Search
Search results
Caitlin Ann Cherniak (85 KP) rated Fantasyland: How America Went Haywire in Books
Oct 22, 2018
Why do I have a feeling that the guy who wrote this just went on a rant and decided to put that whole rant into one giant ass book?
Don't get me wrong. This book has a couple of points, especially when he discusses religion and the Salem witch trails. However, when he starts getting into the more modern points of fantasy, either I didn't see it at all, or he was basically really poking fun at what the whole point of fantasy really is.
The title of the book is Fantasyland: How America Went Haywire. If he's going to use the word "Haywire" in a title, he better show pretty clear examples of why America is being flushed down the toilet. Poking fun at people cosplaying, playing video games, and being able to have fun at Disneyland or Disney World is not a point to say why America seems to be failing as a society. In fact, I can make a counterargument by saying that flights of fantasy in those contexts are actually forming the culture, not destroying it. Because of the evolution of entertainment (such as film, video games, etc.), it's easier to envision fantasy stories come to life. Before that, we had books, and no one was poking fun at books throughout this entire giant essay. Not only is that missing the forest for the trees, but it makes the argument of people being shown too much fantasy through visual mass media is a very shallow take on the topic of fantasy.
Also, the premise of the book talks about how people are arguing that Trump is ruining America because of his bullshit (and they're not wrong). I expected the book to discuss politics more in depth as a way to add onto the fantasyland argument. The book doesn't even do that, not even at the end when it "comes full circle" back to the Trump argument. If anything, the book kinda let it slide that it was for Trump and his radical ideas rather than finding flaws in them as people would expect. Look, if the book ended up explaining why Trump was trying to escape the Fantasyland argument, I'm all for reading that to make my own points. However, by just simply saying that Trump is being more realistic without any real reason, that also makes this essay a shallow writing. People want to read on why Trump has realistic views or not. If the point of this essay is talking about how fantastic ideas are plaguing a great nation, why not add that into the mix?
This essay was a real hit and miss for me. For something that's as thick as War and Peace, I expected this essay to have as juicy material as War and Peace, but it doesn't. It's just a 500 year rant on how "stupid" society can be, and that lost me as I finished the book.
Don't get me wrong. This book has a couple of points, especially when he discusses religion and the Salem witch trails. However, when he starts getting into the more modern points of fantasy, either I didn't see it at all, or he was basically really poking fun at what the whole point of fantasy really is.
The title of the book is Fantasyland: How America Went Haywire. If he's going to use the word "Haywire" in a title, he better show pretty clear examples of why America is being flushed down the toilet. Poking fun at people cosplaying, playing video games, and being able to have fun at Disneyland or Disney World is not a point to say why America seems to be failing as a society. In fact, I can make a counterargument by saying that flights of fantasy in those contexts are actually forming the culture, not destroying it. Because of the evolution of entertainment (such as film, video games, etc.), it's easier to envision fantasy stories come to life. Before that, we had books, and no one was poking fun at books throughout this entire giant essay. Not only is that missing the forest for the trees, but it makes the argument of people being shown too much fantasy through visual mass media is a very shallow take on the topic of fantasy.
Also, the premise of the book talks about how people are arguing that Trump is ruining America because of his bullshit (and they're not wrong). I expected the book to discuss politics more in depth as a way to add onto the fantasyland argument. The book doesn't even do that, not even at the end when it "comes full circle" back to the Trump argument. If anything, the book kinda let it slide that it was for Trump and his radical ideas rather than finding flaws in them as people would expect. Look, if the book ended up explaining why Trump was trying to escape the Fantasyland argument, I'm all for reading that to make my own points. However, by just simply saying that Trump is being more realistic without any real reason, that also makes this essay a shallow writing. People want to read on why Trump has realistic views or not. If the point of this essay is talking about how fantastic ideas are plaguing a great nation, why not add that into the mix?
