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Acanthea Grimscythe (300 KP) rated Wolf Blood in Books
Jan 31, 2019
Wolf Blood is a fresh, new take on the apocalypse–free of zombies and nuclear fallout. It’s a welcome breath of fresh air in a market that’s already overly saturated with the same tropes, and for that Steve Morris deserves props. That’s not to say that there aren’t issues with Wolf Blood. There are several, actually. It does, however, mean that this is a title worth taking the time to read if you’re sick of the same washed up material.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.
JT (287 KP) rated The Grey (2012) in Movies
Mar 10, 2020
Director Joe Carnahan has a popular back catalogue. One that is considered his best to date is Narc. Of course he helmed the bat shit crazy, guns-a-blazing Smokin Aces and who could forget for a minute the over the top and some what bonkers reboot of The A-Team.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Lyndsey Gollogly (2893 KP) rated Inseparable (Rise of the Iliri #4) in Books
Feb 4, 2021
17 of 250
Kindle
Inseparable ( Rise of Iliri book 4)
By Auryn Hadley
Once read a review will be written via Smashbomb and link posted in comments
DISASTER! THE BLACK BLADES DISBANDED, AN ALLIANCE IN TURMOIL...
The intersecting worlds of the iliri, grauori, and men collide when an alliance is declared, and the humans renege. In the midst of offering an olive branch to other races, they seem secretly hellbent on destroying them all - and they begin by putting Sal on trial and disbanding the Black Blades. Auryn Hadley offers up deft commentary on racism between communities - melded with fantastical action-adventure in a world at war, and passionate erotic romance in this fourth installment of the Rise of the Iliri.
True to its title, in Inseparable, on the world of Ogun, it's the connections between all beings - human and otherwise - that will save or destroy them.
Her recent mission a success, fearless (and irresistibly arousing) iliri warrior Lieutenant Salryc Luxx gets thanks in the form of imprisonment by the Conglomerate of Free Citizens. Sal's not even sure what she's accused of, but she suspects it's the color of her pale skin - not her actions - that's really on trial.
Kinetry, an old comrade and ally of the Black Blades now forced to hold Sal, warns her that a rash of anti-iliri sentiment is sweeping Parliament and the military. In fact, it seems men don't care for any race but their own. But Kinetry doesn't know that the King of Anglia is on his way to the military stronghold. Nor does he know the King is bringing with him thousands of grauori soldiers, members of a race of formerly hidden human-like wolves whose hunting and battle skills are unmatched.
If the King arrives before Sal's trial is resolved, he'll learn something in the courtroom that may destroy all hope of the intended alliance. Torn between truth and treason, Sal must navigate political sensitivities to hold the three races together. And just when she seems to get somewhere, the Conglomeration disbands the Black Blades.
Been a while since I caught up with the blades this book was the best so far and yes I say that after every book! Sal is brilliant. My first yay moment was Dom and amAnglia turning up with the army to pull Sal out of jail! Then finally Zep got the job done! I almost squealed when she got her crown finally in place!! The book is just ram packed with moments of about time and thank Gods! Those pups are just out of control cute too!! It almost got me at the end almost I’m so glad she pulled it back! Looking forward to the next book!
Kindle
Inseparable ( Rise of Iliri book 4)
By Auryn Hadley
Once read a review will be written via Smashbomb and link posted in comments
DISASTER! THE BLACK BLADES DISBANDED, AN ALLIANCE IN TURMOIL...
The intersecting worlds of the iliri, grauori, and men collide when an alliance is declared, and the humans renege. In the midst of offering an olive branch to other races, they seem secretly hellbent on destroying them all - and they begin by putting Sal on trial and disbanding the Black Blades. Auryn Hadley offers up deft commentary on racism between communities - melded with fantastical action-adventure in a world at war, and passionate erotic romance in this fourth installment of the Rise of the Iliri.
True to its title, in Inseparable, on the world of Ogun, it's the connections between all beings - human and otherwise - that will save or destroy them.
Her recent mission a success, fearless (and irresistibly arousing) iliri warrior Lieutenant Salryc Luxx gets thanks in the form of imprisonment by the Conglomerate of Free Citizens. Sal's not even sure what she's accused of, but she suspects it's the color of her pale skin - not her actions - that's really on trial.
Kinetry, an old comrade and ally of the Black Blades now forced to hold Sal, warns her that a rash of anti-iliri sentiment is sweeping Parliament and the military. In fact, it seems men don't care for any race but their own. But Kinetry doesn't know that the King of Anglia is on his way to the military stronghold. Nor does he know the King is bringing with him thousands of grauori soldiers, members of a race of formerly hidden human-like wolves whose hunting and battle skills are unmatched.
