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The Boiling River
Book
Part of the TED series: The Boiling River This fantastical tale - which sent scores of Spanish...
The Speaker: Sea of Ink and Gold Book 2
9.0
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The sequel to the critically-acclaimed New York Times bestselling fantasy The Reader, "highly...
fantasy young
Pigeon English
Stephen Kelman and Gbolahan Obisesan
6.0
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Book
There was a ruckus at lunch time. It was the best one so far. Nobody knew why they were fighting...
Death YA Loss Working class Detective
Ali A (82 KP) rated The Electric Kingdom in Books
Jan 11, 2021
The Electric Kingdom is a novel that takes another look at the beauty of humans in a post apocalyptic world. Eighteen years after a deadly Fly Flu sweeps the globe, killing most of the population, Nico and her dog, Harry get sent on a voyage by Nico’s father to find a mythical portal. Along the way, she meets other children, including a young artist named Kit. There’s also the Deliverer, who lives Life after Life in an attempt to put the world back together. This story is an exploration of art, love, life, and finding beauty.
Every character that David Arnold writes in this book is so full of love, warmth, and heartbreak. I fell in love with Kit and his outlook on live. It was beautiful. The relationship he had with his mother Dakota, and why he calls her “My Dakota” made me tear up.
I’m not sure I completely understand the whole dynamics of the world that is in this book, but I still very much enjoyed it! There are so many layers and plot twists and double backs, you don’t realize how intense it is until you’re half way through it. By then, Arnold has you hooked and you’ve got to find out what happens and how it’s all connected!
I haven’t read anything from Arnold before but I enjoyed this one and will seeking out others from him.
*Thank you Bookish First and Penguin Teen/Viking Books for Young Readers for an advanced copy of this book in exchange for an honest review
Every character that David Arnold writes in this book is so full of love, warmth, and heartbreak. I fell in love with Kit and his outlook on live. It was beautiful. The relationship he had with his mother Dakota, and why he calls her “My Dakota” made me tear up.
I’m not sure I completely understand the whole dynamics of the world that is in this book, but I still very much enjoyed it! There are so many layers and plot twists and double backs, you don’t realize how intense it is until you’re half way through it. By then, Arnold has you hooked and you’ve got to find out what happens and how it’s all connected!
I haven’t read anything from Arnold before but I enjoyed this one and will seeking out others from him.
*Thank you Bookish First and Penguin Teen/Viking Books for Young Readers for an advanced copy of this book in exchange for an honest review
A Column of Fire
9.0
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The saga that has enthralled the millions of readers of The Pillars of the Earth and World Without...
Fiction
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Hazel (1853 KP) rated Timmy Failure: The Cat Stole My Pants in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
Hazel (1853 KP) rated What Light in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
Hazel (1853 KP) rated Silence Is Goldfish in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.
