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Heather Cranmer (2721 KP) created a post
Aug 4, 2022
Billie Wichkan (118 KP) rated The Stalker in Books
May 22, 2019
A murder on their doorstep
A case that's too close to home . . .
The body of a young woman has been discovered in Bellahouston park, the second in a matter of months. It's clear to Detective Superintendent William Lorimer of Police Scotland that they have a repeat killer on their hands, who is sure to strike again.
Lucky for DSI Lorimer that his wife, Maggie, is miles away from potential danger, touring Scotland to promote her first book. Faced with strangers at every event, Maggie doesn't notice the quiet, non-de script man sitting in the back row.
But he has noticed Maggie Lorimer. And soon his will be a face she never forgets.
Wow... what a great crime thriller this was. I didn't realize this was part of a series but it didn't impact on reading this one at all. It was very easy to follow the main characters and was easily read as a stand-alone.
I loved the complexity of the plot and it flowed very well.
There is plenty of tension and suspense throughout. The writing here is very atmospheric and draws you in.
The pace is just right as it helps the suspense level and atmosphere.
Very good characters and very relatable. I think the writing is superb and very well written.
The author has done a superb job of putting you in the shoes of the victim and how the range of emotions happens.
This is a wonderfully chilling crime read and I highly recommend!!
Thanks to Net Galley and Little, Brown for an ARC.
A case that's too close to home . . .
The body of a young woman has been discovered in Bellahouston park, the second in a matter of months. It's clear to Detective Superintendent William Lorimer of Police Scotland that they have a repeat killer on their hands, who is sure to strike again.
Lucky for DSI Lorimer that his wife, Maggie, is miles away from potential danger, touring Scotland to promote her first book. Faced with strangers at every event, Maggie doesn't notice the quiet, non-de script man sitting in the back row.
But he has noticed Maggie Lorimer. And soon his will be a face she never forgets.
Wow... what a great crime thriller this was. I didn't realize this was part of a series but it didn't impact on reading this one at all. It was very easy to follow the main characters and was easily read as a stand-alone.
I loved the complexity of the plot and it flowed very well.
There is plenty of tension and suspense throughout. The writing here is very atmospheric and draws you in.
The pace is just right as it helps the suspense level and atmosphere.
Very good characters and very relatable. I think the writing is superb and very well written.
The author has done a superb job of putting you in the shoes of the victim and how the range of emotions happens.
This is a wonderfully chilling crime read and I highly recommend!!
Thanks to Net Galley and Little, Brown for an ARC.
Hazel (1853 KP) rated Immortal Writers in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Words are the most powerful form of magic. Jill Bowers creates a unique fantasy concept in this soon to be published adventure novel. When <i>Immortal Writers</i> begins, the genre is similar to many contemporary novels: characters living normal day-to-day lives. Eighteen-year-old Liz has just landed back in her hometown after touring to promote her new novel, the next in a popular fantasy series that won her the Best Young Fantasy Award. All she wants is to return to her apartment and go to bed, so being kidnapped was not part of her plan. Especially not being kidnapped by the formidable William Shakespeare.
What Liz and readers both learn next is a brilliant, awe-inspiring idea. Imagine that all the world’s most famous authors were immortal and lived together in a magical castle manipulated by the science fiction novelists. That is what Liz suddenly has to come to terms with. Although she is only young, her books show so much potential that she is already initiated into the Immortal Writers. But it is not only legendary writers inhabiting this fortress. When an author becomes immortal, their characters become real. Liz is shocked to come face to face with the handsome hero of her story as well as a few of her supporting characters. However that is not all that has crossed over into reality.
As well as the goodies, the evil characters have also been brought into the world. Kenric, Liz’s antagonist, has hidden himself nearby with hundreds of dragons. He wants dominion over the entire planet and the only person that can stop him is Liz herself. So begins an adventure of learning to use magic, sword fights, dragon attacks and inevitable, heart wrenching causalities.
As a writer, Jill Bowers has not quite got the level of standard that the top authors have achieved. This is evident from the lack of description and awkwardness of the prose throughout the first few chapters. Once the storyline is well under way it becomes a lot easier to read; whether her writing improves is debatable, but her imagination captures the readers attention and provides a thoroughly entertaining narrative.