If the King arrives before Sal's trial is resolved, he'll learn something in the courtroom that may destroy all hope of the intended alliance. Torn between truth and treason, Sal must navigate political sensitivities to hold the three races together. And just when she seems to get somewhere, the Conglomeration disbands the Black Blades.
Been a while since I caught up with the blades this book was the best so far and yes I say that after every book! Sal is brilliant. My first yay moment was Dom and amAnglia turning up with the army to pull Sal out of jail! Then finally Zep got the job done! I almost squealed when she got her crown finally in place!! The book is just ram packed with moments of about time and thank Gods! Those pups are just out of control cute too!! It almost got me at the end almost I’m so glad she pulled it back! Looking forward to the next book!
Movie Metropolis (309 KP) rated The Jungle Book (2016) in Movies
Jun 10, 2019
A New Classic
There’s an old saying; “if it ain’t broke, don’t fix it”, and that was the kind of reaction many people had towards Disney’s live-action remake of The Jungle Book.
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Movie Metropolis (309 KP) rated Season of the Witch (2011) in Movies
Jun 11, 2019
Nicholas Cage, Warriors, Demons, Witcraft; Season of the Witch really does have it all. However, all that appears interesting is lost in Dominic Sena’s (Whiteout) bland and forgettable biblical road movie.
Whilst it may not be the worst film in the past twelve months, something which still seemingly belongs to Clash of the Titans, there is little here to differentiate it from the frequent blockbuster drivel that Hollywood seems to spit out these days.
Nicholas Cage and Ron Perlman star alongside a host of two dimensional characters which bizzarly includes home grown star Robert Sheehan (Misfits) who perhaps plays the films best role in newfound warrior Kay. Unfortunately, his stellar performance is overshadowed by a script that’s as bland as the special effects.
The saving grace of the film is in its fabulous set pieces which really do shine through, the choice of location and fabulous cinematography especially in the early battle sequences are fantastic and made the film look like it was going to be more of a success than it actually was. It is here that Sena must be given credit as the movie could’ve been much better if it had followed from the quality of the opening.
It is important to note that the CGI and special effects are not being praised here because on a budget of around $40m, the designers could’ve done a whole lot better than some very questionable looking wolves and melting metal.
Cage, who isn’t without his fair share of criticism as an actor is completely miscast in his role, speaking contrived one-liners that won’t shake off those critics who say he cannot act in anything but action movies, but to be fair, this is not entirely his fault, the script leaves much to be desired and poor old Nick is stuck slap bang in the middle, sitting on the fence between his wrongful characterisation and his need to please the critics.
Alongside Cage is Claire Foy, a relatively unknown actress trying to make a big budget breakthrough as ‘the girl’, a rather unfair accreditation at the end of the film. She actually plays the ‘witch’ and does so well, but there isn’t enough dialogue for her to become a central role in the film, so in the end, she sits in a cage for the entire duration and looks menacing; if that’s what you want to call it. This is a problem that blights the entire film, there are only a handful of characters but the alarmingly poor script means that much of what they say is forgotten.
Overall, director Dominic Sena has missed a trick with this biblical tale, unfortunately it doesn’t do enough to make it stand out and therefore it’s lost in a muddle of poor scriptwriting and poor special effects. However, a few standout performances do save it from being a complete disaster and as such, it just about becomes a passable tale.
https://moviemetropolis.net/2011/01/12/season-of-the-witch-2011/
Whilst it may not be the worst film in the past twelve months, something which still seemingly belongs to Clash of the Titans, there is little here to differentiate it from the frequent blockbuster drivel that Hollywood seems to spit out these days.
Nicholas Cage and Ron Perlman star alongside a host of two dimensional characters which bizzarly includes home grown star Robert Sheehan (Misfits) who perhaps plays the films best role in newfound warrior Kay. Unfortunately, his stellar performance is overshadowed by a script that’s as bland as the special effects.
The saving grace of the film is in its fabulous set pieces which really do shine through, the choice of location and fabulous cinematography especially in the early battle sequences are fantastic and made the film look like it was going to be more of a success than it actually was. It is here that Sena must be given credit as the movie could’ve been much better if it had followed from the quality of the opening.
It is important to note that the CGI and special effects are not being praised here because on a budget of around $40m, the designers could’ve done a whole lot better than some very questionable looking wolves and melting metal.
Cage, who isn’t without his fair share of criticism as an actor is completely miscast in his role, speaking contrived one-liners that won’t shake off those critics who say he cannot act in anything but action movies, but to be fair, this is not entirely his fault, the script leaves much to be desired and poor old Nick is stuck slap bang in the middle, sitting on the fence between his wrongful characterisation and his need to please the critics.
