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Daniel Boyd (1066 KP) rated Ready Player One (2018) in Movies
Sep 20, 2018 (Updated Sep 20, 2018)
Not Quite Ready
I saw this movie in the cinema back when it came out in March earlier this year and I honestly didn't feel ready to review it after a single viewing because of all of the references etc that there was to take in. After watching the movie a couple more times and watching a bunch of Easter Egg videos on Youtube, I feel more equipped to discuss the film.
Up top, I never read the book that this film is based on. It has been recommended to me quite a few times, but I have never gotten around to reading it, so I was going into this with no pre-conceived ideas of what it was going to be other than what I had seen in the various trailers for the movie.
Let's start with the good stuff. Although I have some issues with the overabundance of CGI onscreen, as a 3d animator myself I was extremely impressed at the sheer quality of the animation in the movie. I know that this thing had a pretty high budget behind it, but still the level of quality in the animation is really high throughout the film. The references are also pretty cool, at least for the first third of the movie but the novelty of seeing some of your favourite pop culture characters does wear off after a while and ends up feeling like a cheap gimmick before too long. Finally, if all you are looking for is a big dumb fun blockbuster, then this movie provides that in spades.
Ok, onto the stuff that bothered me. As I said above, although the quality of the CGI is pretty incredible, the vast amount of it gets tiresome after a while. I also don't like the character designs at all, Parzival looks like a rejected piece of Final Fantasy artwork, Art3mis looks like a stereotypical version of a what a middle aged man thinks a cool hacker looks like with a weird resemblance to a feline, Aech just looked chunky and awkward, like something from a last-gen Gears Of War game, I-R0k's weird, edgy, fantasy-based design didn't fit his voice or the tone of the scenes he appeared in and Sorrento's avatar just looked distractingly like a dastardly Clark Kent for some reason. Also, these original character designs seemed oddly out of place being surrounded by other characters from franchises that we already know like DC and Mortal Kombat, none of it meshed well.
From this point on I am going to delve into some mid-movie spoilers, so here's your warning.
It really annoyed me how they kept touching on the idea that someone in the Oasis might not necessarily look the same as they do in real life and if you ever met them in real life you would be sorely disappointed, only for the reason for all of this to be a birthmark on Olivia Cooke's character's face. The way that they make her out to some sort of beast-like monster because of a slight skin-irregularity is ridiculous and also kinda offensive. Also, we are told during the movie's opening sequence that the Oasis is a worldwide thing, where people from anywhere on the planet can meet up online and fight together or kill each other for coins, then halfway through the movie, all of the characters meet up in a small ice cream truck in the real world and it turns out that they all live within a few miles of each other. It just made the whole thing feel really small scale. Another issue is that the movie is only 6 months old at this point and it already feels slightly dated. I don't see this movie ageing very well at all and this is both due to the CGI and the references that they choose to include.
Lastly, as I said earlier, if what you want out of this movie is mindless fun, then you'll walk away satisfied, the problem with that is that the movie seems to want to be more than that. The way that the movie treats itself and the way it was marketed along with the fact that it's got Spielberg in the director's chair, signifies that the filmmakers were intending for this to be this generation's Back To The Future or Star Wars and on that front it totally fails. In these other movies that this film is aspiring to be, you care about what happens to the characters and want to see where they go, whereas here the audience cares way more about seeing the next popular franchise references than anything that happens to the main characters at the heart of this story and once you've seen the film, you are going to leave talking about the characters that appeared from outside franchises rather than the ones created for this story. The characters are also instantly forgettable, for example I have seen this film three times now and still couldn't tell you the real world names of any of the characters other than Wade Watts and Sorrento and that's only because he has the same name in the real world as he does in the Oasis. I also don't care if I ever see any of these characters again if I'm being honest. I'm sure there is probably a sequel to this already being planned seeing as it made a bunch of money at the box office and there is apparently a sequel book in the works, but frankly I wouldn't care if I never saw any of these characters again and I don't care where the story is going either.
In conclusion, Ready Player One doesn't achieve the goal that it sets for itself of being a modern sci-fi classic, but there is a lot of fun to be had here along with some impressive animation to boot. The movie has a fairly shallow, hollow feel to it throughout, as if we are scratching the surface of something potentially engaging and worth investing in, but the filmmakers constantly keep distracting us with flashy visuals and obscure pop culture references. If the movie committed to telling a more original story rather than being obsessed with the 80's classics it is exploiting, then it may be more worthwhile. Also, it's definitely not Spielberg's best, this may be a bit harsh but it's probably closer to Kingdom Of The Crystal Skull than Raiders Of The Lost Ark. I wish that Smashbomb had a half star rating system, because although I feel that the movie was better than a 6, I don't like it enough to give it a 7, so a 6.5 would sum up how I felt about the film more accurately.
Up top, I never read the book that this film is based on. It has been recommended to me quite a few times, but I have never gotten around to reading it, so I was going into this with no pre-conceived ideas of what it was going to be other than what I had seen in the various trailers for the movie.
Let's start with the good stuff. Although I have some issues with the overabundance of CGI onscreen, as a 3d animator myself I was extremely impressed at the sheer quality of the animation in the movie. I know that this thing had a pretty high budget behind it, but still the level of quality in the animation is really high throughout the film. The references are also pretty cool, at least for the first third of the movie but the novelty of seeing some of your favourite pop culture characters does wear off after a while and ends up feeling like a cheap gimmick before too long. Finally, if all you are looking for is a big dumb fun blockbuster, then this movie provides that in spades.
