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Bookapotamus (289 KP) rated The Philosopher's Flight in Books
May 29, 2018
For anyone who has been suffering withdrawal from the end of a certain magical boy wizard series, The Philosopher's Flight by Tom Miller is the perfect antidote! It's clever, and sharp, but also a quick read based on alternative history where special "powers" can do different things, and one boys journey to"fit in" this world where girls rule! The opposite sexism is interesting (women typically have the most refined powers and go to war, do the dangerous stuff, etc.) and Robert wants to do everything the women do - and we see if he attains that goal, while facing some pretty crazy "roadblocks" along the way.
I love stories that take me away to another place - get me out of reality and imagine what life would be like if things were "different". And this book does just that. It's very clever how it's pretty historically accurate, just with this twist of Sigilry, these signs and symbols drawn to move energy and ultimately produce some sort of effect (hovering/flying, restoring health, moving an object, sending messages). There are great stories of friendship, interesting characters, and stories of love as well. All wrapped up in a creative story of action, adventure and social-awareness.
There are a few "racy" scenes...so I'd recommend a more mature audience, but its fantastic all-around in general. I'm excited to see if the Philosopher Flies Again! Thanks NetGalley!
I love stories that take me away to another place - get me out of reality and imagine what life would be like if things were "different". And this book does just that. It's very clever how it's pretty historically accurate, just with this twist of Sigilry, these signs and symbols drawn to move energy and ultimately produce some sort of effect (hovering/flying, restoring health, moving an object, sending messages). There are great stories of friendship, interesting characters, and stories of love as well. All wrapped up in a creative story of action, adventure and social-awareness.
There are a few "racy" scenes...so I'd recommend a more mature audience, but its fantastic all-around in general. I'm excited to see if the Philosopher Flies Again! Thanks NetGalley!
Suswatibasu (1701 KP) rated 12 Years a Slave (2013) in Movies
Sep 6, 2017
Cast and acting is spectacular (1 more)
Fantastic direction by Steve McQueen
Harrowing, disturbing beyond belief
It's taken me four years to watch this film out of fear I'd be seriously disturbed by the end of it. And no doubt it is disturbing.
The story of Solomon Northrup entails a free black man in America being kidnapped and then sold into slavery. He is gifted and educated, on top of having led a free life with his wife and children, hence in many ways it can be seen as even more traumatic knowing what is already out there.
What's interesting is the complicity of others involved, including other African Americans who have had to turn the other cheek in order to survive. The white men are despicable in this film, the brutality is truly horrifying.
It goes without saying Chiwetel Ejiofor is fantastic as Solomon, he's understated which makes his acting all the more moving. Michael Fassbender is particularly gratuitous in his role as a slave owner. Lupita Nyong'o is absolutely outstanding, playing a woman brutalized by the master for his own disgusting needs. The women go through a particular hell in this horrid period of history. You'll need a strong countenance to watch this.
The story of Solomon Northrup entails a free black man in America being kidnapped and then sold into slavery. He is gifted and educated, on top of having led a free life with his wife and children, hence in many ways it can be seen as even more traumatic knowing what is already out there.
What's interesting is the complicity of others involved, including other African Americans who have had to turn the other cheek in order to survive. The white men are despicable in this film, the brutality is truly horrifying.
It goes without saying Chiwetel Ejiofor is fantastic as Solomon, he's understated which makes his acting all the more moving. Michael Fassbender is particularly gratuitous in his role as a slave owner. Lupita Nyong'o is absolutely outstanding, playing a woman brutalized by the master for his own disgusting needs. The women go through a particular hell in this horrid period of history. You'll need a strong countenance to watch this.
Andy K (10821 KP) rated Hostiles (2017) in Movies
Jan 28, 2018
Bring westerns back!
I love Christian Bale and I love westerns, so it is no surprise I found this an immensely entertaining film.
It is hard to believe humanity even survived the relentless, bleak, hostile and morose period in American history when native Americans were hunted down, slaughtered and removed from their land. They became equally brutal in retaliation and defending their property.
When Bale (Capt. Joseph J. Blocker) is ordered to transport a dying Indian Chief and former adversary and his family back to Montana based on his dying wish, Bale reluctantly agrees.
Their journey would be marked with heartache, sacrifice and brutality. Bale and his men come under attack and have to band together to survive.
I have seen few westerns which showcase the brutality of the Old West better than this film. Your heart goes out to the men and women left to survive with very little left in their lives to look forward to. Somehow, they manage to carry on and should be inspiring to the rest of us to do the same.
It is hard to believe humanity even survived the relentless, bleak, hostile and morose period in American history when native Americans were hunted down, slaughtered and removed from their land. They became equally brutal in retaliation and defending their property.
When Bale (Capt. Joseph J. Blocker) is ordered to transport a dying Indian Chief and former adversary and his family back to Montana based on his dying wish, Bale reluctantly agrees.
Their journey would be marked with heartache, sacrifice and brutality. Bale and his men come under attack and have to band together to survive.
