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Connected: Discovering Your Inner Guides: A Kid's Guide to Navigating Their Emotions
Seema Desai and James Ballance
9.0
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What if you could... make life easier and more fun? create choices for yourself, even when it...
Morgan Sheppard (926 KP) created a post
Aug 12, 2023
graveyardgremlin (7194 KP) rated Cleopatra's Moon in Books
Feb 15, 2019
<i>Cleopatra's Moon</i> tells the childhood story of Cleopatra Selene, daughter of Marc Antony (Marcus Antonius) and the most famous Cleopatra (VII) in history. The story covers her life from ages six to sixteen, from her parents' fall from power to the capture of Cleopatra Selene and her brothers to their lives living in Rome.
Catered to the young adult market, <i>Cleopatra's Moon</i> has a lot to offer older readers as well. While there may not be as much meat on the bones as many adult historical fiction novels have, the history is plentiful and smoothly incorporated into the story. Aside from a few, minor instances, not much Cleopatra Selene said or did stood out as odd and the history seemed sound (though I am far from an expert). The author's writing style is easy to read, has a nice flow, and the descriptions are well-done; I could easily picture the surroundings, so the scenes came alive for me. She doesn't shy away from suggestive scenes, making the story feel more realistic, though nothing is described explicitly either. The author is up front about what is and is not fact in the six-page section at the end of book entitled "The Facts Within the Fiction," which gives the reader more information about the people mentioned within the book. If anyone goes into this book expecting more love story than historical fiction, they will be sadly disappointed. Any love story takes a back seat to Cleopatra Selene's struggle with both herself and her circumstances in life.
If I had one quibble with the book, it was the children's and Cleopatra Selene's voices. The children sounded a bit too mature at times, including Cleopatra Selene when young. Although in her case, it was more her voice didn't change much throughout the ten years the book covered and it was too familiar. I've come across other young adult protagonists that sounded very similar to her, both historical and contemporary, so I was hoping hers would be a bit more distinctive from the rest. Still, it's a very small thing and I did like Cleo Selene; she wasn't passive, but she wasn't aggressive either, she fell somewhere in between the two, which worked well for the book.
After all has been said, <i>Cleopatra's Moon</i> does what any (good) historical fiction novel should aspire to, it made me want to know more about the time, people, and places.
Catered to the young adult market, <i>Cleopatra's Moon</i> has a lot to offer older readers as well. While there may not be as much meat on the bones as many adult historical fiction novels have, the history is plentiful and smoothly incorporated into the story. Aside from a few, minor instances, not much Cleopatra Selene said or did stood out as odd and the history seemed sound (though I am far from an expert). The author's writing style is easy to read, has a nice flow, and the descriptions are well-done; I could easily picture the surroundings, so the scenes came alive for me. She doesn't shy away from suggestive scenes, making the story feel more realistic, though nothing is described explicitly either. The author is up front about what is and is not fact in the six-page section at the end of book entitled "The Facts Within the Fiction," which gives the reader more information about the people mentioned within the book. If anyone goes into this book expecting more love story than historical fiction, they will be sadly disappointed. Any love story takes a back seat to Cleopatra Selene's struggle with both herself and her circumstances in life.
If I had one quibble with the book, it was the children's and Cleopatra Selene's voices. The children sounded a bit too mature at times, including Cleopatra Selene when young. Although in her case, it was more her voice didn't change much throughout the ten years the book covered and it was too familiar. I've come across other young adult protagonists that sounded very similar to her, both historical and contemporary, so I was hoping hers would be a bit more distinctive from the rest. Still, it's a very small thing and I did like Cleo Selene; she wasn't passive, but she wasn't aggressive either, she fell somewhere in between the two, which worked well for the book.
After all has been said, <i>Cleopatra's Moon</i> does what any (good) historical fiction novel should aspire to, it made me want to know more about the time, people, and places.
Studs Lonigan
Book
This Library of America volume contains one of the masterpieces of American naturalism and a major...
Acanthea Grimscythe (300 KP) rated The Wife Between Us in Books
May 16, 2018
The Wife Between Us by Greer Hendricks and Sarah Pekkanen is most assuredly not my cup of tea. I did not enjoy reading it. So then, why the high rating? Why am I about to rave about it? Because this book is important. It delves into a subject far too easily dismissed and too stigmatized to get the attention it deserves. I’ll put it this way: the book’s synopsis is spot on, and I feel this is a must-read for young adults especially.
I don’t wish to reveal spoilers, but at the same time I feel it is my responsibility to alert my readers when there may be content in a book that could potentially trigger them. The Wife Between Us deals with the dynamics of a relationship: the good, the bad, and the ugly. If you’re currently recovering from a less than savory relationship, you may want to hold off on this: if you’re looking for a reminder that you’re not crazy though, it’s perfect. I had to stop reading a time or two for a bit, and I even caught myself crying as I finished the final pages of this book.
