to do was "beat feet" out of the theater.
Letter Grade: C+ (for Momoa's efforts)
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7798 KP) rated Daybreakers (2009) in Movies
Nov 15, 2019
A great take on a vampire film
I can't believe I've never seen this film before. Not only do I love vampire films, I also have a soft spot for Sam Neill and Ethan Hawke, so I should've watched this a long time ago!
This is a very refreshing and original take on a vampire film. It's not an idea I've seen before, and it works really well. The background to the story and vampires is flashed over so quickly during the opening scenes and credits, and at a 1hr40 runtime this film really doesn't mess around. The vampire world looks great and I loved the grayscale and darker camera shots whenever the vampires were on screen, it made a stark contrast to the scenes set in daylight. This is such a different version of vampires to what we're used to and there are parts of this where you almost feel sorry for them.
Ethan Hawke is wonderful as Ed, and Sam Neill is deliciously wicked as he has been in other films, despite the fact I cant stop seeing him as Alan Grant! I think Willem Dafoe was a tad underused thought. The best thing I loved about this film was the gore and physical effects. It's an 18 for a reason and I loved all of the blood and guts. Admittedly some of the gore seemed a little over the top and ridiculous towards the end, but this just made it all the more hilariously enjoyable.
This film isn't perfect. I think some of the CGI is dodgy in parts which is a shame as the rest of the effects are rather good. And the sub plot about Sam Neill's daughter seemed a little flimsy. But aside from this, I think Daybreakers is a great underrated vampire film with a unique story, that seems to have gone without the recognition it deserves.
This is a very refreshing and original take on a vampire film. It's not an idea I've seen before, and it works really well. The background to the story and vampires is flashed over so quickly during the opening scenes and credits, and at a 1hr40 runtime this film really doesn't mess around. The vampire world looks great and I loved the grayscale and darker camera shots whenever the vampires were on screen, it made a stark contrast to the scenes set in daylight. This is such a different version of vampires to what we're used to and there are parts of this where you almost feel sorry for them.
Ethan Hawke is wonderful as Ed, and Sam Neill is deliciously wicked as he has been in other films, despite the fact I cant stop seeing him as Alan Grant! I think Willem Dafoe was a tad underused thought. The best thing I loved about this film was the gore and physical effects. It's an 18 for a reason and I loved all of the blood and guts. Admittedly some of the gore seemed a little over the top and ridiculous towards the end, but this just made it all the more hilariously enjoyable.
This film isn't perfect. I think some of the CGI is dodgy in parts which is a shame as the rest of the effects are rather good. And the sub plot about Sam Neill's daughter seemed a little flimsy. But aside from this, I think Daybreakers is a great underrated vampire film with a unique story, that seems to have gone without the recognition it deserves.
Chris Sawin (602 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 18, 2021
Willem Dafoe (2 more)
The on-screen bickering between characters.
The Doc Ock, Doctor Strange, and villainous team-up action sequences.
The humor doesn't always land. (2 more)
Peter's idiotic logic.
Lizard is supremely underutilized.
Riding the Nostalgia Train
Spider-Man: No Way Home picks up immediately after the events of Spider-Man: Far From Home. Quentin Beck (Jake Gyllenhaal) has revealed to the world that Peter Parker (Tom Holland) is Spider-Man. The world is torn in thinking that Peter is either still a hero or behind the drone attacks on London like Beck stated before his death.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Emma @ The Movies (1786 KP) rated Odd Thomas (2014) in Movies
Aug 15, 2020
I'd put off watching this for a long time, I loved the books by Dean Koontz and that made me a little nervous for the film. I'd almost forgotten about it until it popped up streaming, it's been a long time so I figured I'd forgotten enough about the books to see it.
Odd tries to live a simple life in Pico Mundo but when you have the ability to see dead people and talk to them it makes things difficult, especially when everything is pointing to something disastrous on the horizon.
The idea behind Odd's ability is a good one and I feel like they manage to illustrate it well during the film, foreknowledge may have helped a bit but I honestly don't remember that much from the books and we're given a succinct explanation.
Anton Yelchin plays the lead character and he has the perfect demeanour for it. There's a calm but scared quality that fits right into his wheelhouse and it was a match made in heaven.
Yelchin is off-set by Willem Dafoe as Chief Porter and Addison Timlin as Stormy Llewellyn, both of whom give great performances that bolster to story from each side. While they're not massive roles they both influence and guide Odd in very different ways and they're particularly effective characters.
The film plays out like a supernatural detective story with Odd at its centre trying to save Pico Mundo from an unknown terror. It creates a nice sense of intrigue to latch on to early on and plenty of fantasy action to move you along with the story at a quick pace.