I have seen few westerns which showcase the brutality of the Old West better than this film. Your heart goes out to the men and women left to survive with very little left in their lives to look forward to. Somehow, they manage to carry on and should be inspiring to the rest of us to do the same.
ClareR (5596 KP) rated The Witches of Vardø in Books
Dec 30, 2022
What starts off as a story about the life of a child in a fishing community, soon turns into a seemingly hopeless struggle for their lives. It’s dangerous to be a woman in the 1600’s. Dancing, laughing, drinking - all of these simple, everyday things can result in an accusation of witchcraft. Funnily enough, if a man does them, that’s ok (I found myself becoming increasingly frustrated with the injustice of it all!).
The young girls are the ones that hold the story together. They are the link between the accused women (their mothers, aunt and another villager) and the King’s prisoner, Anna. Anna is trusted to ‘care’ for the witches whilst they’re held in the Witches hold - a thoroughly inhumane incarceration. She’s a woman with an education, so I expected for her to treated a lot worse than she was.
There’s a great mix of history and magic in this, although done in such a way as the magic didn’t seem out of place - and fitted in perfectly with the rest of the book. It was interesting to learn about the way the Sámi were regarded by the rest of Finn-mark (I’m unsure of the spelling!) - even though it wasn’t good (they weren’t Christians, and therefore dangerous).
It was a really engrossing read - I loved it.
The young girls are the ones that hold the story together. They are the link between the accused women (their mothers, aunt and another villager) and the King’s prisoner, Anna. Anna is trusted to ‘care’ for the witches whilst they’re held in the Witches hold - a thoroughly inhumane incarceration. She’s a woman with an education, so I expected for her to treated a lot worse than she was.
There’s a great mix of history and magic in this, although done in such a way as the magic didn’t seem out of place - and fitted in perfectly with the rest of the book. It was interesting to learn about the way the Sámi were regarded by the rest of Finn-mark (I’m unsure of the spelling!) - even though it wasn’t good (they weren’t Christians, and therefore dangerous).
It was a really engrossing read - I loved it.
Hazel (1853 KP) rated Purple Hearts in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
Rachel King (13 KP) rated She Walks in Beauty in Books
Feb 11, 2019
I knew next to nothing about New York City's gilded age before reading this book, so this was both a history lesson and an eye-opener to the practices of that time period, expecially among the wealthy young women. I had no idea of the extent that corsets were damaging to the body and health of a woman, and it really explains much of the female behavior that has been epitomized in Hollywood's classic films, such as the common fainting spells. It shows that the "modern" world really has not changed very much in regards to the demands put on women to look and act a certain way to be regarded as attractive. The similarities between Hollywood and the Gilded Age are both remarkable and quite sad, from the encouragement of anorexia and the overindulgence of luxury to how the popularity of an individual can be solely determined by the words of the press.
I did enjoy following Clara's rise to fame and infamy, even if the glamour and mystery of it was stripped away, so to speak. The Christian themes of God loving you just as you are and having a purpose beyond the practices of "society" seemed muted and understated throughout the book, but rather than detracting from the plot, it only seemed to enhance it. While I have been under the impression that books that fall in this genre of Christian Fiction should focus mostly on some Christian theme, this particular book did not seem to. The focus seemed more on revealing the truth about what really happened in New York City's Gilded Age through the eyes of a debutante.
I did enjoy following Clara's rise to fame and infamy, even if the glamour and mystery of it was stripped away, so to speak. The Christian themes of God loving you just as you are and having a purpose beyond the practices of "society" seemed muted and understated throughout the book, but rather than detracting from the plot, it only seemed to enhance it. While I have been under the impression that books that fall in this genre of Christian Fiction should focus mostly on some Christian theme, this particular book did not seem to. The focus seemed more on revealing the truth about what really happened in New York City's Gilded Age through the eyes of a debutante.
Lee (2222 KP) rated Mary Queen of Scots (2018) in Movies
Jan 20, 2019
Mary (Saoirse Ronan), having lived in France where she was recently widowed, returns home to Scotland to claim her rightful place as queen. But she is not exactly welcomed with open arms in the world of men and when she also decides to set her sights on becoming successor to the crown of England, a power struggle ensues. Both at home, and with her cousin Queen Elizabeth I (Margot Robbie).
There's not very much that I enjoyed about this movie to be honest. An important and intriguing period in history, involving two extremely interesting and strong women, this should have been so much better. It tries to cover so much ground in its two hour runtime, barely focusing on any particular element for very long. Vast numbers of characters are introduced, none of which are given enough time for you to feel any kind of interest or emotional investment in and at times it drastically shifts between varying tones with confusing editing.
What the movie does manage to portray is that all the men are complete bastards. Scheming, plotting and murdering, all for their own gains. It's sad that, aside from the murdering (I hope), not much has changed in modern politics.
Both female leads, especially Saoirse, are actually very good in this, despite everything, and probably the best scene in the movie is when they meet alone towards the end (something which didn't actually happen in real life!). Sadly though, I was fidgeting in my seat up until that point just waiting for it to end.