Ok, onto the stuff that bothered me. As I said above, although the quality of the CGI is pretty incredible, the vast amount of it gets tiresome after a while. I also don't like the character designs at all, Parzival looks like a rejected piece of Final Fantasy artwork, Art3mis looks like a stereotypical version of a what a middle aged man thinks a cool hacker looks like with a weird resemblance to a feline, Aech just looked chunky and awkward, like something from a last-gen Gears Of War game, I-R0k's weird, edgy, fantasy-based design didn't fit his voice or the tone of the scenes he appeared in and Sorrento's avatar just looked distractingly like a dastardly Clark Kent for some reason. Also, these original character designs seemed oddly out of place being surrounded by other characters from franchises that we already know like DC and Mortal Kombat, none of it meshed well.
From this point on I am going to delve into some mid-movie spoilers, so here's your warning.
It really annoyed me how they kept touching on the idea that someone in the Oasis might not necessarily look the same as they do in real life and if you ever met them in real life you would be sorely disappointed, only for the reason for all of this to be a birthmark on Olivia Cooke's character's face. The way that they make her out to some sort of beast-like monster because of a slight skin-irregularity is ridiculous and also kinda offensive. Also, we are told during the movie's opening sequence that the Oasis is a worldwide thing, where people from anywhere on the planet can meet up online and fight together or kill each other for coins, then halfway through the movie, all of the characters meet up in a small ice cream truck in the real world and it turns out that they all live within a few miles of each other. It just made the whole thing feel really small scale. Another issue is that the movie is only 6 months old at this point and it already feels slightly dated. I don't see this movie ageing very well at all and this is both due to the CGI and the references that they choose to include.
Lastly, as I said earlier, if what you want out of this movie is mindless fun, then you'll walk away satisfied, the problem with that is that the movie seems to want to be more than that. The way that the movie treats itself and the way it was marketed along with the fact that it's got Spielberg in the director's chair, signifies that the filmmakers were intending for this to be this generation's Back To The Future or Star Wars and on that front it totally fails. In these other movies that this film is aspiring to be, you care about what happens to the characters and want to see where they go, whereas here the audience cares way more about seeing the next popular franchise references than anything that happens to the main characters at the heart of this story and once you've seen the film, you are going to leave talking about the characters that appeared from outside franchises rather than the ones created for this story. The characters are also instantly forgettable, for example I have seen this film three times now and still couldn't tell you the real world names of any of the characters other than Wade Watts and Sorrento and that's only because he has the same name in the real world as he does in the Oasis. I also don't care if I ever see any of these characters again if I'm being honest. I'm sure there is probably a sequel to this already being planned seeing as it made a bunch of money at the box office and there is apparently a sequel book in the works, but frankly I wouldn't care if I never saw any of these characters again and I don't care where the story is going either.
In conclusion, Ready Player One doesn't achieve the goal that it sets for itself of being a modern sci-fi classic, but there is a lot of fun to be had here along with some impressive animation to boot. The movie has a fairly shallow, hollow feel to it throughout, as if we are scratching the surface of something potentially engaging and worth investing in, but the filmmakers constantly keep distracting us with flashy visuals and obscure pop culture references. If the movie committed to telling a more original story rather than being obsessed with the 80's classics it is exploiting, then it may be more worthwhile. Also, it's definitely not Spielberg's best, this may be a bit harsh but it's probably closer to Kingdom Of The Crystal Skull than Raiders Of The Lost Ark. I wish that Smashbomb had a half star rating system, because although I feel that the movie was better than a 6, I don't like it enough to give it a 7, so a 6.5 would sum up how I felt about the film more accurately.
Rat (1 KP) rated Peaky Blinders - Season 1 in TV
Mar 28, 2018
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
BookwormMama14 (18 KP) rated London Tides (MacDonald Family Trilogy, #2) in Books
Jan 2, 2019
London Tides by Carla Laureano
Reviewed by Rachel Dixon
Radiant Lit Blog Tours
Genre: Romance
Publisher: David C. Cook
Date Published: June 1, 2015
Grace Brennan has seen the brutality of war first hand. Will she give up her identity in her career to build a new life with the man she loves?
Ian MacDonald has not seen Grace since she left him ten years ago. Grace has suffered very severe trauma with her job as a conflict photojournalist. As she searches for a place to call home, can she lay to rest the ghosts of her past? When their lives are thrown together again, they are different people than they were ten years ago. Will they be able to forge a new life together? Or will the past push them further apart then ever before?
London Tides had me biting my nails till the last page. There are a lot of ups and downs and I had no idea which direction Carla Laureano would take me next. The romance was a little more heated than in the first book, but it was still clean. Although I have never experienced PTSD, there was a side of Grace that I could completely relate to. That is the desire to know that our lives meant something. I think there is a piece inside all of us that wants to know that our lives made a difference in the world. We may not all be able to find a magic cure for a disease or personally finance an endeavor to put shoes on the feet of an entire village. But every life matters and every life makes a difference in the sphere we are placed in. Our friends, our co-workers, our children and our family. I have to believe that I have been called to where I am for a reason. I may never see the results of the impact my life has been, but God sees it. And He knows and cares about whatever challenges we are facing and if we let Him, He will guide and support us through it all. I have been swept away by the MacDonald family and can not wait for the finale Under Scottish Stars releasing Summer 2016.
Carla Laureano is the author of the RITA® award-winning romance Five Days in Skye as well as London Tides and the Celtic fantasy series The Song of Seare (as C. E. Laureano). A graduate of Pepperdine University, she worked as a sales and marketing executive for nearly a decade before leaving corporate life behind to write fiction full-time. She currently lives in Denver with her husband and two sons.
I received a free copy of London Tides as part of a blog tour with Radiant Lit in exchange for my honest review. Review copy provided by David C Cook.
Reviewed by Rachel Dixon
Radiant Lit Blog Tours
Genre: Romance
Publisher: David C. Cook
Date Published: June 1, 2015
Grace Brennan has seen the brutality of war first hand. Will she give up her identity in her career to build a new life with the man she loves?
