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Integrating Everything: The Integrated Practitioner: Book 4
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'Health practice has always been many things, with many constraints and pressures. These things have...
Turning Tyrants into Tools in Health Practice: The Integrated Practitioner: Book 3
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'In order to provide integrated healthcare, we need to integrate a huge number of...entities. Each...
NCIS: Hidden Crimes
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Time to find your first clue, probie! Join Gibbs, Abby and other NCIS agents to investigate crimes...
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Now We are 40
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What happened to Generation X? Millenials dominate our Facebook feeds and people bang on about the...
BookInspector (124 KP) rated The Flatshare in Books
Sep 24, 2020
The protagonists of this story are Tiffy and Leon. Tiffy works in publishing is an absolute extrovert who needs people in her life even to help with simple decisions, and she is coming to terms that her ex-boyfriend was an emotional abuser. Leon is a night nurse in the hospice, an absolute introvert, who needs money to help his wrongly imprisoned brother. So, yes, this book seems to be a cute rom-com, but it carries way deeper issues within itself. The book is told from a dual perspective, and I loved to find out more about each and every character. I really loved all the characters in this book, they are unique, very realistic and truly charming. Author picked the protagonists very well as well, everyone can relate either to Tiffy or Leon, and I am definitely a house Leon, I really liked his personality and his determination.
The plot of this novel is very unique and original. The whole flat-sharing thing is very intriguing, and I was dying to know when and how are the characters going to meet. There are a lot of things going on in this novel, it has rich but at the same time an easy-going story to tell. I was simply glued to this book because I needed to know how the story will end. The topics discussed in this book were property crisis, failed justice system, emotional abuse in the relationships, friendships, personal development, Love and many more.
The writing style of this book is very masterful, the author took serious topics, and covered it in funny, enjoyable, and easy to digest coating. The language used was easy to read and understandable. The chapters are short and sweet, and I didn’t even notice how the pages flew by. The ending rounded up this book perfectly and left me very satisfied with the outcome.
So, to conclude, this book deserves all the praise it gets, it is witty, enjoyable but at the same time has a punch to it. I loved the diverse and well-developed characters and the unique narrative, and I strongly recommend it to everyone. Please do give this book a go, and I hope you will like it as much as I did. Can’t wait for more books from this author.
The plot of this novel is very unique and original. The whole flat-sharing thing is very intriguing, and I was dying to know when and how are the characters going to meet. There are a lot of things going on in this novel, it has rich but at the same time an easy-going story to tell. I was simply glued to this book because I needed to know how the story will end. The topics discussed in this book were property crisis, failed justice system, emotional abuse in the relationships, friendships, personal development, Love and many more.
The writing style of this book is very masterful, the author took serious topics, and covered it in funny, enjoyable, and easy to digest coating. The language used was easy to read and understandable. The chapters are short and sweet, and I didn’t even notice how the pages flew by. The ending rounded up this book perfectly and left me very satisfied with the outcome.
So, to conclude, this book deserves all the praise it gets, it is witty, enjoyable but at the same time has a punch to it. I loved the diverse and well-developed characters and the unique narrative, and I strongly recommend it to everyone. Please do give this book a go, and I hope you will like it as much as I did. Can’t wait for more books from this author.
LeftSideCut (3778 KP) rated Resident Evil (2002) in Movies
Oct 28, 2020
Let's just brush aside for a moment that this adaption of Resident Evil bares little resemblance to the video game it's based upon and instead take a look at it as its own film, how it's comes off as a horror, and what visionary director Paul WS Anderson has to offer to the zombie genre...
...it's a terrible film, it's a shitty horror, and Anderson should just keep away from beloved franchises forever. I actually actively hate most of his films (have I mentioned this before?).
The big gaping issue with Resident Evil is it's characters and screenplay. The characters are a collection of edgy shitbags who spout one liners every two seconds and are just ripped straight from the "cliché action bastard handbook". It's difficult to care about any of them. I understand that Alice (Milla Jovovich) goes on to lead the entire franchise, but in the first entry, she hardly does or says anything, and as such, the audience doesn't get much of a chance to bond with her before the credits roll.
The script is just eye rollingly cringey. Every single line is either a "witty" quip, or lazy exposition and it becomes tiresome very quickly.
Some of the effects are ok - the zombie dogs look pretty gnarly, but The Licker (one of the only concrete connections to the game series) is brought to life with some of the worst CGI I've ever seen. To say it's aged badly would be an understatement, as I remember it looking dodgy AF back in 2002 when I was a humble 14 year old. Other than that, the whole film has that awful early 2000s aesthetic (The Matrix truly has a lot to answer for) and the inclusion of obnoxious breakbeat music cues that everyone was obsessed with at the time is the cherry on the mouldy cake. Ugh.