This essay was a real hit and miss for me. For something that's as thick as War and Peace, I expected this essay to have as juicy material as War and Peace, but it doesn't. It's just a 500 year rant on how "stupid" society can be, and that lost me as I finished the book.
Just Send Me Word: A True Story of Love and Survival in the Gulag
Book
From Orlando Figes, international bestselling author of A People's Tragedy, Just Send Me Word is the...
comiXology - Comics & Manga
Book, Comics and Entertainment
8.8
Rate It
App
Are you ready to explore over 100,000 digital comics, graphic novels and manga from Marvel, DC,...
Phillip McSween (751 KP) rated The Hate U Give (2018) in Movies
Feb 11, 2019
Masterpiece, One of the Best of 2018
After witnessing a murder, black high school student Starr Carter (Amandla Stenberg) decides to stand up against racism while dealing with her own internal conflict of self-identity.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Journey by Moonlight
Antal Szerb, Len Rix and Eoin Ryan
Book
A major classic of 1930s literature, Antal Szerb's Journey by Moonlight (Utas es Holdvilag) is the...
Lyndsey Gollogly (2893 KP) rated Resilience ( Rise of Iliri book 6) in Books
Jan 5, 2023
Contains spoilers, click to show
4 of 235
Kindle
Resilience ( Rise of Iliri book 6)
By Auryn Hadley
⭐️⭐️⭐️⭐️⭐️
Auryn Hadley's sixth action-adventure in The Rise of the Iliri fantasy series asks how far mankind will go to protect their pride. Because it seems they'll guard it at the expense of all else. Reminiscent of a futuristic Lord of the Rings, this epic fantasy romance traces not only the personal journey of its heroine and her family - a reverse harem made up of nine indomitable warriors who comprise an elite military force called the Black Blades - but also the liberation of a people and a new way of thinking for the whole world. For the source of iliri power is not domination, but connection. They seek it, cultivate it, and use it to defeat their enemies.
It's the iliri - now a rising, formidable race of underdogs - who must decide whether to risk their lives for the ungracious human race. Unbeknownst to humans, their fate lies in the capable hands of the iliri leader, the powerful Salryc Luxx. And she's no longer willing to be yanked around at any price.
Sal and the Black Blades have been summoned to a meeting with Parliament representatives of the Conglomerate of Free Citizens. But this time, she's not serving as their slave. Nor is she about to be captured and brought to trial again. Now the ruler of all iliri in her adopted country of Anglia - and de facto queen - she knows she has the upper hand.
The enemy Terrans have besieged Eastward, engaging in brutal guerrilla tactics throughout the country - hitting without mercy and killing all in their path. The world of humans is desperate.
"Tell me why I should send my brothers and sisters to die for humans that care so little for us?" Sal asks. The answer she's searching for comes from a frail iliri servant, whose telltale snow-colored skin is almost as light as Sal's: If she leaves the humans to die by the Terrans, war and enslavement will continue. History will repeat itself. But if it's the iliri and their allies who manage to defeat evil, perhaps humans can learn to respect them.
She knows she isn't finished fighting. Iliri warriors haven't yet "done enough." Not while so many of their brothers are still enslaved.
Alongside her faithful friends and leaders--and the tireless Black Blades - Sal must choose whether to surrender to her role as their leader and contend with The Emperor's murderous army - as well as the treacherous pride of the human race.
!!! Has a spoiler for book 5!!!
Every time I pick one of these books up I say it’s the best one yet and yes I’m saying it again! After the tears at the end of Book 5 we catch up with Sal and the blades dealing with the aftermath of losing Blaec and finding her feet with her new role and new male. This is non stop from the first word to the last. Brilliantly written it has to be one of my favourite series. Highly recommended for the fantasy readers!