Ian MacDonald has not seen Grace since she left him ten years ago. Grace has suffered very severe trauma with her job as a conflict photojournalist. As she searches for a place to call home, can she lay to rest the ghosts of her past? When their lives are thrown together again, they are different people than they were ten years ago. Will they be able to forge a new life together? Or will the past push them further apart then ever before?
London Tides had me biting my nails till the last page. There are a lot of ups and downs and I had no idea which direction Carla Laureano would take me next. The romance was a little more heated than in the first book, but it was still clean. Although I have never experienced PTSD, there was a side of Grace that I could completely relate to. That is the desire to know that our lives meant something. I think there is a piece inside all of us that wants to know that our lives made a difference in the world. We may not all be able to find a magic cure for a disease or personally finance an endeavor to put shoes on the feet of an entire village. But every life matters and every life makes a difference in the sphere we are placed in. Our friends, our co-workers, our children and our family. I have to believe that I have been called to where I am for a reason. I may never see the results of the impact my life has been, but God sees it. And He knows and cares about whatever challenges we are facing and if we let Him, He will guide and support us through it all. I have been swept away by the MacDonald family and can not wait for the finale Under Scottish Stars releasing Summer 2016.
Carla Laureano is the author of the RITA® award-winning romance Five Days in Skye as well as London Tides and the Celtic fantasy series The Song of Seare (as C. E. Laureano). A graduate of Pepperdine University, she worked as a sales and marketing executive for nearly a decade before leaving corporate life behind to write fiction full-time. She currently lives in Denver with her husband and two sons.
I received a free copy of London Tides as part of a blog tour with Radiant Lit in exchange for my honest review. Review copy provided by David C Cook.
James Koppert (2698 KP) rated Into The Crooked Place (Into The Crooked Place #1) in Books
Nov 13, 2019
I wanted this book to be good, its a bit like when you bake a cake and you have all the finest ingredients and the baker is brilliant as well but just somehow it doesn't quite come out as good as one would hope.
The setting, the characters and the basic plot really does work. This is a book about organised crime in a post war world full of different races of people, some of whom who craft magic who have been all but wiped out, warriors who protected them and ordinary people all of whom sit underneath the organised crime of the kingpin and his underbosses. The story focuses on the underboss Wesley and his crew of strong female characters, the warrior Karam, the secret crafter Saxony and Tavia the busker who sells the boss' magic and all of whom are pretty good in a scrap.
The characters are well created and you can visualise them easily on the pages. The adventure they go on has you rooting for them and the world is an exciting one that does hold enormous potential to be lost in. It is all however a little too dragged out.
As you can see this is the first in the series and the book very much does just tell the first part of the adventure, which is full of magic, betrayal, violence and even some glimmers of romance and yes, it does get very exciting and page turning in some parts, but considering this is only part of the story it could have done with being 150 pages shorter than it was. It just all seemed far more drawn out than it needed to be and let it down slightly. Because of this I was pleased to reach the end instead of being excited to pick up the next part which is a shame because Christo has created characters and a world which deserve to be explored and travelled in. Lets hope Into the Crooked Place number 2 allows this to become the cake it should be.
The setting, the characters and the basic plot really does work. This is a book about organised crime in a post war world full of different races of people, some of whom who craft magic who have been all but wiped out, warriors who protected them and ordinary people all of whom sit underneath the organised crime of the kingpin and his underbosses. The story focuses on the underboss Wesley and his crew of strong female characters, the warrior Karam, the secret crafter Saxony and Tavia the busker who sells the boss' magic and all of whom are pretty good in a scrap.
The characters are well created and you can visualise them easily on the pages. The adventure they go on has you rooting for them and the world is an exciting one that does hold enormous potential to be lost in. It is all however a little too dragged out.
As you can see this is the first in the series and the book very much does just tell the first part of the adventure, which is full of magic, betrayal, violence and even some glimmers of romance and yes, it does get very exciting and page turning in some parts, but considering this is only part of the story it could have done with being 150 pages shorter than it was. It just all seemed far more drawn out than it needed to be and let it down slightly. Because of this I was pleased to reach the end instead of being excited to pick up the next part which is a shame because Christo has created characters and a world which deserve to be explored and travelled in. Lets hope Into the Crooked Place number 2 allows this to become the cake it should be.
Lucy Buglass (45 KP) rated Captain Marvel (2019) in Movies
Jun 20, 2019
An action-packed mix of super powers, solidarity and cats
Ever since Captain Marvel was announced, it dominated social media for a number of reasons. People were either hyped, or couldn’t wait to slag it off. As a casual superhero fan I was interested to see what all the fuss was about, and how Brie Larson would perform in the titular role. Ever since I saw her in Room, I’ve been so impressed by her talent and hoped she would deliver in this project too.
This film follows pilot Carol Danvers, as her world is turned upside down and she has to discover the truth about herself whilst caught slap bang in the middle of a galactic war. Captain Marvel is an origin story, and for a large portion of the film Danvers is struggling with amnesia and frequent nightmares. I really sympathised with her throughout the entirety of the film, and most of this is a testament to Brie. Once again she knew exactly how to bring a character to life.
The film does have some flaws, and for me, most of them came in the first act. The pacing felt a bit off here, but thankfully by the time the second act rolls around, it settles down. It’s a shame that the first act didn’t do much for me, especially as it felt like a completely different film in terms of its tone and narrative. Once the film got going I had a great time with it, with the scenes on Earth being my personal favourites. From the moment she arrived on Earth, I became hooked.
By the time Carol meets Nick Fury, the film changed for me and I absolutely loved the dynamic between the two characters. It provided plenty of light relief when it was needed, and let’s face it, who doesn’t love Samuel L. Jackson? The rest of the cast is fun too. Special shout out to Goose the Cat who, as expected, completely stole the show. Scenes involving him and Nick Fury were particularly delightful, and I think I could’ve watched just that for hours. Jude Law and Gemma Chan take to their respective, badass roles effortlessly, and I enjoyed what they brought to the table despite not being on screen as much as I’d expected.