It's not all terrible... There are a couple of memorable set pieces, and the film manages to be somewhat entertaining here and there, but overall, Resident Evil is another garbage pile video game adaption, and the fact that George Romero wrote an unused screenplay that was much closer to the first game (and was poised to direct!) just rubs salt in this horrible festering wound left behind by Paul WS Anderson's Resident Evil. Hate it.
...it's a terrible film, it's a shitty horror, and Anderson should just keep away from beloved franchises forever. I actually actively hate most of his films (have I mentioned this before?).
The big gaping issue with Resident Evil is it's characters and screenplay. The characters are a collection of edgy shitbags who spout one liners every two seconds and are just ripped straight from the "cliché action bastard handbook". It's difficult to care about any of them. I understand that Alice (Milla Jovovich) goes on to lead the entire franchise, but in the first entry, she hardly does or says anything, and as such, the audience doesn't get much of a chance to bond with her before the credits roll.
The script is just eye rollingly cringey. Every single line is either a "witty" quip, or lazy exposition and it becomes tiresome very quickly.
Some of the effects are ok - the zombie dogs look pretty gnarly, but The Licker (one of the only concrete connections to the game series) is brought to life with some of the worst CGI I've ever seen. To say it's aged badly would be an understatement, as I remember it looking dodgy AF back in 2002 when I was a humble 14 year old. Other than that, the whole film has that awful early 2000s aesthetic (The Matrix truly has a lot to answer for) and the inclusion of obnoxious breakbeat music cues that everyone was obsessed with at the time is the cherry on the mouldy cake. Ugh.
It's not all terrible... There are a couple of memorable set pieces, and the film manages to be somewhat entertaining here and there, but overall, Resident Evil is another garbage pile video game adaption, and the fact that George Romero wrote an unused screenplay that was much closer to the first game (and was poised to direct!) just rubs salt in this horrible festering wound left behind by Paul WS Anderson's Resident Evil. Hate it.
LeftSideCut (3778 KP) rated Fright Night (1985) in Movies
Jan 19, 2021
Fright Night absolutely epitomizes everything that is great about its era and genre. Its just flat out top tier 80s horror.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.
Kristy H (1252 KP) rated The Flatshare in Books
Sep 13, 2019
It's been two months since I finished this book, but I still remember it fondly. This was such a funny, sexy, and sweet read, but balanced out by its serious themes, too. I was a little wary at first, because Tiffy seemed completely obsessed with Justin, her ex, and utterly lacking in self-esteem, and I wasn't sure I'd care for her. But it quickly becomes apparent that there is/was more to Tiffy and Justin's relationship than meets the eye, and that our heroine is battling a lot.
And then there's Leon, our quiet nurse, who I liked nearly immediately. I'm sure it had nothing to do with that the fact that he doesn't like to talk to people. I didn't recognize a kindred spirit or anything. Leon, too, has a lot on his plate, with a brother in jail whom he feels was wrongly convicted.
With Tiffy and Leon having never met, we receive their communication via notes they leave in the flat, which is actually way more charming and witty that it might sound. We also get dialogue from each, told in their own style, which made them both very much seem their own person from the start. Tiffy quickly became funny and enjoyable--she just had a million miles of personality, and it was hard not to love her. And, Leon, of course, was incredibly lovable in a way that's hard to describe. (He's a nurse who took care of the elderly and kids in such a kind and tender way, okay?!)
So, O'Leary gives a wonderful surface layer of funny, quirky, and sweet. I mean, we know what we are getting, right? These two flatmates are going to fall in love via notes or something. But there's such a deeper, serious layer underneath due to Tiffy and Leon's own troubles. It brings such a nice addition to the usual formula and just gave the story so much more. Sure, a few coincidences abound, but it doesn't diminish the fun and enjoyment in reading Tiffy and Leon's tale at all.
Overall, this book made me smile. It's endearing and fun. I loved both Tiffy and Leon and their supporting cast--Leon's brother; most of Tiffy's friends; and the gang where Leon worked. The format was different and unique and easy to read. A real winner here. 4.5 stars.
And then there's Leon, our quiet nurse, who I liked nearly immediately. I'm sure it had nothing to do with that the fact that he doesn't like to talk to people. I didn't recognize a kindred spirit or anything. Leon, too, has a lot on his plate, with a brother in jail whom he feels was wrongly convicted.