Kindle
Resilience ( Rise of Iliri book 6)
By Auryn Hadley
⭐️⭐️⭐️⭐️⭐️
Auryn Hadley's sixth action-adventure in The Rise of the Iliri fantasy series asks how far mankind will go to protect their pride. Because it seems they'll guard it at the expense of all else. Reminiscent of a futuristic Lord of the Rings, this epic fantasy romance traces not only the personal journey of its heroine and her family - a reverse harem made up of nine indomitable warriors who comprise an elite military force called the Black Blades - but also the liberation of a people and a new way of thinking for the whole world. For the source of iliri power is not domination, but connection. They seek it, cultivate it, and use it to defeat their enemies.
It's the iliri - now a rising, formidable race of underdogs - who must decide whether to risk their lives for the ungracious human race. Unbeknownst to humans, their fate lies in the capable hands of the iliri leader, the powerful Salryc Luxx. And she's no longer willing to be yanked around at any price.
Sal and the Black Blades have been summoned to a meeting with Parliament representatives of the Conglomerate of Free Citizens. But this time, she's not serving as their slave. Nor is she about to be captured and brought to trial again. Now the ruler of all iliri in her adopted country of Anglia - and de facto queen - she knows she has the upper hand.
The enemy Terrans have besieged Eastward, engaging in brutal guerrilla tactics throughout the country - hitting without mercy and killing all in their path. The world of humans is desperate.
"Tell me why I should send my brothers and sisters to die for humans that care so little for us?" Sal asks. The answer she's searching for comes from a frail iliri servant, whose telltale snow-colored skin is almost as light as Sal's: If she leaves the humans to die by the Terrans, war and enslavement will continue. History will repeat itself. But if it's the iliri and their allies who manage to defeat evil, perhaps humans can learn to respect them.
She knows she isn't finished fighting. Iliri warriors haven't yet "done enough." Not while so many of their brothers are still enslaved.
Alongside her faithful friends and leaders--and the tireless Black Blades - Sal must choose whether to surrender to her role as their leader and contend with The Emperor's murderous army - as well as the treacherous pride of the human race.
!!! Has a spoiler for book 5!!!
Every time I pick one of these books up I say it’s the best one yet and yes I’m saying it again! After the tears at the end of Book 5 we catch up with Sal and the blades dealing with the aftermath of losing Blaec and finding her feet with her new role and new male. This is non stop from the first word to the last. Brilliantly written it has to be one of my favourite series. Highly recommended for the fantasy readers!
Chris Sawin (602 KP) rated Jojo Rabbit (2019) in Movies
Oct 8, 2019
Roman Griffin Davis stars as Jojo Betzler in Taika Waititi’s black comedy Jojo Rabbit. Along with his second best friend Yorki (Archie Yates), Jojo is a part of a Nazi training camp for young boys and girls to become the men and women suited for Hitler supporting soldiers. Meanwhile, Jojo’s mom Rosie (Scarlett Johansson) is secretly hiding a young Jewish girl named Elsa (Thomasin McKenzie) within the walls of their home. Jojo, who is incredibly adamant about Hitler becoming his first best friend, has Hitler as an imaginary friend (portrayed by Taika Waititi) who shows up whenever Jojo seems to need a pep talk.
Based on the 2008 novel Caging Skies by Christine Leunens, Jojo Rabbit is a bonkers twist on one of the most devastating wars and tyrannical madmen in history. On the surface, the film is about a child attempting to become a Nazi because he views HItler as this great leader. He has to attempt to learn to kill, hate Jews, and essentially ignore all of his morals in order to just fit in with an army who believes they are the superior race. The intriguing aspect is that Waititi injects this unexpected tenderness and has concocted a film that has a heartbeat that is entirely too human and too genuine for any sort of project involving the likes of Adolf Hitler.