Hendricks and Pekkanen’s characters are remarkably average, and I feel that is important to point out. Too many times we get books with unbelievable roles cast and this allows us, as readers, to dissociate from thee story itself. In this case, as far as the women of the book are concerned, it’s quite realistic and believable.
There are moments in The Wife Between Us where I cried out, swearing in surprise. Hendricks and Pekkanen manage to write things without too much foreshadowing; their twists and turns come as a slap to the face. It keeps the reader on edge and keeps the plot from growing dull.
While I may not have found this book to be enjoyable for myself, I do love the talent that both writers clearly have. I was unable to detect the style changes, which also means that they blend in well together. I’d like to thank St. Martin’s Press and NetGalley for the opportunity to review this book, free of charge, for the purpose of an unbiased review.
I don’t wish to reveal spoilers, but at the same time I feel it is my responsibility to alert my readers when there may be content in a book that could potentially trigger them. The Wife Between Us deals with the dynamics of a relationship: the good, the bad, and the ugly. If you’re currently recovering from a less than savory relationship, you may want to hold off on this: if you’re looking for a reminder that you’re not crazy though, it’s perfect. I had to stop reading a time or two for a bit, and I even caught myself crying as I finished the final pages of this book.
Hendricks and Pekkanen’s characters are remarkably average, and I feel that is important to point out. Too many times we get books with unbelievable roles cast and this allows us, as readers, to dissociate from thee story itself. In this case, as far as the women of the book are concerned, it’s quite realistic and believable.
There are moments in The Wife Between Us where I cried out, swearing in surprise. Hendricks and Pekkanen manage to write things without too much foreshadowing; their twists and turns come as a slap to the face. It keeps the reader on edge and keeps the plot from growing dull.
While I may not have found this book to be enjoyable for myself, I do love the talent that both writers clearly have. I was unable to detect the style changes, which also means that they blend in well together. I’d like to thank St. Martin’s Press and NetGalley for the opportunity to review this book, free of charge, for the purpose of an unbiased review.
graveyardgremlin (7194 KP) rated The Blood Confession in Books
Feb 15, 2019
<i>4.5 stars</i>
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
Kyera (8 KP) rated The Call (The Call #1) in Books
Feb 1, 2018
Be prepared for a dark ride that will hit you with every emotion. The book starts off a little slow as it lays the groundwork for a riveting and horrifying novel. Once you are introduced to the various characters and the world they find themselves in, the book becomes a really quick read. This book takes place in Ireland, but the island is separated from the rest of the world. Thousands of years ago, the Irish people banished the Sidhe (fairies) to another world and now they're back for their revenge. The people are trapped and their teens are being taken. The Call lasts for 3 minutes and 4 seconds in our world, but they have to survive a day in Sidhe. Most don't. Those that do usually aren't the same, either physically, mentally, or both. When they reappear after those 3 minutes, they're likely dead and quite horribly mutilated. The Sidhe enjoy twisting and bending their prey into new shapes as a form of amusement. Dark.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Kyera (8 KP) rated There's Someone In Your House in Books
Feb 1, 2018
This young adult thriller brings the feeling of Scream to a captivating if a bit on the nose book. I liked the characterization in the book, as each person felt unique but they weren't developed in any meaningful way. As a result, it was an enjoyable and quick read but you're likely to not connect strongly with any of the characters.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
Hazel (1853 KP) rated Shadow Fall (Shadow Fall, #1) in Books
Dec 7, 2018
Rating 1.5 stars
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
For almost a decade, dystopian literature has become mainstream amongst the young adult community, and it appears set to stay as another debut author joins the bandwagon. <i>Shadow Fall</i> by Audrey Grey encompasses ideas from popular series, such as<i> The Hunger Games</i> and <i>The Maze Runner</i>, to create an original apocalyptic story. In barely more than a fortnight the Earth is doomed to be destroyed by a passing asteroid, only a handful of humans can survive. The question is who?
Maia Graystone, a fugitive, has been given the opportunity to win a place on Hyperion space station – a castle in the stars – and safety from the asteroid, Pandora. However in a game of life and death it is not going to be easy to get through the trials. Posing, quite literally, as the Lady Everly March, Maia hopes not to be recognized by the tyrannous Emperor, nor by the mother who abandoned her. Yet Maia’s supporters have an ulterior motive – kill the Emperor.
To be brutally honest, <i>Shadow Fall</i> was a rather tedious book to read. Granted there was a lot of action – mostly unnecessary, bloodthirsty murder – however the confusing storyline, rude characters and the inability to evoke a visual idea of the setting, resulted in a painstakingly uninspiring story.
With so many dystopian novels to compete against, it is going to be hard for a new writer to stand out from the crowd. Audrey Grey used a lot of Greek mythological references as the basis of her ideas, something that appealed to me, but may be lost on other readers.
On the other hand,<i> Shadow Fall </i>contains a couple of scenes that will conjure emotion up in the majority of readers, and mildly excite and engage. Yet, for me, this was not enough to save it from a negative review. I really wanted to like this book but I struggled to get into the story and appreciate the author’s hard work.
