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Zombies: A Cultural History
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The zombie has shuffled with dead-eyed, remorseless menace from its beginnings in obscure folklore...
The Sherlock Homes
Arthur Conan Doyle and Sidney Paget
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"Am dining at Goldini's Restaurant, Gloucester Road, Kensington. Please come at once and join me...
Sons and Lovers
5.0
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The Penguin English Library Edition of Sons and Lovers by D. H. Lawrence '"She was a brazen hussy."...
The White Book
9.0
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From the winner of the Man Booker International Prize for The Vegetarian Both the most...
The Great Influenza
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Magisterial in its breadth of perspective and depth of research, The Great Influenza provides us...
The Mars Migration
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"The ending of the novel had me at the edge of my seat the whole way through, a purely addictive...
science fiction
Daniel Boyd (1066 KP) rated Ready Player One (2018) in Movies
Sep 20, 2018 (Updated Sep 20, 2018)
Not Quite Ready
I saw this movie in the cinema back when it came out in March earlier this year and I honestly didn't feel ready to review it after a single viewing because of all of the references etc that there was to take in. After watching the movie a couple more times and watching a bunch of Easter Egg videos on Youtube, I feel more equipped to discuss the film.
Up top, I never read the book that this film is based on. It has been recommended to me quite a few times, but I have never gotten around to reading it, so I was going into this with no pre-conceived ideas of what it was going to be other than what I had seen in the various trailers for the movie.
Let's start with the good stuff. Although I have some issues with the overabundance of CGI onscreen, as a 3d animator myself I was extremely impressed at the sheer quality of the animation in the movie. I know that this thing had a pretty high budget behind it, but still the level of quality in the animation is really high throughout the film. The references are also pretty cool, at least for the first third of the movie but the novelty of seeing some of your favourite pop culture characters does wear off after a while and ends up feeling like a cheap gimmick before too long. Finally, if all you are looking for is a big dumb fun blockbuster, then this movie provides that in spades.
Ok, onto the stuff that bothered me. As I said above, although the quality of the CGI is pretty incredible, the vast amount of it gets tiresome after a while. I also don't like the character designs at all, Parzival looks like a rejected piece of Final Fantasy artwork, Art3mis looks like a stereotypical version of a what a middle aged man thinks a cool hacker looks like with a weird resemblance to a feline, Aech just looked chunky and awkward, like something from a last-gen Gears Of War game, I-R0k's weird, edgy, fantasy-based design didn't fit his voice or the tone of the scenes he appeared in and Sorrento's avatar just looked distractingly like a dastardly Clark Kent for some reason. Also, these original character designs seemed oddly out of place being surrounded by other characters from franchises that we already know like DC and Mortal Kombat, none of it meshed well.
From this point on I am going to delve into some mid-movie spoilers, so here's your warning.
It really annoyed me how they kept touching on the idea that someone in the Oasis might not necessarily look the same as they do in real life and if you ever met them in real life you would be sorely disappointed, only for the reason for all of this to be a birthmark on Olivia Cooke's character's face. The way that they make her out to some sort of beast-like monster because of a slight skin-irregularity is ridiculous and also kinda offensive. Also, we are told during the movie's opening sequence that the Oasis is a worldwide thing, where people from anywhere on the planet can meet up online and fight together or kill each other for coins, then halfway through the movie, all of the characters meet up in a small ice cream truck in the real world and it turns out that they all live within a few miles of each other. It just made the whole thing feel really small scale. Another issue is that the movie is only 6 months old at this point and it already feels slightly dated. I don't see this movie ageing very well at all and this is both due to the CGI and the references that they choose to include.