It is not solely the plot, characters and action that will stay in readers’ minds – the overall concept is fantastic. Who would not want their favourite authors to live forever? I would love to meet a William Shakespeare who has adapted himself to modern day living. Even more exciting is the possibility of meeting fictional characters. Each reader is bound to start daydreaming about which of their most loved books they would like to become real. How great would it be to meet Harry Potter, or see a unicorn, or eat some chocolate made by Willy Wonka, or… the possibilities are endless.
<i>Immortal Writers</i> is the first novel in a series so there will be more books that focus on this amazing idea. From the preview at the end of this copy, it appears that the following book will be about different authors/characters, therefore will provide a whole new outline to wrap our heads around.
Fantasy fans should definitely seek out this series. The writing may not exactly be up to par, but the general storyline is unquestionably worth it. Encompassing, contemporary, adventure and romance genres, <i>Immortal Writers</i> is an incredible fantasy story based in the “real” world.
Words are the most powerful form of magic. Jill Bowers creates a unique fantasy concept in this soon to be published adventure novel. When <i>Immortal Writers</i> begins, the genre is similar to many contemporary novels: characters living normal day-to-day lives. Eighteen-year-old Liz has just landed back in her hometown after touring to promote her new novel, the next in a popular fantasy series that won her the Best Young Fantasy Award. All she wants is to return to her apartment and go to bed, so being kidnapped was not part of her plan. Especially not being kidnapped by the formidable William Shakespeare.
What Liz and readers both learn next is a brilliant, awe-inspiring idea. Imagine that all the world’s most famous authors were immortal and lived together in a magical castle manipulated by the science fiction novelists. That is what Liz suddenly has to come to terms with. Although she is only young, her books show so much potential that she is already initiated into the Immortal Writers. But it is not only legendary writers inhabiting this fortress. When an author becomes immortal, their characters become real. Liz is shocked to come face to face with the handsome hero of her story as well as a few of her supporting characters. However that is not all that has crossed over into reality.
As well as the goodies, the evil characters have also been brought into the world. Kenric, Liz’s antagonist, has hidden himself nearby with hundreds of dragons. He wants dominion over the entire planet and the only person that can stop him is Liz herself. So begins an adventure of learning to use magic, sword fights, dragon attacks and inevitable, heart wrenching causalities.
As a writer, Jill Bowers has not quite got the level of standard that the top authors have achieved. This is evident from the lack of description and awkwardness of the prose throughout the first few chapters. Once the storyline is well under way it becomes a lot easier to read; whether her writing improves is debatable, but her imagination captures the readers attention and provides a thoroughly entertaining narrative.
It is not solely the plot, characters and action that will stay in readers’ minds – the overall concept is fantastic. Who would not want their favourite authors to live forever? I would love to meet a William Shakespeare who has adapted himself to modern day living. Even more exciting is the possibility of meeting fictional characters. Each reader is bound to start daydreaming about which of their most loved books they would like to become real. How great would it be to meet Harry Potter, or see a unicorn, or eat some chocolate made by Willy Wonka, or… the possibilities are endless.
<i>Immortal Writers</i> is the first novel in a series so there will be more books that focus on this amazing idea. From the preview at the end of this copy, it appears that the following book will be about different authors/characters, therefore will provide a whole new outline to wrap our heads around.
Fantasy fans should definitely seek out this series. The writing may not exactly be up to par, but the general storyline is unquestionably worth it. Encompassing, contemporary, adventure and romance genres, <i>Immortal Writers</i> is an incredible fantasy story based in the “real” world.
Night Reader Reviews (683 KP) rated Insanitus in Books
Jan 9, 2020
Insanitus: Into the Darkness by William P. Thomson has a writing style that almost reminds me of H. P. Lovecraft. What might surprise unsuspecting readers is that this is a collection of three short stories.
What if vampires were real but not in the way society typically thinks of them? What if someone detached from themselves decides to commit suicide by means of the judicial system? What if a secret group of military scientists created something that appeared human but had no emotion and could be programmed? These are the horrors readers will find within these pages. This book makes readers question just what it is that makes someone or something human, and what happens when you take that factor away.