Overall, I thought it had the right mix of comedy and serious moments, in classic Marvel style. I’ve come to expect silly jokes and cringe worthy dialogue in between the action; it’s all part of the fun. I loved Danvers’ sarcastic personality, and how brilliantly it clashed with those around her to make the audience laugh out loud. Her level of sass is something that I can’t wait to see more of.
Like most Marvel films, this is best experienced on the big screen due to its impressive visual style. The scenes in space particularly stood out to me, and seeing that in the cinema was a real treat. There’s something about a good space setting that’s so hypnotic, and Captain Marvel was no exception. It is action packed, aesthetically appealing, and features a strong cast against this backdrop. There’s some genuinely heart-warming moments here, especially featuring significant people from Carol’s life on Earth. In an effort to keep this as spoiler free as possible, I won’t mention them, but I guarantee it’ll make you smile.
I’m excited to see where Captain Marvel goes next, particularly her appearance in Avengers: Endgame which is already generating a lot of excitement. Brie Larson is a welcome addition to the Marvel universe, and I see her as a strong, powerful woman who I’d love my future children to look up to.
https://lucygoestohollywood.com/2019/03/27/an-action-packed-mix-of-super-powers-solidarity-and-cats-my-thoughts-on-captain-marvel/
This film follows pilot Carol Danvers, as her world is turned upside down and she has to discover the truth about herself whilst caught slap bang in the middle of a galactic war. Captain Marvel is an origin story, and for a large portion of the film Danvers is struggling with amnesia and frequent nightmares. I really sympathised with her throughout the entirety of the film, and most of this is a testament to Brie. Once again she knew exactly how to bring a character to life.
The film does have some flaws, and for me, most of them came in the first act. The pacing felt a bit off here, but thankfully by the time the second act rolls around, it settles down. It’s a shame that the first act didn’t do much for me, especially as it felt like a completely different film in terms of its tone and narrative. Once the film got going I had a great time with it, with the scenes on Earth being my personal favourites. From the moment she arrived on Earth, I became hooked.
By the time Carol meets Nick Fury, the film changed for me and I absolutely loved the dynamic between the two characters. It provided plenty of light relief when it was needed, and let’s face it, who doesn’t love Samuel L. Jackson? The rest of the cast is fun too. Special shout out to Goose the Cat who, as expected, completely stole the show. Scenes involving him and Nick Fury were particularly delightful, and I think I could’ve watched just that for hours. Jude Law and Gemma Chan take to their respective, badass roles effortlessly, and I enjoyed what they brought to the table despite not being on screen as much as I’d expected.
Overall, I thought it had the right mix of comedy and serious moments, in classic Marvel style. I’ve come to expect silly jokes and cringe worthy dialogue in between the action; it’s all part of the fun. I loved Danvers’ sarcastic personality, and how brilliantly it clashed with those around her to make the audience laugh out loud. Her level of sass is something that I can’t wait to see more of.
Like most Marvel films, this is best experienced on the big screen due to its impressive visual style. The scenes in space particularly stood out to me, and seeing that in the cinema was a real treat. There’s something about a good space setting that’s so hypnotic, and Captain Marvel was no exception. It is action packed, aesthetically appealing, and features a strong cast against this backdrop. There’s some genuinely heart-warming moments here, especially featuring significant people from Carol’s life on Earth. In an effort to keep this as spoiler free as possible, I won’t mention them, but I guarantee it’ll make you smile.
I’m excited to see where Captain Marvel goes next, particularly her appearance in Avengers: Endgame which is already generating a lot of excitement. Brie Larson is a welcome addition to the Marvel universe, and I see her as a strong, powerful woman who I’d love my future children to look up to.
https://lucygoestohollywood.com/2019/03/27/an-action-packed-mix-of-super-powers-solidarity-and-cats-my-thoughts-on-captain-marvel/
Emma @ The Movies (1786 KP) rated Tenet (2020) in Movies
Aug 30, 2020
This is the first big new release in a long time I've gone into basically blind. I hadn't seen a trailer, read a synopsis, and I only picked up a few things off Twitter because people seem to forget how to use hashtags.
A CIA operative is brought into the fold of a secret operation to prevent a Russian arms dealer starting World War 3 with the most extraordinary ordinary weapons anyone has ever seen.
My initial reaction on Tenet as I walked out of the cinema was that I'd just watched the most predictable and confusing films I've ever seen... I really don't know how it manages to be both.
There are lots of faces in Tenet you'll recognise and all of them do a wonderful job of delivering their parts. I was particularly impressed with Kenneth Branagh and John David Washington, though the latter felt rather understated for an operative at that sort of level... but then that's probably just my opinion on something I only know about from action films. RPatz felt wrong, his delivery was good but my personal preference about his acting technique came out in full force.
When you have a lot of characters it can be difficult to follow everything but surprisingly that was the easiest thing to keep track of. I'm not sure if I was surprised about the way they were handled though. We delve heavily into Andrei and Kat with background and their life, and yes they're main characters but apart from them we don't seem to learn a great deal about anyone else. Is it because of the secretive nature of their situation? Perhaps, but it felt very off balance.
I want to talk about the predictability very briefly because it crosses over into my next point as well. Once you discover the reality behind everything it actually becomes very easy to spot things that are going to lead to something, and that partly because bit stick out like sore thumbs. A few pieces did elude me, but I'm putting that mainly down to the other distractions getting in the way.