Lastly, as I said earlier, if what you want out of this movie is mindless fun, then you'll walk away satisfied, the problem with that is that the movie seems to want to be more than that. The way that the movie treats itself and the way it was marketed along with the fact that it's got Spielberg in the director's chair, signifies that the filmmakers were intending for this to be this generation's Back To The Future or Star Wars and on that front it totally fails. In these other movies that this film is aspiring to be, you care about what happens to the characters and want to see where they go, whereas here the audience cares way more about seeing the next popular franchise references than anything that happens to the main characters at the heart of this story and once you've seen the film, you are going to leave talking about the characters that appeared from outside franchises rather than the ones created for this story. The characters are also instantly forgettable, for example I have seen this film three times now and still couldn't tell you the real world names of any of the characters other than Wade Watts and Sorrento and that's only because he has the same name in the real world as he does in the Oasis. I also don't care if I ever see any of these characters again if I'm being honest. I'm sure there is probably a sequel to this already being planned seeing as it made a bunch of money at the box office and there is apparently a sequel book in the works, but frankly I wouldn't care if I never saw any of these characters again and I don't care where the story is going either.
In conclusion, Ready Player One doesn't achieve the goal that it sets for itself of being a modern sci-fi classic, but there is a lot of fun to be had here along with some impressive animation to boot. The movie has a fairly shallow, hollow feel to it throughout, as if we are scratching the surface of something potentially engaging and worth investing in, but the filmmakers constantly keep distracting us with flashy visuals and obscure pop culture references. If the movie committed to telling a more original story rather than being obsessed with the 80's classics it is exploiting, then it may be more worthwhile. Also, it's definitely not Spielberg's best, this may be a bit harsh but it's probably closer to Kingdom Of The Crystal Skull than Raiders Of The Lost Ark. I wish that Smashbomb had a half star rating system, because although I feel that the movie was better than a 6, I don't like it enough to give it a 7, so a 6.5 would sum up how I felt about the film more accurately.
Up top, I never read the book that this film is based on. It has been recommended to me quite a few times, but I have never gotten around to reading it, so I was going into this with no pre-conceived ideas of what it was going to be other than what I had seen in the various trailers for the movie.
Let's start with the good stuff. Although I have some issues with the overabundance of CGI onscreen, as a 3d animator myself I was extremely impressed at the sheer quality of the animation in the movie. I know that this thing had a pretty high budget behind it, but still the level of quality in the animation is really high throughout the film. The references are also pretty cool, at least for the first third of the movie but the novelty of seeing some of your favourite pop culture characters does wear off after a while and ends up feeling like a cheap gimmick before too long. Finally, if all you are looking for is a big dumb fun blockbuster, then this movie provides that in spades.
Ok, onto the stuff that bothered me. As I said above, although the quality of the CGI is pretty incredible, the vast amount of it gets tiresome after a while. I also don't like the character designs at all, Parzival looks like a rejected piece of Final Fantasy artwork, Art3mis looks like a stereotypical version of a what a middle aged man thinks a cool hacker looks like with a weird resemblance to a feline, Aech just looked chunky and awkward, like something from a last-gen Gears Of War game, I-R0k's weird, edgy, fantasy-based design didn't fit his voice or the tone of the scenes he appeared in and Sorrento's avatar just looked distractingly like a dastardly Clark Kent for some reason. Also, these original character designs seemed oddly out of place being surrounded by other characters from franchises that we already know like DC and Mortal Kombat, none of it meshed well.
From this point on I am going to delve into some mid-movie spoilers, so here's your warning.
It really annoyed me how they kept touching on the idea that someone in the Oasis might not necessarily look the same as they do in real life and if you ever met them in real life you would be sorely disappointed, only for the reason for all of this to be a birthmark on Olivia Cooke's character's face. The way that they make her out to some sort of beast-like monster because of a slight skin-irregularity is ridiculous and also kinda offensive. Also, we are told during the movie's opening sequence that the Oasis is a worldwide thing, where people from anywhere on the planet can meet up online and fight together or kill each other for coins, then halfway through the movie, all of the characters meet up in a small ice cream truck in the real world and it turns out that they all live within a few miles of each other. It just made the whole thing feel really small scale. Another issue is that the movie is only 6 months old at this point and it already feels slightly dated. I don't see this movie ageing very well at all and this is both due to the CGI and the references that they choose to include.