What I liked best is that this book is disturbing and creepy without being outright scary. The short stories build tension extremely well without dragging anything out. They were also creative and believable, making them all the more disturbing. What I didnt like was that the writing was very dry, almost so much so that it felt like reading a report or biography. This style almost made me judge the book too harshly at first and I wanted to set the book aside early.
Although the content is disturbing I see no reason why young adults couldnt handle reading this book. It may be more ideal for older audiences that won't be upset by the odd and bazaar. I rate this book 2 out of 4 as an interesting and creepy book. It introduces readers to believable concepts that are also extremely strange. The dry style is defiantly a major negative point but if readers can power through it they will be rewarded with a truly interesting read.
https://www.austinmacauley.com/book/insanitus
https://www.facebook.com/nightreaderreviews
https://nightreaderreviews.blogspot.com/
What if vampires were real but not in the way society typically thinks of them? What if someone detached from themselves decides to commit suicide by means of the judicial system? What if a secret group of military scientists created something that appeared human but had no emotion and could be programmed? These are the horrors readers will find within these pages. This book makes readers question just what it is that makes someone or something human, and what happens when you take that factor away.
What I liked best is that this book is disturbing and creepy without being outright scary. The short stories build tension extremely well without dragging anything out. They were also creative and believable, making them all the more disturbing. What I didnt like was that the writing was very dry, almost so much so that it felt like reading a report or biography. This style almost made me judge the book too harshly at first and I wanted to set the book aside early.
Although the content is disturbing I see no reason why young adults couldnt handle reading this book. It may be more ideal for older audiences that won't be upset by the odd and bazaar. I rate this book 2 out of 4 as an interesting and creepy book. It introduces readers to believable concepts that are also extremely strange. The dry style is defiantly a major negative point but if readers can power through it they will be rewarded with a truly interesting read.
https://www.austinmacauley.com/book/insanitus
https://www.facebook.com/nightreaderreviews
https://nightreaderreviews.blogspot.com/
Heather Cranmer (2721 KP) created a post
Oct 21, 2020
BankofMarquis (1832 KP) rated Mister Roberts (1955) in Movies
Apr 10, 2020
Well Acted
A staple of Old Hollywood under the Studio System was to adapt to the film Broadway shows that were a big hit. One such hit was the 1948 WWII play MISTER ROBERTS starring Henry Fonda (who would win a Tony Award for his performance).
In 1955, Paramount Studios mounted a film production of MISTER ROBERTS starring Fonda, James Cagney (in his last film role for Paramount - who he had been under contract to for 25 years), William Powell (in his last film role) and a young "up-and-comer" by the name of Jack Lemon.
Set in the waning days of World War II aboard a "cargo vessel", MISTER ROBERTS tells the tale of...well...Mister Roberts, the cargo officer who is keeping the ship afloat - serving as a buffer between the crew and the tyrannical Captain. Roberts longs for one thing - to join the war on a battleship, but the Captain knows his success is dependent on Roberts.
Paramount considered Fonda too old for the role, so they sought out younger stars like Marlon Brando and William Holden, but Director John Ford insisted on Fonda - and a wise choice it was. Fonda's easy-going natural personality - tinged with anger and regret - is perfectly suited for this role. He is just as at home joking around with the sailors as he is going mano-a-mano with the Captain. Also perfectly cast is the great James Cagney as the Captain who is only concerned about 1 thing - how he is perceived by the higher ups in the Navy. The conflict between Cagney and Fonda is dynamite and it is worth the price of admission just to watch these 2 Hollywood heavyweights go at it.
Jack Lemon won his first Oscar (as Best Supporting Actor) for portraying Mr. Roberts bunkmate, Ensign Pulver. It is a perfect match of character and actor and you can see where the greatness that is Jack Lemon (an under-rated actor) stems from. The surprise to me at this viewing was the strong work of William Powell (THE THIN MAN movie series) as Doc, the best friend of Mr. Roberts aboard the ship. He has an ease and rapport with Fonda and when Fonda, Powell and Lemon share the screen together the film sparkles.