The Jojo/Hitler dynamic is an incredibly playful one. Hitler only seems to show up when something doesn’t go according to plan for Jojo or he needs some words of encouragement when times get tough. Hitler is a figment of Jojo’s imagination and is completely reactionary to Jojo’s world. If Jojo gets scared, Hitler shows up to remind him why he’s risking his own self comfort. While Waititi is funny and awkwardly charming as Hitler, which is an odd thing to say in itself, don’t overlook Archie Yates. Roman Griffin Davis encapsulates this innocence that even Elsa describes as something along the lines of a ten year old playing dress up with his friends in order to join a club. But Yates often plays off of Davis humorously and amusingly and will likely be forgotten about by some by the time they leave the theater.
Seemingly tapping into his inspiration for Gentlemen Broncos, Sam Rockwell portrays Captain Klenzendorf - a former war veteran who lost an eye and is now forced to teach children how to be soldiers. He has this strange tension on the verge of romance thing going on with his right hand man Finkel (Alfie Allen) and has extravagant taste with intricate ideas for his new uniform. Rockwell and Allen are hilarious and outshine Rebel Wilson’s Fräulein Rahm who never seems to serve much purpose before or after her line about, “having 18 kids for Germany.”
The sweet nature of Jojo Rabbit is expanded upon with the mother/son relationship between Rosie and Jojo. They have completely different viewpoints of a world on the verge of total annihilation where Jojo is slowly nudged into his mother’s mindset. It’s not so much a brainwashing as it is Jojo coming to terms with how he feels about people. Jojo Rabbit defines who we all are on the inside and simply explores the path anyone with an everyday beating heart (not rooted by a tiny mustache) would travel down over the course of their youth.
It’s kind of extraordinary that Jojo Rabbit has been released during a time when Fox Searchlight Pictures is owned by Walt Disney Studios Motion Pictures where a guy directing two of the biggest Thor movies did a side project where he plays Hitler and never had to attempt to keep that a secret. Waititi puts Jojo Betzler through the ringer by blowing him up repeatedly and throwing him down a flight of stairs all while being bullied and pushed around the entire time. But dammit if Jojo Rabbit isn’t one of the most heartfelt and imaginative fairy tales of the year.
This is a film where storytelling, embellishing and elongating false reputations, and glorifying urban myths is the driving force of entertainment. Underneath its layers of SS uniforms, dangerous pistols, and knives you should never leave home without, Jojo Rabbit is a touching film about human compassion with an intimacy that is absolutely unparalleled. Categorized somewhere between Wes Anderson’s Moonrise Kingdom and an imaginative concept that is an obvious homage to Calvin and Hobbes, love feels like it’s the only thing spreading across the world more powerful than war and Jojo Rabbit is more than happy to hype you up and throw you in love’s way without remorse.
Based on the 2008 novel Caging Skies by Christine Leunens, Jojo Rabbit is a bonkers twist on one of the most devastating wars and tyrannical madmen in history. On the surface, the film is about a child attempting to become a Nazi because he views HItler as this great leader. He has to attempt to learn to kill, hate Jews, and essentially ignore all of his morals in order to just fit in with an army who believes they are the superior race. The intriguing aspect is that Waititi injects this unexpected tenderness and has concocted a film that has a heartbeat that is entirely too human and too genuine for any sort of project involving the likes of Adolf Hitler.
The Jojo/Hitler dynamic is an incredibly playful one. Hitler only seems to show up when something doesn’t go according to plan for Jojo or he needs some words of encouragement when times get tough. Hitler is a figment of Jojo’s imagination and is completely reactionary to Jojo’s world. If Jojo gets scared, Hitler shows up to remind him why he’s risking his own self comfort. While Waititi is funny and awkwardly charming as Hitler, which is an odd thing to say in itself, don’t overlook Archie Yates. Roman Griffin Davis encapsulates this innocence that even Elsa describes as something along the lines of a ten year old playing dress up with his friends in order to join a club. But Yates often plays off of Davis humorously and amusingly and will likely be forgotten about by some by the time they leave the theater.