So, those distractions came in two forms for me. Firstly, the sound. The music was good and the sound effects there helped with tension and atmosphere... but the volume... there's intense and then there's feeling your ribs rattle in your chest. I wondered if it was the screen's audio initially but there are so many other people saying it that it's definitely designed that way. At its most intense I found it difficult to follow anything, some times we got speech that was hidden by the sound intentionally but at least once the sound overtook some lines with no real purpose. Secondly, the action sequences. They are impressive, you can't deny that, but I found the necessary "transitions" distracting from the scenes which was a major drawback. Any momentum and excitement of the action was knocked straight out of me when I'd noticed that odd movement, it was rather deflating.
There are several good things about Tenet but I think I'd want to watch it twice more. I like going back to watch films to catch the little things I missed, but a second rewatch would almost be a first watch. I'm sure this won't go down well but perhaps it thinks it's rather clever when in fact it's just slightly too complicated to be enjoyable... there are several pieces that feel like they're from other things and in the end I don't think that enough comes together to be good enough to deal with the sound issues.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/tenet-movie-review.html
A CIA operative is brought into the fold of a secret operation to prevent a Russian arms dealer starting World War 3 with the most extraordinary ordinary weapons anyone has ever seen.
My initial reaction on Tenet as I walked out of the cinema was that I'd just watched the most predictable and confusing films I've ever seen... I really don't know how it manages to be both.
There are lots of faces in Tenet you'll recognise and all of them do a wonderful job of delivering their parts. I was particularly impressed with Kenneth Branagh and John David Washington, though the latter felt rather understated for an operative at that sort of level... but then that's probably just my opinion on something I only know about from action films. RPatz felt wrong, his delivery was good but my personal preference about his acting technique came out in full force.
When you have a lot of characters it can be difficult to follow everything but surprisingly that was the easiest thing to keep track of. I'm not sure if I was surprised about the way they were handled though. We delve heavily into Andrei and Kat with background and their life, and yes they're main characters but apart from them we don't seem to learn a great deal about anyone else. Is it because of the secretive nature of their situation? Perhaps, but it felt very off balance.
I want to talk about the predictability very briefly because it crosses over into my next point as well. Once you discover the reality behind everything it actually becomes very easy to spot things that are going to lead to something, and that partly because bit stick out like sore thumbs. A few pieces did elude me, but I'm putting that mainly down to the other distractions getting in the way.
So, those distractions came in two forms for me. Firstly, the sound. The music was good and the sound effects there helped with tension and atmosphere... but the volume... there's intense and then there's feeling your ribs rattle in your chest. I wondered if it was the screen's audio initially but there are so many other people saying it that it's definitely designed that way. At its most intense I found it difficult to follow anything, some times we got speech that was hidden by the sound intentionally but at least once the sound overtook some lines with no real purpose. Secondly, the action sequences. They are impressive, you can't deny that, but I found the necessary "transitions" distracting from the scenes which was a major drawback. Any momentum and excitement of the action was knocked straight out of me when I'd noticed that odd movement, it was rather deflating.
There are several good things about Tenet but I think I'd want to watch it twice more. I like going back to watch films to catch the little things I missed, but a second rewatch would almost be a first watch. I'm sure this won't go down well but perhaps it thinks it's rather clever when in fact it's just slightly too complicated to be enjoyable... there are several pieces that feel like they're from other things and in the end I don't think that enough comes together to be good enough to deal with the sound issues.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/tenet-movie-review.html
Caitlin Ann Cherniak (85 KP) rated Fantasyland: How America Went Haywire in Books
Oct 22, 2018
Why do I have a feeling that the guy who wrote this just went on a rant and decided to put that whole rant into one giant ass book?
Don't get me wrong. This book has a couple of points, especially when he discusses religion and the Salem witch trails. However, when he starts getting into the more modern points of fantasy, either I didn't see it at all, or he was basically really poking fun at what the whole point of fantasy really is.
The title of the book is Fantasyland: How America Went Haywire. If he's going to use the word "Haywire" in a title, he better show pretty clear examples of why America is being flushed down the toilet. Poking fun at people cosplaying, playing video games, and being able to have fun at Disneyland or Disney World is not a point to say why America seems to be failing as a society. In fact, I can make a counterargument by saying that flights of fantasy in those contexts are actually forming the culture, not destroying it. Because of the evolution of entertainment (such as film, video games, etc.), it's easier to envision fantasy stories come to life. Before that, we had books, and no one was poking fun at books throughout this entire giant essay. Not only is that missing the forest for the trees, but it makes the argument of people being shown too much fantasy through visual mass media is a very shallow take on the topic of fantasy.
Also, the premise of the book talks about how people are arguing that Trump is ruining America because of his bullshit (and they're not wrong). I expected the book to discuss politics more in depth as a way to add onto the fantasyland argument. The book doesn't even do that, not even at the end when it "comes full circle" back to the Trump argument. If anything, the book kinda let it slide that it was for Trump and his radical ideas rather than finding flaws in them as people would expect. Look, if the book ended up explaining why Trump was trying to escape the Fantasyland argument, I'm all for reading that to make my own points. However, by just simply saying that Trump is being more realistic without any real reason, that also makes this essay a shallow writing. People want to read on why Trump has realistic views or not. If the point of this essay is talking about how fantastic ideas are plaguing a great nation, why not add that into the mix?
This essay was a real hit and miss for me. For something that's as thick as War and Peace, I expected this essay to have as juicy material as War and Peace, but it doesn't. It's just a 500 year rant on how "stupid" society can be, and that lost me as I finished the book.
Don't get me wrong. This book has a couple of points, especially when he discusses religion and the Salem witch trails. However, when he starts getting into the more modern points of fantasy, either I didn't see it at all, or he was basically really poking fun at what the whole point of fantasy really is.