And that's the best part - and the worst part - of this great film. It looks like a filmed stage play. Veteran Director John Ford looks like he was "mailing it in" on this one, in that he would just put his camera in one stationary position and let his actors play the scenes like they were in a play. This is either laziness - or genius - at the hands of Ford (I would argue probably a little of each). He was wise enough to know he had some incredible talent (Fonda, Cagney, Powell and Lemon) - and a strong script by Frank S. Nugent and Joshua Logan (based on the stage play by Logan and Thomas Hagen...based on Hagen's book), so he stayed out of the way as much as possible.
Consequently, the first part of this film is a bit talky and stagey looking and drags just a bit, but once the film catches it's steam - and these 4 stars light up the screen - this film is well worth watching.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: I caught Mister Roberts on the great cable channel TURNER CLASSIC MOVIES - but (as far as I can tell) it's not scheduled to be re-run there anytime soon (and is not streamable on the Watch TCM app), so you'll need to rent it at all the "normal" places (YouTube, GoogePLay, iTunes and Vudu)
In 1955, Paramount Studios mounted a film production of MISTER ROBERTS starring Fonda, James Cagney (in his last film role for Paramount - who he had been under contract to for 25 years), William Powell (in his last film role) and a young "up-and-comer" by the name of Jack Lemon.
Set in the waning days of World War II aboard a "cargo vessel", MISTER ROBERTS tells the tale of...well...Mister Roberts, the cargo officer who is keeping the ship afloat - serving as a buffer between the crew and the tyrannical Captain. Roberts longs for one thing - to join the war on a battleship, but the Captain knows his success is dependent on Roberts.
Paramount considered Fonda too old for the role, so they sought out younger stars like Marlon Brando and William Holden, but Director John Ford insisted on Fonda - and a wise choice it was. Fonda's easy-going natural personality - tinged with anger and regret - is perfectly suited for this role. He is just as at home joking around with the sailors as he is going mano-a-mano with the Captain. Also perfectly cast is the great James Cagney as the Captain who is only concerned about 1 thing - how he is perceived by the higher ups in the Navy. The conflict between Cagney and Fonda is dynamite and it is worth the price of admission just to watch these 2 Hollywood heavyweights go at it.
Jack Lemon won his first Oscar (as Best Supporting Actor) for portraying Mr. Roberts bunkmate, Ensign Pulver. It is a perfect match of character and actor and you can see where the greatness that is Jack Lemon (an under-rated actor) stems from. The surprise to me at this viewing was the strong work of William Powell (THE THIN MAN movie series) as Doc, the best friend of Mr. Roberts aboard the ship. He has an ease and rapport with Fonda and when Fonda, Powell and Lemon share the screen together the film sparkles.
And that's the best part - and the worst part - of this great film. It looks like a filmed stage play. Veteran Director John Ford looks like he was "mailing it in" on this one, in that he would just put his camera in one stationary position and let his actors play the scenes like they were in a play. This is either laziness - or genius - at the hands of Ford (I would argue probably a little of each). He was wise enough to know he had some incredible talent (Fonda, Cagney, Powell and Lemon) - and a strong script by Frank S. Nugent and Joshua Logan (based on the stage play by Logan and Thomas Hagen...based on Hagen's book), so he stayed out of the way as much as possible.
Consequently, the first part of this film is a bit talky and stagey looking and drags just a bit, but once the film catches it's steam - and these 4 stars light up the screen - this film is well worth watching.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: I caught Mister Roberts on the great cable channel TURNER CLASSIC MOVIES - but (as far as I can tell) it's not scheduled to be re-run there anytime soon (and is not streamable on the Watch TCM app), so you'll need to rent it at all the "normal" places (YouTube, GoogePLay, iTunes and Vudu)
Night Reader Reviews (683 KP) rated The Cockatoo from Timbuktu in Books
Mar 19, 2020
Honest Review for Free Copy of Book
The Cockatoo from Timbuktu is from the same author who wrote Timothy Mean and the Time Machine (a 4/4 book I reviewed about a year ago) by William AE Ford. Just like the first book I reviewed by him, it is an amazingly cute book with fun rhymes.
Kian is a baby Cockatoo that lives at a zoo but wants to go home to Timbuktu and his parents. The little Cockatoo plans his escape and goes on a trip around the world to go home. He visits places like India and China, along with Egypt and Rio. He directly visits eight places during his journey and if readers pay attention he flys over even more amazing places such as the Stonehenge.