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
For almost a decade, dystopian literature has become mainstream amongst the young adult community, and it appears set to stay as another debut author joins the bandwagon. <i>Shadow Fall</i> by Audrey Grey encompasses ideas from popular series, such as<i> The Hunger Games</i> and <i>The Maze Runner</i>, to create an original apocalyptic story. In barely more than a fortnight the Earth is doomed to be destroyed by a passing asteroid, only a handful of humans can survive. The question is who?
Maia Graystone, a fugitive, has been given the opportunity to win a place on Hyperion space station – a castle in the stars – and safety from the asteroid, Pandora. However in a game of life and death it is not going to be easy to get through the trials. Posing, quite literally, as the Lady Everly March, Maia hopes not to be recognized by the tyrannous Emperor, nor by the mother who abandoned her. Yet Maia’s supporters have an ulterior motive – kill the Emperor.
To be brutally honest, <i>Shadow Fall</i> was a rather tedious book to read. Granted there was a lot of action – mostly unnecessary, bloodthirsty murder – however the confusing storyline, rude characters and the inability to evoke a visual idea of the setting, resulted in a painstakingly uninspiring story.
With so many dystopian novels to compete against, it is going to be hard for a new writer to stand out from the crowd. Audrey Grey used a lot of Greek mythological references as the basis of her ideas, something that appealed to me, but may be lost on other readers.
On the other hand,<i> Shadow Fall </i>contains a couple of scenes that will conjure emotion up in the majority of readers, and mildly excite and engage. Yet, for me, this was not enough to save it from a negative review. I really wanted to like this book but I struggled to get into the story and appreciate the author’s hard work.
Hazel (1853 KP) rated Tonight the Streets Are Ours in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
From Leila Sales, the author of <i>This Song Will Save Your Life</i>, comes a new contemporary young adult novel about love and friendship. Seventeen-year-old Arden, a recklessly loyal girl, discovers a blog, <i>Tonight The Streets Are Ours</i>, and becomes obsessed with the writer’s life. Peter has had experiences that Arden has also had; such as a relative leaving and loving people a lot more than they love you.
Arden’s loyalty to her friend Lindsey has occasionally ended up with Arden taking on the punishments she does not deserve. Arden believes she is doing this out of love but is beginning to question why no one else does those types of things for her. After being let down by her boyfriend, Arden and Lindsey go on a road trip to New York in search of this admirable Peter. However, this trip ends up with Arden and Lindsey falling out, and Peter not quite being who the Internet made him out to be.
To begin with, <i>Tonight The Streets Are Ours</i>, felt very sketchy. The writing style and themes did not match up. Whereas the characters were teenagers and dealing with age appropriate issues, the actual writing felt as though it was targeted at a much younger audience. The characters were not particularly likable, including Arden who at times appeared to be representing perfection in terms of her personality. It is not until much later in the novel that the pace picks up and the story becomes more exciting. Once Arden meets Peter and begins to realize that reality conflicts with the online Peter, the true message of the book begins to come across.
It is difficult to rate this book. Whilst the ending was good, the beginning dragged so much that I almost gave up on reading it. If I felt that way then chances are other readers may do too – readers that may not actually persevere. For this reason, <i>Tonight The Streets Are Ours</i> is not a book I would easily recommend.
From Leila Sales, the author of <i>This Song Will Save Your Life</i>, comes a new contemporary young adult novel about love and friendship. Seventeen-year-old Arden, a recklessly loyal girl, discovers a blog, <i>Tonight The Streets Are Ours</i>, and becomes obsessed with the writer’s life. Peter has had experiences that Arden has also had; such as a relative leaving and loving people a lot more than they love you.
Arden’s loyalty to her friend Lindsey has occasionally ended up with Arden taking on the punishments she does not deserve. Arden believes she is doing this out of love but is beginning to question why no one else does those types of things for her. After being let down by her boyfriend, Arden and Lindsey go on a road trip to New York in search of this admirable Peter. However, this trip ends up with Arden and Lindsey falling out, and Peter not quite being who the Internet made him out to be.
To begin with, <i>Tonight The Streets Are Ours</i>, felt very sketchy. The writing style and themes did not match up. Whereas the characters were teenagers and dealing with age appropriate issues, the actual writing felt as though it was targeted at a much younger audience. The characters were not particularly likable, including Arden who at times appeared to be representing perfection in terms of her personality. It is not until much later in the novel that the pace picks up and the story becomes more exciting. Once Arden meets Peter and begins to realize that reality conflicts with the online Peter, the true message of the book begins to come across.
It is difficult to rate this book. Whilst the ending was good, the beginning dragged so much that I almost gave up on reading it. If I felt that way then chances are other readers may do too – readers that may not actually persevere. For this reason, <i>Tonight The Streets Are Ours</i> is not a book I would easily recommend.