Alongside Cage is Claire Foy, a relatively unknown actress trying to make a big budget breakthrough as ‘the girl’, a rather unfair accreditation at the end of the film. She actually plays the ‘witch’ and does so well, but there isn’t enough dialogue for her to become a central role in the film, so in the end, she sits in a cage for the entire duration and looks menacing; if that’s what you want to call it. This is a problem that blights the entire film, there are only a handful of characters but the alarmingly poor script means that much of what they say is forgotten.
Overall, director Dominic Sena has missed a trick with this biblical tale, unfortunately it doesn’t do enough to make it stand out and therefore it’s lost in a muddle of poor scriptwriting and poor special effects. However, a few standout performances do save it from being a complete disaster and as such, it just about becomes a passable tale.
https://moviemetropolis.net/2011/01/12/season-of-the-witch-2011/
Brumpolarbears (22 KP) rated The Hobbit in Tabletop Games
Jun 18, 2019
Delving into Middle-Earth
As Middle Earth fever prepares to take hold once again with talk of a Lord of the Rings inspired TV show, I thought it might be time to take the adventures of Bilbo into the living room in the form of The Hobbit Board Game.
Gathering four of my best companions to join me on the adventure, we settled down for an evening of troll slaying and dragon fighting.
Based on the J.R.R Tolkien book as opposed to the film releases, The Hobbit is a game for 2-5 players which utilises a scorecard system rather than individual player pieces. The aim of the game, kill Smaug and find the treasure – simple enough surely?
When opening the box we were pleasantly surprised by the level of detail of the board as well as some rather beautifully illustrated dwarf cards. A lot of work had gone into these which is why we were a bit surprised by the Bilbo and Smaug figures which were plastic and painted red
Having laid out all of the pieces we then tackled the game instructions, which actually took as long as Bilbo’s journey to the Lonely Mountain. Having passed the instructions around we decided to just play the game and when we came to a segment we weren’t sure about, we would refer back. Despite the initial hiatus, The Hobbit is a rather enjoyable game, however not for unseasoned gamers.
The game is split into four adventures. Players must level up their initiative, cunning, and strength in order to battle goblins, fight wolves and escape elves before confronting Smaug himself. On the way, players will also collect gems which is ultimately the aim of the game as the player with the most is declared the winner at the end.
Each adventure comes with a series of adventure cards which break down into Gifts, Abilities and Travelcards. Gift cards present players with attribute benefits; Abilities assist players with battles; and Travelcards move Bilbo along his adventure. When encountering a battle, players must roll five dice in order to match certain conditions before moving on. Should the conditions not be met, players must draw a Dragon card, which incurs penalties and may result in Smaug moving across the board. Should Smaug reach Laketown, the game is over and the player with the most gems is declared the winner.
Having played the game with four other players we did actually have fun once we got into it and overcame the rather confusing rules. My best advice would be to have someone read the instructions before you and your friends sit down together as it can eat into the evening.
Gathering four of my best companions to join me on the adventure, we settled down for an evening of troll slaying and dragon fighting.
Based on the J.R.R Tolkien book as opposed to the film releases, The Hobbit is a game for 2-5 players which utilises a scorecard system rather than individual player pieces. The aim of the game, kill Smaug and find the treasure – simple enough surely?
When opening the box we were pleasantly surprised by the level of detail of the board as well as some rather beautifully illustrated dwarf cards. A lot of work had gone into these which is why we were a bit surprised by the Bilbo and Smaug figures which were plastic and painted red
Having laid out all of the pieces we then tackled the game instructions, which actually took as long as Bilbo’s journey to the Lonely Mountain. Having passed the instructions around we decided to just play the game and when we came to a segment we weren’t sure about, we would refer back. Despite the initial hiatus, The Hobbit is a rather enjoyable game, however not for unseasoned gamers.
The game is split into four adventures. Players must level up their initiative, cunning, and strength in order to battle goblins, fight wolves and escape elves before confronting Smaug himself. On the way, players will also collect gems which is ultimately the aim of the game as the player with the most is declared the winner at the end.
Each adventure comes with a series of adventure cards which break down into Gifts, Abilities and Travelcards. Gift cards present players with attribute benefits; Abilities assist players with battles; and Travelcards move Bilbo along his adventure. When encountering a battle, players must roll five dice in order to match certain conditions before moving on. Should the conditions not be met, players must draw a Dragon card, which incurs penalties and may result in Smaug moving across the board. Should Smaug reach Laketown, the game is over and the player with the most gems is declared the winner.
Having played the game with four other players we did actually have fun once we got into it and overcame the rather confusing rules. My best advice would be to have someone read the instructions before you and your friends sit down together as it can eat into the evening.
Gareth von Kallenbach (980 KP) rated The Good Dinosaur (2015) in Movies
Jun 19, 2019
Over the years dinosaurs have often been portrayed as lumbering oafs, vicious killers, or cuddly playthings. With the reinvigorated “Jurassic” franchise interest in the creatures is at an all-time high. Disney/PIXAR are hoping this interest translates into box office gold with the release of their new film “The Good Dinosaur” which looks to continue the successful and award winning streak of their earlier efforts.