I absolutely love the cute little Cockatoo that is the focus of the story. “Cockatoo” and “Timbuktu” are both fun words to say, drawing interest from children. The artwork is also extremely cute as are all the other animals. Other than the few areas where the rhyme falls apart, I could find nothing to complain about. I absolutely love the cute little Cockatoo that is the focus of the story. I do understand losing the rhyme at spots for the sake of the story.
This is designed for children. It could easily be read to newborns and older. A great book fro the beginning reader. It may also spark interest in different animals in older children as they track Kian’s path home. I rate this book 4 out of 4. Just like the book before it, this book is wonderful. I love the bright artwork and repetition and rhymes. Everything about this book is great for young children.
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Kian is a baby Cockatoo that lives at a zoo but wants to go home to Timbuktu and his parents. The little Cockatoo plans his escape and goes on a trip around the world to go home. He visits places like India and China, along with Egypt and Rio. He directly visits eight places during his journey and if readers pay attention he flys over even more amazing places such as the Stonehenge.
I absolutely love the cute little Cockatoo that is the focus of the story. “Cockatoo” and “Timbuktu” are both fun words to say, drawing interest from children. The artwork is also extremely cute as are all the other animals. Other than the few areas where the rhyme falls apart, I could find nothing to complain about. I absolutely love the cute little Cockatoo that is the focus of the story. I do understand losing the rhyme at spots for the sake of the story.
This is designed for children. It could easily be read to newborns and older. A great book fro the beginning reader. It may also spark interest in different animals in older children as they track Kian’s path home. I rate this book 4 out of 4. Just like the book before it, this book is wonderful. I love the bright artwork and repetition and rhymes. Everything about this book is great for young children.
https://www.facebook.com/nightreaderreviews/
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
KyleQ (267 KP) rated Halloween (2007) in Movies
Jul 20, 2020
Intense and excessive
Before watching this I had become a fan of both House of 1,000 Corpses and The Devil's Rejects, so I did appreciate Rob Zombie as a filmmaker. But it still seemed like a strange idea to have him direct the remake of Halloween.
This remake is 2 hours long, it's mostly stretched to that length due to the scenes involving 10-year-old Michael.
Daeg Faerch plays the young Mikey, and does well, he's creepy and disturbing. Rob's wife Sheri Moon Zombie of course has a role, here as Mikey's mom, she's fine here as the role fits her well. The problem is everyone else, William Forsythe plays Mike's stepdad who happens to be a disgusting excuse for a human being, as is the bully played by Daryl Sabara. The movie then shifts to events at the asylum. Malcolm Mcdowell plays Dr. Sam Loomis. Mcdowell is a good actor, and he gives a pretty good performance here. But he still pales in comparison to the great Donald Pleasence. The movie than movies to 15-years later.
Scout Taylor Compton plays Laurie Strode, she does good, but I was disappointed that she was introduced making a sex joke. Rob couldn't even let the nerdy final girl be sweet and innocent. Needless to say, others are worse.
The movie has LOTS of profanity which honestly drags down any attempts at actually making characters likable. The sex and nudity have also been ramped up.
The violence is definitely brutal, but that's Zombie's style, I felt that Michael was quite terrifying here. Tyler Mane plays Michael, and his 7-foot tall stature is so intimidating.
Overall, Rob Zombie does a good job at developing the story of Michael Myers, and at making some really intense and brutal death scenes. But he does so at the expense of having likable characters and good dialog. I still like it, but I can understand why others wouldn't.
This remake is 2 hours long, it's mostly stretched to that length due to the scenes involving 10-year-old Michael.
Daeg Faerch plays the young Mikey, and does well, he's creepy and disturbing. Rob's wife Sheri Moon Zombie of course has a role, here as Mikey's mom, she's fine here as the role fits her well. The problem is everyone else, William Forsythe plays Mike's stepdad who happens to be a disgusting excuse for a human being, as is the bully played by Daryl Sabara. The movie then shifts to events at the asylum. Malcolm Mcdowell plays Dr. Sam Loomis. Mcdowell is a good actor, and he gives a pretty good performance here. But he still pales in comparison to the great Donald Pleasence. The movie than movies to 15-years later.