With Tiffy and Leon having never met, we receive their communication via notes they leave in the flat, which is actually way more charming and witty that it might sound. We also get dialogue from each, told in their own style, which made them both very much seem their own person from the start. Tiffy quickly became funny and enjoyable--she just had a million miles of personality, and it was hard not to love her. And, Leon, of course, was incredibly lovable in a way that's hard to describe. (He's a nurse who took care of the elderly and kids in such a kind and tender way, okay?!)
So, O'Leary gives a wonderful surface layer of funny, quirky, and sweet. I mean, we know what we are getting, right? These two flatmates are going to fall in love via notes or something. But there's such a deeper, serious layer underneath due to Tiffy and Leon's own troubles. It brings such a nice addition to the usual formula and just gave the story so much more. Sure, a few coincidences abound, but it doesn't diminish the fun and enjoyment in reading Tiffy and Leon's tale at all.
Overall, this book made me smile. It's endearing and fun. I loved both Tiffy and Leon and their supporting cast--Leon's brother; most of Tiffy's friends; and the gang where Leon worked. The format was different and unique and easy to read. A real winner here. 4.5 stars.
colin... (64 KP) rated Uncut Gems (2019) in Movies
Sep 30, 2020
The fact that the Safdie's landed Christmas is still absolutely wild to me. There were so many people in our theater that looked like they just DIDN'T belong there.
First things first, I'd like to get my negatives out of the way really quickly. My issue with this film, and why I view it as lesser than Good Time is one simple reason, and that is heart. I felt every moment of Good Time pulsating through my bones and truly felt for the ride that Connie went through. I saw the pain and remorse and emotion in his eyes grow with every passing moment. In Uncut Gems, I don't get the same gravitas and power of the emotion that is provided in Good Time. I never truly saw any remorse in Howard, nor that he really cared about anything else but himself, so when the emotional beats come when we are supposed to feel bad for him, I have a rather hard time doing that. He's not necessarily an unlikable guy, he just doesn't have that anti-hero vibe that Connie supplied. That is the main facet that significantly detracted from my appreciation for this film.
That being said, everything else is stellar. The grittiness of the cinematography works so well with the world we are being immersed in, with even the long shots being very unsteady and dirty looking in the way that the characters are framed. As everyone else is saying, Sandler puts on a magnificent performance (although if he gets nominated and Robert Pattinson didn't for Good Time, I'll be pretty frustrated) that reminds the public of why he demands the level of respect her does. However, the standout here for me is Julia Fox, who makes this film funnier than it has any right to be. She really carries herself in a way that I felt like I had met her before, or at least someone exactly like her. Going off of that, the humor really really works, so much so that I could argue that this is a black comedy instead of the crime thriller it is listed as. Everything from the situational comedy to the witty lines of dialogue just hits you in the chest.
Overall, a wonderful film that I hope will push the Safdie's into the mainstream like Hereditary did to Aster.
First things first, I'd like to get my negatives out of the way really quickly. My issue with this film, and why I view it as lesser than Good Time is one simple reason, and that is heart. I felt every moment of Good Time pulsating through my bones and truly felt for the ride that Connie went through. I saw the pain and remorse and emotion in his eyes grow with every passing moment. In Uncut Gems, I don't get the same gravitas and power of the emotion that is provided in Good Time. I never truly saw any remorse in Howard, nor that he really cared about anything else but himself, so when the emotional beats come when we are supposed to feel bad for him, I have a rather hard time doing that. He's not necessarily an unlikable guy, he just doesn't have that anti-hero vibe that Connie supplied. That is the main facet that significantly detracted from my appreciation for this film.
That being said, everything else is stellar. The grittiness of the cinematography works so well with the world we are being immersed in, with even the long shots being very unsteady and dirty looking in the way that the characters are framed. As everyone else is saying, Sandler puts on a magnificent performance (although if he gets nominated and Robert Pattinson didn't for Good Time, I'll be pretty frustrated) that reminds the public of why he demands the level of respect her does. However, the standout here for me is Julia Fox, who makes this film funnier than it has any right to be. She really carries herself in a way that I felt like I had met her before, or at least someone exactly like her. Going off of that, the humor really really works, so much so that I could argue that this is a black comedy instead of the crime thriller it is listed as. Everything from the situational comedy to the witty lines of dialogue just hits you in the chest.
Overall, a wonderful film that I hope will push the Safdie's into the mainstream like Hereditary did to Aster.
Evvie Drake Starts Over
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NEW YORK TIMES BESTSELLER - #ReadWithJenna Book Club Pick as Featured on Today - "Everything a...