Lastly, as I said earlier, if what you want out of this movie is mindless fun, then you'll walk away satisfied, the problem with that is that the movie seems to want to be more than that. The way that the movie treats itself and the way it was marketed along with the fact that it's got Spielberg in the director's chair, signifies that the filmmakers were intending for this to be this generation's Back To The Future or Star Wars and on that front it totally fails. In these other movies that this film is aspiring to be, you care about what happens to the characters and want to see where they go, whereas here the audience cares way more about seeing the next popular franchise references than anything that happens to the main characters at the heart of this story and once you've seen the film, you are going to leave talking about the characters that appeared from outside franchises rather than the ones created for this story. The characters are also instantly forgettable, for example I have seen this film three times now and still couldn't tell you the real world names of any of the characters other than Wade Watts and Sorrento and that's only because he has the same name in the real world as he does in the Oasis. I also don't care if I ever see any of these characters again if I'm being honest. I'm sure there is probably a sequel to this already being planned seeing as it made a bunch of money at the box office and there is apparently a sequel book in the works, but frankly I wouldn't care if I never saw any of these characters again and I don't care where the story is going either.
In conclusion, Ready Player One doesn't achieve the goal that it sets for itself of being a modern sci-fi classic, but there is a lot of fun to be had here along with some impressive animation to boot. The movie has a fairly shallow, hollow feel to it throughout, as if we are scratching the surface of something potentially engaging and worth investing in, but the filmmakers constantly keep distracting us with flashy visuals and obscure pop culture references. If the movie committed to telling a more original story rather than being obsessed with the 80's classics it is exploiting, then it may be more worthwhile. Also, it's definitely not Spielberg's best, this may be a bit harsh but it's probably closer to Kingdom Of The Crystal Skull than Raiders Of The Lost Ark. I wish that Smashbomb had a half star rating system, because although I feel that the movie was better than a 6, I don't like it enough to give it a 7, so a 6.5 would sum up how I felt about the film more accurately.
Rat (1 KP) rated Peaky Blinders - Season 1 in TV
Mar 28, 2018
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
BookwormMama14 (18 KP) rated London Tides (MacDonald Family Trilogy, #2) in Books
Jan 2, 2019
London Tides by Carla Laureano
Reviewed by Rachel Dixon
Radiant Lit Blog Tours
Genre: Romance
Publisher: David C. Cook
Date Published: June 1, 2015
Grace Brennan has seen the brutality of war first hand. Will she give up her identity in her career to build a new life with the man she loves?
Ian MacDonald has not seen Grace since she left him ten years ago. Grace has suffered very severe trauma with her job as a conflict photojournalist. As she searches for a place to call home, can she lay to rest the ghosts of her past? When their lives are thrown together again, they are different people than they were ten years ago. Will they be able to forge a new life together? Or will the past push them further apart then ever before?
London Tides had me biting my nails till the last page. There are a lot of ups and downs and I had no idea which direction Carla Laureano would take me next. The romance was a little more heated than in the first book, but it was still clean. Although I have never experienced PTSD, there was a side of Grace that I could completely relate to. That is the desire to know that our lives meant something. I think there is a piece inside all of us that wants to know that our lives made a difference in the world. We may not all be able to find a magic cure for a disease or personally finance an endeavor to put shoes on the feet of an entire village. But every life matters and every life makes a difference in the sphere we are placed in. Our friends, our co-workers, our children and our family. I have to believe that I have been called to where I am for a reason. I may never see the results of the impact my life has been, but God sees it. And He knows and cares about whatever challenges we are facing and if we let Him, He will guide and support us through it all. I have been swept away by the MacDonald family and can not wait for the finale Under Scottish Stars releasing Summer 2016.
Carla Laureano is the author of the RITA® award-winning romance Five Days in Skye as well as London Tides and the Celtic fantasy series The Song of Seare (as C. E. Laureano). A graduate of Pepperdine University, she worked as a sales and marketing executive for nearly a decade before leaving corporate life behind to write fiction full-time. She currently lives in Denver with her husband and two sons.
I received a free copy of London Tides as part of a blog tour with Radiant Lit in exchange for my honest review. Review copy provided by David C Cook.
Reviewed by Rachel Dixon
Radiant Lit Blog Tours
Genre: Romance
Publisher: David C. Cook
Date Published: June 1, 2015
Grace Brennan has seen the brutality of war first hand. Will she give up her identity in her career to build a new life with the man she loves?
