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The Wife Between Us
The Wife Between Us
Greer Hendricks, Sarah Pekkanen | 2018 | Mystery, Thriller
9
8.1 (37 Ratings)
Book Rating
I CANNOT WAIT FOR THE MOVIE!!!!
Dear Reader,

They think I’m crazy, that I’m unstable and unreliable. I promise I’m not. I have been paranoid, yes. I have put on an act before, for sure. I have been involved in more than one scandal, it’s true. But I am not crazy, regardless of what my ex-husband would have you believe. He is an expert manipulator, a master of deceit, a specialist in the art of charisma. Read my story and you’ll see. There have been plenty of us, the women in Richard’s life. It all starts out the same each time; he’ll sweep you off your feet and shower you with love and lavish gifts. Eventually, though, you will do something wrong…something he doesn’t like. Then the mind games begin. The surveillance emerges. The attacks come out of nowhere. Love gives way to entrapment as he pulls the noose tighter and tighter. Just as it all starts the same, it always ends the same too. But I got away. Now, I need to make sure he can never hurt anyone again. So, read my story and stay away. Stay away from men like Richard.

Take extra care,

Vanessa Thompson


P.S. Don’t let this new psychological thriller slip you by. Read it now, before the buzz of its upcoming movie adaptation hits hard and makes the waitlist a mile long. It’s got so many layers that you’ll get to peel back as you rush through the storyline. Some will surprise you by how subtle they are and others will slap you in the face and make you question what you just read.
  
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Little Ray Of Sunshine (41 KP) rated It’s a Wonderful Life in Books

Jan 11, 2019 (Updated Feb 10, 2019)  
IA
It’s a Wonderful Life
10
10.0 (2 Ratings)
Book Rating
Book Review | It's a Wonderful by Julia Williams
Before I opened the book I was amazed by the beautiful cover. I loved I received this right before the Christmas holidays.

This book is set from 3 characters point of view Beth, Beth’s Sister Lou, and Beth’s Husband Daniel.

Beth as everything she wants a perfect life, perfect job and a perfect husband and 2 children, Sam and Megan. But not everything is perfect as Beth doesn’t feel that her husband Daniel doesn’t support her job picture-book artist. But when she is struggling to get the ideas flowing and she doesn’t get along with her editor Vanessa. Vanessa brings in help has the new art director and old flame of Beth called Jack Stevens. When she sees him she is transported back to when they were in college and she starts to contemplate if she was still with Jack what her life would be like, she can’t get Jack out her mind. Will Beth be tempted to have an affair with Jack? When he tells her that he made mistake in the past.

While Beth is struggling to get inspiration on her book and her mind is on Jack her husband is struggling with his new job as a head teacher for a school want needs help as they had bad results from Ofsted. Daniel is struggling to balance school and handle his children he hardly sees as they have grown up, Sam keeps getting drunk hanging out with his friends and doesn’t care about his GCSE’s and Megan is also hanging out with the wrong people. He just wants a better life with them than he did with his father. Daniel’s father Reggie comes back into his life trying to build bridges but he doesn’t want anything to do with him. But Reggie wants to see his grandchildren. So when Sam and Megan meet him they want him to be back in their dad’s life and Sam starts to bond and they have a lot in common as they both creative and love music. This is where it breaks the family apart as Sam, Megan and Beth want Daniel to hear his dad out and see why he left him when he was younger. You see Daniel’s past and how he feels toward his dad and he wants to build bridges with his dad but he's scared that he will walk out of all their lives. Will he forgive his dad and find out what truly happened and why he left?

Beth’s sister Lou is going through a bad patch in her life and her also as a big secret from her family. She just feels that her family especially her mum and dad wouldn’t like that she feels attraction to other women. She feels that she's the black sheep of the family as Beth is the ‘perfect’ one and their brother Ged is the ‘golden’ boy and never does anything wrong. She's going through a break up from her Girlfriend Jo as she felt that their relationship was one way as Jo never had time for her. Lou also lost her job so she had to move back in with her mum and dad. But when she moved in she notices something wrong with their mum and dad. It turned out that their dad was having an affair with women from an art class. Lou felt her life and her parent's lives are falling apart. You feel sorry for her as you want her to have a happy life. Will their parents accept that she feels more attractive to women?

As you can see the book is based around Christmas and being with their family but everything seems perfect on the outside but once you get reading into the book you see that be careful what you wish for.
This book was a heartwarming book and I can’t wait to read more of Julia Williams books. She really grabbed me into their world and it shows me that all families aren’t perfect. I felt their mum is like mine as my mum always plans in advance for Christmas.
I will make sure to purchase more of her books as she grabbed me from the first page and it made me feel all warm inside.
Thanks, Julia x
  
    Pixel Cup Soccer 16

    Pixel Cup Soccer 16

    Games

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    Pixel Cup Soccer 16 is a casual retro style soccer game, a great evolution from the first edition....

Pandora's Box (1929)
Pandora's Box (1929)
1929 | Classics, Drama, Romance
9
9.5 (2 Ratings)
Movie Rating
Pandora’s Box was one of the last films of the silent era, a period of transition to sound which I believe set the art of cinematography back a decade.

In short. Pandora’s Box looks stunning! Using the frame to its fullest, with a combination of wide framing and exploiting the art of the close up as Lulu herself, would the men around her, as well as driven by brilliant performances by most of the cast. But kudos needs to go to the star, Louise Brooks, as she portrays Lulu, the alluring flapper girl who can work her innocent, secutive magic on anyone, men and women alike.

But this is not limited to the narrative’s characters as her performance is subtle and underplayed, oozing out the silver screen and seducing the audience with same allure. If looks could kill, then this movie has them all.

With a sparse use of inter-titles, the film relies on both the physicality of the cast and imaginative cinematography to convey the seductive and danger of the events as they unfold over the two and bit hour runtime. Fritz Korner in particular rivals Brooks with the intensity of his performance as the ill fated husband of the girl about town.

And then there’s Alice Roberts, the Countess, who is widely thought to have the first lesbian to be seen on screen. Only Belgian actress’s second film in her short career, is played very Germanic, yet sympathetic as she too, has been drawn under Lulu’s spell.

This was made during the period in which German cinema was ruling, driving the art form from the nickelodeon to the theatre, but this was about to change in the 1930’s with advent of the sound and the golden age of American cinema. But as this film proves, you do not need sound to tell or show a good story.

Granted, the central story is pretty mediocre; a simple tale of a damaged woman who instinctively uses her allure to get her own way yet not as a diva, just an instinctive manipulator, casting her spell far and wide until that spell leads her into the hands London serial killer, Jack The Ripper (Gustav Diessl). But she is never portrayed as evil or scheming, just as herself as those around her are drawn to her aide.

There is little of the pantamine action or motives that you can expect from this genre even now, 90 years on.

But German director G.W. Pabst manages to create a multi-layered tale, deepened by psychological and social subtext, achieved as much because of the relationship he garnered with the star, Brookes, as he played on her natural talents to bring one of cinemas most defining roles to the screen. This would be the first of two collaborations between the director and the wayward starlet that year.

Pandora’s Box is yet another example of how German Cinema was leading the world back in the 1920’s; and even though the second world war may have brought this golden era to an abrupt end, it’s legacy lives on today with the styles, both in front and behind the camera, still being honoured by entire film industry now and hopefully for decades to come.