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Jonathan Donahue recommended Rainbow in Curved Air by Terry Riley in Music (curated)
David McK (3233 KP) rated The Karate Kid, Part III (1989) in Movies
Jan 17, 2021
Recently, Netflix has released series 3 of The Karate Kid spin-off/continuation (as it stars a now grown-up Ralph Macchio and William Zabka) 'Cobra Kai'.
A couple of the episodes in said series have linked back to The Karate Kid Part 2, which I'd watched prior to starting that particular series after it was teased towards the end of series 2. I suppose I should have known, therefore, that there would have been a couple of teases/callbacks/references made to The Karate Kid Part 3 (which I'd never seen), particularly in the storyline in which Daniel LaRusso's daughter Samantha is traumatised.
I have to say, I found this to be slower and less enjoyable than either Part 1 or Part 2, with a lame romantic subplot, and with Terry Silver in particular a one-note villain, whose brutal karate technique and training drives a wedge between Daniel and Mr Miyagi.
A couple of the episodes in said series have linked back to The Karate Kid Part 2, which I'd watched prior to starting that particular series after it was teased towards the end of series 2. I suppose I should have known, therefore, that there would have been a couple of teases/callbacks/references made to The Karate Kid Part 3 (which I'd never seen), particularly in the storyline in which Daniel LaRusso's daughter Samantha is traumatised.
I have to say, I found this to be slower and less enjoyable than either Part 1 or Part 2, with a lame romantic subplot, and with Terry Silver in particular a one-note villain, whose brutal karate technique and training drives a wedge between Daniel and Mr Miyagi.
David McK (3233 KP) rated Monstrous Regiment: (Discworld Novel 31) in Books
Mar 31, 2023
One of the rare Discworld Standalone novels
Updated 2023 review
I wonder how this was affected by Pratchett's 'embuggerance'?
Original 2011 review
Not one of the strongest of Sir Terry Pratchett's Discworld books, this is only loosely - even more so than normal - connected to any of his other books in the series. Loosely connected, but not to the level of ""Small Gods"" (which is set centuries before the rest of the series), or "Pyramids".
In "Monstrous Regiment", Pratchett introduces a whole host of new characters - none of who have yet, been heard of again - as well as some new nations, with Commander Sam Vimes (from the City Watch books) and William De Worde (from "the Truth") only really having cameos in the story. He also exaggerates, to comic effect, the famous stories of women secretly joining the army, with this providing the basis for his plot.
As I said at the top, this is not one of the best of Pratchetts works, but even a below-par Pratchett is miles above any other author in the same genre
I wonder how this was affected by Pratchett's 'embuggerance'?
Original 2011 review
Not one of the strongest of Sir Terry Pratchett's Discworld books, this is only loosely - even more so than normal - connected to any of his other books in the series. Loosely connected, but not to the level of ""Small Gods"" (which is set centuries before the rest of the series), or "Pyramids".
In "Monstrous Regiment", Pratchett introduces a whole host of new characters - none of who have yet, been heard of again - as well as some new nations, with Commander Sam Vimes (from the City Watch books) and William De Worde (from "the Truth") only really having cameos in the story. He also exaggerates, to comic effect, the famous stories of women secretly joining the army, with this providing the basis for his plot.
As I said at the top, this is not one of the best of Pratchetts works, but even a below-par Pratchett is miles above any other author in the same genre
Lenard (726 KP) rated Soul (2020) in Movies
Dec 26, 2020
There is a saying that even though you can't achieve greatness you can still inspire someone else to be great. Joe Gardner is a sometime jazz pianist who works as a part time middle school band teacher. On the day the principal hires him as a full-time teacher with all the benefits, Joe is invited to join a jazz quartet for their nightly club gigs. In his dazed excitement, he falls down an open manhole (the city will face a major lawsuit for that). His soul is transported onto the conveyor belt for the Great Beyond, but Joe escapes into the Great Before. There, in order to stall his forever death, he becomes a mentor to a "new" soul so that the nonbinary entity named 22 finds a spark to live. 22 has been mentored by all the greats from Archimedes to Copernicus to Mother Teresa never finding a reason to exist. That is, until a trip to the land of the lost souls ends with both Joe's soul and 22 inside corporeal beings. Joe teaches 22 that life has value whether it is a pursuit of music, a dream deferred like a raisin in the sun, or observing a leaf falling from a tree. In fact, Joe has influenced the lives of many of his students, like Curley, a jazz drummer in the Dorothea William Quartet, or current student Sonia, a master trombonist, who he privately teaches outside of school. While some people can see his dreams may not be his meal ticket, Joe will always be a mentor to other struggling musicians who may one day be successful.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
Very underrated
Contains spoilers, click to show
So what kind of film do you get when you have great one liners, bar fights, guns, knives, egos, strippers, blues music, a polar bear and a monster truck? You get one of the most enjoyable and entertaining films of the late 80's, Road House. The film follows James Dalton (Patrick Swayze) a cooler (bouncer) and the best in the business, as he takes employment with Frank Tilghman (Kevin Tighe) the owner of the Double Deuce in Jasper, Missouri. The bar is the roughest in town and he needs Dalton to clean it up. However corrupt business man and crime boss Brad Wesley (Ben Gazzara) stands in his way. After the classic "chick flick" Dirty Dancing, Patrick Swayze was Hollywood gold. Women loved him and men wanted to be him. The film was full of romance. Then along came Road House, a complete opposite to Dirty Dancing, a little romance and loads of action. The film has a great cast including Patrick Swayze, Kevin Tighe, Ben Gazzara, Kelly Lynch, Marshall R. Teague, Red West, Kathleen Wilhoite, John William Young, John Doe, Kurt James Stefka, Keith David & Terry Funk. The cast works well together and it is full of great performances. Naturally Patrick Swayze at the height of his career stands miles apart from the rest of the cast as Dalton. A character that can hurt you with his words just as much as his fists. Tragically, 20 years later Swayze had his life cut short by cancer. His death is still a major loss to the entertainment industry, but his legacy will live on in the great performances and memorable characters he played. The film also a features a great performance by the late great blues guitarist Jeff Healey as Cody. It's the music in the film that goes a long way to achieving the right feel for the film. Everything works well from the characters, the music to the setting. Set in a rural area the scenery is breath-taking and it is used to great effect. But it's the fight choreography that stands out from many other films. Great bar fights are pretty much a thing of the past, but here they are full of action and humour just like the classic westerns. The one on one fights are brutal, mainly for the realism they portray. The script is awesome and full of classic lines mainly from Dalton and although many are cheesy, when he says it, it feels right. The director surprisingly hasn't made many films but the ones I have seen of his I really like and I know I am in the minority. See my review of Gladiator (1992) for more by this director. This is truly a great film, although very underrated. It is also one of my personal all-time favourites. There are a couple of versions of this so ensure that you see the USA or UK version released after 2002 as these are the uncut editions. So grab a few beers and a few friends, but this on a big screen and turn the sound way up for a really great movie experience.