Seemingly tapping into his inspiration for Gentlemen Broncos, Sam Rockwell portrays Captain Klenzendorf - a former war veteran who lost an eye and is now forced to teach children how to be soldiers. He has this strange tension on the verge of romance thing going on with his right hand man Finkel (Alfie Allen) and has extravagant taste with intricate ideas for his new uniform. Rockwell and Allen are hilarious and outshine Rebel Wilson’s Fräulein Rahm who never seems to serve much purpose before or after her line about, “having 18 kids for Germany.”
The sweet nature of Jojo Rabbit is expanded upon with the mother/son relationship between Rosie and Jojo. They have completely different viewpoints of a world on the verge of total annihilation where Jojo is slowly nudged into his mother’s mindset. It’s not so much a brainwashing as it is Jojo coming to terms with how he feels about people. Jojo Rabbit defines who we all are on the inside and simply explores the path anyone with an everyday beating heart (not rooted by a tiny mustache) would travel down over the course of their youth.
It’s kind of extraordinary that Jojo Rabbit has been released during a time when Fox Searchlight Pictures is owned by Walt Disney Studios Motion Pictures where a guy directing two of the biggest Thor movies did a side project where he plays Hitler and never had to attempt to keep that a secret. Waititi puts Jojo Betzler through the ringer by blowing him up repeatedly and throwing him down a flight of stairs all while being bullied and pushed around the entire time. But dammit if Jojo Rabbit isn’t one of the most heartfelt and imaginative fairy tales of the year.
This is a film where storytelling, embellishing and elongating false reputations, and glorifying urban myths is the driving force of entertainment. Underneath its layers of SS uniforms, dangerous pistols, and knives you should never leave home without, Jojo Rabbit is a touching film about human compassion with an intimacy that is absolutely unparalleled. Categorized somewhere between Wes Anderson’s Moonrise Kingdom and an imaginative concept that is an obvious homage to Calvin and Hobbes, love feels like it’s the only thing spreading across the world more powerful than war and Jojo Rabbit is more than happy to hype you up and throw you in love’s way without remorse.
Gareth von Kallenbach (980 KP) rated World War Z (2013) in Movies
Jun 19, 2019
Inspired by the book of the same name, “World War Z” starring Brad Pitt has made it to theaters after several delays including seven weeks of additional shooting that was ordered by the studio after principal photography had ended. While the book covers survivor interviews in the wake of the zombie pandemic, the film covers the early days the outbreak and casts Pitt as Gerry Lane, a former U.N. troubleshooter who is left his life in the field for the ability to be a stay-at-home husband and dad to his wife and daughters. When an unexpected outbreak starts to lay waste to several cities, Gerry and his family are evacuated by his old U.N. Allies to a secure location aboard a naval flotilla and he is told that his family will remain in security providing he agrees to spearhead an investigation to determine the source of the outbreak.
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
Phillip McSween (751 KP) rated Overlord (2018) in Movies
Feb 3, 2019
Crazy Insane
When a team of American troops take on a routine mission in Nazi-occupied France during World War II, they stumble upon something abnormal and horrifying that they weren’t expecting.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
From it’s heartpounding beginning to crazy conclusion, you’re put right in front of consistent action. They are the kind of scenes that leave you wanting more. Intensity awaits at every turn with gun battles, explosions, and crazy zombie(esque) fights. The action was managed perfectly, not overdone in anyway.
Genre: 7
Memorability: 8
I remember jumping quite a few times while watching Overlord. It’s one of those movies where you, as an audience member, recognize something is wrong, but the characters don’t seem to pick up on it until it’s too late. Some of the things you see are quite unsettling and hard to get out of your memory.
Pace: 8
Overlord moves at a steady speed, although not perfect. I would prefer “breakneck” with a movie like this, but instead you get “just over the speed limit”. Fortunately there are only a handful of lulls, but they seem to come at the worst times right when you expect the train to keep rolling.