The title of the book is Fantasyland: How America Went Haywire. If he's going to use the word "Haywire" in a title, he better show pretty clear examples of why America is being flushed down the toilet. Poking fun at people cosplaying, playing video games, and being able to have fun at Disneyland or Disney World is not a point to say why America seems to be failing as a society. In fact, I can make a counterargument by saying that flights of fantasy in those contexts are actually forming the culture, not destroying it. Because of the evolution of entertainment (such as film, video games, etc.), it's easier to envision fantasy stories come to life. Before that, we had books, and no one was poking fun at books throughout this entire giant essay. Not only is that missing the forest for the trees, but it makes the argument of people being shown too much fantasy through visual mass media is a very shallow take on the topic of fantasy.
Also, the premise of the book talks about how people are arguing that Trump is ruining America because of his bullshit (and they're not wrong). I expected the book to discuss politics more in depth as a way to add onto the fantasyland argument. The book doesn't even do that, not even at the end when it "comes full circle" back to the Trump argument. If anything, the book kinda let it slide that it was for Trump and his radical ideas rather than finding flaws in them as people would expect. Look, if the book ended up explaining why Trump was trying to escape the Fantasyland argument, I'm all for reading that to make my own points. However, by just simply saying that Trump is being more realistic without any real reason, that also makes this essay a shallow writing. People want to read on why Trump has realistic views or not. If the point of this essay is talking about how fantastic ideas are plaguing a great nation, why not add that into the mix?
This essay was a real hit and miss for me. For something that's as thick as War and Peace, I expected this essay to have as juicy material as War and Peace, but it doesn't. It's just a 500 year rant on how "stupid" society can be, and that lost me as I finished the book.
Accessible (2 more)
Simplified
Incredible insight into how much the modern world has taken from Greek and Roman culture
A lot of pretty complex names to remember (1 more)
Constant footnotes (usually at least one per page) to explain certain aspects, or highlight an interesting fact.
Mythos - The Greek legends retold
Ah, what a great read. Stephen Fry writes exactly how you would expect him to, if you've ever heard him speak. He understands the subject matter, and more importantly, realises how easily a reader will be overwhelmed by the sheer amount of players in these myths and answers that problem without condescension.
The book reads as a quasi-novel, from the birth of the universe to the third and fourth generations of immortals (this includes the creators, the titans, the gods, and mythical creatures/characters, spawns of titans and gods, gods and creatures, gods and men and all sorts.) and their adventures, each following on from the other.
I have always had an interest in the Greek myths and gods, and as I suggested above the really interesting part of these stories, beyond the very human nature of the immortals (jealousy, unreasonableness, duplicity, rage, deceit and pride) which makes for so much more of a believable creation theory, is the myriad ways they have influenced English language (any many others I'm sure). To give an example (I'm showing my own ignorance flagrantly here) a simple thing, the alphabet. It never occurred to me, in my own self centered existence, this simply come from the first and second letters of the Greek alphabet. Alpha and Beta. So simple, so obvious, yet I never made this connection.
The stories themselves are wonderful, and the best thing about them is they all tie in with a creation theory. Something, whatever it is, is learned, or created. Some paradigm is set, some moral conundrum is answered, or something in the world is explained by the end of every story told (the tides, the moon, wine, love, soul, war, sex, the seasons, humanity itself just to name a few). It's such an entertaining read, and I find myself telling anyone who will listen some of the revelations I find in this book page on page on page.
As an end note, don't be overwhelmed by the prospect of reading about these stories, this installment ONLY covers from creation, to the establishment of the twelve Greek gods, and their children. It stops before the even greater amount of legends stemming from human demigods (Hercules, Perseus etc) and these are picked up in Fry's most recent offering, Heroes (which I am yet to read).
If you have any interest in the Greek mythology, or etymology, or even history as a whole, this is absolutely one for you.
- Rob
The book reads as a quasi-novel, from the birth of the universe to the third and fourth generations of immortals (this includes the creators, the titans, the gods, and mythical creatures/characters, spawns of titans and gods, gods and creatures, gods and men and all sorts.) and their adventures, each following on from the other.
I have always had an interest in the Greek myths and gods, and as I suggested above the really interesting part of these stories, beyond the very human nature of the immortals (jealousy, unreasonableness, duplicity, rage, deceit and pride) which makes for so much more of a believable creation theory, is the myriad ways they have influenced English language (any many others I'm sure). To give an example (I'm showing my own ignorance flagrantly here) a simple thing, the alphabet. It never occurred to me, in my own self centered existence, this simply come from the first and second letters of the Greek alphabet. Alpha and Beta. So simple, so obvious, yet I never made this connection.
The stories themselves are wonderful, and the best thing about them is they all tie in with a creation theory. Something, whatever it is, is learned, or created. Some paradigm is set, some moral conundrum is answered, or something in the world is explained by the end of every story told (the tides, the moon, wine, love, soul, war, sex, the seasons, humanity itself just to name a few). It's such an entertaining read, and I find myself telling anyone who will listen some of the revelations I find in this book page on page on page.
As an end note, don't be overwhelmed by the prospect of reading about these stories, this installment ONLY covers from creation, to the establishment of the twelve Greek gods, and their children. It stops before the even greater amount of legends stemming from human demigods (Hercules, Perseus etc) and these are picked up in Fry's most recent offering, Heroes (which I am yet to read).
If you have any interest in the Greek mythology, or etymology, or even history as a whole, this is absolutely one for you.
- Rob
Movie Metropolis (309 KP) rated World War Z (2013) in Movies
Jun 11, 2019
Brad Pitt has become one of Hollywood’s best loved actors over the years and it isn’t difficult to see why. His chiselled good looks, slick blonde hair and quiet confidence have all ensured he is never short of work. Here, he teams up with director Marc Forster who helmed the disappointing James Bond sequel, Quantum of Solace, in the latest zombie film to hit the screens; World War Z, but is it any good?
Pitt plays Gerry Lane, a former UN investigator who has chosen the quiet life and retired early to spend more time with his wife and children. Whilst taking his wife Karin and two daughters Rachel and Constance out in the car, they become stuck in heavy traffic which marks the start of the mayhem. From then on this 116 minute thrill ride puts the viewer on the edge of their seat more times than an Alton Towers rollercoaster.
