"Same thing, The Wizard of Oz — that will always be one of my all-time favorites. The transition from black-and-white into color, you know, that idea of merging the two worlds using cinematic magic, to meld those worlds for the first time ever. I mean, you look back at the movie and obviously you can see now that there were backdrops and cheap sets and all of that kind of stuff, where today we would probably laugh at it and brush it off as a B-movie. But in those days it was magic. And it’s still magic."

"I, on opening day, saw The Wizard of Oz — 1939, in Providence, Rhode Island. I even remember the theater, the Majestic Theater. Our dad [took us] and we slept in the street that night to wait for the first showing of it. And of course, just like everybody else on this planet, it’s made a lifetime impression on me. As a matter of fact, I think that H.R. Pufnstuft, which was our first television show, the whole feeling came from The Wizard of Oz. It wasn’t like it, but the story — with a boy instead of a girl, and all the characters and the trees and the witch — but we went in a whole other direction with ours. As a matter of fact, when the first Pufnstuft movie came out a year after we did the series, Time Magazine said it was “the next Wizard of Oz.” That was quite a statement. What else? Margaret Hamilton — as a matter of fact, I think the very last job that she had before she left us was in Sigmund and the Sea Monsters. She played the crazy lady next door who kept seeing the little monster and nobody believed her. She did two or three episodes for us. And the reason she wanted to do it? She wanted to meet Billie Hayes, who was Witchiepoo. She said Witchiepoo is the best witch; as a matter of fact, Billie Hayes met her at the airport and they became great friends. And the reason for being of Land of the Lost? In 1940 there was a movie called One Million B.C. Marty was just a couple of years old, and I was eleven. I had never seen a dinosaur moving; no one had. Only in our schoolbooks. I would take him to see One Million B.C. with Victor Mature… wow. That made a huge impression. It scared the hell out of me. Because, like I said, we had never seen a dinosaur moving before! And that idea gave us the idea to do Land of the Lost."

"I’m an absolute lover of The Wizard of Oz. I adore that film from start to finish. It never gets old. I think it has a beautiful, tender tone of both real drama and huge comedy, and I adore it. I don’t remember the first time [I saw it]; it’s part of my brain. I mean, I saw that film along with The Sound of Music, Mary Poppins. I still watch it every couple of years, and it brings me great joy every single time. I love Bert Lahr [as the Cowardly Lion], and his performance really gets me where I live. When they go to meet the Wizard and he’s doing his big speech and he says, “I just want you guys to do one thing….” – I’m butchering this! – and he goes, “Talk me out of it,” because he didn’t want to go in… I adore that moment in the film, as well as countless others."

"The Wizard of Oz is really the first movie I ever saw. I remember watching it a lot as a little kid. My mom said I used to watch the VHS tape that I believe we had recorded from TV, and I used to watch it twice a day. I remember in my Power Wheels I used to drive along with the Tin Man and the Lion and Dorothy. I don’t really remember a lot of this, but my mom — your mom is kinda like the history of your life. I also loved the Peter Pan, but with Mary Martin; I remember watching that a lot."

"The thing about Todd Rundgren is you have to buy into the whole thing. He’s another preposterous artist. He’s insanely talented: great singer, fantastic guitarist, great arranger, and he dances like a ninja. He used to be able to solo while kicking his legs in the air, wearing purple loon pants. I did my foundation year, a one-year course where you decide what you want to do at university, in Winchester. I went to a record shop there, and they were having a sale, and I bought two records: A Wizard, a True Star by Todd Rundgren and Can’t Buy a Thrill by Steely Dan. I had never heard anything like A Wizard in my life. It goes from the spaciness of “International Feel” and suddenly he’s doing a Wizard of Oz song. It was bonkers but it totally primed me for what was next. By that point, I had managed to get all of my friends into him, so everyone was waiting for the next record. I bought Todd when it came out and was like, “whoa!” It’s heavy—some of it is quite unlistenable and annoying, and some of it is absolutely beautiful. That’s Todd Rundgren for you."