Plot: 7
Resolution: 10
I won’t give anything away, but the ending left me both satisfied and hoping for more. There is definitely room for some kind of a sequel here if they wanted to go that route. All the loose ends that needed to be tied up were taken care of.
Overall: 90
I can’t stress enough that I appreciate when certain genres get reused for the sake of being spun in a different fashion. Sometimes it’s a big miss (insert Pride and Prejudice and Zombies here). Other times, a film succeeds with a big swing. Overlord hits a home run.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
From it’s heartpounding beginning to crazy conclusion, you’re put right in front of consistent action. They are the kind of scenes that leave you wanting more. Intensity awaits at every turn with gun battles, explosions, and crazy zombie(esque) fights. The action was managed perfectly, not overdone in anyway.
Genre: 7
Memorability: 8
I remember jumping quite a few times while watching Overlord. It’s one of those movies where you, as an audience member, recognize something is wrong, but the characters don’t seem to pick up on it until it’s too late. Some of the things you see are quite unsettling and hard to get out of your memory.
Pace: 8
Overlord moves at a steady speed, although not perfect. I would prefer “breakneck” with a movie like this, but instead you get “just over the speed limit”. Fortunately there are only a handful of lulls, but they seem to come at the worst times right when you expect the train to keep rolling.
Plot: 7
Resolution: 10
I won’t give anything away, but the ending left me both satisfied and hoping for more. There is definitely room for some kind of a sequel here if they wanted to go that route. All the loose ends that needed to be tied up were taken care of.
Overall: 90
I can’t stress enough that I appreciate when certain genres get reused for the sake of being spun in a different fashion. Sometimes it’s a big miss (insert Pride and Prejudice and Zombies here). Other times, a film succeeds with a big swing. Overlord hits a home run.
Lindsay (1752 KP) rated The High Court in Books
Mar 14, 2019
We are welcome back to MO Prep and it students right before the start of a new term. Zeus and his siblings and friend Metis are all visiting Crete. They are there to visit and get introduced to his adoptive family. I loved this book and story behind it.
Things get tense when they run into his former professors. There seem to be heated conversation with Zeus and Metis. We also find out who Metis parents are? Chris Ledbetter doe a wonderful job with his characters.
We seem to see the confrontation once again with Zeus and Titans students or at least some of them. What will happen at Othrys Hall? They seem to start their new term and find new member to join MO Prep. Once they do, they go about their day. Once in the afternoon they seem to get attacked by something of a Giants Creatures on their war game practice. What are they? Who sent them?
If you want to know how it starts, I would suggest reading “The Sky Throne” by Chris Ledbetter. This one continues it. If you want to know how Zeus ends up with his struggles with toxin that Zenus has and is deal with during this book. Read the first book which I mentioned above.
I also really think there something going on with how the professors of the lower and upper academy are treating the MO Prep students. I can not wait for the next installment of this story. I am left wondering what Kronos means and why he got sentence he got? There are surprises and secrets spilled. What happens to Hyperion? There are two trials that goes on.
Things get tense when they run into his former professors. There seem to be heated conversation with Zeus and Metis. We also find out who Metis parents are? Chris Ledbetter doe a wonderful job with his characters.
We seem to see the confrontation once again with Zeus and Titans students or at least some of them. What will happen at Othrys Hall? They seem to start their new term and find new member to join MO Prep. Once they do, they go about their day. Once in the afternoon they seem to get attacked by something of a Giants Creatures on their war game practice. What are they? Who sent them?
If you want to know how it starts, I would suggest reading “The Sky Throne” by Chris Ledbetter. This one continues it. If you want to know how Zeus ends up with his struggles with toxin that Zenus has and is deal with during this book. Read the first book which I mentioned above.
I also really think there something going on with how the professors of the lower and upper academy are treating the MO Prep students. I can not wait for the next installment of this story. I am left wondering what Kronos means and why he got sentence he got? There are surprises and secrets spilled. What happens to Hyperion? There are two trials that goes on.