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Acanthea Grimscythe (300 KP) rated A Court of Wings and Ruin in Books
May 15, 2018
Contains spoilers, click to show
A Court of Wings and Ruin by Sarah J. Maas doesn’t quite live up to A Court of Mist and Fury, but it’s still a surprisingly fun jaunt through war-torn Prythian. Brimming with dangerous deals and unlikely allies, I actually enjoyed reading this – for the most part. It should be made clear, once again, that though Maas’s books are found in the young adult section, they contain material not suitable for some young readers.
Like sex. Lots and lots of detailed sex. The few times it popped up in the Mist and Fury, it was alright. Wings and Ruin, on the other hand, really hones in on the sexual relationship between Feyre and Rhysand. A bit too much for my taste, anyway.
Sex aside, the plot moves along at a fairly quick pace and, for the most part, kept me hooked. (As in, I legit stayed up waaay too late one night reading.) I also love that there was a bit more focus on Feyre’s sisters this time around, rather than Feyre’s own self interests. It’s nice to see her grow as a… person, I guess you could say.
Overall, this isn’t my favorite book of the bunch, but I don’t find it (or its ending, which I feel is approached with the same logic I would have used) to be near as horrid as I was told to expect. I look forward to the next in the series, as ACOTAR is, undoubtedly, a guilty pleasure of mine.
Like sex. Lots and lots of detailed sex. The few times it popped up in the Mist and Fury, it was alright. Wings and Ruin, on the other hand, really hones in on the sexual relationship between Feyre and Rhysand. A bit too much for my taste, anyway.
Sex aside, the plot moves along at a fairly quick pace and, for the most part, kept me hooked. (As in, I legit stayed up waaay too late one night reading.) I also love that there was a bit more focus on Feyre’s sisters this time around, rather than Feyre’s own self interests. It’s nice to see her grow as a… person, I guess you could say.
Overall, this isn’t my favorite book of the bunch, but I don’t find it (or its ending, which I feel is approached with the same logic I would have used) to be near as horrid as I was told to expect. I look forward to the next in the series, as ACOTAR is, undoubtedly, a guilty pleasure of mine.
The Myth of Wu Tao-tzu
Book
'During the Tang dynasty, the Chinese artist Wu Tao-tzu was one day standing looking at a mural he...
The Black Horn: The Story of Classical French Hornist Robert Lee Watt
Book
The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first...
The Boiling River
Book
Part of the TED series: The Boiling River This fantastical tale - which sent scores of Spanish...
The Speaker: Sea of Ink and Gold Book 2
9.0
Rate It
Book
The sequel to the critically-acclaimed New York Times bestselling fantasy The Reader, "highly...
fantasy young
Pigeon English
Stephen Kelman and Gbolahan Obisesan
6.0
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Book
There was a ruckus at lunch time. It was the best one so far. Nobody knew why they were fighting...
Death YA Loss Working class Detective
Ali A (82 KP) rated The Electric Kingdom in Books
Jan 11, 2021
The Electric Kingdom is a novel that takes another look at the beauty of humans in a post apocalyptic world. Eighteen years after a deadly Fly Flu sweeps the globe, killing most of the population, Nico and her dog, Harry get sent on a voyage by Nico’s father to find a mythical portal. Along the way, she meets other children, including a young artist named Kit. There’s also the Deliverer, who lives Life after Life in an attempt to put the world back together. This story is an exploration of art, love, life, and finding beauty.
Every character that David Arnold writes in this book is so full of love, warmth, and heartbreak. I fell in love with Kit and his outlook on live. It was beautiful. The relationship he had with his mother Dakota, and why he calls her “My Dakota” made me tear up.
I’m not sure I completely understand the whole dynamics of the world that is in this book, but I still very much enjoyed it! There are so many layers and plot twists and double backs, you don’t realize how intense it is until you’re half way through it. By then, Arnold has you hooked and you’ve got to find out what happens and how it’s all connected!
I haven’t read anything from Arnold before but I enjoyed this one and will seeking out others from him.
*Thank you Bookish First and Penguin Teen/Viking Books for Young Readers for an advanced copy of this book in exchange for an honest review
Every character that David Arnold writes in this book is so full of love, warmth, and heartbreak. I fell in love with Kit and his outlook on live. It was beautiful. The relationship he had with his mother Dakota, and why he calls her “My Dakota” made me tear up.
I’m not sure I completely understand the whole dynamics of the world that is in this book, but I still very much enjoyed it! There are so many layers and plot twists and double backs, you don’t realize how intense it is until you’re half way through it. By then, Arnold has you hooked and you’ve got to find out what happens and how it’s all connected!
I haven’t read anything from Arnold before but I enjoyed this one and will seeking out others from him.
*Thank you Bookish First and Penguin Teen/Viking Books for Young Readers for an advanced copy of this book in exchange for an honest review
A Column of Fire
9.0
Rate It
Book
The saga that has enthralled the millions of readers of The Pillars of the Earth and World Without...
Fiction
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Hazel (1853 KP) rated Timmy Failure: The Cat Stole My Pants in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.