"I rekindled a fondness for hip-hop having spent so much time in Houston, Texas, which lately has been revealed as the unexpected destination to make rap and hip-hop records. That's due largely to the presence of the Geto Boys and Bushwick Bill, Scarface and even Destiny's Child. When ZZ Top were recording the album Rhythmeen our studio was undergoing a facelift so we went into an alternate studio, John Moran's Digital Services, where many rap records have been made. There was the left room and the right room, adjoined with the shared group lounge area. I was trying to figure out how the hip-hop guys and rappers got such great-sounding backbeats. And of course what they didn't have was this kinda bluesy guitar. To this day ZZ Top aspires to keep some crunch and grit as part of the fabric. What started the ball rolling back in that direction was the movie Straight Outta Compton. All of a sudden I'm watching the genesis of NWA and what really started such a robust scene. I'd watch that movie ten times. And I probably will [again]!"

"As obtuse as this whole list may be, what drew me to Chromeo was their name. Being a hot-rod head and a car fanatic, I loved the name. It could have been a terrible record and I would have loved it, because you ain't got nothing unless you got a lot of chrome. 

My taste doesn't run too far into dance or disco but in the grand scheme of things, and for those who are attempting to perceive what ZZ Top is, it's good on occasion to find an unexpected surprise. On occasion we'd be lumped in with southern rock bands, but we're really not – it's Texas. Which is quite a bit different. Texas is down south, but it's certainly a far cry from South Carolina or Alabama or Georgia."