After fleeing the hordes of ridiculously fast and ridiculously terrifying undead, Lane and his family board a US aircraft carrier where they are told they will be safe; however, as always, there is a price to pay. Gerry must start work once again to try and find the epicentre of the zombie virus – otherwise, the entire world will be lost. From here, Gerry’s mission is to travel across the globe trying to find what it is that has infected nearly 100% of the planet’s population.
What plays out could be described as a formulaic horror film, but it is so much more than that. Whilst it’s true that there isn’t enough character development, in fact there is only 5 minutes of it right at the beginning, director Marc Forster has cleverly allowed the audience to make up their own minds about the family’s back story and whether we care if they survive or not.
World War Z is not a film for the faint hearted, and whilst blood and guts are quite sparse for a movie with a 15 certificate, there are some truly terrifying moments, many of which will have your heart pumping through your chest.
There are scenes here that really get the adrenaline flowing, one of which involving a stowaway zombie onboard a commercial jet will leave you biting your lip, grabbing your seat and looking through your fingers in shock, horror and intense excitement. It’s safe to say I came away with very bitten fingernails.
Special effects are on par with some of the better blockbusters of the last couple of years. They aren’t as in your face as those in Transformers, nor as lacklustre as the CGI in I am Legend, they are right in the middle and because the effect is used incredibly subtly, you don’t notice when extras stop playing the zombies and the animators take over.
However, it is in the acting that this film really succeeds. Pitt is fantastic as Gerry Lane, his quiet sense of confidence never turns into arrogance as he fights for survival and this will hold the character in high esteem with audiences. He doesn’t pretend to be an action hero, heck, he even makes the kind of mistakes that any human would do if they were under pressure, and thankfully he does all of this beautifully; his characterisation is absolute perfection. The rest of his family are also excellent, Abigail Hargrove and Sterling Jerins who play Rachel and Constance respectively are very good indeed; you truly believe they are missing their father and cannot wait to see him return. The rest of the cast do very well with the limited roles they have, but let’s not forget that this is a Brad Pitt one-man show and he is more than up to the job.
Unfortunately, the cinematography really lets the film down. There is far too much handy-cam in the first 30 minutes, something which I hate. Directors often use it to sustain a sense of alarm and terror, but Marc Forster has used it to such an extent here that it made me feel physically sick. Moreover, whilst the story is solid, it is nothing more than that, and often the plot takes a back seat to the impressive action pieces meaning that the film seems to go through the motions of 10 minutes plot, 10 action, and so on.
Overall, World War Z is a very impressive film. The sheer scale of the virus means that Marc Forster has utilised some beautiful scenery from across the globe. Whilst it may be slightly too long for a zombie film at just under 2 hours, and have a distinct lack of character development; the impressive story, brilliant acting and very good special effects help lift it above the norm. This is a ride better than any rollercoaster, and is 100% worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/06/22/world-war-z-review-2013/
Pitt plays Gerry Lane, a former UN investigator who has chosen the quiet life and retired early to spend more time with his wife and children. Whilst taking his wife Karin and two daughters Rachel and Constance out in the car, they become stuck in heavy traffic which marks the start of the mayhem. From then on this 116 minute thrill ride puts the viewer on the edge of their seat more times than an Alton Towers rollercoaster.
After fleeing the hordes of ridiculously fast and ridiculously terrifying undead, Lane and his family board a US aircraft carrier where they are told they will be safe; however, as always, there is a price to pay. Gerry must start work once again to try and find the epicentre of the zombie virus – otherwise, the entire world will be lost. From here, Gerry’s mission is to travel across the globe trying to find what it is that has infected nearly 100% of the planet’s population.
What plays out could be described as a formulaic horror film, but it is so much more than that. Whilst it’s true that there isn’t enough character development, in fact there is only 5 minutes of it right at the beginning, director Marc Forster has cleverly allowed the audience to make up their own minds about the family’s back story and whether we care if they survive or not.
World War Z is not a film for the faint hearted, and whilst blood and guts are quite sparse for a movie with a 15 certificate, there are some truly terrifying moments, many of which will have your heart pumping through your chest.
There are scenes here that really get the adrenaline flowing, one of which involving a stowaway zombie onboard a commercial jet will leave you biting your lip, grabbing your seat and looking through your fingers in shock, horror and intense excitement. It’s safe to say I came away with very bitten fingernails.
Special effects are on par with some of the better blockbusters of the last couple of years. They aren’t as in your face as those in Transformers, nor as lacklustre as the CGI in I am Legend, they are right in the middle and because the effect is used incredibly subtly, you don’t notice when extras stop playing the zombies and the animators take over.
However, it is in the acting that this film really succeeds. Pitt is fantastic as Gerry Lane, his quiet sense of confidence never turns into arrogance as he fights for survival and this will hold the character in high esteem with audiences. He doesn’t pretend to be an action hero, heck, he even makes the kind of mistakes that any human would do if they were under pressure, and thankfully he does all of this beautifully; his characterisation is absolute perfection. The rest of his family are also excellent, Abigail Hargrove and Sterling Jerins who play Rachel and Constance respectively are very good indeed; you truly believe they are missing their father and cannot wait to see him return. The rest of the cast do very well with the limited roles they have, but let’s not forget that this is a Brad Pitt one-man show and he is more than up to the job.
Unfortunately, the cinematography really lets the film down. There is far too much handy-cam in the first 30 minutes, something which I hate. Directors often use it to sustain a sense of alarm and terror, but Marc Forster has used it to such an extent here that it made me feel physically sick. Moreover, whilst the story is solid, it is nothing more than that, and often the plot takes a back seat to the impressive action pieces meaning that the film seems to go through the motions of 10 minutes plot, 10 action, and so on.