Ian MacDonald has not seen Grace since she left him ten years ago. Grace has suffered very severe trauma with her job as a conflict photojournalist. As she searches for a place to call home, can she lay to rest the ghosts of her past? When their lives are thrown together again, they are different people than they were ten years ago. Will they be able to forge a new life together? Or will the past push them further apart then ever before?
London Tides had me biting my nails till the last page. There are a lot of ups and downs and I had no idea which direction Carla Laureano would take me next. The romance was a little more heated than in the first book, but it was still clean. Although I have never experienced PTSD, there was a side of Grace that I could completely relate to. That is the desire to know that our lives meant something. I think there is a piece inside all of us that wants to know that our lives made a difference in the world. We may not all be able to find a magic cure for a disease or personally finance an endeavor to put shoes on the feet of an entire village. But every life matters and every life makes a difference in the sphere we are placed in. Our friends, our co-workers, our children and our family. I have to believe that I have been called to where I am for a reason. I may never see the results of the impact my life has been, but God sees it. And He knows and cares about whatever challenges we are facing and if we let Him, He will guide and support us through it all. I have been swept away by the MacDonald family and can not wait for the finale Under Scottish Stars releasing Summer 2016.
Carla Laureano is the author of the RITA® award-winning romance Five Days in Skye as well as London Tides and the Celtic fantasy series The Song of Seare (as C. E. Laureano). A graduate of Pepperdine University, she worked as a sales and marketing executive for nearly a decade before leaving corporate life behind to write fiction full-time. She currently lives in Denver with her husband and two sons.
I received a free copy of London Tides as part of a blog tour with Radiant Lit in exchange for my honest review. Review copy provided by David C Cook.
James Koppert (2698 KP) rated Into The Crooked Place (Into The Crooked Place #1) in Books
Nov 13, 2019
I wanted this book to be good, its a bit like when you bake a cake and you have all the finest ingredients and the baker is brilliant as well but just somehow it doesn't quite come out as good as one would hope.
The setting, the characters and the basic plot really does work. This is a book about organised crime in a post war world full of different races of people, some of whom who craft magic who have been all but wiped out, warriors who protected them and ordinary people all of whom sit underneath the organised crime of the kingpin and his underbosses. The story focuses on the underboss Wesley and his crew of strong female characters, the warrior Karam, the secret crafter Saxony and Tavia the busker who sells the boss' magic and all of whom are pretty good in a scrap.
The characters are well created and you can visualise them easily on the pages. The adventure they go on has you rooting for them and the world is an exciting one that does hold enormous potential to be lost in. It is all however a little too dragged out.
As you can see this is the first in the series and the book very much does just tell the first part of the adventure, which is full of magic, betrayal, violence and even some glimmers of romance and yes, it does get very exciting and page turning in some parts, but considering this is only part of the story it could have done with being 150 pages shorter than it was. It just all seemed far more drawn out than it needed to be and let it down slightly. Because of this I was pleased to reach the end instead of being excited to pick up the next part which is a shame because Christo has created characters and a world which deserve to be explored and travelled in. Lets hope Into the Crooked Place number 2 allows this to become the cake it should be.
The setting, the characters and the basic plot really does work. This is a book about organised crime in a post war world full of different races of people, some of whom who craft magic who have been all but wiped out, warriors who protected them and ordinary people all of whom sit underneath the organised crime of the kingpin and his underbosses. The story focuses on the underboss Wesley and his crew of strong female characters, the warrior Karam, the secret crafter Saxony and Tavia the busker who sells the boss' magic and all of whom are pretty good in a scrap.
The characters are well created and you can visualise them easily on the pages. The adventure they go on has you rooting for them and the world is an exciting one that does hold enormous potential to be lost in. It is all however a little too dragged out.
As you can see this is the first in the series and the book very much does just tell the first part of the adventure, which is full of magic, betrayal, violence and even some glimmers of romance and yes, it does get very exciting and page turning in some parts, but considering this is only part of the story it could have done with being 150 pages shorter than it was. It just all seemed far more drawn out than it needed to be and let it down slightly. Because of this I was pleased to reach the end instead of being excited to pick up the next part which is a shame because Christo has created characters and a world which deserve to be explored and travelled in. Lets hope Into the Crooked Place number 2 allows this to become the cake it should be.