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
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Debbiereadsbook (1444 KP) rated The Half Wolf in Books
Aug 9, 2021
a different take on shifters!
Independent reviewer for Archaeolibrarian, I was gifted the audio file of this book.
Quinn has lived in Wales his whole life. He knows of shifters and their nomadic lifestyle. He also knows that they suffer a lot of prejudice. Meeting Kellan, a wolf shifter who’s camped out in the valley, throws Quinn out of sorts: MORE out of sorts that he usually feels. Their attraction is obvious, but Kellan knows he can’t have Quinn. Quinn is human and wolves and humans do not mate, do they?
I usually write a bit about the book first, then the narration, but sometimes I can’t do that because my reviews often take a life of their own and this is one such time.
Hamish Long narrates. It's so nice to NOT have an American accent in your ear, you know? Long’s talent is only just coming to my attention, and I LOVED the narration of this book. His reading voice is deep and clear, and I had no trouble keeping up with the tale. His voices for the different characters were, I thought, spot on. With a mix of Welsh, non-descript English accents fitting for nomads and even an American accent thrown in, they were varied but accurate. The voice for the rogue wolf was major creepy, but very apt. Long gets across all of Quinn’s continuing changes and feelings, and all of Kellan’s need for Quinn, but knowing he can’t have him, and how much it breaks Kellan to realise that he might have to walk away.
My only niggle, and it’s a personal one, rather than a technical one, was that at first, I thought it was Quinn and Calum, not Kellan. But at some point, there was a marked difference in the name’s delivery, and I noticed Kellan more. Might just be me and my rubbish hearing though.
The story itself is well written and well delivered. Different enough to be interesting and to totally hold my attention from start to finish. And trust me on this, that’s a tricky thing right now! (major book funk!) While I twigged something was a little different in Quinn early on, how that all played out was not how I thought it would.
The rogue wolf was called an omega here, and that’s different to other wolf shifter books and I did like that some things were tipped on their head, I really did.
Not especially heavy on the smexy stuff, but plenty of steam! It’s not really needed here, I don’t think. Quinn and Kellan have passion and attraction and that comes across well enough. It is violent though, when dealing with the rogue and I think that was needed.
Long seems to have narrated a fair few of Northcote’s books, I might have a few more hours listening on my audio list now!
4 stars for the book
5 stars for the narration
4.5 overall but rounded UP for the blog.
**same worded review will appear elsewhere**
Quinn has lived in Wales his whole life. He knows of shifters and their nomadic lifestyle. He also knows that they suffer a lot of prejudice. Meeting Kellan, a wolf shifter who’s camped out in the valley, throws Quinn out of sorts: MORE out of sorts that he usually feels. Their attraction is obvious, but Kellan knows he can’t have Quinn. Quinn is human and wolves and humans do not mate, do they?
I usually write a bit about the book first, then the narration, but sometimes I can’t do that because my reviews often take a life of their own and this is one such time.
Hamish Long narrates. It's so nice to NOT have an American accent in your ear, you know? Long’s talent is only just coming to my attention, and I LOVED the narration of this book. His reading voice is deep and clear, and I had no trouble keeping up with the tale. His voices for the different characters were, I thought, spot on. With a mix of Welsh, non-descript English accents fitting for nomads and even an American accent thrown in, they were varied but accurate. The voice for the rogue wolf was major creepy, but very apt. Long gets across all of Quinn’s continuing changes and feelings, and all of Kellan’s need for Quinn, but knowing he can’t have him, and how much it breaks Kellan to realise that he might have to walk away.
My only niggle, and it’s a personal one, rather than a technical one, was that at first, I thought it was Quinn and Calum, not Kellan. But at some point, there was a marked difference in the name’s delivery, and I noticed Kellan more. Might just be me and my rubbish hearing though.
The story itself is well written and well delivered. Different enough to be interesting and to totally hold my attention from start to finish. And trust me on this, that’s a tricky thing right now! (major book funk!) While I twigged something was a little different in Quinn early on, how that all played out was not how I thought it would.
The rogue wolf was called an omega here, and that’s different to other wolf shifter books and I did like that some things were tipped on their head, I really did.
Not especially heavy on the smexy stuff, but plenty of steam! It’s not really needed here, I don’t think. Quinn and Kellan have passion and attraction and that comes across well enough. It is violent though, when dealing with the rogue and I think that was needed.
Long seems to have narrated a fair few of Northcote’s books, I might have a few more hours listening on my audio list now!
4 stars for the book
5 stars for the narration
4.5 overall but rounded UP for the blog.
**same worded review will appear elsewhere**