Overall, World War Z is a very impressive film. The sheer scale of the virus means that Marc Forster has utilised some beautiful scenery from across the globe. Whilst it may be slightly too long for a zombie film at just under 2 hours, and have a distinct lack of character development; the impressive story, brilliant acting and very good special effects help lift it above the norm. This is a ride better than any rollercoaster, and is 100% worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/06/22/world-war-z-review-2013/
Shaun Quarterman (24 KP) rated The Transformers - The Movie (1986) in Movies
Mar 9, 2020
Robots in disguise
Contains spoilers, click to show
TRANSFORMERS THE MOVIE
This movie is what I like to call a cult classic the first big screen appearance of the Autobots and Decepticons, its appeared after the first two seasons and it shook everything up Transformers as we knew it was over. It starts with a massacre on an Autobot shuttle and many characters died at the hands of Decepticon leader Megatron it shocked me when I first saw this because we had seen two seasons and it was all a bit tame. But the worst was yet to come so let me explain the whole idea of killing off these characters was to make way for future characters and new toy lines we had grown up and loved Ironhide ,and Ratchet, Prowl it definitely threw me the brutality of it shot point blank in the back of the head.
The war continues on Earth and we meet the future of the franchise Ultra Magnus and Hotrod as well as others all made to look futuristic their vehicle modes were Cybertronian which was new and I loved the more space age look about it we meet Daniel Witwicky the son of Spike but there is no sign of sparkplug or an explanation of his whereabouts Carly is Daniels mother. Now comes the part that shocked the world the death of Optimus Prime now let me explain in all versions of Transformers Optimus Prime always dies and the devastating planet Unicron always appears its Transformers lore but this movie defined it I wanted Optimus to destroy Unicron but it wasn’t to be.
Megatron also makes his last appearance with several other Decepticons which evened out the earlier Autobot deaths except they didn’t die they were reanimated by Unicron a new leader was born Galvatron and Cyclonus and Scourge and his dreaded Sweeps then came the death of Starscream it showed the brutality of the new leader, in the first two seasons Starscream would try to overthrow Megatron but he would always get away with it. Galvatron showed no mercy and blasted him straight away.
We are introduced to several new races of Transformers Junkions, Sharkticons and Quintessons all of which have would future appearances in season three and four, we see the friendship blossom between the young Autobot Hotrod and the old warrior Kup and the Dinobots get there action in as well I have always been a big fan of the Dinobots and they save the day again,
The most brilliant thing I had ever seen at the time was the transformation of Unicron a planet to robot I loved the sheer size of it and this final battle brought forth a new leader of the Autobots Rodimus Prime and a new era in Transformers entertainment despite the violence and death it did all make sense plus there are some cameo voices as well Galvatron was voiced by Doctor Spock himself Leonard Nimoy and rodimus prime voiced by Judd Nelson and Unicron was Voiced by orson Wells war of the worlds.
So I must admit this film is a guilty pleasure of mine and I highly recommend it I would advise to watch seasons one and two first just so you can feel how much the movie changed the franchise and the deaths of the characters actually mean more to you so give it a try and see what you think and there is a massive spoiler alert at the end of the movie which is narrated and got the public excited about the next season so enjoy it savour it and soak up this cult classic
This movie is what I like to call a cult classic the first big screen appearance of the Autobots and Decepticons, its appeared after the first two seasons and it shook everything up Transformers as we knew it was over. It starts with a massacre on an Autobot shuttle and many characters died at the hands of Decepticon leader Megatron it shocked me when I first saw this because we had seen two seasons and it was all a bit tame. But the worst was yet to come so let me explain the whole idea of killing off these characters was to make way for future characters and new toy lines we had grown up and loved Ironhide ,and Ratchet, Prowl it definitely threw me the brutality of it shot point blank in the back of the head.
The war continues on Earth and we meet the future of the franchise Ultra Magnus and Hotrod as well as others all made to look futuristic their vehicle modes were Cybertronian which was new and I loved the more space age look about it we meet Daniel Witwicky the son of Spike but there is no sign of sparkplug or an explanation of his whereabouts Carly is Daniels mother. Now comes the part that shocked the world the death of Optimus Prime now let me explain in all versions of Transformers Optimus Prime always dies and the devastating planet Unicron always appears its Transformers lore but this movie defined it I wanted Optimus to destroy Unicron but it wasn’t to be.
Megatron also makes his last appearance with several other Decepticons which evened out the earlier Autobot deaths except they didn’t die they were reanimated by Unicron a new leader was born Galvatron and Cyclonus and Scourge and his dreaded Sweeps then came the death of Starscream it showed the brutality of the new leader, in the first two seasons Starscream would try to overthrow Megatron but he would always get away with it. Galvatron showed no mercy and blasted him straight away.
We are introduced to several new races of Transformers Junkions, Sharkticons and Quintessons all of which have would future appearances in season three and four, we see the friendship blossom between the young Autobot Hotrod and the old warrior Kup and the Dinobots get there action in as well I have always been a big fan of the Dinobots and they save the day again,
The most brilliant thing I had ever seen at the time was the transformation of Unicron a planet to robot I loved the sheer size of it and this final battle brought forth a new leader of the Autobots Rodimus Prime and a new era in Transformers entertainment despite the violence and death it did all make sense plus there are some cameo voices as well Galvatron was voiced by Doctor Spock himself Leonard Nimoy and rodimus prime voiced by Judd Nelson and Unicron was Voiced by orson Wells war of the worlds.
So I must admit this film is a guilty pleasure of mine and I highly recommend it I would advise to watch seasons one and two first just so you can feel how much the movie changed the franchise and the deaths of the characters actually mean more to you so give it a try and see what you think and there is a massive spoiler alert at the end of the movie which is narrated and got the public excited about the next season so enjoy it savour it and soak up this cult classic