For a relatively obscure film it's got a solid all round feel with passable graphics and a great visual style. Normally I find voice overs in films a little off putting but the bits of the story it's combined with work really well and again, added to the storytelling. I couldn't honestly say how accurate it was to the source material after such a long time, but I can tell you I wasn't disappointed with what I watched.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/odd-thomas-movie-review.html
Odd tries to live a simple life in Pico Mundo but when you have the ability to see dead people and talk to them it makes things difficult, especially when everything is pointing to something disastrous on the horizon.
The idea behind Odd's ability is a good one and I feel like they manage to illustrate it well during the film, foreknowledge may have helped a bit but I honestly don't remember that much from the books and we're given a succinct explanation.
Anton Yelchin plays the lead character and he has the perfect demeanour for it. There's a calm but scared quality that fits right into his wheelhouse and it was a match made in heaven.
Yelchin is off-set by Willem Dafoe as Chief Porter and Addison Timlin as Stormy Llewellyn, both of whom give great performances that bolster to story from each side. While they're not massive roles they both influence and guide Odd in very different ways and they're particularly effective characters.
The film plays out like a supernatural detective story with Odd at its centre trying to save Pico Mundo from an unknown terror. It creates a nice sense of intrigue to latch on to early on and plenty of fantasy action to move you along with the story at a quick pace.
For a relatively obscure film it's got a solid all round feel with passable graphics and a great visual style. Normally I find voice overs in films a little off putting but the bits of the story it's combined with work really well and again, added to the storytelling. I couldn't honestly say how accurate it was to the source material after such a long time, but I can tell you I wasn't disappointed with what I watched.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/odd-thomas-movie-review.html
Neon's Nerd Nexus (360 KP) rated The Lighthouse (2019) in Movies
Mar 2, 2020
Spill yer beans
The Lighthouse is cinematic perfection that will leave anyone that lets it engulf thier mind and senses broken, disturbed, traumatised and violated. An experience like no other I can not stress enough that everyone must whitness this utter masterpiece. Primarily a character study about two lighthouse keepers descent into madness however the way the film depicts this reaches far deeper than I ever even imagined it would. (Possible spoilers ahead) Theres an unquestionable comparison to Greek mythology here and as the film plays out Willem Dafoe character draws several comparisons to King Trident, Zeus and Minos but ultimatly ends up becoming one of his own 'God of the lighthouse' keeping his prized possession locked away at the top of his tower. Robert Pattison also compares to the Titan Prometheus trying to steel this possesion/fire from this so called god. He can also be compared to Icarus trapped in a tower by a mean man with no means of escape and Odysseus constantly distracted/infatuated with the Sirens surrounding the lighthouse. I found these comparisions integrated into the story beautifully and theres constant fable/mythological imagry to reinforce these comparisons too which is hauntingly striking and terrifyingly prominent. Atmosphere is pin sharp here and as these two men begin to break you feel everything that starts to grate on them bombarding your senses as a viewr too. Everything is communicated flawlessly to really draw the viewer in as if we too are stuck with these to men feeling evrything build up, irritate, torment and add to the degradation of the mind until it hits its breaking point. Floors creaking & bowing, metal bending and screeching, wind howling, waves crashing, rain beating down, shutters rattling and birds squawking its intense and realistic sound design thats for sure. Mix this with a constant sence of dread from the narrow corridors, looming shadows, low lighting, claustrophobic living quaters, fog, harsh weather, mud, anoying seagulls, restricted views, countless foul smells, hard back breaking work, sexual frustrations, loneliness and alcohol its enough to make anyone go insane and as the film plays out cabin fever really intensifies (especially for us with the film being shot in black and white and with a smaller aspect ratio). This is some of the best acting ive seen for sure both Dafoe and Pattison portray these characters so well that you would be convinced you were watching historic archive footage of two people cooped up. Both are devious liars, have vicious tempers and nasty streaks as well as mysterious pasts and both are also constantly in a fight for dominance of the lighthouse and the secrets it holds. In this day and age The lighthouse is such a true gem to behold and is so unique and engrossing you would swear it transported you back in time while watching it. I also did not expect this film to take the turn it does half way through either almost becoming a distressing horror movie and as intense as a tesuo film and as my friend and me left the screening we found ourselves deeply disturbed/traumatised with our hearts pounding from what we had just been exposed to. Disgustingly intense, depressingly dripping in sadness, brutaly violent and deeply unsettling the lighthouse is one hell of a movie and may just be one of the best movies I have ever seen, it really is without a doubt a cinema experience I will certainly never forget. Comparable to the witch, the turin horse and apocalypse now the lighthouse deserves all the praise its been getting and more. Stunning.
JT (287 KP) rated Out of the Furnace (2013) in Movies
Mar 10, 2020
Cast for so long in the trademark cowl of Batman and posing around Gotham City as the slightly disturbed and flamboyant billionaire Bruce Wayne, Christian Bale is back deep in his gritty acting roots.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.