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James P. Sumner (65 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 5, 2019
A poor end to a great series.
With the much-publicised sale of the Fox-owned Marvel properties to Disney, we knew going into this film it would be the last of its series. The three entries that came before breathed life into a tired franchise, and were all must-see blockbusters.
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Lenard (726 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jul 4, 2019
The producers behind the X-Men series once again rush to tell one of their best storylines from the comic series. Unfortunately, The Dark Phoenix Saga does not lend itself to a one-off movie. Once again, the people with the money are too afraid to gamble on breaking the story into two or three movies. Imagine It, The Lord of the Rings, or Infinity Gauntlet as just film. You can't because all of them were split up into two or three films and they all made huge profits. Dark Phoenix needed the same care and guidance. Jean Grey was not introduced in this timeline until Apocalypse. We the audience did not have time to get to know her and her backstory so we have no sympathy for her when she is taken over by an alien force or any understanding why she is able to battle within herself. There is no real tension in the relationship between Scott and Jean since they have only been together in our minds for 1 movie even if the movie was set ten years ago. We have not experienced those ten years along side them. Every detail is cobbled together in an effort to jam this story which lasted ten issues in the graphic serial.
Sarah (7800 KP) rated The Institute in Books
Nov 26, 2019
Would make a great film
Supernatural abilities and horrific events are nothing new for Stephen King, but this is the first time we've seen his take on The Maze Runner/X-Men and most other recent YA novels or films. And it's really rather good.
I wouldn't say it's up there with his knockout classics or epic stories, but this is a hugely entertaining read with some endearing and well developed characters. Even the kids in this are a lot more likeable than most other whinging teens that feature as protagonists in other novels, and it's just proof that King really does know how to do characters. The story itself is interesting and a neat new take on the supernatural/superhero powers that we're so used to seeing nowadays. My biggest issue is the ending. It's not terrible or even bad at all, it just comes across as very anticlimactic after the huge build up and is rather a bit of a letdown. It just seems a little too clean and wrapped up all too quickly.
Still I struggled to put this down, especially the further I got into it, and if you like stories about supernatural abilities then this is definitely one to read.
I wouldn't say it's up there with his knockout classics or epic stories, but this is a hugely entertaining read with some endearing and well developed characters. Even the kids in this are a lot more likeable than most other whinging teens that feature as protagonists in other novels, and it's just proof that King really does know how to do characters. The story itself is interesting and a neat new take on the supernatural/superhero powers that we're so used to seeing nowadays. My biggest issue is the ending. It's not terrible or even bad at all, it just comes across as very anticlimactic after the huge build up and is rather a bit of a letdown. It just seems a little too clean and wrapped up all too quickly.
Still I struggled to put this down, especially the further I got into it, and if you like stories about supernatural abilities then this is definitely one to read.
LeftSideCut (3776 KP) rated The Wolverine (2013) in Movies
Jul 30, 2019
An ok film that could have been so much more.
Here we have the 6th entry into the X-Men franchise, and the second solo outing for Wolverine.
I, like many comic fans, was thrilled when it was announced that this film would be diving into Logan's time in Japan. It's arguably one of the strongest solo Wolverine storylines from the comic!
The finished film however misses the mark. Not completely - remnants of the comic are left intact, buts it's clear that the studio meddled once again. When The Wolverine is concentrating on the dialogue heavy scenes, it's good. When it throws Logan against ninjas, it's (mostly) good.
However, FOX obviously didn't have enough faith in this as a whole, and opted to push James Mangold in the direction of dodgy CGI orgies.
The climatic battle against a massive CGI robot ninja (referred to as Silver Samurai - the bloody cheek), is so out of place, that it nearly ruins the whole film.
I feel that James Mangold is not to blame. He clearly has respect for the source material, and isn't about big CGI blowouts - he would go on to direct the stellar Logan a few years later.
A wasted opportunity then, and a storyline I really hope Marvel Studios revisits again in the future
I, like many comic fans, was thrilled when it was announced that this film would be diving into Logan's time in Japan. It's arguably one of the strongest solo Wolverine storylines from the comic!
The finished film however misses the mark. Not completely - remnants of the comic are left intact, buts it's clear that the studio meddled once again. When The Wolverine is concentrating on the dialogue heavy scenes, it's good. When it throws Logan against ninjas, it's (mostly) good.
However, FOX obviously didn't have enough faith in this as a whole, and opted to push James Mangold in the direction of dodgy CGI orgies.
The climatic battle against a massive CGI robot ninja (referred to as Silver Samurai - the bloody cheek), is so out of place, that it nearly ruins the whole film.
I feel that James Mangold is not to blame. He clearly has respect for the source material, and isn't about big CGI blowouts - he would go on to direct the stellar Logan a few years later.
A wasted opportunity then, and a storyline I really hope Marvel Studios revisits again in the future
Red One
Rachel Dodson, X. Dorison and Terry Dodson
Book
* What if happens when America's Greatest Hero...is actually a Russian Spy? It's 1977, the height of...
LeftSideCut (3776 KP) rated Rise of the Superheroes (2018) in Movies
Oct 2, 2020
Rise of the Superheroes is a "good enough" look into the history of comic book movies if you have a couple of hours to kill.
It covers a lot of ground from the 40s Batman serial series, all the way up to 2018s Black Panther, and has some notable comic book alumni amongst the interviewers, including the likes of Chris Claremont, Chuck Dixon, Scott Beauty, and Neal Adams.
The problem is however, a genre as big as comic book movies needs a big budget documentary to go with it. It would be nice to see some of the actors involved in the interviews, it would benefit from flashier graphics, it would benefit from a longer run time or even a series to properly explore the ever growing number of properties making the jump from page to screen.
The boom of comic movies from X-Men (2000) onwards is all crammed into the last 30 minutes as the feature rushes to wrap up, and as a result, Rise of the Superheroes doesn't feel that comprehensive, and offers nothing new to an audience who will likely already know what is talked about here.
It's an easy and casual watch if you have an interest in the subject, but nothing more.
It covers a lot of ground from the 40s Batman serial series, all the way up to 2018s Black Panther, and has some notable comic book alumni amongst the interviewers, including the likes of Chris Claremont, Chuck Dixon, Scott Beauty, and Neal Adams.
The problem is however, a genre as big as comic book movies needs a big budget documentary to go with it. It would be nice to see some of the actors involved in the interviews, it would benefit from flashier graphics, it would benefit from a longer run time or even a series to properly explore the ever growing number of properties making the jump from page to screen.
The boom of comic movies from X-Men (2000) onwards is all crammed into the last 30 minutes as the feature rushes to wrap up, and as a result, Rise of the Superheroes doesn't feel that comprehensive, and offers nothing new to an audience who will likely already know what is talked about here.
It's an easy and casual watch if you have an interest in the subject, but nothing more.
The Cocktail Guide to the Galaxy: A Universe of Unique Cocktails from the Celebrated Doctor Who Bar
Book
Nerds unite! For the first time ever comes a book that unites two of the best things in the...
Food and drink
The Case Of The Bad Twin
8.0
Rate It
Book
Through a series of ridiculous events, thirteen-year-old Penny-Ann Piper has come to live on Piper...
Legion - Season 2
9.5
Rate It
TV Season Watch
The second season of the American cable television series Legion is based on the Marvel Comics...
David McK (3801 KP) rated Superman Returns (2006) in Movies
Aug 26, 2019 (Updated May 9, 2026)
Edit: Brandon Routh finally got to return to the character in (TV) Arrow's 'Crisis on Infinite Earths', about 15 years later ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the shape of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the shape of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...