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Castaway Tales: From Robinson Crusoe to Life of Pi
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Ever since Robinson Crusoe washed ashore, the castaway story has survived and prospered, inspiring a...
Things I'm Seeing Without You
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Fans of Thirteen Reasons Why and All the Bright Places will laugh and cry as they read this...
Young Adult Fiction
The Ivory Needle
9.0
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An ancient ivory needle… A desperate plea from beyond the veil… On a trip to Kenya,...
YA Young Adult Fiction Magic Spirits Elephants
Into The Churn
10.0
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Seventeen-year-old Ezren Hart interns in her mother’s terraforming lab, studying Belethea’s...
Young Adult Science Fiction Adventure Action Romance
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
I have no explanation for why young adult story anthologies are SO. GOOD. But they are. This particular one revolves around queer teens in historical times. That's about the only commonality; the genres vary from normal fiction to fantasy to magical realism. There are gay, lesbian, transgender, and asexual teens represented. I am a little annoyed that there don't seem to be any bisexual teens in the anthology; it could be argued that at least one if not more are bi simply because they had opposite-sex relationships before the same-sex romance in the story, but that's also common before realizing your sexuality/coming out. No one is explicitly bisexual in this book. There were also two transmen but no transwomen.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
Kyera (8 KP) rated Something in Between in Books
Feb 1, 2018
Something in Between is a timely novel that is so relevant to the political environment in our country today and a must read. Jasmine's life is turned upside down when she realizes that she and her family are in America, illegally. Her whole life she thought that they had green cards. She worked hard, was top in her class and ran herself ragged to be the best and to do everything from class president to cheer captain. It all seemed to pay off when she received a scholarship that would allow her to attend any college in the US, until her parents informed her that she wouldn't be able to accept. Couldn't accept, because she was an illegal immigrant.
Life turned upside down, Jasmine must figure out what to do and how to come to terms with her changed identity. Then Jas falls for the son of a politician who is spearheading the fights against undocumented workers. How will she reconcile her new self-identity in the world she lives in? Will she and her family be able to stay in America will they be forced to move back to the Philippines, a country her brothers have never known. And, will all of her hard work be for naught because she cannot find a way to attend college? Find out in this young adult/teen contemporary fiction novel about family, friends and growing up.
Life turned upside down, Jasmine must figure out what to do and how to come to terms with her changed identity. Then Jas falls for the son of a politician who is spearheading the fights against undocumented workers. How will she reconcile her new self-identity in the world she lives in? Will she and her family be able to stay in America will they be forced to move back to the Philippines, a country her brothers have never known. And, will all of her hard work be for naught because she cannot find a way to attend college? Find out in this young adult/teen contemporary fiction novel about family, friends and growing up.
The sequel and finale to the series is as well written as the first. I don't want to spoil anything but my emotions were in turmoil throughout this book. The author revealed truths to Etta and tore our hearts open with sympathy, hurt, compassion, love, and happiness. The rollercoaster of emotions never faded and we hoped that maybe Etta would find her place. That maybe not all travelers were scoundrels. That maybe there was a future out there for her.
Wayfarer is a wonderful fictional trip through history spanning thousands of years and crossing the globe. It is not all shiny, rose-tinted history but the truthful depiction of disease and death that so many faced. It brings a level of realness to the book that makes the reader more invested in what's happening to their beloved characters.
I found myself enjoying the sequel even more than the first, so overall this series is wonderful. Be prepared to be hit in the gut with feelings. I cannot prmise that you won't shed a tear. But believe me, this series is worth it. It was a very satisfying conclusion to a well written, riveting and emotionally taxing (in the best way) duology.
Highly recommended to young adult/teen readers who are fans of historical fiction. This is so well written and fascinating that I believe most people who pick it up will be a fan, even if they don't normally gravitate towards historical books.
Wayfarer is a wonderful fictional trip through history spanning thousands of years and crossing the globe. It is not all shiny, rose-tinted history but the truthful depiction of disease and death that so many faced. It brings a level of realness to the book that makes the reader more invested in what's happening to their beloved characters.
I found myself enjoying the sequel even more than the first, so overall this series is wonderful. Be prepared to be hit in the gut with feelings. I cannot prmise that you won't shed a tear. But believe me, this series is worth it. It was a very satisfying conclusion to a well written, riveting and emotionally taxing (in the best way) duology.
Highly recommended to young adult/teen readers who are fans of historical fiction. This is so well written and fascinating that I believe most people who pick it up will be a fan, even if they don't normally gravitate towards historical books.
Christine A. (965 KP) rated The Grace Year in Books
Jan 22, 2020
has been described as The Handmaid's Tale plus Lord of the Flies with The Hunger Games thrown in
I was provided with a complimentary copy of this book so I could give an honest review.
The Grace Year by Kim Liggett has been described as The Handmaid's Tale plus Lord of the Flies with The Hunger Games thrown in. Every book, movie, song, etc can make us think of other work. It does not mean it is not a good story. Actually, those are pretty good books to be compared to.
In The Grace Year, girls are banished for their sixteenth year. No one talks about what they call the grace year. All Tierney James knows is not everyone returns. Those who do are changed. Some are mentally changed. Others are physically damaged with missing limbs, scars, etc.
I enjoyed the storyline but it was a very slow burn. It took a while for me to get into the story. Once I did, I was hooked. It just took too long to capture my attention.
I read her earlier book, The Last Harvest, and found it was also a slow burn but worth reading. Knowing I will enjoy her books overall means I will keep reading until they grab me. With both books, once they did, I could not stop reading.
The Grace Year was a 2019 Goodreads Choice Award Nominee for Young Adult Fiction.
This 200-word review was published on Philomathinphila.com on 1/21/20.
The Grace Year by Kim Liggett has been described as The Handmaid's Tale plus Lord of the Flies with The Hunger Games thrown in. Every book, movie, song, etc can make us think of other work. It does not mean it is not a good story. Actually, those are pretty good books to be compared to.
In The Grace Year, girls are banished for their sixteenth year. No one talks about what they call the grace year. All Tierney James knows is not everyone returns. Those who do are changed. Some are mentally changed. Others are physically damaged with missing limbs, scars, etc.
I enjoyed the storyline but it was a very slow burn. It took a while for me to get into the story. Once I did, I was hooked. It just took too long to capture my attention.
I read her earlier book, The Last Harvest, and found it was also a slow burn but worth reading. Knowing I will enjoy her books overall means I will keep reading until they grab me. With both books, once they did, I could not stop reading.
The Grace Year was a 2019 Goodreads Choice Award Nominee for Young Adult Fiction.
This 200-word review was published on Philomathinphila.com on 1/21/20.