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Surviving The Evacuation, Book 3: Family
7.5
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Book
The undead rose. Nations collapsed. Some people survived. Three months after escaping from London,...
Fire Wolf (Fire & Reign #1)
Book
Since the fall of the royal house, the four kingdoms have been divided and at war, leaving many...
YA Young Adult Fantasy Fire Wolf series Fire &
A Boy and His Dog
8.5
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Winner of the Nebula Award: A boy and his telepathic dog fight to survive in a war-torn,...
Torchwood One: Before the Fall
Matt Fitton, Joseph Lidster, Jenny T. Colgan and Barnaby Edwards
Book
London, 2005. Yvonne Hartman is the undisputed head of Torchwood One. Above the government, beyond...
Christine A. (965 KP) rated The Forgotten Kingdom (The Lost Queen Trilogy #2) in Books
Sep 25, 2020
Better than book 1
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
The Forgotten Kingdom by Signe Pike is the 2nd novel in The Lost Queen Trilogy. To give a fair review, I read the first book, The Lost Queen.
This novel is told by 3 points of view, unlike the 1st novel, which had two. We continue to follow Langoureth and Lailoken and are introduced to Langoureth's daughter, Angharad.
The Forgotten Kingdom opens with Languoreth still locked in her chamber, awaiting news of her husband and son who have ridden to wage war with her brother, the love of her life, and the rest of the Dragon Warriors. While you could start reading the trilogy with this part, Pike beautifully sets up the world, allies, and enemies in book one. Reading it would give a clear understanding of the actions in book two.
Rarely does it happen, but I enjoyed this sequel more than book one. Pike's writing is detailed but not overly done. She built a vibrant world that is as magical as the characters within.
Unlike book one, the story could end after book 2, but with the introduction of Arthur to Merlin, who would want it to stop? Goodreads does not list a release date for book three.
This 200-word review was published on Philomathinphila.com on 9/24/20.
The Forgotten Kingdom by Signe Pike is the 2nd novel in The Lost Queen Trilogy. To give a fair review, I read the first book, The Lost Queen.
This novel is told by 3 points of view, unlike the 1st novel, which had two. We continue to follow Langoureth and Lailoken and are introduced to Langoureth's daughter, Angharad.
The Forgotten Kingdom opens with Languoreth still locked in her chamber, awaiting news of her husband and son who have ridden to wage war with her brother, the love of her life, and the rest of the Dragon Warriors. While you could start reading the trilogy with this part, Pike beautifully sets up the world, allies, and enemies in book one. Reading it would give a clear understanding of the actions in book two.
Rarely does it happen, but I enjoyed this sequel more than book one. Pike's writing is detailed but not overly done. She built a vibrant world that is as magical as the characters within.
Unlike book one, the story could end after book 2, but with the introduction of Arthur to Merlin, who would want it to stop? Goodreads does not list a release date for book three.
This 200-word review was published on Philomathinphila.com on 9/24/20.
Mark @ Carstairs Considers (2464 KP) rated L is for Lawless in Books
Sep 8, 2018
Simple Favor Gets Out of Control
Kinsey is taking a rare week off from her PI business for William and Rosie’s wedding, but before she can get too relaxed, Henry asks her for a small favor. One of their neighbors has recently passed, and his family is having a hard time getting the death benefits from the government since they have no record of this man having been in the service during World War II. Kinsey doesn’t intend to get too involved, but when the man’s place is broken into and searched, she becomes curious. Just what is really happening?
I love it when a book takes off in ways I don’t expect, and that’s just what happened with this one. The plot was great, and even when we have most of the answers, there is still the question of what will happen next to Kinsey to keep the pages turning. It is fun to meet the rest of William and Henry’s family, and the character involved in the mystery are as strong as always. A series thread introduced a couple of books back comes into play here again as well. Fans of the series who have missed this one won’t be disappointed.
I love it when a book takes off in ways I don’t expect, and that’s just what happened with this one. The plot was great, and even when we have most of the answers, there is still the question of what will happen next to Kinsey to keep the pages turning. It is fun to meet the rest of William and Henry’s family, and the character involved in the mystery are as strong as always. A series thread introduced a couple of books back comes into play here again as well. Fans of the series who have missed this one won’t be disappointed.
WH
When Hitler Stole Pink Rabbit
6.0
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This semi-autobiographical and unforgettable story, of a Jewish family fleeing from Germany before...
Merissa (13600 KP) rated She's the One Who Gets in Fights (War Stories of the Seven Troublesome Sisters #3) in Books
Jun 7, 2021 (Updated Jul 18, 2023)
SHE'S THE ONE WHO GETS IN FIGHTS is the third book in the War Stories of the Seven Troublesome Sisters series and this time, it's Sulphur's story.
Sulphur is the one who wanted to join the Svadlu and, thanks to Coral, made it. On her own merits, she rose in the ranks and became one of the Mozdol. This put her in the uncomfortable position of various groups asking her to give them information on the other groups she was associated with. What follows is an intricate and intriguing story as Sulphur finds her own path.
I love seeing how the different sisters see and act in various situations. Seeing the same thing through different eyes gives the reader a more-rounded view of the situation and Ms. Cronin does this perfectly.
The pacing of the story was just right, the world-building was as good as ever, and the character development was spot-on. A fantastic addition to the series that I absolutely recommend. I can't wait to see who comes next!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 7, 2021
Sulphur is the one who wanted to join the Svadlu and, thanks to Coral, made it. On her own merits, she rose in the ranks and became one of the Mozdol. This put her in the uncomfortable position of various groups asking her to give them information on the other groups she was associated with. What follows is an intricate and intriguing story as Sulphur finds her own path.
I love seeing how the different sisters see and act in various situations. Seeing the same thing through different eyes gives the reader a more-rounded view of the situation and Ms. Cronin does this perfectly.
The pacing of the story was just right, the world-building was as good as ever, and the character development was spot-on. A fantastic addition to the series that I absolutely recommend. I can't wait to see who comes next!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 7, 2021
Stranger Things: Suspicious Minds
8.2
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It's the summer of 1969, and the shock of conflict reverberates through the youth of America, both...
RəX Regent (349 KP) rated Saving Private Ryan (1998) in Movies
Feb 25, 2019 (Updated Feb 25, 2019)
Groundbreaker mired in slop
Contains spoilers, click to show
Regarded as one of the best war films ever made, it certainly qualifies. The opening twenty minutes are still as breathtaking, shocking and disturbing realistic as they were back in 1998. It is hard to imagine that it has now been over twelve years since Saving Private Ryan broke the mold of World War II film making.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.