Scout Taylor Compton plays Laurie Strode, she does good, but I was disappointed that she was introduced making a sex joke. Rob couldn't even let the nerdy final girl be sweet and innocent. Needless to say, others are worse.
The movie has LOTS of profanity which honestly drags down any attempts at actually making characters likable. The sex and nudity have also been ramped up.
The violence is definitely brutal, but that's Zombie's style, I felt that Michael was quite terrifying here. Tyler Mane plays Michael, and his 7-foot tall stature is so intimidating.
Overall, Rob Zombie does a good job at developing the story of Michael Myers, and at making some really intense and brutal death scenes. But he does so at the expense of having likable characters and good dialog. I still like it, but I can understand why others wouldn't.
Darren (1599 KP) rated Midsommar (2019) in Movies
Jul 4, 2019
Director: Ari Aster
Writer: Ari Aster (Screenplay)
Starring: Florence Pugh, Will Poulter, Jack Reynor, William Jackson Harper, Liv Mjones, Anna Astrom, Julia Ragnarsson
Plot: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Runtime: 2 Hours 20 Minutes
There may be spoilers in the rest of the review
Verdict: The Wicker Man on Acid
Story: Midsommar starts when young lady Dani (Pugh) has her family die suddenly, turning to the only person left in her life, her boyfriend Christian (Reynor) who has started to move away from their relationship. Christian and his friends Josh (Harper), Mark (Poulter) and Pelle (Blomgren) are planning a trip to Pelle’s home in Sweden for a special mid-summer festival.
Christian trying to do the right thing for Dani, invites her along, but it isn’t long before the festival turns into a cultural nightmare for the outsiders who have never seen the customs before.
Thoughts on Midsommar
Characters – Dani is a young lady that has suffered a heart-breaking tragedy in her life, leaving her along in the world, struggle to get over the loss of her family, she is unsure about her relationship with her boyfriend and agrees to go with him on the trip to Sweden. Dani is trying her best to get on with her life, which is seeing her have the good and bad days, while on the commune she starts to relax more in life. Christian is the student boyfriend of Dani, he is starting to question the relationship about to end it before the tragedy strikes, he invites her believing she won’t go, while also hoping to find out whether they should stay together. Josh is a student friend of Christian, who has been working on his paper on different cultures, he sees this event a major part of his studies, only he doesn’t seem to respect enough cultures. Mark is the comic relief, he wants to go to Sweden to meet women, he is quick to turn to drink or drugs, while always putting his foot in it.
Performances – Florence Pugh is the star of the show, she does show the grief required in her role, which shows us how hard to is finding life. Jack Reynor has finished turning his career around after Transformers, with one that must make people take him seriously now. Will Poulter will make you laugh with nearly everything he says, while William Jackson Harper will make you dislike his characters arrogance quickly.
Story – The story here follows a young woman dealing with grief of losing her family, trying to get away from her past by getting away from the world with the festival which soon sees her trapped with her friends with a cult that has strict rules. Much like Hereditary, we are tackling grief on a personal level, unlike Hereditary we find ourselves not seeing a timeline to make us understand the recover process that Dani is trying to go through. The story does have a huge problem for me though, is that this is a story which the people should just walk or run away after seeing the first major incident, not just calmly say ‘sure this is a different culture we should see what happens next’ this is easily one of the biggest let down in any horror. We also do spend way too much time just turning to drugs as an excuse rather than trying to solve the real problems and the students just being arrogant not seemingly wanting to do anything with their lives.
Horror/Mystery – The horror in this film comes from graphic imaginary that we see from the injuries, we do have tension growing and the make up team should be praised for just how real everything looks. The mystery comes from just what is happening with this cult and what they will do next.
Settings – The film is set in the Swedish countryside away from the world, the only type of place a cult could operate in around the modern day. The sets are the best thing about this film because they are crafted which such love and you can’t help but think everything you see is a clue to what is happening.
Special Effects – The effects in the film do bring us the graphic images of the injuries that people are going through. The make up team work wonders on this film.
Scene of the Movie – Dancing.
That Moment That Annoyed Me – Just using drugs to explain why these people are friends.
Final Thoughts – This is a horror that is set and created wonderfully on the outside, only to fall short on the story which only drags along without reaching any levels of scares.