There's not very much that I enjoyed about this movie to be honest. An important and intriguing period in history, involving two extremely interesting and strong women, this should have been so much better. It tries to cover so much ground in its two hour runtime, barely focusing on any particular element for very long. Vast numbers of characters are introduced, none of which are given enough time for you to feel any kind of interest or emotional investment in and at times it drastically shifts between varying tones with confusing editing.
What the movie does manage to portray is that all the men are complete bastards. Scheming, plotting and murdering, all for their own gains. It's sad that, aside from the murdering (I hope), not much has changed in modern politics.
Both female leads, especially Saoirse, are actually very good in this, despite everything, and probably the best scene in the movie is when they meet alone towards the end (something which didn't actually happen in real life!). Sadly though, I was fidgeting in my seat up until that point just waiting for it to end.
Heather Cranmer (2721 KP) created a post
May 28, 2020
David McK (3233 KP) rated Northlanders Book 1: The Anglo-Saxon Saga (Northlanders, Book 1) in Books
Jan 30, 2019
Boy, was that violent - if this was a movie, it would probably be given an '18' (or 'R'estricted, for those Americans out there) rating, not just for the blood, guts and gore, but also for the - occassional - nudity, and the not-so-occassional language.
Actually a collection of 5 different short stories, I can't say how true to history these are as I'm not a Norse scholar. I also found the vernacular a bit off-putting (were swear-words the same in the early Medieval Period as they are now? Really??), with the art-style (and plot) in some of the stories were better than in others. Talking of stories, this contains the following:
[b]Lindisfarne[/b]: depicting an early Viking raid on the monastery of the same name
[b]The Shield Maidens[/b]: in which three Viking women hold off hordes of the Saxons
[b]Sven the Returned[/b]: in which Sven returns to his homeland to claim his inheritance, having previously run away and joined the Byzantine Varangian Guard
[b]Thor's daughter[/b]: in which a clan leader is murdered and his land sold to a rival leader but his 14 year old daughter takes up his mantle and leads an army against the encroaching Vikings
[b]The Cross & The Hammer[/b]: Set in Ireland, this is more-or-less a murder mystery in which the central character is trying to track down the person(s) responsible for a spate of killings.
Actually a collection of 5 different short stories, I can't say how true to history these are as I'm not a Norse scholar. I also found the vernacular a bit off-putting (were swear-words the same in the early Medieval Period as they are now? Really??), with the art-style (and plot) in some of the stories were better than in others. Talking of stories, this contains the following:
[b]Lindisfarne[/b]: depicting an early Viking raid on the monastery of the same name
[b]The Shield Maidens[/b]: in which three Viking women hold off hordes of the Saxons
[b]Sven the Returned[/b]: in which Sven returns to his homeland to claim his inheritance, having previously run away and joined the Byzantine Varangian Guard
[b]Thor's daughter[/b]: in which a clan leader is murdered and his land sold to a rival leader but his 14 year old daughter takes up his mantle and leads an army against the encroaching Vikings
[b]The Cross & The Hammer[/b]: Set in Ireland, this is more-or-less a murder mystery in which the central character is trying to track down the person(s) responsible for a spate of killings.
An interesting new take on a dystopian future
What worried me the most about this book is that the dystopian future is one you can quite realistically see happening, even in our lifetime. And that’s one of the things I liked about this book, it really makes you think about the current political climate and how easily things could descend into this sort of dystopia. And it really brings out some powerful emotions - it’s amazing how angry and frustrated you can get about a fictional future.
The book itself is well written, and Jean McClellan is a fairly engaging and well developed protagonist. It’s interesting to read about the history from Jean’s point of view and share her frustration with the system and how it affects her family. There are a lot of similarities to other books about dystopian futures, like 1984 and The Handmaid’s Tale, and even references some of these at times. However there are a few issues, firstly that the book plods along at a fairly decent pace but yet the ending is wrapped up so quickly in just a few paces, it’s feels very rushed and not as satisfying as I’d like. The other issue is that I’m concerned about how events unfold for Jean and how it compares to the rest of the women still suffering in silence. I feel like the book could’ve concentrated more on women who hadn’t had their counters removed, to really impact and show more about the regime.
The book itself is well written, and Jean McClellan is a fairly engaging and well developed protagonist. It’s interesting to read about the history from Jean’s point of view and share her frustration with the system and how it affects her family. There are a lot of similarities to other books about dystopian futures, like 1984 and The Handmaid’s Tale, and even references some of these at times. However there are a few issues, firstly that the book plods along at a fairly decent pace but yet the ending is wrapped up so quickly in just a few paces, it’s feels very rushed and not as satisfying as I’d like. The other issue is that I’m concerned about how events unfold for Jean and how it compares to the rest of the women still suffering in silence. I feel like the book could’ve concentrated more on women who hadn’t had their counters removed, to really impact and show more about the regime.