Overall: Not reaching the potential.
Rating
Writer: Ari Aster (Screenplay)
Starring: Florence Pugh, Will Poulter, Jack Reynor, William Jackson Harper, Liv Mjones, Anna Astrom, Julia Ragnarsson
Plot: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Runtime: 2 Hours 20 Minutes
There may be spoilers in the rest of the review
Verdict: The Wicker Man on Acid
Story: Midsommar starts when young lady Dani (Pugh) has her family die suddenly, turning to the only person left in her life, her boyfriend Christian (Reynor) who has started to move away from their relationship. Christian and his friends Josh (Harper), Mark (Poulter) and Pelle (Blomgren) are planning a trip to Pelle’s home in Sweden for a special mid-summer festival.
Christian trying to do the right thing for Dani, invites her along, but it isn’t long before the festival turns into a cultural nightmare for the outsiders who have never seen the customs before.
Thoughts on Midsommar
Characters – Dani is a young lady that has suffered a heart-breaking tragedy in her life, leaving her along in the world, struggle to get over the loss of her family, she is unsure about her relationship with her boyfriend and agrees to go with him on the trip to Sweden. Dani is trying her best to get on with her life, which is seeing her have the good and bad days, while on the commune she starts to relax more in life. Christian is the student boyfriend of Dani, he is starting to question the relationship about to end it before the tragedy strikes, he invites her believing she won’t go, while also hoping to find out whether they should stay together. Josh is a student friend of Christian, who has been working on his paper on different cultures, he sees this event a major part of his studies, only he doesn’t seem to respect enough cultures. Mark is the comic relief, he wants to go to Sweden to meet women, he is quick to turn to drink or drugs, while always putting his foot in it.
Performances – Florence Pugh is the star of the show, she does show the grief required in her role, which shows us how hard to is finding life. Jack Reynor has finished turning his career around after Transformers, with one that must make people take him seriously now. Will Poulter will make you laugh with nearly everything he says, while William Jackson Harper will make you dislike his characters arrogance quickly.
Story – The story here follows a young woman dealing with grief of losing her family, trying to get away from her past by getting away from the world with the festival which soon sees her trapped with her friends with a cult that has strict rules. Much like Hereditary, we are tackling grief on a personal level, unlike Hereditary we find ourselves not seeing a timeline to make us understand the recover process that Dani is trying to go through. The story does have a huge problem for me though, is that this is a story which the people should just walk or run away after seeing the first major incident, not just calmly say ‘sure this is a different culture we should see what happens next’ this is easily one of the biggest let down in any horror. We also do spend way too much time just turning to drugs as an excuse rather than trying to solve the real problems and the students just being arrogant not seemingly wanting to do anything with their lives.
Horror/Mystery – The horror in this film comes from graphic imaginary that we see from the injuries, we do have tension growing and the make up team should be praised for just how real everything looks. The mystery comes from just what is happening with this cult and what they will do next.
Settings – The film is set in the Swedish countryside away from the world, the only type of place a cult could operate in around the modern day. The sets are the best thing about this film because they are crafted which such love and you can’t help but think everything you see is a clue to what is happening.
Special Effects – The effects in the film do bring us the graphic images of the injuries that people are going through. The make up team work wonders on this film.
Scene of the Movie – Dancing.
That Moment That Annoyed Me – Just using drugs to explain why these people are friends.
Final Thoughts – This is a horror that is set and created wonderfully on the outside, only to fall short on the story which only drags along without reaching any levels of scares.
Overall: Not reaching the potential.
Rating
Gareth von Kallenbach (971 KP) rated A Haunting In Cawdor (2016) in Movies
Aug 6, 2019
The psychological thriller is another genre that seems to have taken a ‘back seat’ to the big budget action films, horror, and comedies in recent years. Or if there were any good psychological thrillers to hit the theater or the internet I either didn’t hear about them or they didn’t really make much of an impact. Personally when I think of that genre the first name to come to mind is Alfred Hitchcook. I’m sure if I sat down and thought about it, I could think of a movie that falls into that category I’ve seen since then but I don’t have that kind of time. What I do have time for is to tell you about a movie that is certainly a step in the right direction.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.